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[–]

 No.428 [Open thread]>>9136 [Watch Thread][Show All Posts]

What makes a film good in your opinion?
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 No.9136>>11249

[pop]YouTube embed. Click thumbnail to play.

>>428 (OP)

I enjoy movies that take advantage of the emotional capacity of man. The director is supposed to also direct how you feel, which is a misunderstood concept in modern Hollywood. Take Jaws for example. This is one of the most well-crafted scenes that exists in cinema because the audience is in tune with Brody's emotions even when not focused on him. Brody is thinking about the shark, so uncertainty is carried throughout the entire scene with several false alarms that temporarily relieve the audience of constant stress and reminds them to be vigilant. The audience starts to doubt the notion that a shark will appear at all once the wife starts to reduce tension, that is until the dog goes missing. Then the music starts to play and the shark claims it's second victim with a shocking amount of ferocity. The audience, like Brody, doesn't fully process the situation until the most elegant dolly zoom I've ever seen. I could go on and on about how fantastic this scene is and how much I appreciate Spielberg for using the deaths as devices to progress the story rather than get emotionally mixed up in them or how useful emotional capacity is in conveying abstract ideas to an audience through experience rather than explaining it, but I've made my point. Literally every movie should do this regardless of whether it's for critics or casuals.

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 No.9145>>11309

The best Wachowski film is actually Speed Racer.

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 No.11249

No reason really. If I get something out of it I like it.

>>9136

You're basically describing tension build-up and a resulting realization. Structurally it is impressive, especially for the time. I'm not a fan of Spielberg though.

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 No.11306

A good film is a good film. A snuff film shot on 8mm film could be kino if it stirs a unique emotional response from the viewer.

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 No.11309

>>9145

True.

I wonder if they're going to make a remaster of this movie in 4K or something like that, it would be a blast to watch.

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[–]

 No.7764 [Open thread][Watch Thread][Show All Posts]

Are there any good films about wandering merchants

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 No.7772>>7773

>>7771

i was going to post "shoah" but i decided i didn't want to be that guy

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 No.7773

[pop]YouTube embed. Click thumbnail to play.

>>7769

>>7772

Not enough wandering

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 No.7814

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 No.11276>>11277

https://www.epanda.tech/

we are adding new movies all the time site is new request a movie if there is something you'd like to see

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 No.11277

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>>11276

this was quite a strange thread to bump. are you a bot?

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 No.4329 [Open thread][Watch Thread][Show All Posts]

Hey,/film/, I'm thinking about applying for this international program (http://international.famu.cz/page.php?page=38) at FAMU, does anyone here have any experience with FAMU at all? I've heard good things but it would be nice to hear some personal experiences if anyone has any. Or experience with film school in general
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 No.4371

>>4365
it's not about learning theory and watching films so much as it's about getting experience making films with like-minded people and making connections and stuff. I've told myself I don't need film school for the last two years, and I've learned a lot on my own time, but studying film can only get you so far
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 No.11240

File (hide): 56bddef618a24d6⋯.jpg (32.03 KB,353x353,1:1,utter disdain.jpg) (h) (u)

I had a bad experience with film school. Teacher was a total pleb who interjected his political views into everything. The other students had barely any knowledge of film. Just overall bad. University all around was shit, happy I dropped out. I don't know why anyone would recommend it, unless you find yourself a truly exceptional program. I'm actually interested in if other anons have gone to or are currently attending film school.

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 No.11245>>11247

File (hide): 202439ed1418de1⋯.png (12.38 KB,218x255,218:255,literally me 4.png) (h) (u)

Oh thank god someone bumped this thread

Help me /film/ so I don't have to make a thread bitching about this: What the fuck do I do?!

My parents are on my back and for good reason, funds are tight and begin the first born child, they're kicking me to the curb before anything else. A year ago they would have told me I shouldn't get a job yet, but I'm skipping school a lot so now they're just telling me to work at McDonalds.

I tried looking at film majors, in colleges, problem is they're all literally fucking plebs of the worst caliber, if I'm looking to take things seriously college seemingly is the worst place to go, they tried emulating some hipster shit Godtard Anderson mix for their trailer, and from the 5 minutes I've seen from non official film schools, they're slightly less awful but still nowhere near as knowledgeable.

What do I do?

If I fail, I can always just spend a year or so as a homeless teenager and then write a book to leech off the average dumbass for sympathy like the Jew Jew York has turned me to.

What do I do? I don't want to be forced to cuck to survive.

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 No.11247>>11253

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>>11245

Could you go away and never come back?

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 No.11253

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[–]

 No.11234 [Open thread]>>11235 [Watch Thread][Show All Posts]

____________________________
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 No.11235

>>11234 (OP)

USA cinema has been dead 70 years.

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 No.11237

File (hide): b765868f7cea5f5⋯.jpg (147.97 KB,927x598,927:598,paul-thomas.jpg) (h) (u)

Best to avoid most of what is nominated at these award events. The selections are very political with a lot of studio pressure involved, which is why you see the same dozen films listed over and over. And all the "independent" studios are just subsidiaries of big media companies.

The whole awards circuit seems like a sophisticated means of promotion targeted at people who can't be fooled by slick trailers anymore.

I'd still watch a PTA movie though

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[–]

 No.11133 [Open thread]>>11227 [Watch Thread][Show All Posts]

GOD YUUU TEKEEM LAEEF BLOONG MIIIII

MII MII GIVIIM NAA LONG YUUU

BACK MII GIVIIM EVRIIDEE

BLONG LEFTEEMAP NEM BLONG YUU

https://www.youtube.com/watch?v=j924qaMb0d8

https://www.youtube.com/watch?v=WAxDN-FyPn8

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 No.11186>>11189

>>11181

Actually this board needs a quality boost and it has been slowly experiencing for the past couple months, in spite of threads like this. If you think high pph equates to something good you really shouldn't be posting yet. Remember one year to post, two to make a thread.

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 No.11189

>>11186

Buddy I have threads in the lower half of this catalog.

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 No.11227>>11233

>>11133 (OP)

Probably the greatest film of time honestly.

Not saying it's perfect, but i've never seen anything better.

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 No.11233>>11236

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 No.11236

>>11233

Damn this board went downhill in a hurry.

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[–]

 No.610 [Open thread][Watch Thread][Show All Posts]

Am I the only one who thinks this stupid motherfucker doesn't understand any of the shit that he watches? Like, he makes some valid points once in a while but usually he's just such a fucking jackoff holy shit
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 No.3847

>>3218
Which two?
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 No.10604

>>3218

This is probably more to do with your rating systems not lining up than anything else. I consider a 5 to an okay movie. It falls on just to the left side of the middle. For me that means it's average but on but slightly under. I've seen plenty of people make my 5 point a 7 on their scales.>>3218

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 No.10626

he'll be pretty good in about 5 years after he's seen movies besides the latest tiff sludge

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 No.11193

He is a human. Humans are inherently flawed and there is no perfect opinion, only tumblr thinks it can be 100% correct and flawless. Any critic offers an opinion and the very nature of opinion means flaws and bias will come into play as we have separate tastes and different ways of viewing a film.

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 No.11194

this is a youtube person?

I never watched any video of him or RLM or "doug" or any of the other people that always have threads on /tv/

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[–]

 No.3265 [Open thread][Watch Thread][Show All Posts]

what are the best films of new hollywood
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 No.3282

File (hide): 1423982264116.jpg (338.17 KB,1114x1600,557:800,A_quemarropa 2.jpg) (h) (u)

Almost too many good ones to mention?

A Decade Under the Influence is a nice documentary on the subject.

Bonnie and Clyde was a big deal of course, but I don't care for it that much. It's shot like a TV show, too many tight closeups. And Beatty's character is little more than a grinning doofus.

IMO a better "action" film from the same year is Point Blank.
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 No.3286>>3293

I don't think any good movies ever came out of holywood.
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 No.3293

File (hide): 1424037340773.gif (264.59 KB,500x281,500:281,sniff.gif) (h) (u)

>>3286
>I don't think any good movies ever came out of holywood.
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 No.11134

File (hide): 21ce296c2ef4690⋯.jpg (72.56 KB,780x439,780:439,Junior-Bonner-1972.jpg) (h) (u)

File (hide): d54d3146cbadad8⋯.jpg (177.36 KB,1600x1081,1600:1081,Electra-Glide-in-Blue.jpg) (h) (u)

I still watch 2-3 every year (new hollywood that is) and it's nice to revisit the humble charm of these films compared to the mindless garbage coming out today. New Hollywood was the first step into exploring the much wider world of film for me.

http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/

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[–]

 No.8940 [Open thread][Watch Thread][Show All Posts]

Hey /film/! Any of you like or own any books on film? If you do do you have any preferences, or disapprove of particular authors? What are your general thoughts on film theory? I own a couple and enjoy having them in my library.

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 No.10996

Just in case you need more details of Jonas Mekas' personal life

<A Dance with Fred Astaire is an extraordinary collection of anecdotes and rare ephemera from the life of legendary artist, filmmaker and bon vivant Jonas Mekas, featuring a dizzying cast of cultural icons both underground and mainstream. Memories, diary entries, conversations, and insights into his work sit alongside collages of beautifully reproduced postcards, newspaper cuttings, film negatives, lists, posters and photographs, envelopes and letters, book covers, telegrams, cartoons and doodles. Mekas has kept and archived the artifacts of his life as a cultural touchstone down to the minutiae, all of which is brought together here in the form of a unique and fascinating scrapbook of a life lived with the highest artistic commitment. Guided by Mekas’ distinctive prose and suffused with warmth, A Dance with Fred Astaire is rhapsodic, poetic and funny as all get out. A revealing visual autobiography of a genuine culture hero.

http://shop.mexicansummer.com/product/jonas-mekas-dance-fred-astaire/

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 No.10999>>11097

>>9096

Do you own it? Is there an English translation?

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 No.11097

>>10999

>Is there an English translation?

Yes!

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 No.11118>>11131

Is there a gold standard for a cumulative history book on film?

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 No.11131

File (hide): 2d48b951883e9c4⋯.jpg (176.47 KB,1087x1600,1087:1600,9PTM0JW.jpg) (h) (u)

>>11118

Maybe someone has a better suggestion but The Story of Film is a book with an accompanying documentary series

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 No.10835 [Open thread][Watch Thread][Show All Posts]

I've made a discord server for discussion of arthouse and experimental cinema, please join in you are interested.

https://discord.gg/fBmRwNK

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 No.11656>>11658

>>11655

Please don't talk about sothoth that way. I think he is cool even if he can act like a dick sometimes.

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 No.11658

>>11656

Sothoth is a big gay ugly faggot in his 30s who will contract a deadly std and will die alone in his shithole apartment in his shitpile country surrounded by his gay camwhore chat logs and Edd begging him on discord to laugh at the latest leftist circlejerk meme.

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 No.11660

why is this thread getting so much action

btw, discord is for retarded faggots

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 No.11697>>11786

rickmasters is the coolest

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 No.11786

>>11697

This guy knows whats up

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 No.9762 [Open thread][Watch Thread][Show All Posts]

Help me understand why Blade Runner i held in such high praises, please. I watched it recently and there are a few points that I question "why would someone even consider this to be good?". Overall, it seems like a decent movie but I can't see anything there to make it stand the test of time at all, other than possibly having little competition in it's particular genre.

On the contrary, I actually got irked by a lot of details in it's world and how the story was told, the kind of details I'd expect fans of cyberpunk to really have a problem with.

I've been told that, in terms of cinematography it's a very well shot movie and the visuals are amazing for it's characterization of the world and the characters. I'll agree here and this is definitely a good enough reason to see the movie, but this doesn't make up for these 2 problems:

1-Replicants make no sense in any way

Replicants seem to be biological to a great degree, considering they can bleed and the whole "rapid degradation" part of the plot, plus their need to eat or drink.

But this places them closer to synthetic humans than machines, despite being treated by the movie was androids. The ethics here are entirely different but the distinction isn't ever made properly.

Machines can indeed be treated as machines, they lack actual sentience.

Clones or synthetic humans are indeed humans and it's morally and ethically wrong to handle them like machines.

And yet, despite refering to Replicants as machines the whole movie, it seems that the idea is to think of them like synthetic humans instead, which makes little to no sense.

Even if they were handled as cyborgs, that's still an enhanced human and therefore still can't be handled as a machine.

Then there's the "implanted memory" bits. If there's the ability to implant fake memories in Replicants, what does this mean for their brain? Is it organic or synthetic? If its organic, the same technology could be used to implant memories in humans but this doesn't seem to be even considered in the movie, but if their brains are synthetic, then how do they interfacePost too long. Click here to view the full text.

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 No.10894

>>10891

>I honestly don't understand why Blade Runner is so popular, it removes all the most interesting parts of PKD's book. It's pretty, but so what?

I think part of the popularity is the mysterious nature of the interpretation and divisive opinions that form around it. Ridley Scott and the prominent crew and actors seem more than content to remain ambiguous in their answers to any inquiries, and even contradictive. Rather than spoon feed you the answers, you're required to pore over the film, scripts, deleted scenes, and form your own inconclusive opinion that they will never validate in any definitive manner.

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 No.10896

>>10891

It's the atmosphere and mood for me that I love. I also think it has thematic weight, but not related to the issue of what makes us human.

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 No.10915>>10917

Blade Runner is a very beautiful movie. I don't really understand your question. Why do you need someone to explain to you why it's good or not. If you didn't like, you didn't like it; majority rule does not matter.

I wish mainstream movies like this were still made. Even scores are lacking in comparison to some of the movies that were coming out over 20 years ago.

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 No.10917

>>10915

It's a rare mainstream film which adopts the atmospheric and contemplative tone usually only seen in arthouse films.

It is a terrible shame that these kind of films are not made with a large budget, but I suppose that's to be expected.

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 No.10985

>>9763

First, the movie is a continuation of the hard-boiled detective genre, so it has certain stylistic choices that preclude the sort of philosophical musings you seem to expect. Have you read "The Big Sleep"? The meaning of the title is not even explained until the last few sentences of the book. The plot is somewhat covoluted, but certainly not philosophical. It is all about a detective doing his thankless job for $20 per day plus expenses. And for that money, he does his own thinking. So, don't expect the plot of Blade Runner to do the thinking for you. It is a yarn about a detective-killer who is on assignment to track down four (five) replicants. If any special musings about the meaning of life emerge from that - they'll have to happen in your own brain, on your own time and your own dime. That's the genre.

Second, don't be so quick to call the replicants psychopaths. They are neither defective humans nor an alien species. They are human creations. Humans endowed them with bodies superior to man, intellect superior to man, and emotions of a child. If they act out, whose fault is it, really? The movie is very subtle about this, but with the exception of Roy, I could make the case that every replicant really does, at one point or another, show itself to be an emotional child. If a two year old strikes you with his fists out of frustration, whose responsibility is it? Do you protect the child, or do you kill it? I mean, it did attack you for no good reason, so it must be a psychopath, right? If you deliberately made an emotional two-year-old but gave it the strength and intellect of an adult, so when it acts out, it kills instead of harmlessly wailing, whose responsibility is it? Can you even assign that responsibility? To Tyrell Corporation? That's faceless. To Tyrell alone? Sebastian? The man who made the eyes? All of them? For me, one of the points raised by the movie is that the replicants may not be responsible for who and what they are, and are therefore not responsible for their actions. The humans are. And the "human" way of taking responsibility is to murder all replicants who make it to Earth. The term "psychopath" certainly applies, but to whom?

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[–]

 No.8128 [Open thread][Watch Thread][Show All Posts]

I can't remember the last time I genuinely laughed during a movie. Is it just me or does anyone else feel like comedies are the worst modern genre of movies?

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 No.10946>>10961

>>8229

My mother left my father in her midlife crisis. She ran away with my godfather in a fit of reinvigoration, and spent years reinventing herself and doing arts and crafts, finding her "true self", becoming actualised and present, and the best person the can be. She is now living with said godfather.

They payed me a visit last weekend. We had lunch. I told her that I am incredibly unstable and unhinged, that I am angry, neurotic, in constant physical pain, and that I am the unhappiest I have been in my life, and I have lost all hope about ever living any sort of stable life.

She then spent two hours telling me about how she spends her evenings sitting in the living room knitting, and how he just started building a lathe. They were really exicted about it, especially the lathe. That alone was an hour of conversation for them.

About a day later, I realised that they are both just waiting to die, and hoping to pass the time in the least straining way possible.

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 No.10958

>>8229

http://archive.is/wUbKP

>Meet the jewish woman who is crowdfunding her way to a husband!

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 No.10959

File (hide): 657c69012253a43⋯.png (272.97 KB,576x416,18:13,vet.png) (h) (u)

what's going on here

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 No.10961

>>10946

Great story anon.

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 No.10964

[pop]YouTube embed. Click thumbnail to play.

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File (hide): 1442617005313.png (64.42 KB,1024x500,256:125,spooktober.PNG) (h) (u)

[–]

 No.5688 [Open thread][Watch Thread][Show All Posts]

Hey /film/ I'm gathering a bunch of movies for October. I stream them on a chat site and am aiming for less populists films that a general audience may have not seen. I should probably add a few crowd-pleasers but what do you think thus far and what would you add?

Here's the link to the spreadsheet, all the movies are hyperlinked to their letterboxd profiles.

https://docs.google.com/spreadsheets/d/1p_55onAr4mF3Y7eHOKRLnxNwx3a2QSb0HoGGIRN5CFw/edit?pli=1#gid=1957183597

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 No.10883

File (hide): b6d6f67ce0dd8bb⋯.webm (7.54 MB,720x480,3:2,ALUCARDA (1978).webm) (h) (u) [play once] [loop]

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 No.10885>>10886

Happy Halloween /film/. What are you watching?

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 No.10886>>10913

>>10885

nothing unfortunately, it got too late

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 No.10908

>>10882

Oh brother get ready i'm not joking about it looking like a channel awesome skit.

I think parts were actually shot on an iPhone.

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 No.10913

>>10886

The same thing happened to me. Hollidays fly by and I don't even notice them anymore.

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[–]

 No.10862 [Open thread][Watch Thread][Show All Posts]

ITT: Actual opinions you have that gets you labelled a hipster by your friends

>I will watch 80's and 90's J-Horror on DVD because the Blu Ray releases clean up too much of the grain and that kind of ruins it for me.

>Because i'm the only Film grad in my circle of friends they assume its a snob thing they always give me shit for.

>But every one of them is an audio quality autist.

I just like grain in old horror, it feels more authentic and i know it makes me sound like a goddamn chode but its honestly how i feel about them.

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File (hide): 1414183441979.png (20.68 KB,400x125,16:5,cg.png) (h) (u)

[–]

 No.2189 [Open thread][Watch Thread][Show All Posts]

What are you grabbing?
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 No.8207>>8208

Is there any chance of an invite to CG? It's the only private tracker besides What I'm interested in.

lm555@cock.li.

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 No.8208>>8210

>>8207

> (10 weeks ago)

> Due to recent attacks on the site, all invites have been suspended for the time being.

That's all I know. The site still doesn't work very well. No freeleech this year and it takes at least 30 seconds to load a page.

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 No.8210

>>8208

Fuck. That's a shame.

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 No.8216

anyone here have an invite to a film tracker thats not sc? would really appreciate one. thanks! zeey9696@gmail.com

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 No.10841

It's back!

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File (hide): 99f2d3028706cfd⋯.png (4.75 MB,2048x1393,2048:1393,ClipboardImage.png) (h) (u)

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 No.10738 [Open thread][Watch Thread][Show All Posts]

<Absolute horror киноs that only you have seen.

This movie is so underrated. The first time I saw it was on Showtime in the 90s at like 3 am and was blown away by the part of the movie where they go in the dudes underground catacombs. Some real Lovecraftian shit.

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 No.10741

><that only you have seen.

I can't think of horror, only other kinds of movies

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 No.10765

This movie sucks. /tv/ hive mind at its finest. I don't care if it's O'Bannon it's trash.

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