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File: 1413310761500.jpg (30.58 KB,417x318,139:106,s3576638.jpg)

 No.2079 [Open Thread]

What are your favorite slav animation?

www.youtube.com/watch?v=r16GL3N4PdM#t=274
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 No.11845

File: 8f9d03bdf298fde⋯.png (404.44 KB,672x512,21:16,Holod33.DVDRip.avi_snapsho….png)

File: 9b407a1c3ac3c7a⋯.png (636.11 KB,672x512,21:16,Holod33.DVDRip.avi_snapsho….png)

File: 83761a47073719b⋯.png (496.46 KB,672x512,21:16,Holod33.DVDRip.avi_snapsho….png)

File: 399406a2dfaa7a4⋯.png (516.61 KB,672x512,21:16,Holod33.DVDRip.avi_snapsho….png)

File: fa88d92658e6da4⋯.png (381.54 KB,672x512,21:16,Holod33.DVDRip.avi_snapsho….png)

>>11586

Hey are you still around? I watched Holod 33 and there is some text at the end of the film with no subtitles. What does this first image say?

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 No.11850

>>11845

>Studio "Earth" expresses gratitude to enterprises, kolkhozes, civil, cooperative and state organizations, as well as thousands of Ukrainians and compatriots in the United States, for material and moral help in creating the film.

Guy from the Soviet/Russian thread translated the image correctly.

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 No.11851

>>11850

Cool. I was surprised to see the United States mentioned. I wonder if there was actually specific American help on this film (I see nothing in the credits). Or perhaps the filmmakers were just happy the Cold War was over and they were out of the USSR.

That film has a unique monochrome aesthetic with a lot of memorable images. The color and lighting reminded me of Letters from a Dead Man.

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 No.11856

File: e55caa3eccc91dc⋯.png (103.71 KB,539x274,539:274,USA support group.png)

File: 0d771ef3ecba5e0⋯.png (286.23 KB,506x454,253:227,USA support group-2.png)

>>11851

In the credits they listed people from USA support group and named American (it's mostly diaspora) organizations that helped the movie. США = USA

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 No.11860

>>11856

Yes you are right. I looked at the credits on imdb and did not see American names or references. But apparently imdb omitted a lot of information.

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File: 225d6f89c66ce59⋯.jpg (106.13 KB,1191x670,1191:670,fitz sad nigga hours.jpg)

 No.11749 [Open Thread]

I need actual kino with rape scenes.

No joke, I want actual good movies that include scenes of rape, gay scenes are fine too since they'll probably pop up too.

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 No.11758

>>11756

That was the worst issue by far.

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 No.11765

Aren't there a bunch of japanese rape movies? Of course there are. I thought they had a superhero called Rapeman.

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 No.11820

File: 522e9bbe0e10f66⋯.png (357.14 KB,704x512,11:8,gun.png)

Rape in Cinema Master List

1. Irreversible (2002) - http://www.imdb.com/title/tt0290673/

2. The Accused (1988) - http://www.imdb.com/title/tt0094608/

3. The Virgin Spring (1960) - http://www.imdb.com/title/tt0053976/

4. The Entity (1981) - http://www.imdb.com/title/tt0082334/

5. Ichi the Killer (2001) - http://www.imdb.com/title/tt0296042/

6. Dogville (2003) - http://www.imdb.com/title/tt0276919/

7. Go Go Second Time Virgin (1969) - http://www.imdb.com/title/tt0065233/

8. Aftermath (1994)(dead girls can't say no but still ...)-http://www.imdb.com/title/tt0159241/

9. Deliverance(1972) - http://www.imdb.com/title/tt0068473/

10. Ms. 45 (1981) - http://www.imdb.com/title/tt0082776/

11. Four of the Apocalypse(AKA-I quattro dell'apocalisse(1975)- http://www.imdb.com/title/tt0073594/

12. The Stendhal Syndrome (1996)- http://www.imdb.com/title/tt0117658/

13. American History X (1998)- http://www.imdb.com/title/tt0120586/

14. Last HousePost too long. Click here to view the full text.

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 No.11821

File: 3fa2eb1aa2b36e7⋯.png (299.33 KB,720x320,9:4,572b3037119700.png)

>>11820

51. Glass House(2001)- http://www.imdb.com/title/tt0221218/

52. The Gauntlet(1977)- http://www.imdb.com/title/tt0076070/

53. Henry - Portrait of a Serial Killer(1986)- http://www.imdb.com/title/tt0099763/

54. Reform School Girls(1986)- http://www.imdb.com/title/tt0091836/

55. Scorpion's Revenge/Sasori in U.S.A.(1997)- http://www.imdb.com/title/tt0328376/

56. house on the edge of the park(1980)- http://www.imdb.com/title/tt0080503/

57. Scrapbook(2000)- http://www.imdb.com/title/tt0304676/

58. Frankenstein Must Be Destroyed(1969)- http://www.imdb.com/title/tt0065738/

59. The Beast In Heat/The Beast(1975)- http://www.imdb.com/title/tt0072752/ (USA version censored)

60. Hitchcock's Frenzy(1972)- http://www.imdb.com/title/tt0068611/

61. Nail Gun Massacre(1985)- http://www.imdb.com/title/tt0089665/

62. Stendhal Syndrome(1996)- http://www.imdb.com/title/tt0117658/

63. the baby of macon(1993)- http://Post too long. Click here to view the full text.

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 No.11822

File: f086056cf9b9a58⋯.jpg (72.53 KB,785x576,785:576,acec55473428472.jpg)

>>11821

96. Lipstick (1976) http://www.imdb.com/title/tt0074802/

97. I Drink Your Blood (1970) http://www.imdb.com/title/tt0067229/

98. Eye for an Eye (1996) http://www.imdb.com/title/tt0116260/

99. The Ladies Club (1986) http://www.imdb.com/title/tt0091370/

100. A Gun for Jennifer(1997) http://www.imdb.com/title/tt0160339/

101. Chaos (2001) http://www.imdb.com/title/tt0265116/

102. Bandit Queen (1994) http://www.imdb.com/title/tt0109206/

103. Sweet Karma(2009) http://www.imdb.com/title/tt1467088/

104. Savage Streets (1984) http://www.imdb.com/title/tt0088044/

105. Savage Vengeance (1993) http://www.imdb.com/title/tt0179458/

106. Dirty Weekend (1993) http://www.imdb.com/title/tt0106727/

107. Daddy's Deadly Darling (1972) (aka Daddy's Girl/pigs) http://www.imdb.com/title/tt0070537/

108. I Spit on Your Corpse, I Piss on Your Grave (2001) http://www.imdb.com/title/tt0325597/

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File: f414c77dc4e5331⋯.png (353.01 KB,619x445,619:445,fmjhell.png)

File: 50da639708ffc11⋯.png (592.56 KB,1209x638,1209:638,fmjhell1.png)

 No.11769 [Open Thread]

So I'm watching Full Metal Jacket for the first time since High school when I was in ROTC and about the join the military. Several years later, a few of my friends have died in service and I have rewatched the film. Holy shit, I always thought this was Kubricks most "normal" film and had the least occult symbolism going on but I was very wrong. I never noticed the Vietcong flag draped in the corners like this, the red and black, the inverted pentagram and the flames flickering beneath. anyone else notice shit in this film that I haven't ? I know theres one scene where a Vietnamese billboard translates to english: To continuously serve Satan, your excellency, but I havent noticed much else.

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 No.11814

>>11813

>I just don't see much of a fascist element to it.

It's anti-union, union-busting was one of the primary purposes of fascism. Pair that with Disney's much more blatant Nazi love and it's pretty obvious any concept of his "ideal society" is fascist.

>I think the author makes some logical errors.

Agreed, the author is clearly an idiot who plays fast and loose with definitions and seems desperate to defend Disney somehow.

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 No.11815

>>11814

I wouldn’t call Ager an idiot but he is sometimes very misinformed

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 No.11816

>>11815

and someone else put it, fringe.

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 No.11818

>>11815

Wasn't calling Ager an idiot, was referring to the PasteMag article.

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 No.11819

>>11818

Ahh, probably should have read the previous comments further.

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File: 1418593311934.jpg (114.84 KB,723x1000,723:1000,devils.jpg)

 No.2684 [Open Thread]

This month Film Club features a pair of films set during the winter holidays. First up is this Chinese wartime black comedy, which won the Cannes Grand Prize of the Jury in 2000.

> This second feature by actor-turned-director Jiang Wen—set in the shadow of the Great Wall during the final months of the Japanese occupation—keeps up a pummeling tempo and bawdy, throttling energy that prompted the disapproving Beijing Film Bureau to remark, "In general, the style of the film is vulgar." Indeed, this is a Chinese period piece more inclined to burn barns than raise red lanterns. Scored to farmyard squawks and a marching band, the movie barrels from frisky Ealing horseplay to cackling Kusturica farce. ~~ Dennis Lim, The Village Voice


> With its vertiginous black-and-white cinematography, narrative leaps and starts, twisty story and large pool of characters, Devils on the Doorstep, […] is not an easy movie. But in its dry and forceful way, it delivers the same message as Jiri Menzel's Closely Watched Trains and Danis Tanovic's No Man's Land. While acknowledging that war is hell, it goes further to suggest it is ludicrous. ~~ Stephen Holden, New York Times


http://www.imdb.com/title/tt0245929/reference
http://en.wikipedia.org/wiki/Devils_on_the_Doorstep
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 No.5637

File: 1442256648526.jpg (284.31 KB,566x750,283:375,Caterpillar_(2010-Japan)-p….jpg)

>>5601

I can recommend you Caterpillar (2010) directed by Koji Wakamatsu one of my favorite directors.

It's kind of a hard watch but a very good film.>>5601

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 No.6671

>>5637

If you're still there can you recommend some more films? i'm really interested in that place/time period.

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 No.6876

File: 1457847981774.webm (7.82 MB,640x288,20:9,groriousnippon.webm)

I think this clip is from A City of Life and Death

Added to watchlist

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 No.11453

File: ac55c84abfbbb0a⋯.jpg (22.54 KB,375x530,75:106,20a5kpu.jpg)

>>5601

>What are some other movies you like about Imperial Japan?

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 No.11744

File: 606e1a717390b21⋯.jpg (71 KB,600x834,100:139,08f3fe1f84abf918bd1ee85b44….jpg)

File: 8f260ebe3f7be0b⋯.mp4 (14.27 MB,960x410,96:41,nobi.mp4)

>>5601

>>6671

Fires on the Plain is another essential film about Imperial Japan and WWII. It takes place as Japan has all but lost control of the Philippines. The exhausted soldiers have no food and little hope of survival. The story follows a lone soldier as he wanders through the nightmarish, inhuman scenario.

I think Kon Ichikawa's films have a unique visual impact, as the director used his background in manga to carefully storyboard all of his shots.

I attached this scene where a group of soldiers must sneak across a marsh, road, and meadow under cover of darkness.

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File: 1422512868777.jpg (420.16 KB,708x974,354:487,Robert_Altman_-_1983.jpg)

 No.3016 [Open Thread]

what are your thoughts on Robert Altman?

I've been going through his films for the past month or two, even went to NYC twice to see some of them at the retrospective at MoMA. he is certainly one of the most unique American mainstream filmmakers just in terms of style, and of his ~40 films I haven't been disappointed by a single one (although I've only seen about 16 at this point— Long Goodbye was the only one that didn't work for me as much, although I loved California Split)

my favorite right now is probably a split between McCabe & Mrs Miller and Brewster McCloud. I got to see HealtH at MoMA, which has yet to be released on home video and is certainly one of his weirdest and off-color films that deserves more attention. I also got to catch Vincent & Theo (in 35mm) recently at a local theater, and in general I've been most fascinated by his work in the 80s than any other period.
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 No.3111

>>3074
Since you mention it, the class differences do play a significant role in the story. It's been a while since I watched it, but I don't think there's many difficulties understanding the culture.

I just found the story to be a little bland in comparison to his other works. Your mileage may vary.
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 No.3123

>>3074
i honestly don't know
it's british with an altman tweest
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 No.8300

File: 856da2ecf9cd021⋯.jpg (126.72 KB,1000x621,1000:621,long-goodbye-the-1973-001-….jpg)

>>3019

>>3019

>I thought Long Goodbye was okay after it finally got rolling, although it wasn't as good as I expected

I like that one but I hear where you're coming from

This guide to Altman chose TLG as the first one to watch. Not sure I agree

http://www.bfi.org.uk/news-opinion/news-bfi/features/where-begin-robert-altman

> Perhaps best of all is Altman’s version of Raymond Chandler’s The Long Goodbye (1973), in which private eye Marlowe (Elliott Gould) comes across as a shambling, somewhat bemused anachronism, his sense of justice and honour as out of sync as his suit and tie with the ruthless ambition and self-serving deceit that underlie the hippy trappings of early 70s, upper-crust LA.

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 No.8365

File: 37c951917572261⋯.jpg (832.93 KB,1920x800,12:5,McCabe.And.Mrs.Miller.1971….jpg)

McCabe & Mrs. Miller is my favorite.

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 No.11702

Vimeo embed. Click thumbnail to play.

Observations on Film Art: Genre Play in The Player

this is part of a video essay on Robert Altman and his film The Player

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File: 36cd6982309411d⋯.jpg (224.74 KB,1024x768,4:3,FILM QLUB.jpg)

 No.11657 [Open Thread]

A discord film club

for cinephiles

if you like

Bresson, Godard, Antonioni, Rossellini, Varda, Pasolini, Bing,Hou Hsiao-Hsien, Lav Diaz, Iosseliani, Tarr, Dreyer, Visconti, Rousseau, Farocki, Piavoli, Grillet, Rohmer, Kiarostami, Akerman, Sembene, Sokurov, Nemec, etc

you'll like the group

comfy people no trolling and deviant behaviour

https://discord.gg/hM5z52Y

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 No.11689

>>11684

>between the same 7-9 people. Film discussion is rarely more than a few sentences.

This is not true at all. More people than that have posted yesterday alone and there are longer posts in the #film-club channel than anything you will find on this board.

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 No.11691

>>11689

I got kicked out after first post.

Well, I scrolled the history of the #film-club messages over the past month and I couldn't find any "long posts". There are a lot of shitposts in the channels, I did not find any discussions at all, sometimes people asked "What do you think about %film_name%?", but nobody answered.

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 No.11696

>>11691

There were lengthy discussions about Syberberg, Pialat and Piavoli in the film club channel.

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 No.11698

>>11691

>I got kicked out after first shitpostpost.

Ftfy. There are plenty of long posts about Syberberg's films which was only one filmclub ago, so clearly you haven't scrolled too far.

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 No.14433

>>11657

I do love to namedrop indeed.

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File: 1411225182329.jpg (94.98 KB,720x540,4:3,a tiger of eschnapur.jpg)

 No.46 [Open Thread][Last 50 Posts]

Welcome to /film/. I tossed up a few temp banners, but feel free to add yours here.

Banners must be < 500KB and have image dimensions 300px x 100px.
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 No.7624

File: 1469667569537.png (39.72 KB,300x100,3:1,120 days of shitposting_ba….png)

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 No.11605

File: 3328707d77bedee⋯.png (4.13 KB,171x46,171:46,board name.png)

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 No.11640

File: c70fd8b9a047034⋯.png (658.19 KB,768x576,4:3,PvC4XB11I0uirkFF.png)

We need new banners for 2018, so I have been adding new ones every few days. I'd be happy to add yours too. You can post new banners or banner ideas right here anytime.

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 No.11666

File: 8cb36ba5250efa1⋯.gif (496.41 KB,300x100,3:1,01.gif)

File: 3295749f9c085a3⋯.gif (489.42 KB,300x100,3:1,02.gif)

File: 239677199f7e966⋯.gif (499.64 KB,300x100,3:1,03.gif)

File: 0c2e51c1b325221⋯.gif (388.72 KB,300x100,3:1,04.gif)

>>11640

Like this?

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 No.11669

>>11666

Yes, just like that. We needed more action oriented banners so I'm glad that's what you made.

The total is currently 60 banners so there's a 1/15 chance of seeing these.

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File: 548f1489a315aa8⋯.jpg (100.14 KB,564x842,282:421,f7bb4c6fa5f60c656caa8d492d….jpg)

 No.8817 [Open Thread]

Bear with me... Okay what individual or studio was labeled as the "Russian Disney?" I remember reading about these russian films based on fairy tales and they had elaborate sets. Anyone know what I am talking about?

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 No.11611

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 No.11614

>>11611

Thanks! Do you recommend anything from Melnitsa?

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 No.11615

>>11614

I dunno, I'm not big fan of fairy tales and I have not watched their cartoons for a long time.

They released interesting adult oriented adaptation of famous Russian poem ( https://en.wikipedia.org/wiki/The_Tale_of_Fedot_the_Strelets ), but the poem can't be translated into other languages.

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 No.11616

File: db927d95734b238⋯.png (331.07 KB,720x304,45:19,616cf19e4a0346396a24ac1a73….png)

File: e653054c2dedceb⋯.png (326.77 KB,720x304,45:19,2dc9bf5780ba558b73e0775412….png)

File: 605684580d74ad3⋯.png (357.74 KB,720x304,45:19,ac09fc831825d79b36d18ccd66….png)

File: c8369357493c91b⋯.png (405.15 KB,720x304,45:19,ca5b2eb1f81e10e5a44cbb8130….png)

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 No.11620

>>11616

Yes, that's it.

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File: 9a2eb4390e7fd2c⋯.jpg (859.07 KB,988x1024,247:256,1415068245004-1.jpg)

 No.10435 [Open Thread]

Hey gang, I made an experimental short and want to submit to a film festival.

Unfortunately everything I've seen on Withoutabox wants me to upload video to Vimeo and send them the link.

Is there any other festivals I could submit it too where I can just mail a dvd?

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 No.11575

yes what is the source of that gif

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 No.11589

File: f0168fdea639901⋯.jpg (3 MB,1894x2624,947:1312,8353e34d669988a5744b8cdd9e….jpg)

>>11573

>>11575

Nope it's not. Just something cool I picked up along the way.

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 No.11590

File: 5fece5926795d5b⋯.gif (1.29 MB,500x365,100:73,1461890590274-1.gif)

one more

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 No.11610

File: 185d9057fea7c58⋯.mp4 (2.74 MB,854x480,427:240,15061141235560.mp4)

Sup guys, heard back from the 2nd film festival. I didn't get picked. They didn't list a reason, just a "thanks but no-thanks" canned response.

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 No.11612

>>11610

Too bad. How many are left to respond?

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File: 47d72329b0f0013⋯.jpg (32.05 KB,613x425,613:425,georgelucasandspeilberglov….jpg)

 No.7818 [Open Thread]

So I'd like to do a thread of people I feel like got lucky. Either it was being in the right place at the right time, or being surrounded by talented people who fixed up their work and made them look a bit better.

So post a film maker who you feel got lucky. Explain why.

George lucas. While having the vision to create some things that a bunch of people loved, we all know that the original cut of star wars was a mess. Over and over again, through the countless efforts of great people he surrounded himself with, lucas reaped the benefits and by casual movie lovers, is considered a visionary. The truth of the matter is that I believe dearly, and truly that no one else managed to get nearly as lucky as lucas did.

But who else did? I know that there are more.

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 No.11560

>>11552

Michael Bay is one of the most likely filmmaker to be called vulgar auteur in the cinephile community. Same goes for PWS Anderson. And tbh I would thoroughly think about it before simply disagreeing just because hating Bay/Lucas/etc. is the smart nerd's opinion.

Also how do you not know Richard Brody?

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 No.11561

>>11560

>PWS Anderson.

My man. Event Horizon has flashes of talent.

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 No.11563

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 No.11564

File: 0061eed7baebb4d⋯.jpeg (3.04 MB,5784x4120,723:515,Datei 26.01.18, 12 26 46.jpeg)

>>11563

too dumb to attach pic

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 No.11565

File: ed76059ca5c70d7⋯.png (266.46 KB,720x720,1:1,MortisMonolith.png)

>>11564

I do think Lucas is the most overlooked filmmaker of our time.

Not in vulgar auteurism way, but in a "he's wildly imaginative and his movies have such a range of powerful images and a lot in the way of theming as well". Kind of way.

He's more than overlooked because of how much of a laughing stock he's become to people who haven't worked with him.

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File: 1419722502171.jpg (28.11 KB,448x252,16:9,Film_302w_Harakiri_origina….jpg)

 No.2749 [Open Thread][Last 50 Posts]

What are your favorite Samurai films, /film/? I'm a huge fan of the genre, Harakiri is my favorite. I also like the Zatoichi series, all of the Kurosawa ones, Lone Wolf and Cub, and Sword of Doom. I'm looking for lesser known Samurai flick recommendations, so let me know what you guys's favorites are
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 No.11447

File: 87db832c9adec5e⋯.jpg (119.36 KB,549x734,549:734,Shogun-Assassin.jpg)

File: 8d805e2da6d0c3c⋯.webm (13.05 MB,640x264,80:33,Shogun Assassin (1980) Tr….webm)

Why no mention of Shogun Assassin?

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 No.11448

>>11447

It's kind of the same thing as Lone Wolf and Cub

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 No.11531

File: a7ea638164b736c⋯.png (928.59 KB,1366x768,683:384,yojimbo.png)

I just finished Yojimbo, I didn't nearly like it as much as Harakiri, it felt more like popcorn entertainment than a film because of the goofy acting and awkward pacing.

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 No.11532

File: 01fc00b46cc88e5⋯.jpg (92.92 KB,1352x810,676:405,a-fistful-of-dollars-scree….jpg)

>>11531

I was underwhelmed by Yojimbo too, probably because I expected something better. It was one of the first Kurosawa films I watched; it took a while for me to watch another from him. It's definitely nowhere near Harakiri.

For me, the Leone connection is the most interesting aspect of Yojimbo.

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 No.11534

>>11531

It was very lighthearted in comparison to other works, but i found the use of black & white in particular very, very good.

The use of rich textures and their respective light and shadow results to create dense-to-the-eye backgrounds is excellent, sometimes with movement too (flowing sake madness, the silly encounter in the middle of smoking the mansion, destroyed guard house).

Sounds pretentious but that kind of level of detail did impress me, especially when it was one of the first Kurosawa i saw too.

Sanjuro takes on a slightly more serious note but it's just as silly later on in terms of violence and some acting. It does retain the quality level in most aspects, it wasn't a shameless sequel.

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File: fd7ee77222468b0⋯.jpg (649.03 KB,1920x800,12:5,Z (3).jpg)

File: 26b6a2901c59870⋯.jpg (1.16 MB,1920x800,12:5,Z (21).jpg)

File: 1cfc7ea99983480⋯.jpg (646.33 KB,1920x800,12:5,Z (36).jpg)

File: 970237ef1b6672f⋯.jpg (703.02 KB,1920x800,12:5,Z (41).jpg)

 No.10068 [Open Thread]

Can't slay the Gray! He did it again!

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 No.10122

>a movie about the brazilian city Z

Now that's interesting. I will take a look on this guy.

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 No.10123

File: 50c297bf720419f⋯.jpg (62.98 KB,524x809,524:809,Colonel-Percy-Harrison-Faw….jpg)

>>10122

>>10122

>Now that's interesting.

yes it is!

https://en.wikipedia.org/wiki/Lost_City_of_Z

even the name is enigmatic -- city of "Z"

i will be watching this

>I expect the ruins to be monolithic in character, more ancient than the oldest Egyptian discoveries. Judging by inscriptions found in many parts of Brazil, the inhabitants used an alphabetical writing allied to many ancient European and Asian scripts. There are rumors, too, of a strange source of light in the buildings, a phenomenon that filled with terror the Indians who claimed to have seen it.

>The central place I call “Z” — our main objective — is in a valley surmounted by lofty mountains. The valley is about ten miles wide, and the city is on an eminence in the middle of it, approached by a barreled roadway of stone. The houses are low and windowless, and there is a pyramidal temple. The inhabitants of the place are fairly numerous, they keep domestic animals, and they have well-developed mines in the surrounding hills. Not far away is a second town, but the people living in it are of an inferior order to those of “Z.” Farther to the south is another large city, half buried and completely destroyed.

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 No.10124

>>10123

>>10122

rest of Gray's films are decent to good too

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 No.10139

It's okay but not anything particularly good or great. Comfy watch though.

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 No.11480

File: e74110e4dbac10b⋯.png (1.06 MB,1280x536,160:67,Z.png)

>>10139

That's how I felt. I thought it started quite good, then got muddled in the middle, but it pulled everything together for a strong finish.

This film looks absolutely gorgeous though. The cinematography is probably influenced by early 20th century depictions like Days of Heaven and Heaven's Gate. I like when beams of sunlight pass into a darkened room to show all the dust floating around.

They chose to make his wife some sort of feminist, as she objected to various societal conventions. She also begged to go on the jungle adventures and leave the kids behind. I don't know if these scenes were true to life, but it seemed rather Current Year and predictable. I read that the real Nina Fawcett was interested in mysticism. I think that would have been a more interesting character trait. That could have added a completely different element to the film, as Percy shared her interest. There's supposedly evidence that Percy's expeditions were partially guided by his desire to start an Amazonian spiritual commune.

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YouTube embed. Click thumbnail to play.

 No.2584 [Open Thread]

Can we have a thread dedicated to Carlos Reygadas?
Personally I've found that no other director can capture reality the way he does. His films Silent Light and Post Tenebras Lux are the hands down the two most beautiful films I've ever seen.
He also has the exact same philosophy on film and storytelling as I do. He's probably my favourite dorector of all time.
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 No.11436

>>2585

Exactly how I feel about lots of modern movies and TV. Reygadas just got bumped the fuck up on my watchlist. Thanks!

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 No.11443

>>2585

I've known about Reygadas for a few years now and knew he'd be right up my alley but just never got to him. After reading this quote I think it's time I pick him up immediately.

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 No.11444

>>2585

I was going to tear him but he does seem to have a logical point, and i sincerely lack a ton of formal film theory reading.

Reminds me of the falling video game industry, where the top brass and known critics regard the media these days as a tool for telling stories via interactive context and lastly some specific mechanics, instead of the classic aficionados who believe the mechanics and their executions in a designed space are the objects of appreciation themselves.

Haven't seen his stuff, the confidence in the written delivery might seem a little pretentious so i guess he does deliver his ideas, but portraying visuals as the narrative, the wheels of the vehicle to call it in a way seems overly difficult in full time format (over 60 minutes).

The ancient "ideal" combination of audio, visuals and narrative MIGHT have taken place in some music videos, but those take at most 6 minutes, and "video art", stuff usually focused on visual experimentation ala Rybzynski, take 10 or 15 if they are self-indulgent.

It seems he needs to be checked out, and it really, really doesn't help he's a capital mexican from a certain sector known to be some of the biggest bullshit artists and pretenders in Latin America.

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 No.11467

>>11444

Do you have any favourite Mexican directors? Current or past.

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 No.11468

>>11467

tl;dr maybe Roberto Gavaldon, even with his musical segments out of nowhere. Luis Buñuel and Luis Alcoriza in the past and Mel Gibson in the recent time if we can count foreigners who lived a long time in the area.

Now i really don't like our cinema, like many of us, because of the extreme ratio between quick movies made purely for money in one-week budget-priced cinema tenures and interesting movies hidden between the mountains of hot trash, hence the lack of achieves and enthusiasts. I went to explain it but I got carried a little, went over the line and wrote 800+ words so i will spare you the eyesore.

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File: f8be3cc0191057d⋯.jpg (167.25 KB,1280x720,16:9,vigil.jpg)

 No.8595 [Open Thread]

Is anyone familiar with the work of Vincent Ward? If you are, what do you think about his films. If anyone could suggest films that carry a similar aesthetic to his work I would appreciate that too.

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 No.8612

>>8611

> every country has a different catalogue

Hm that makes sense. It's tricky to get licensing rights in different countries. I heard TCM is not very good outside of the United States because their catalog is much more limited.

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 No.8654

File: 1b74873f8aef1db⋯.webm (10.52 MB,720x576,5:4,The Navigator a Medieval ….webm)

Vigil and Navigator are both excellent, both deal with spirituality, both contain many striking visual moments.

Vigil has a timelessness similar to films from Europe that take place in rural, isolated, or preindustrialized villages. The clothing in the film does not seem modern at all, making me wonder if kiwis actually dressed like that in the 20th century. Vigil places more emphasis on visual storytelling (or moodsetting) because the dialogue often seems incidental.

Navigator has plenty of dialogue and a clearly defined plot. Of course it's still unconventional compared to typical cinema offering. And Navigator probably has stronger imagery than Vigil, with many beautiful scenes like the one in this clip.

So certain aspects of Vincent Ward's early work reminds me of Bergman, Tarkovsky, Valley of the Bees, Witchhammer, maybe Hard to be a God as films with a similar aesthetic and content. That's the first things that came to mind, I'm sure there are other comparisons to be made...

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 No.8659

>>8654

nice webm for a great scene

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 No.8740

I just saw the Navigator, I really liked the use of color in the film, honestly didn't think it'd look that good, and it was pretty fun seeing them discover the 20th century

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 No.11393

I just view The Navigator and thoroughly enjoyed it. It is weak in many ares but still definitely more than worth a sit-through. I loved the acting, costumes, lighting, and cinematography. A friend let me borrow the DVD and now I'm torrenting Vigil.

>>8740

I agree! The transitions from B&W to color were really well done. It didn't feel cliche or forced.

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File: f3740d1ef12d0a1⋯.png (263.13 KB,700x500,7:5,2017.png)

 No.10721 [Open Thread]

and which did you like best?

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 No.11202

>>11196

Dead Slow Ahead

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 No.11347

>>11195

Sauce on these plz

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 No.11350

>>11195

C:1, R:6

C:2, R:5

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 No.11351

File: 6528c41671fcbeb⋯.jpeg (60.89 KB,666x1000,333:500,caniba.jpeg)

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 No.11352

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