No.16202 [Last50 Posts]
Self-Isolation edition
Previous Thread: >>14784
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Post last edited at
No.16206
I experimenting a lot with grayscale rendering, but it always came out dulling my whole image. but I learned by colorize the grayscale layer I can make the skin more fleshy(reddish) and change to color tune of the figure.
You learn new thing I guess.
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No.16207
>>16206
Here's finished work. I dont know if I want to use this "colorize grayscale rendering" again, it take to much effort to get color to pop up.
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No.16210
>>16207
I'm on the fence about the grayscale method. It truly would make altering colors a lot easier…but at what cost?
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No.16211
>>16210
I probably gonna use it in some way mostly on white material, but Im gonna stick with my old "overlay render" method.
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No.16219
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No.16220
>>16219
Breast on (our) right appears just a bit too smol; see how her ribcage is facing slightly upwards but the contour of that tiddy is razor-straight across from the other?
Reminds me of Aimee from the extremely campy Galaxy High
>tfw Americans trying to produce an episodic slice of life while relying on Japanese animators
The show itself is pretty vapid (pretty good animation tho) but Aimee is one of cartoon history's secret qts.
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No.16221
>>16220
*bottom contour ffs
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No.16223
A sketch and a scanned in rough of the weekly theme
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No.16224
>>16220
I think I kind of understand what you're saying. Could you red-line it for me?
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No.16225
>>16220
Also thanks for the crit
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No.16230
>>16219
Don't take it too seriously as I'm probably a little off as well, but it's just something to think about in general. Notice how you have the (our) left shoulder and arm a little higher than the ones on our right? It's the same basic idea, that (our) left tiddy should be a little relatively higher than its opposite as well.
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No.16231
>>16230
meant for >>16224 heh
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No.16232
>>16230
It's a lot more clear now, anon. Thanks
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No.16233
>>16230
That female skeleton is making me feel things.
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No.16237
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No.16246
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No.16250
>>16246
The face looks really ugly, look for artists that make something akin to what you want to make and study the proportions they use.
Your linework is extremely choppy, your lines should be a single stroke, see pic.
The hair being that low makes the head look short or incomplete. You need to think of the structure of the head before placing the hair on top of it, if I were doing your style I think the head structure would look somewhat like pic 2.
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No.16251
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No.16255
>>16250
>your lines should be a single stroke
Gonna SERIOUSLY disagree with you here, anon. That's heavily a stylistic choice.
There are artists who specificly do that as a style, look at any of Jhonen Vasquez's work. Those smoothed lines don't even look good, they're flat and completely lifeless. Anon's art, while flawed, evokes the style of sketching with an actual pen.
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No.16256
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No.16257
>>16255
Not him, but while it might be a stylistic choice, it's better if it's Anon's stylistic choice. I assume the redliner assumed it wouldn't hurt to practice line control more.
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No.16259
>>16255
He posted his art asking how to fix it, he can barely color inside his lines. I'm going to assume the chicken scratching isn't the result of a lot of practice and study, and he's actually just got bad lines.
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No.16285
Which color should I keep working on?
Or should I scrap the main planet and try something else? I'm not sure what I'm doing here
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No.16286
>>16285
If I keep working on it I dont know quite what more to add to the planet, though I feel as if something is missing.
I have added some more layering to the clouds and a bit more texture to the ground.
Perhaps not much more is needed after I add some more light from the pyramid and color the girl properly since that is a bigger focus?
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No.16287
>>16285
Right looks better to me. Her body has a little more contrast with the planet.
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No.16288
drew some mechanicus guys
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No.16289
>>16285
I think she blends in too much with the planet and neither one really seems to have that big of an advantage over the other. If I had to chose, I would go with the teal. Can you rearrange the clouds or resize the planet? The planet also looks weird to me, as if the horizon doesn't look as far away as it should compared to the closer part on the bottom. Giving her a small glow or thickening her outline could be another option to try.
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No.16290
>>16289
>as if the horizon doesn't look as far away as it should compared to the closer part on the bottom.
I didn't know what the heck you meant at first but I think I know what you're talking about now and why. It's not the shape of the planet itself but, for some reason the pyramid/orb thing she appears to be "presenting" with her hand on our left appears to be overlapped by the planet whereas the girl is overlapping the planet. Because of the multiple line tangents it's hard to tell if she's like "holding" the pyramid/orb thing or if it's supposed to be way behind her.
I think if he dragged the character off to the right slightly and dragged her down a little bit as well it would remove that confusion and take care of some of those tangents-while still getting the point (the point being: space qt) across without getting mixed visual messages.
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No.16294
Noodling around with the animation tools in CSP
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No.16327
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No.16328
>>16327
Looks good. Is that based on real scenery from a local park or something like that?
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No.16330
>>16328
Yeah there is a really good trailhead around the scientology part of Florida.
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No.16333
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No.16335
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No.16342
>>16335
>tfw no formal wear gf
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No.16344
>>16333
>>16335
keep going anon
I like that Corona Chan design.
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No.16345
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No.16350
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No.16351
>>16345
Interesting design, I'm looking forward to seeing the stuff you come up with when you get better
>>16350
Pretty good, if it's an early attempt at the medium you'd hardly be able to tell. You've done a good job here for the most part.
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No.16352
>>16351
Thanks! I am very new to the medium, only really used it a little in conjunction with airbrushing (pic related). I really like alcohol markers' color and consistency, which I never got with regular markers. Learning markers is my plan for getting into fair caricatures (very lucurative when there isn't a goddamn pandemic) because they're very fast and really clean.
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No.16353
>>16350
>>16352
These reminds me of historical illustrations from published history books, with high accuracy on clothing. This looks professional.
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No.16354
>>16353
Thank you. I wish tho lol. I have a ton of those books and I try to study them regularly. Angus McBride is a really good study resource.
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No.16355
Hey lads
I have made a bunker for quite some time on both julay.world/loomis/ and I've recently set it up on anon.cafe/loomis/
If you wanted to use them, be my guest
If the BO wants co-ownership of them, it'd be also great.
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No.16356
>>16355
Your diligence is appreciated, this site's performance issues makes it seem destined for the dustbin but I'm not necessarily willing to abandon ship just yet.
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No.16357
>>16355
That said I also own the terrible website https://www.4chon.me and I could add /loomis/ to it if worse comes to worse as a Hail Mary play. I haven't really put it out there much because I screwed up the software install and I'm not sure how to fix it. Also most of the users are a little uh…mean and I'm not sure it'd be a good fit. I'd probably have to moderate it pretty heavily (unlike the rest of the site) for it to work in a place where it'd stick out like a sore thumb like that, so I am open to any alternatives as well.
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No.16364
I'm probably gonna do some more studyan and grindan after this
>>16342
Thanks anon, I'll probably make some pinups of her soon™
>>16344
She was in a very lewd dream
>>16350
The rendering is incredibly well done, especially considering the medium. What sort of markers did you use?
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No.16365
>>16354
Ah yes, I think I have the entire Osprey published pdf collection somewhere, if I find the mega I'll doublepost it here and there
>>16356
I don't really want you guys to, honestly, though if you moved there and kept 8kun as a bunker it'd be grand. Yet recent events have shown us we gotta be careful, what with the faggot Esther trying to fuck with the 'ring as a whole…
>>16357
That website looks pretty comfy, friend. There's a /r9k/ diaspora on the webring, perhaps you would like to advertise it to them?
That being said, even if you do advertise it, don't join the webring immediately, do it like in a week or so.
Also you may want to go to anon.cafe all the same for the tutorials on how to update to lynxchan.
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No.16366
>>16364
I need to do more motion studies like yours, those are nice.
>What sort of markers did you use?
So I looked into copic alternatives, since I don't see a reason to drop the money on something I don't know that well. Right now I use Spectrum Noir and MemOffice alcohol markers. Of the reviews I've seen they rate really well against copics and are about a third of the price.
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No.16367
>>16366 (checked)
I see, danke
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No.16409
The decent drawings I've made, as of late. Given how rarely I post/even draw standalones anymore.
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No.16410
YouTube embed. Click thumbnail to play.
>>16409
Based Cacodemon
>Scorchn'
Is that a grizzled veteran archetype I see there
>Sally
I feel like you do back poses with her a lot-not that I'm complaining; hon hon hon
Nice Sonic and Too Hoo as well
>Given how rarely I post/even draw standalones anymore.
If nothing else this website's persistence and relative inactivity provides a good place to host drawings you don't feel like hosting on your own blog for the long term
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No.16424
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No.16425
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No.16427
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No.16431
>>16427
Pretty cute to be honest family
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No.16433
>>16425
y not
>>16427
cute
>punk penny
not Bad Penny or
<M.A.D. Penny
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No.16445
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No.16448
Introducing Blaire. She's, Max's granddaughter in the future, or something. Technically she's for a sequel idea I've got planned for EG|WT, but I'm handling doodling her a bit differently than the stereotypical example of "planning for the sequel before you're even done with the first one."
I just really like designing characters, re-kindled my love of cowboy imagery as of late, and wanted a venue for dabbling in designs and ideas that are wholly unrelated to the comic, and liable to change dramatically by the time I get to them. Messing around with stuff like that I why I love to draw, and invigorates me, so having an environment where I don't have to consider any of the details and can just slam concepts together to see what looks cool, has been great for me.
>>16410
Thanks. And the skull cop is actually just a colleague's design. I liked it enough to want to draw it.
>If nothing else this website's persistence and relative inactivity provides a good place to host drawings you don't feel like hosting on your own blog for the long term
Yeah, I do enjoy how whenever I've got stuff to show, I can always come here and post some it even if I'm not exactly a fan of 8kun anymore, and /loomis/ is the only board I keep tabs on/post on, here.
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No.16450
YouTube embed. Click thumbnail to play.
>>16448
>Serape-clad Blaire-chica-chan
this makes the little churro into the big churro
I like that you're experimenting with painting in that last image. Definitely check out ctrlpaint.com/library for some tips on how to push that sort of thing further. I bet you could make some really cool contrasting panels with a little practice. Almost like those old Ren and Stimpy cutaway gags but for some epic shit instead of gross-out humor.
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No.16451
>>16448
>>16450
Because of 8kun's performance issues I am strongly considering furthering the development of the board on 8chan.moe; I just need to port the css over somehow and then I can manually curate the GOOD threads and then it'll be like nothing ever happened. Because there's so few of us here now I do wonder if doing something like that would do more harm than good, though.
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No.16452
>>16450
Yeah, I was initially reluctant to push this stuff further in anything, since I was mostly just seeing if I could do lighting at all like this. But I've wound up liking how I handle it, and in turn thinking this stuff would be good for special pages or panels to really sell shit. Like, there's already at least 3 times I can think of where the page would've benefited from using some actual lighting, instead of the hard shadows, so I'll definitely use this stuff again when the time comes up.
>this makes the little churro into the big churro
It took me a while to really get why the first two there got such a big reaction (for an OC drawing of mine), until I looked at her for a bit. Upon reflection it's pretty obvious, she's just qt.
Which is good for me, since I used to not even be able to convincingly draw girls at all.
>>16451
Well I was pretty blunt that /loomis/ is the only board here I still care about. So I'd migrate. And I think anyone else here would do the same.
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No.16453
Will probably be posting on the .moe site soon
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No.16454
>>16453
Okay, just keep in mind the move is tenuous. It will take a lot of work to get that board up to par with what we've built here over the years even with the low relative post count. I will probably make a thread specific to this issue. An archive where I screengrab posts and/or save images nominated to be worth preserving may be in order (including many of the general OP threads that anon had spent a lot of time creating for example). I think, even if we don't migrate there in mass, it would be a good idea to for me to maintain it as a backup. I think starting monday I will put some more work into making that happen.
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No.16455
>>16454
We could also use archive.is for every thread on here right now, at least. If for nothing else, than to just have every thread somewhere for posterity's sake.
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No.16457
>>16455
Uhm…based? Would I have to archive each thread individually or how does that work?
>t. brainlet
Interesting though.
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No.16463
More concepts having to do with >>16453
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No.16470
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No.16472
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No.16474
>>16472
I like that aggressive NPC expression
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No.16487
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No.16488
>>16487
No idea how I can make the same mistake twice
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No.16490
>>16488
Something really doesn't look right here; does she normally have eyebrows or nah? I think it's an issue with uh…what's that thing where the lines run together called again? heh
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No.16491
>>16490
Ah, a tangent. Thanks for pointing that out and no, she has no eyebrows
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No.16492
relatively fixed do the eye reflections look weird?
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No.16497
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No.16531
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No.16539
>>16497
I'm not sure where this "girl with sharp teeth" meme came from but I'm all about it.
>>16531
Reminds me of my Warhammer Online days
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No.16543
>>16539
>I'm not sure where this "girl with sharp teeth" meme came from but I'm all about it.
Gay and trannypilled
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No.16545
>>16543
>not wanting to get your knob shredded into brisket by a shark-tooth grill
I can't even
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No.16546
>>16545
Dude, that's so fucking painful to imagine.
DOSPFhap fhgasd;uipanh g/.adsou[bsgsy[hpahsd;g
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No.16561
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No.16562
>>16561
Very "Warcraft 2 Instruction Manual" (I know that's not the first time I've alluded to Metzen and probably won't be the last). Good work. I feel like the hammer-clasping hand is a little iffy and kind of reminds me of the way I struggle with that sort of thing, myself. Something about the cape is kind of bugging me as well, like it should be a little further back-emerging from behind his arm and back closer to the armpit area. Perhaps but perhaps not! Either way keep it up.
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No.16604
I drew this over a month ago and forgot about it because it was a bit poorly-timed
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No.16605
>>16604
That actually made me laugh out loud. You really have to compress the images resolution a bit though fella, try and keep them to <1000 pixels in either direction so the board doesn't shit itself trying to open the thing.
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No.16607
>>16605
Oh fuck I'm sorry about that.
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No.16627
>>16561
Very nice. Perhaps something more could have been done with the free hand, like supporting the strap, something about the pose looks unnatural or stiff. But still nice, like anon said it reminds me of the brilliant WC2 art
>>16531
Real good. The hand that holds the pipe could have been more expressive, looks a bit awkward as is. But the overall pose works and all the materials look good.
>>16424
Fun drawing
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No.16649
a WIP. Does the pose make any sense?
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No.16652
>>16649
I don't particularly see anything wrong with it at first glance, though I feel you could push the contrast in the hips and shoulders a bit more.
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No.16661
>>16652
I think this works a little more
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No.16668
Silhouettes of some characters I'm gonna flesh out
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No.16670
>>16668
Classic pompadour mane
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No.16673
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No.16682
Me getting when I get cheese when I get 3am milk at 3am
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No.16684
>>16673
Why is she always so tired
>>16682
spooky boobies
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No.16689
caricature n head practice
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No.16690
>>16689
>mfw I recognize Gallagher
I guess I really am old now
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No.16691
>>16689
They're all pretty good. I like the strong lines you've used on the contours of the one on the bottom right in particular, I think you should consider running with that kind of look.
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No.16692
>>16690
Bruh Gallagher nowadays (post heart-attack) is way funnier, crazier, and angrier than he was as a happy prop comic.
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No.16717
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No.16718
>>16717
Did you do another halbardier picture recently? This looks familiar kind of
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No.16719
>>16718
you mean this one?
>>16531
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No.16721
>>16719
Oh yeah, I was confusing that with your previous marker drawing. I guess when posts are so intermittent shit just starts to blend together.
AAAAA
as they say
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No.16746
*sad face*
I used to draw everyday, but life man..
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No.16749
>>16746
Yeah I can hardly bring myself to alter a blank canvas these days for whatever reason. I'm probably schizo or something. Based!
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No.16753
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No.16754
>>16753
Osprey publishing would be proud of your medieval warriors and vi-kangs
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No.16756
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No.16757
>>16756
I will say, there is a slight issue with the form and volume of your shield. It's hard to put into words what the issue is but perhaps I can show you my manner of thinking about it with this picture. In the current arrangement the various motifs of the shield cause a sort of dissonant effect that slightly throws off the illusion of solidity.
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No.16758
>>16757
(tbh I don't even think I did it 100% right myself but it's just to give you an idea, lmoa)
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No.16760
>>16757
>>16758
good eye, thank you too.
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No.16761
>>16757
You hit the horizon pretty alright.
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No.16785
Do you think my drawings are getting a little perverse?
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No.16786
>>16785
Or MASSIVE. Didn't notice the images came out that size.
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No.16787
>>16785
That genie is pretty cute. That dude at bottom is well done. I feel him.
The candle is a cool/hot idea :)
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No.16789
>>16786
It's okay, just make sure when you're exporting or saving the file in your software to make it under 1000px tall
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No.16801
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No.16812
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No.16813
>>16801
she looks tired
>>16812
birbknight
those little textural lines add a lot, I like the contrast between the left and right sides of his helmet; good contrast
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No.16816
>>16813
>I like the contrast;…good contrast
I need to stop writing these posts when I'm seconds away from unconsciousness
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No.16834
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No.16836
first time on this board.
all of you, are absolute shit.
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No.16837
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No.16842
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No.16848
>>16836
>all of you, are absolute shit.
That's kind of the point of the board, isn't it? I'm working on not being shit. And what about you? Post your work.
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No.16852
Started working acrylic paint into my marker and airbrush. Completely fucked workflow but I'm starting to like the results more.
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No.16853
>>16852
Starting to get that rimlight effect. Looks like a unit from Warcraft 3 or something like that.
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No.16854
>>16853
I'm trying to get as proficient with traditional media as I can replicate with a digital device, it's interesting and challenging but I think it will help me switch back to digital painting.
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No.16870
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No.16872
YouTube embed. Click thumbnail to play.
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No.16900
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No.16901
>>16900
This is probably your best piece yet from a color and composition standpoint. I really like the shell and the background, simple as it is. From a drawing standpoint overall it's really nice with just a few hiccups. I think the mace looks like it's kind of "drooping" from where it appears it'd be going normally (hint for next time: follow the angle created by the row of knuckles). I actually agree that the mace should be down there because it wouldn't work if it was overlapping the character that much-and it even looks somewhat intentional anyway-but you'd maybe have to twist his hand and forearm a bit to truly make it look right, I feel. The foot on our left appears a little small (roughly on line width, I'd say) as well. Keep up the good work!
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No.16910
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No.16923
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No.16925
Very slow on-going redrawing of this >>16285
any feedback appreciated
I couldn't make any headway on drawing a planet back then, and it took me a lot of time to arrive at the moonlike rock I've drawn this time. I wish I could have drawn something much more colorful, but I just couldn't manage it.
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No.17022
>>16923
I think your ribs are a bit too harsh there-the external oblique and serratus muscles work to obscure the ribs at least a little (while creating a sort of "rib like" impression on the surface of the skin, themselves. Rather it looks like the ribs themselves are above it all.
With regards to her raised shoulder keep in mind the anterior deltoid and pectoralis come together and kind of overlap any arm muscles beneath them, so while you do see the biceps and etc. kind of wedge in there as the arm is raised you'll also notice that the pectoralis flap kind of creates a nice curve up in the direction of the "deltoid tuberosity" because, like the deltoid, it overlaps the biceps and brachialis muscles.
>>16925
Unfortunately I think in some ways you've taken a bit of a step back here. Don't get discouraged though. The character and the symbol you've created stand out a bit more and I think that's a good thing. The planet looks cool too and while I did like the colors you used with the last one this way it's not really fighting for the viewer's attention with the main subject matter. I think her hair has lost some of the sense of volume/form that you had on the first picture and her face looks a little aged up in comparison too (I think it's the dimple in her smile, the more rounded jawline, the lower contrast of her hair color as well as the lines). You did a good job implying distance with the contrail of light that comes from behind her though it might behoove you to consider another way to present the same idea-at the moment it looks like there's a big laser coming out of the back of her head without much tying it to her other than its placement. The folds on the dress are very well done but I can see the feet/shoes look like they need a little work.
This might go in contrast with some of the other advice you received in the last drawing but it wouldn't be bad to have the character quite a bit bigger as well. The only reason it may have been a problem in your first attempt was because several line-tangents were being created between the girl, planet and the logo. This time as long as you give her a little bit of distance there shouldn't be too much confusion.
I would suggest rather than continuing to hammer away a completed drawing try and experiment with sketches and thumbnails first and then give it another shot. I can tell you've worked pretty hard on this already so if you aren't really up to another attempt I don't blame you but just keep doing your best.
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No.17089
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No.17093
The Joy of MSPainting. Because why not?
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No.17094
>>17093
Nice painting. Looks like a frame from an old animated gif.
Really cool.
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No.17110
>>16925
Foreshortening is much improved, good job with that. It can be tricky to make it look impactful, but you pulled it off quite well. The colors harmonize better too, it's fine to keep it simple and prioritize the quality of the piece over following your vision. For practice you obviously want to push the boundaries, but for something you intend to show people it makes no sense to put your weaknesses on display.
The biggest issue with the previous iteration is probably the foreground being too close in value to the background, the picture reads much better now that they're more distinct.
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No.17111
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No.17112
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No.17113
>>17111
Nice trips. I don't think a double scope like that would work but it's a nice design at any rate.
>>17112
I feel like you've posted this one more than once but I still like it heh
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No.17119
newfag here. pic related is my first attempt. let me know where I can improve and how to proceed further. I want to get good at drawing landscapes and to able to draw from imagination
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No.17120
>>17119
A pretty good attempt, though the left contour of the pear is a bit too vertical and angular-with a bit more emphasis placed on that smooth, subtle depression near the top than there is in the reference. Note that the pear appears to be overall leaning slightly to the right in the reference but in your image it seems to stand near completely erect. Also, the stem on the reference is quite long but on your it's just a bit longer-not to mention thicker.
Use visual observation techniques such as imagined plumb lines and negative/positive space to increase your accuracy.
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No.17122
>>17119
erase the harsh outline. Darkest points would be the tip of the stem and bottom of the pineapple. ;)
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No.17130
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No.17131
>>17130
Very much so. But rewarding :)
Your art would be great as game board pieces.
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No.17132
>>17131
Thank you. I think at this point I should just learn zbrush and sell 3d printed miniatures.
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No.17143
>>17119
theres no space, just outline and tone. things exist in space
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No.17144
>>16649
i dont think someone would turn their toe in on the leg they have their weight on. and the knees are weird - too low - and the shins are too short and the legs look like they are in some weird perspective - prolly cuz youre reacing the bottom of your 'page' and youre scrunching things. only people who draw would not
ice or care
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No.17154
More mushrooms, but now in digital. I do not know how to eliminate the metallic effect of the yellow mushroom.
I still don't know how to paint very well
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No.17155
>>17154
Really nice work, actually.
>metallic look
Your shading has sort of a strong, mechanical "gradation" from light to dark-perhaps it looks metallic but it still has appeal-I'd say it reminds me of some decent art of the sort used in mobile phone games.
(please follow us to 8chan.moe/loomis until such a time that the administrators of 8kun can fix the software)
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No.17156
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No.17159
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No.17160
>>17159
Good stuff buddy
>remember to post back over on our new board: 8chan.moe/loomis
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No.17161
>>17160
Oh shit, thanks man!
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No.17169
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No.17170
>>17169
Please come to 8chan.moe for all of your art shitposting needs, and come hang out in the drawpile sometime. Unfortunately due to persistent technical issues on 8kun we've essentially abandoned this board. Hope to see you there!
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No.17178
Drawing is a good skill, but unfortunately, you have to have a talent for it. I prefer other forms of art. I like photography. I regularly photograph the world around me and enjoy the beauty of our nature. In addition, I am inspired by the work of world-famous artists and I dream of decorating my home with them. Most of all I am impressed by the photos of https://www.vershinin.biz/ vershinin. This is a man with a gift from God who creates works of art.
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No.17180
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