No.113205 [View All]
TL here, moving our thread of operations once again.
I'll create an archive of our bunker thread once archives start working again.
____________________________
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No.117992
As this will be the start of a new volume to typeset, I went and formatted another credits page file (this time with the header centered, roles/names aligned, and the dimensions matching the chapter pages). This is all as one document, using alignment shifts and visibility toggles, and should be easy to swap images in and out, as well as change what side things are on for variety.
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No.118022
Chapter 43 transcript
https://files.catbox.moe/nw432e.txt
That bonenkai TN reminded me of chapter 17's cover page. Maybe we could use it (or a cropped piece, showing Makura, Andira and Pajra partying)
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No.118026
>>118022
Saved the text to start working on this evening. In the raws’ numbering, is this one ending on p_027 or p_028? Not sure if the reader is intended to be given a breather, or sense of foreboding when they finish. From the look of it, I am going to need p_005 to have the chapter title cleared/redrawn if possible, and the following page pairs stitched/fixed: p_010 and p_011, p_018 and p_019, and p_024 and p_025.
>>118022
>That bonenkai TN reminded me of chapter 17's cover page. Maybe we could use it (or a cropped piece, showing Makura, Andira and Pajra partying)
Maybe, but the fact there's different things going on with the image, as well as how the outline of Houzan acting to mask the rest of their bodies, strikes me as apt to restrict the size it can crop to, or that it will look off if you get the blank space/other elements in it (such as the gun below them). I'll still give a try, but it might be good to find either a suitable photo, or perhaps a screenshot/crop from another series with a bounenkai going on.
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No.118027
>>118026
Page count starts on p_005.
>it might be good to find either a suitable photo
I'll look ip up with more care later (at work atm)
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No.118030
>>118027
I know, but it's a case where if it's ending on p_028, there's no text on it and thus the transcript makes no note of it (previous page is the last with text). Looking higher in the thread, I guess I'll just go off of >>113586 and have it at the end.
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No.118038
>>118030
Oh sorry, I didn't understand it then, kek.
Yeah you're correct, p_028 is that chapter's last page.
I'll start noting what are the first and last pages for each chapter to avoid these confusions then. Something I should have started doing before.
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No.118101
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No.118103
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No.118104
53-15&16
=2==========
>Wha-
>What was that?
=4==========
>Garcia!!
>Is that a jaguar!? That big!?
=5==========
>Don't follow it!!
=6==========
>Pursuing is useless!!
>We must rush to our objective first!!
53-17
=1==========
>If Houzan is there, then this is how he will act!!
>But even if he isn't, the outcome won't be much different.
=2==========
>They don't know yet that there's any connection
>between Metzabok and the jaguar that they just met!
=3==========
>In that case, what would Houzan do?
=4==========
>He would send a Dokkaky soldier to be the first to arrive at the scene
>which will be chasing after me!!
=5==========
>There's probably at least one of them guarding their base.
>Meaning that right now there's one, maybe two, coming after me.
>It's very unlikely there are three.
53-18
=1==========
>Normal soldiers won't come this way.
>Since they can't follow me by scent trail alone!
=3==========
>Good! Looks like it's only one!
>Which means,
>Lopes' chances of survival increased considerably!!
=4==========
>Wind direction...
53-19
=1==========
>Who is it then?
>Who's coming!?
>Old man Andira?
>Mori-san... Pajra?
>Or the immortal beast, Majira!?
53-20
>Lopes.
>I'm going on ahead!
>I won't be able to know if you'll stay alive after this, so
>Good luck!
53-21
{ゴリ} scratch (x2)
{ガッソ} gnaw
{グチャ} shlop (or another wet sound)
{ピチャ} shlick (or another wet sound)
53-22
=5==========
>Too bad, Mikado.
>I finished here before you.
=6==========
>Do you want some?
53-23
=1==========
>Aah, dont worry, I already got every bit of info out of him.
>Their base camp is 30 kilometers northeast from here, by a waterhole.
>As we expected, they have two helicopters, a Chinook and a Black Hawk.
>They left 6 Zombist members, 6 mafia thugs and one Dokkaku soldier there.
=2==========
>Petul, Koh and Akashi Maya
>Are also there.
=3==========
>And... after making him confess all that
>you figured you might as well eat him anyway, I suppose.
=4==========
>Fufu... Humans can be pretty hard to kill sometimes...
>This guy was still clingingto life, even after we bit off a third of his liver.
53-24
=4==========
>I've been thinking...
>Maybe I like the taste of human flesh, more than that of any other kind of animal...
53-25
=2==========
>Listen here, you....
=3==========
>I don't want to hear you talking about eatin people's flesh in front of me!!
>Not now!! Or ever again!!
=5==========
>Alright alright.
>I'll shut up then.
53-26
=1==========
>I just wanted to hear you say that out loud, spontaneously.
=2==========
>What!?
=3==========
>Didn't I tell you?
>I understand you very well.
>Understand me... how?
=4==========
>I get it that rescuing Akashi Maya is your top priority,
>right?
>Welp
>Let's go!
=5==========
>This guy...!!
53-27
>Hey, did you know?
>Humans have a Kisshin that they keep dormant inside them.
>Kishin? A Fierce God?
>But it's not just humans that have it, I think.
>Maybe, humans are the ones with the strength to change their own animal selves.
>Most ordinary people would simply call it a demon, like Satan.
>So... What kind of dormant deity is that "Kisshin", then?
>Mikado, in that respect,
53-28
>your kisshin is more akin to my people's understanding, probably because of how loose the japanese are about it.
>What do you mean "loose"?
>Well, your people doesn't seem to mind having countless gods, right?
>That is one way of awakening to it all.
53-29
>Shit!!
>Lopes!!
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No.118105
>>118104
I can't believe Jose El Jobber is fucking DEEEEEEEAAAAAADD!!!
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No.118125
>>118026
p_017 might also need the vertical text cleared. There's just white space behind most of it, but with both faces layered over it bleeding black onto black, I'm not sure how sharp a clearing job I can do myself in as far as trying to maintain the line work quality.
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No.118128
>>118105
Damn, that was quick.
>>118101
>>118103
>>118104
53-15&16 panel 1
Eh!?
53-15&16 panel 6
>Pursuing is useless!!
There's no point in pursuing it!
>We must rush to our objective first!!
We must reach our objective first!!
53-17 panel 1
>If Houzan is there, then this is how he will act!!
If Houzan is there, that's what he'd say!!
53-17 panel 2
>They don't know yet that there's any connection
They don't have any solid proof of a connection
53-17 panel 3
>In that case, what would Houzan do?
In that case, what would Houzan do?
53-17 panel 4
>He would send a Dokkaky soldier to be the first to arrive at the scene
He would order the first arriving Dokkaku soldier
>which will be chasing after me!!
to chase after me!!
53-17 panel 5
>There's probably at least one of them guarding their base.
There must be at least one Dokkaku soldier guarding the base.
53-18 panel 1
>Normal soldiers won't come this way.
There won't be any normal soldiers chasing me
53-20
>I won't be able to know if you'll stay alive after this, so
I don't know a thing about you, but...
53-23 panel 1
>Aah, dont worry, I already got every bit of info out of him.
Aah, don't worry, I already got all the info out of him.
53-23 panel 3
>you figured you might as well eat him anyway, I suppose.
you figured you might as well eat him, huh.
53-23 panel 4
>This guy was still clingingto life, even after we bit off a third of his liver.
This guy was still clinging to life, even after we bit off a third of his liver.
53-24 panel 4
>Maybe I like the taste of human flesh, more than that of any other kind of animal...
maybe I like the taste of human flesh more than any other animal...
53-25 panel 3
>I don't want to hear you talking about eatin people's flesh in front of me!!
I don't want to hear you talking about eating people's flesh in front of me!!
53-25 panel 5
>Alright alright.
Alright, alright.
53-26 panel 1
>I just wanted to hear you say that out loud, spontaneously.
Until you start to talk about it yourself.
53-26 panel 4
>I get it that rescuing Akashi Maya is your top priority,
I get that rescuing Akashi Maya is your top priority,
53-27
>But it's not just humans that have it, I think.
It might not be limited to just humans, but...
>Maybe, humans are the ones with the strength to change their own animal selves.
among living beings, it's humans who have the ability to change the way they live.
>Most ordinary people would simply call it a demon, like Satan.
Most ordinary people would simply call it a demon, or Satan, or whatever.
>So... What kind of dormant deity is that "Kisshin", then?
So... what's so important about this dormant "Kisshin" deity, then?
>Mikado, in that respect,
Mikado, your Kisshin
53-28
>your kisshin is more akin to my people's understanding, probably because of how loose the japanese are about it.
might be a lot closer to ours thanks to that loose Japanese attitude.
>What do you mean "loose"?
What do you mean, "loose"?
>Well, your people doesn't seem to mind having countless gods, right?
Well, your people don't mind having countless gods, right?
>That is one way of awakening to it all.
That means they've awoken.
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No.118212
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No.118213
53-30
=1==========
>Did they find us by our scent?
>Somehow they got the lead on us
>and found out our destination ahead of time.
=2==========
>Where!?
=3==========
>Where's the enemy!?
=7==========
>There!!
>Under that huge tree, on the other side!!
53-32
=1==========
>Mihira!?
=2==========
>Kumbhira-kuuuun.
>Where are yoooou? I'm so glad we can finally meet.
>I'm sorry your plan didn't turn out like you wanted.
>After all...
=2==========
>There's no way you would get me to make such an unnatural detour like that.
>I got the feeling someone was trying to guide me somewhere using the upwind.
>What an amateurish plan.
>Your big sis will have to teach you all sorts of things today.
>Fufufu
=3==========
>She's alone.
>I assume she's stalling until reinforcements come...
>You're right.
>We need to finish her quickly.
53-33
=1==========
>What's the plan?
>None.
>Me and Ek Chuah are going in.
>You will stay here and watch.
=2==========
>You're too stupid to even serve as bait, can't even mask your scent.
>I can't rely on you!
>That's a terrible idea!
>Are you really that self-confident?
=3==========
>Only whimps and fools need to gather confidence.
>What I have is a perfect sense of self-awareness.
=4&5&6==========
>Almost forgot...
>I got you a present.
>I caught your little trick just now.
>Eat up!
53-34
=2==========
>That tipustink!!
=3==========
>Watch out!!
>Get back, Noh Ek!!
53-35
>C'mere pretty boys!!!
>Your big sis is gonna eat you up!!!
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No.118214
>Your big sis will have to teach you all sorts of things today.
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No.118222
>>118212
>>118213
53-30 panel 1
>and found out our destination ahead of time.
and figured out our destination ahead of time.
53-30 panel 7
>Under that huge tree, on the other side!!
In the shadow of that huge tree!!
53-32 panel 2
>Where are yoooou? I'm so glad we can finally meet.
You're out there, aren't you? So glad we can finally meet.
>I'm sorry your plan didn't turn out like you wanted.
You were so close. It wasn't a bad plan.
>After all...
But...
53-32 panel 2
>There's no way you would get me to make such an unnatural detour like that.
The sudden change in direction was far too unnatural.
>I got the feeling someone was trying to guide me somewhere using the upwind.
Especially how it felt like you were guiding me upwind...
53-32 panel 3
>You're right.
I know.
53-33 panel 2
>That's a terrible idea!
Well, excuse me!
53-33 panel 3
>Only whimps and fools need to gather confidence.
Only wimps and fools need confidence.
>What I have is a perfect sense of self-awareness.
All I need is my sense of awareness.
53-33 panel 4&5&6
>I caught your little trick just now.
Wrapped it up for you just now.
53-35
>C'mere pretty boys!!!
C'mere, pretty boys!!!
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No.118223
>>118214
STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE STRUGGLE SNUGGLE
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No.118283
Got most of the typesetting for Chapter 43 finished, though I'm still needing the help mentioned here >>118026 and here >>118125 . Mikado's half-page spergout took a while, but I think it came out pretty well. Definitely going to need to figure something out for p_017 though, and not just in terms of clearing the text out of the big panel. Ideally, I'd want to do something similar, using the faces and border to create a mask to hide the sides of the "Just what are you!?", but it's a lot easier to manage when there's only a single character's-width going down in the Japanese than with multi letter words.
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No.118306
>>118283
Can you explicitly link the posts/images that need to be dealt with because this thread's just too dense and I just edited the wrong image I'm pretty sure. You wanted #2 from >>115088 and not this?
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No.118307
>>118306
That's the title page for it, yes. Thank you for blanking the subtitle.
Being that we're now in the territory of the in-progress translations being posted here, I may not be able to post the raw pages sometimes (especially if they don't have text to warrant the canvas extension like most of the base translated pages have to not count as duplicates). Seems like this time's alright though.
>p_010 and p_011 stitch/fix
>p_017 needs the black text in the background of the lower panel blanked if possible (issue being that the faces in the foreground bleed over the text). If not, I'll have to find some other way to adequately handle it.
>p_018 and p_019 stitch/fix
>p_024 and p_025 stitch/fix (raws in next post)
Alternatively, the pages are stitched in >>113519 >>113584 and >>113585, but would still require fixing and the additional step of trimming.
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No.118308
>>118307
I see that >>113584 didn't link properly.
And yes, I agree that the thread's gotten pretty dense. Takes forever both loading and updating in my browser, though it's been like that since I started helping. We going to keep going to bump limit?
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No.118309
>>118306
>>118307
Actually, you got the "ACT 43:" out of there as well. Nothing I can't solve with a bit of layer masking though.
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No.118323
>>118308
The load times are not the problem so much as sifting through to find amendments that relate to a particular image and especially ones related to earlier chapters or when there's multiple things concurrent (not right now but I suspect there will be more TWOMR down the line). It's not so much of a problem though for those who are keeping on top of something and I don't have any suggestions for improving the workflow.
Anyway. For this I opted to give a difference layer too. I can upload them on request. Generally if I have to touch the art in any way I'm working to a very high zoom level where it's easier to make out the shading, and periodically come back out to see if it blends OK, which, question. I know my eyesight's good, and the laptop I use is a tablet (while I use a mouse, go figure) with a decent screen, but how is my perception on that front?
I'll look at the other two tomorrow. they should be doable but will require some degree of redraw since there are parts that do not line up. Nowhere near as awful as that two-page where the shading and dot pattern alignment was no-fucking-go to me.
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No.118324
Addendum: In case 8kun is being erratic, Mega mirror for those and future help.
https://mega.nz/#F!RU8gjITa!pIpwX9I44yUTmwLZuUH1NQ
Also text cleaning takes little time mostly so I just do it because.
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No.118348
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No.118349
48-01
=1==========
>He's gotten so big.
>How old is he now.
>5 months today.
=2==========
>We want to see how we looked like in the past.
>In the past?
=3==========
>Like when we were born or something.
>Aah, wait I have it right here.
48-02
{Title} I can't show that
=1==========
>Don't you have a cuter one?
>Eh?
=2==========
>From when we were babies, that one is way too small.
>Aah!? Yes of course that's what you meant!
=5==========
>What's that?
>No! N-n-nothing!!
48-03
{Title} Fetus
=2==========
>Look, this one is pretty cute isn't it?
=3==========
>Yeah, but...
=4==========
>What was that weird pink creature from earlier?
>You saw it!?
48-04
{Title} Gestalt Collapse
=2==========
>Lately I haven't been able to sleep for some reason.
>Me too.
=3==========
>Do you know any methods to help us go to sleep?
>I usually read a picture book before going to bed.
=4==========
>There's something about staring at letters that make me drowsy.
>Understood.
=7==========
>Did あ always look like that?
[They couldn't sleep anyway.]
48-05
{Title} Reading for someone
=1==========
>We still couldn't sleep...
>I didn't meant that you had to stare at letters, you need to read a picture book.
>Like, read one to each other or something.
=2==========
>Well, if you may.
=3==========
>A long long time ago, there was an old man and...
=4==========
>The old woman was washing her laundry by the river...
=5==========
>By the river... washing... then *munya munya*
48-06
{Title} Focused reading
=1==========
>Today it's Fifteenth's turn to read me a picture book.
>That's right, but
=2==========
>I prefer manga over picture books, is it ok if I read one then?
>Alright.
=3==========
>Then, if you may.
=6==========
>Youre not reading it out loud. {Handwritten} Your voice has to come out.
>Oh...Oh right.
48-07
{Title} Sports manga
=1==========
>*Don*
>*Dan*
>Out!
=2==========
>*Boh*
>*Batchi*
>Nice receive!
=3==========
>*Bashin*
>Shit, next one!
>*Dogyaa*
=4==========
>Switch over to a manga with more conversation if you can.
>*Doss...*
{Title} Sleeping manga
=1==========
>I'm switching over to a comedy manga.
>Please do.
=2==========
>Hmm? Somewhone is coming from over there...
>Guhehehehe. There's a young lady waiting there...
=3==========
>Oiiii what'cha think ya doin' you're so weird!
>Pishh (tsukkomi)
48-08
{Title}
=1==========
>Yesterday we managed to sleep again.
>What do we do for today?
=2==========
>If you're having trouble sleeping, do you want me to sing you a lullaby?
>A lullaby?
>It's great to make you sleep.
=4==========
>NEEEEEENNEENN!
>KUROOO...
>But do it more calmly...
{Title} Afternoon nap
=1==========
>By the way, why did you started having trouble sleeping at night all of a sudden?
>We don't know.
=2==========
>Because of that we've been feeling sleepy every day in the afternoon.
=4==========
>And then what?
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No.118350
Translation Notes
Pg04.: Gestalt Collapse: ゲシュタルト崩壊 (geshutaruto houkai), or Gestaltzerfall (german) refers to a type of visual agnosia and is a psychological phenomenon where delays in recognition are observed when a complex shape is stared at for a while as the shape seems to decompose into its constituting parts. With regards to kanji, a study has shown that delays are most significant when the characters are of the same size. The phenomenon was first described and named by C. Faust in 1947 as a symptom of the bilateral region of the parieto-occipital sulcus after a through and through bullet wound of this region. Afterwards, when the subject stared at a truck for a while the truck seemed to decompose into its motor, chassis, driver cab and the person could only focus on one of these parts until he briefly closed his eyes or looked away which reset the shape to the complete truck again.
Pg05.: Fourteenth's book: The title means "Folk Tales" (むかしばなし, mukashibanashi), and the cover image depicts Momotaro, a famous japanese tale of a boy born from a peach found by an old childless couple, floating down a river.
Pg07.: Manzai (漫才): A traditional style in Japanese culture similar to double act comedy or stand-up comedy. Manzai usually involves two performers (manzaishi)—a straight man (tsukkomi) and a funny man (boke)—trading jokes at great speed. Most of the jokes revolve around mutual misunderstandings, double-talk, puns and other verbal gags. Similar in execution to the concepts of "funny man" and "straight man" in double act comedy (e.g. Abbott and Costello), these roles are a very important characteristic of manzai. Boke (ボケ) comes from the verb bokeru (惚ける/呆ける) which carries the meaning of "senility" or "air headed-ness" and is reflected in the boke's tendency for misinterpretation and forgetfulness. The word tsukkomi (突っ込み) refers to the role the second comedian plays in "butting in" and correcting the boke's errors. In performances it is common for the tsukkomi to berate the boke and hit them on the head with a swift smack; one traditional manzai prop often used for this purpose is a pleated paper fan called a harisen (張り扇).
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No.118353
>>118323
Looks really good, thanks.
Tried achieving a similar effect as the Japanese with the space. I think the font here (Death Valley) works pretty well for it, but there's still the legibility issue I thought it was going to have with being written vertically. Could maybe put a translation note in the gutter above it for clarity as to what is being said, or rearrange the text positioning and font size to better make use of blank space than have it as a centered column (though reducing font size reduces tone).
>>118350
>Gestalt Collapse
Interesting. Explains the name of a song in a game I liked. I'd even say it adapts the idea rather well from being a visual thing to auditory too.
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No.118354
>>118353
Reajusting the words wherever they fit better might be the best way to do it. Keeping it as a straight column seems unfeasible.
TL here. I keep posting everything here out of habit, but I'll keep different projects in their own threads from now on.
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No.118370
>>118354
>>118353
A few ideas to try to adapt the effect. Moving it forward and stroking the text certainly make it more legible, but it still loses the aspect where Majira snarling at Mikado feels like it's overriding his own thought. If any one has some other ideas I'll give it a shot, but it may be a case where using the original Japanese text with a note above is going to cut it better visually.
Also, a thought I've been playing with, in regard to the title. Having seen the debate earlier in the thread, I agree that either works out. Majira's certainly got some dinosaur-like characteristics such as the sickle claw that's clearly on display in some panels, as well as being outright visually compared with therapods. At the same, "Evil Dragon" is also apt given his namesake's status as a dragon god (brought up in Chapter 6). Either is simultaneously accurate to Majira, from what it sounds like phonetically read the same in Japanese, and "Evil Dragon" feels quite similar in tone to dinosaur's own Latin meaning ("terrible lizard"), so maybe make a rare case of using both? Even if not, it seems like it could also make for a good opportunity for a translation note on how kanji and what I assume to be homophones work in Japanese for wordplay and such. Just an idea, third image being a possible render.
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No.118383
>>118348
>>118349
>>118350
48-01 panel 1
>How old is he now.
How old is he now?
48-01 panel 2
>We want to see how we looked like in the past.
We want to see what we looked like in the past.
48-01 panel 3
>Aah, wait I have it right here.
Aah, wait a moment. I have it right here.__
48-02
>{Title} I can't show that
{Title} Can't show you that
48-02 panel 2
>From when we were babies, that one is way too small.
From when we were babies, or very young.
>Aah!? Yes of course that's what you meant!
Aah!? Of course, that's what you meant!
48-02 panel 4
Woah...
48-05 panel 1
>I didn't meant that you had to stare at letters, you need to read a picture book.
I didn't mean staring at letters, you need to read a picture book.
48-05 panel 2
>Well, if you may.
Then, if you would.
=3==========
>A long long time ago, there was an old man and...
=4==========
>The old woman was washing her laundry by the river...
=5==========
>By the river... washing... then *munya munya*
48-06 panel 3
>Then, if you may.
Then, if you would.
48-06 panel 6
>Youre not reading it out loud. {Handwritten} Your voice has to come out.
You're not reading out loud. {Handwritten} Say something.
>Oh...Oh right.
Oh... oh, right.
48-07 panel 2
>Hmm? Somewhone is coming from over there...
Hmm? Someone's coming from over there._
48-08
>{Title}
{Title} Lullaby
48-08 panel 1
>Yesterday we managed to sleep again.
I slept well last night.
48-08 panel 2
>It's great to make you sleep.
They make you really sleepy.
48-08 panel 4
>KUROOO...
KOROOO--
>But do it more calmly...
Wha-- be quiet...
48-08 Afternoon nap panel 1
>By the way, why did you started having trouble sleeping at night all of a sudden?
By the way, why did you suddenly start having trouble sleeping at night?
48-08 Afternoon nap panel 2
>Because of that we've been feeling sleepy every day in the afternoon.
Because of that we've been sleepy every afternoon.
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No.118385
>>118370
I think the use of "English furigana" here makes a lot of sense. As you mentioned, the original Japanese was probably trying to play off the connection between "dinosaur" and the kanji that make up the word, so this is a decent English approximation.
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No.118419
>>118323
That looks good. Are toy also working on p_024 & p_025 and p_018 & p_019 from >>118308 and >>118307 ?
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No.118420
>>118419
*toy
You
Goddamn fat fingers
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No.118423
>>118419
I am. Now would also be a good time to ask anything else that needs help with for this chapter because after that you're on your own. See meta thread.
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No.118427
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No.118429
>>118423
>>118427
Those should be the last two sets of stitches/clears this one needs. Thank you for the help.
Any advice for how to start learning to properly redraw/stitch? Figured I might ask if you're still going to be here for at at least another few minutes.
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No.118434
>>118370
Second pic looks better.
I wish there was a better way to fit the words in the background, but there doesn't seem to be enough space for it.
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No.118438
>>118429
I'm not him, and I have no experience with image editing (meant to maybe pirate one and get into it at some point, but never followed through), but a while back I found a couple tutorials on Mangadex.
https://mangadex.org/title/30195/bocchi-sensei-teach-me-scanlation
(chapters on auto-redrawing or some shit start with this one) https://mangadex.org/chapter/589888/1
And here's another tutorial that I bookmarked some time ago. Mostly on typesetting rather than redrawing.
https://mangadex.org/title/43627/anonblack-s-typesetting-guide
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No.118443
>>118429
If it helps the entire TWOMR chapter 19 and 20 work is "open source".
https://mega.nz/#F!1Z8XHaaY!emihxWukyIa0C0M2cs1WWQ
Also added the XCFs for those spreads, and a couple from the Neptunia thing to https://mega.nz/#F!RU8gjITa!pIpwX9I44yUTmwLZuUH1NQ
As far as specific suggestions, if you don't know what layers, layer masks, cloning, and selections can do, they are your core, but know what your chosen editor is capable of and be creative. Above all else, practice. I didn't learn anything overnight. Also be persistent. Harder edits will frustrate the hell out of you but trying hard enough usually will usually let you come up with something workable.
Also the thread linked in the banner >>>/animu/102556 has a bunch of useful links too.
>>118438
At a minimum you need something with layering and cloning such as GIMP, but going Photoshop is not a requirement.
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No.118447
>>118434
Another idea that makes use of the "triangle" of space available, custom centering and a lower font size for (hopefully) added legibility while still working with background/foreground characteristics. Still doesn't feel as "loud" as it maybe ought to be. If not, I can try playing around with other fonts as different ones have different letter widths and default kerning, but there's still the difference of one character width versus up to four minimum ("!?" can well be broken into their own line).
Also tried splitting the line into individual vertical words too just for the sake of it. It does not work; there's just too little white space to adequately lay them out, even at a just smaller font size and have the eye NOT try to read the gibberish they make horizontally.
>>118443
>>118438
Alright, thanks for the advise (I've got some base knowledge of most of that, aside from cloning) and resources. I'll look into them some later today, but I'm still not certain as to if anything I can do on those fronts will be adequate, at least for a while.
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No.118448
>>118447
Forgot my sample.
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No.118449
>>118448
That's the best one so far. The change in font size is a small compromise to keep the same feel the raw page had.
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No.118455
>>118449
Might still play around with the arrangement with the font at that size, see if anything else sticks out as both feasible and legible, but for now it's an option to keep.
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No.118514
TL here.
Anyone objects to making scanlation threads on /a/ from now on?
I'm thinking about keeping the name /animu/ Scans regardless.
I've archived this thread just in case too (well I've actually been doing that semi-regularly for a long time now) http://archive.is/kbkHY
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No.118515
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No.118519
Number Girl thread
>>>/a/949235
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No.118524
>>118514
Proofreader here. Hell, why not.
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No.118607
New thread for Kouya
>>>/a/949330
It includes the transcripts for chapters 44 and 45, but I'll post them here too for good measure:
https://files.catbox.moe/rkow2c.txt
and
https://files.catbox.moe/zs6xcw.txt
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No.119020
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