No.12424 [Last50 Posts]
Praying for a Nuclear Winter Edition
Previous Thread: >>10455
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No.12425
Character drawings of revised characters.
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No.12426
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No.12443
Thanks based op
>>12425
Guy on the right looks like my nigga Ichabod Crane
Girl on left’s foot is at too harsh an angle and looks broken, our lateral malleolus us lower than our medial one which is why you can turn your foot inward a bit but can’t turn it outward (laterally) past the knee. Keep practicing,
>>12426
Is that another eye on the back of his head or just a demonic man bun? Looks cool
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No.12445
>old thread was past bump limit for a week
>missed a bunch of posts
>thought the board was extra slow
>make it into the new OP image a disturbing number of times
>>12374
>Pose fix welcome
A week late, I hope you work slow: The back leg looks like it's turned out too far. Knee down needs to be below the upper leg more. Shoulder's a little broad and that upper arm's got some meat to it, but she looks like she's supposed to be a beefy gal, so mebbe dat's intended.
>>12407
Keep drawin' your little gondolas, dude.
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No.12447
>>12443
Thanks mate.
It's another eye, but it's connected to the one in the front. Imagine a big pill inside the head.
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No.12448
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No.12449
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No.12463
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No.12476
>>12463
>the dead fish
G-d I wish that was me
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No.12478
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No.12479
>>12478
In retrospect, the overall piece needs way more polish, as well as a higher understanding of the interactions between light and form
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No.12482
>>12478
Lookin' good
Damn, that's one of my exact character designs almost, too. Great minds think alike I suppose (I'll post it when I find it)
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No.12495
>Well, I suppose it is good to let your hair down, every once in a while…
>Very well. Allow me to show you how a professional handles Game.
Small shitty sketch, because my finger had a gash in it and was out of commission for a while. Need to get back into the flow of stuff, after so many days of not having it.
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No.12500
>>12478
>>12482
I found it! I think I posted some of the animations in the old animation thread come to think of it.
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No.12510
>>12500
Wew, basically a 1:1 rendition Very cute composition. Breddy gud, anon.
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No.12534
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No.12537
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No.12538
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No.12540
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No.12553
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No.12554
>>12537
Looks good, but what the fuck kind of gun is that?
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No.12566
>>12554
It's a Bartlet Arms N.E. "Big Gun" model 4U SMG with iron sights, collapsible stock and bare lower rail / basic fore-stock.
I don't know, mang, I drew some shapes that looked like a gun.
>>12553
Looking good, pal.
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No.12571
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No.12578
>>12571
🅱️ased Francofriend
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No.12579
YouTube embed. Click thumbnail to play.
>>12566
It's almost as retarded as the gun in Shadow the Hedgehog, just watch the first 5 seconds and you can get a look at how retarded it actually is
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No.12581
>>12579
What's retarded is that he charges it like a pump-action shotgun. It's like you don't know that submachine guns exist.
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No.12582
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No.12583
Hey a value study I decided to fuck around with for 2 hours. Just so I can spend time learning a bit of color choice in the process I decided to do it mono-chromatic. Any thoughts on how I should proceed?
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No.12584
>>12583
Even if it's a value study try and nail down the drawing. Look at the angle between the contour of his brow and jaw, his eye and the corner of his mouth etc.
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No.12585
>>12584
It's hilarious how I only noticed how squished his face looks the moment I posted; it looks like he's determined to take a shit.
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No.12586
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No.12618
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No.12619
>>12618
this style remonds me of something
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No.12622
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No.12623
>>12618
Your work is quite cute even if it isn't particularly strong on a fundamental level. As much as I'd like to see you improve that aspect in general I know I'd miss seeing these little doodlerinos around.
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Post last edited at
No.12624
>>12622
OI! YOU GOT A LOICENSE FOR THAT DAKKA!?
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No.12625
>>12623
Do you know what I should do to improve my fundamentals? I'm glad there is an aspect of my work that you like, but I think improving the foundations will strengthen that aspect you enjoy among other things.
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No.12626
>>12625
I think you're in a similar place to where I am in that I instinctively fall back on similar poses in all my pictures, I think at the very least you should try and draw photographs of people in poses other than a standing 3/4 view so you can become more familiar with your options as far as that goes.
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No.12629
sketch i drew of a thot and tried to adapt into sailor venus, but the proportions got messed up. Can someone point me to why I think the hip turned out so awkward? Is it just that I placed the skirt too low?
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No.12630
that christmas elves drawing in the op is fun
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No.12631
>>12629
Looks like it. If you're going by 8 head proportions crotch starts at about the top of her skirt. I think her mid section as well is a little too long as well since you've place the lat crease a bit low, I think usually it would be where the rib cage is bending is nearer where the crease would be. Take my advice with a grain of salt though.
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No.12641
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No.12642
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No.12643
He's got so many things to complain about
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No.12647
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No.12649
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No.12650
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No.12651
>>12643
I can't really critique this since I don't know what the fuck I'm looking at
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No.12654
>>12651
>He doesn't know about the golden throne that guides humanity's interstellar conquest in the 41st millenium
Wow, just wow
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No.12655
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No.12658
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No.12676
have a sweet dream gondola
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No.12690
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No.12695
>>12647
It's an OC, my subconscious probably took a bit from jafar
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No.12707
Green eyed lady, lovely lady.
>>12642
Nice style.
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No.12712
>>12707
>no braap
I'm skeptical
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No.12713
>>12712
I ASSumed the thin layer of irony that keeps the fart cloud from being some fetish thing would be lost here. I don't want you upstanding, straight-laced anons to think I'm some kind of weirdo.
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No.12715
>>12713
Oh, Anon. We would never!
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No.12720
>>12478
>>12500
I wanna fuck him
>>12571
Oh hey Ciircuit
Have the guys on halfchan bullied you over your weird fetishes yet? Or have they not discovered it?
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No.12722
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No.12723
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No.12724
>>12720
Oh hey Anon
No idea. If they do know they haven't told me.
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No.12725
>>12724
I really want to like your art, but you draw so much weird fetishy shit that it's hard to.
At least you aren't posting vore or inflation.
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No.12726
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No.12731
>>12724
Man, how do you even bare going on 4chan with all the shit they've been pulling like separating the site and adding accounts? They're a mockery to all imageboards. They betray everything an imageboard stands for.
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No.12738
Drawing something for an art trade, though the guy's other part of the bargain is not met…
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No.12740
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No.12743
>>12731
When you draw weird pervy artwork you by default have no self-respect. 4chan is a great website for people who don't respect themselves or care for quality.
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No.12745
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No.12752
STOP, IN THE NAME OF THE LAW!
>>12745
woah. you go big guy
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No.12757
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No.12758
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No.12767
I do not know if it's a good idea to post this here but …
In the previous thread I had published a project with which I was working, one that was about a cheetah woman, but I did not have the opportunity to show you the final result. Here is the final drawing along with another similar character.
However, the previous design was modified a little more to make it look like a cartoon style Pinup.
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No.12768
>>12767
You're fine, we don't do censorship here (for the most part). I think they look good from a drawing perspective but consider playing with the contrast and the color a little more.
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No.12769
>>12767
I think the colors are fine for these two pieces but something stood out to me, and that's the pillow shading around the legs and arms. In general there's a lot of odd choices going on with the lighting.
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No.12771
>>12767
It's got a very 80's look to it
lmao an hero furfag
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No.12772
>>12769
Well … I tried to paint my drawings using some of these images as a guide. But in some areas of the body they looked somewhat empty. So I wanted to accentuate some parts like the muscles using shadows.
How can I make the illuminations look less odd?
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No.12773
Added shading to make it look more 3d.
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No.12774
>>12773
at this level no amount of "shading" is going to make it look 3d. there's a fundamental lack of understanding which is form - the concept of thinking in a 3d space. you are just putting lines down corresponding with what you think a body looks like instead of what a body really is, which is the reason it's flat in the first place
honestly just draw a bunch of boxes. as much shit as drawbox gets i do recommend it for the base purpose of understanding what 3d thinking really means - when it gets to the anatomy part it starts to fall off because the creator isn't really -that- skilled at drawing but the early lessons are a godsend - he's basically taking peter han's stuff and putting it in ez-mode. check out peter han as well while you're at it
also a great read is keys to drawing by bert dodson. when you're doing studies of stuff it's going to help by actually observing accurately. and speaking of accuracy, "Accuracy" by dorian iten is also a great program and it's free. just more help on drawing what you see vs. what you think you see. this all ties in because once you can do studies accurately, those boxes and vases and fruit you draw are gonna come out not flat and nice looking and 3d, which you can then extrapolate into your personal works. godspeed brother
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No.12775
>>12774
also* it would help to draw traditionally for like a year since pencil/paper is easier to develop fundamental skills on (which will be transferable to digital)
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No.12776
>>12772
Use a direct light source and stick with it. the image on the left is a good example. The one on the right not so much.
Like >>12768 said, it might help feel less empty if there were more contrast in the image. A strong light makes heavy shadows, it might help some parts of the body stand out more than others.
I think more than that these images by themselves are just okay for reference material or so, but I think they might feel less flat with a tweak of framing or perspective.
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No.12777
>>12774
I was thinking in 3D it just does not translate well when I remove the framework I make.
I draw boxes as a warm up, well I do when I remember, I did the other warmups linked in the sticky instead and forgot the boxes this time. I will draw more boxes then…
>>12775
I find it quite easy to draw on tablet though. Well as easy as paper not as in it is easy itself.
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No.12778
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No.12780
>>12772
Not him, but the way you have a rim light around the edges by shadow makes everything look glossy. It looks good on the shoes, which you’d expect to be high gloss, and believable on the top if it’s a shiny fabric. Her ample furry ass and legs should have a flatter shading to them because they’re fur. Same with the socks, which are also happen to be white. I’d lighten the shadows on white or pull them back and not cover as much of the form. Cell shading like this can be more about what shapes look good and less about how shadows would realistically fall. Something I do to differentiate textures, like at the bare leg – sock line, for example, is to offset the shadow instead of having a straight line bisect. It reads better as different materials, not just a color change.”
Pic related to show what I mean. Kinda quick and sloppy from the low res I was working with. Hope I didn’t mess your fine work up too much. Overall, really appealing work, bro.
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No.12782
Trying out lighting stuff.
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No.12783
>>12782
Looks like 🅱️ig 🅱️oss
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No.12786
>>12767
>>12772
I think you'd be better off using /fur/, you wouldn't get any potential flaming and they have a lot of artists familiar with this kind of art who can give useful insight.
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No.12788
Another thing Cheetahman: it might be a good idea to try and use the "warp" transformation tool to help the spots convey the form better. Right now they just look likeva flat texture but could be easily improved
>>12786
Anyone that's butthurt about this shit in current year + 4 ought to learn how to deal with it.
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No.12789
>>12767
>>12772
You're a great artist, but for the love of God, why do you choose to draw furfaggotry?
Furry content is unfiltered cancer, anybody who tells you otherwise is probably a furry themselves.
>>12788
I won't put up with how shit smells just because it's stunk for years.
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No.12790
>>12782
The thing that stands out the most to me from this drawing is the face, it's very flat. Try drawing a face onto a skull, it can help with getting a good feel for where everything should be.
>>12788
>Anyone that's butthurt about this shit in current year
Hmm? I suggested he use /fur/ because he can get more useful feedback than he would here.
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No.12793
>>12790
I didn't mean you specifically, I more was alluding to the same people you were.
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No.12795
>>12782
anatomy feels off. especially eyes, how they line up with rest of face, flatness of the face, the neck and definition shown in relation to the turning head, and general curvature. Linework/inking could help a lot of the definition and flatness. Just making souple lines thicker on outside isnt enough. The same line should have variation in thickness - not just be one uniform long thick or thin line.
If you want to work on rendering, work with 3 colors - black, white and a midtone. Add 2 midtones when you get comfortable with 3 colors for a total of 5 (black, white, 3 midtones). Dont use color at all until you understand the basic rendering. it only hides your mistakes and once you understand b&w with midtones, you understand all colors and just need basic color theory to pick the different colors for your midtones.
I would use reference photos, too. a navy fatigue hoodie isnt going to have identical lighting and absorption/reflection of light as a pink and white t-shirt. the fatigues shouldnt wash out from light and should barely reflect light, as its mostly dark colors (reflect less light). The white streaks and giant highlights dont make sense to me with the type of fabric and colors.
Finally, the lack of folds in the clothing hurts the coloring. It doesnt look right to me because there should be more variation in rendering due to folds that arent appearing on a baggy hoodie on a slight frame. If you learn drapery/folds of clothing, the rendering of shadows on those clothes becomes much, much easier. You can practically cheat and just shade the side of the folds relative the light source.
Try do color something like this DBZ Fighterz image. Note how the lighting is rendered and the folds of her shirt. I converted it to greyscale for reference. This would be basic rendering with only 2 or 3 midtones. The idea is to identify these midtone (and highlight/shadow) areas. With digital painting, youll eventually be blending and using more midtones, but if you cant identify the areas, it wont matter how many colors you use. Your image feels odd in choice of highlights (behind the neck/trap area where it shoudl be all shadows since light source is hitting leftmost shoulder and extremely bright on the chest, yet the back of hood is also lit and you have highlights coming near the underside of the rightmost hood where it should be shadows, the leftmost face is shaded, but light is clearly washing out the leftmost shoulder, so that side of face should be lit and rightmost should have the shading as she is turning away from the light, etc).
If you are deliberately choosing multiple angled lightsources, I would stop that and work on single lightsources from set directions first and apply more as you advance. You are obeying basic shading patterns of light midtone shadow repeat type rendering, but its difficult to find your lightsource, as described earlier.
Some more issues with lighting - bottom right is huge highlight, but side of head and hair is shaded dark, implying less light on this side of face. Top left shoulder is huge shadow, but left arm is washed out in light and huge highlight on left chest. I assume slouched shoudlers or some such, but there would be lots of reflected light from teh hoodie above it and it should still be in direct light, yet is darkest shadow on the body. Top right of hoodie is washed out in light, so maybe she's backlit, too? It should be darker with the head casting shadow if lightsource is from front left since leftmost hair has white highlight and left arm is washed out and right collar bone getting hit with light (left side shaded from jacket/angle of light) and so on.
Her face should have shadows on left side from the hanging hair, as you show. But the light is coming towards a turned face away from it. The right side of the nose should be darkest. The slight head tilt should have two sides of the nose visible - not one dark ridge line cutting off the leftmost side. We should see a bright leftmost nose, highlight on the top ridge and shadows on the rightside ridge. You have her rendered as if the lgiht is coming from the right side on her face and leftmost nose cant be seen, but her body is 3/4 view and towards the lightsource. The slight head turn should have rightside of nose away from the light. The cheek would be lit up with highlight on the inner left side of the rightmost cheek and darker as it curves back into the head and away from the light. You have the highliight directly on the cheekbone, which should be away from the light - the highlight and rendering should show that it is rounded, but instead doesnt add directionality to her face, giving it flat look.
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No.12806
>>12776
>>12768
Thank you very much for the suggestions, I will keep this in mind. I must say that it is somewhat complicated to play with the contrasts without losing the colors that one wishes to use in the piece.
I usually apply the shadows using a single color, but the effect can vary a lot in a negative way depending on the tones I choose for the piece. The versality that I achieve with colors is not much.
>>12780
>Something I do to differentiate textures, like at the bare leg – sock line, for example, is to offset the shadow instead of having a straight line bisect. It reads better as different materials, not just a color change.”
Thanks anon, I really think it's a great idea. I also thought about trying to blur the shadows a little in the most extensive areas of the body and kept them flat without rim lights. I will keep in mind the modifications you made to the piece, later I will correct both pieces. Thank you very much, I really appreciate it.
>>12786
>>12789
The truth is that I usually post here in /loomis/ because it's more pleasant for me. Not to mention that these are not the only kind of content with which I usually practice. Take these other drawings as an example. If it is unfortunate to publish this type of characters here, I suppose I will have to publish in /fur/, but that place is something "uncomfortable" I must say.
>>12788
>try and use the "warp" transformation tool to help the spots convey the form better
Let my try latter anon. I did not notice if that tool appears in the Clip Paint Studio by the way.
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No.12808
>>12788
Aren't you allowed to have your own opinion in current year plus 4?
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No.12809
>>12806
>If it is unfortunate to publish this type of characters here, I suppose I will have to publish in /fur/, but that place is something "uncomfortable" I must say.
It's fine. Keep posting here. Don't listen to the one or two anons who blow through here and actually get ass mad about it.
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No.12810
>>12809
I hate furry but still I agree. Style does not really matter, the idea is to get better. People should post here regardless of what they draw.
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No.12811
>>12810
As long as they aren't obnoxious it's fine I think. If they start posting horse cocks and shit like that I think then they can fuck off, but if it's just stuff like that it's fine.
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No.12815
>>12783
>>12790
>>12795
That's a lotta info… I'll attempt to fix it. Somehow. Thanks. D:
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No.12816
Based on my practicing. I might give her a cloths or at least a bra and add shading but I am too tired now.
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No.12821
I decided I would continue it in the end.
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No.12822
>>12821
You should add a little eye lash and eyebrow for your figure. A women wouldn't be attractive without having eyelashes you know.
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No.12823
>>12822
Thanks, I keep forgetting.
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No.12825
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No.12826
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No.12828
>>12809
I agree about how people shouldn't care, but this is a damn imageboard. You're gonna get people speaking their minds with no filter.
If he posts a controversial type of content he can expect controversial replies.
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No.12829
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No.12830
>>12809
>>12810
>>12811
>>12828
In fact, I have no intention of drawing controversial content with this type of characters, or at least, anything that has to do with porn or those weird things that I've heard and seen. Honestly, that dislikes me. I am very encouraged to draw people, but I am still not good at drawing human faces. I would like to draw women like those drawn by Eleuteri Serpieri.
With respect to these anthropomorphic female characters, I dare to draw them like pinups, like the ones that Mr. Juanjo Guarnido sometimes draws. That would be my limit.
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No.12832
How do you guys feel about the pose for this drawing?
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No.12833
>>12832
The left arm looks to be at an odd angle but I think it might work in a finished drawing that shows it is further away but right now it just has an odd angle and looks short. Because it comes in at too much of an angle or something.
The legs look odd too. They come out too far forward, all her weight is off balance and too far in front.
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No.12835
>>12832
When an arm is on the hip like that, it is bent. To make room for it to be at the waist height instead of having hand down by the mid thigh at rest, the arm has to bend back into space. The forearm should be bigger than the bicep since it has to be farther back in space and the forearm comes forward to place on the hip.
I cant tell where the hand sticking out is going. I want to say its closer since the collar bone is longer, implying its closer and the other shoulder is back in space. however, the upperarm is shorter than the arm that is farther back in space.
The legs are similar ot the arms. The back leg has a good length and shows it is farther back than the front leg. However, the thigh is so much larger than the one closest to us. I realize it is sideways, but it is double the width of the leg facing us. The calf is way too short considering the length of the leg compared to the one farther back in space. That back leg is broken at the knee, too. Pull the calf straight down or lessen the angle it sticks out and that will be fixed.
This image is similar to the pose, but the angle is reversed (hand on hip and bent leg are closer to us instead of farther away like in yours). The bent leg calf should be similar to this. Note how the knee is higher on the bent leg. Yours is roughly the same height, despite yours being much farther back than this example pose. Note the forearms - the one farther back is about half the length of the one closest to us. Thats the level of foreshortening your hand on hip should have since it is much farther back (or should be in this pose you have).
For the exaggeration of the pose, I would raise your backmost shoulder and left most hip. This will cause a more dynamic pose and likely fix your anatomy. Currently the collarbones are different, but the shoulders are same height and a straight line for the pose. The hips are the same. You have a large curve for the hip, but if you follow the joints, the line is straight across to the other hip joint. Look at the second image I posted with lines of motion for the shoulders and hips, etc. You want this zigzag like gesture to your pose, especially since you are stylizing your art.
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No.12836
>>12830
Where are you from? English is obviously not your first language.
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No.12837
>>12828
>… this is a damn imageboard. You're gonna get people speaking their minds with no filter. If he posts a controversial type of content he can expect controversial replies.
Oh, fair enough; completely agree. I have no proof, of course, but I assume the guys who post responses like that in earnest only come here to bitch and don’t actually contribute anything to the board. We let a couple faceless anons get us into a purity spiral and we’ll all be drawing stronk empowered fat wocs in burkas leave.
Anything anthro is not automatically actual degenerate furfaggotry. He stated himself /fur/ gave him the creeps but if the images were verboten here he’d go elsewhere. My opinion is he should stay.
>>12832
Drop the hip for that kicked out leg. Look at reference for wimmins in that pose and see just how much to rotate the pelvis and how far out the leg should or shouldn't go to maintain balance.
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No.12838
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No.12839
>>12838
Sorry fella, hopefully everything goes okay for you. I know things were pretty bad before but U.S. sanctions must have been like pouring grease on a fire.
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No.12840
>>12839
Thank you. Yes, things here are difficult at this time. Waiting for everything to come to an end soon.
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No.12841
Rare post from me, painting ol' chuck. Two different iterations, which in your opinion is on a better track? I already know all of the issues with both, and I intend to fix them, one being that like an idiot I got way ahead of myself and started details before blocking the rough shapes.
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No.12842
>>12838
>a South American furry
This is really funny to me.
>>12841
The first one is better, but it looks like you're drawing John Maus.
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No.12843
YouTube embed. Click thumbnail to play.
>>12842
I'm really not the best with faces, gotta get better at em, but won't give up on the piece just yet. I'll keep working at it until it looks like Charls. You're right though, does resemble John Maus more. Always preferred the skit that aired with "Hey Moon" more than Cop Killer, I like both though.
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No.12844
Quick robo-goblin from a few days ago.
>>12841
>which in your opinion is on a better track?
chuck2.jpg The far eye socket in both of them looks too high to me, but I don't know your process, it might end up being right for you.
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No.12850
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No.12853
>>12842
>furry
Well… I do not use an animal costume, if that's what you think anon. Also, there is very little that I know about that fandom.
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No.12854
I posted this on /v/ as well but here's a more successful drawing than the sailor v that I posted earlier.
I'm really happy with it overall but the arm with the visible hand should be a bit longer, the eyes shrunk another pixel or two (they were massive uguu at first) and I don't like the light on the top, there was a lot more soft light right up until the end but it just looked washed out so I changed the colour of it to something much closer to the rest. Also the clothes should wrinkle a lot more around the lifted arms and I had no idea really how to shade the visible armpit.
On the plus side I think I pulled off the cartoon sleaze tight top quite fell for being something that I havent really tried before, and I think I also pulled off expanding the hips from the reference quite well. For the longest time her face looked completely gormless and I'm happy I could somewhat save it ending up at something at least casually pretty in my opinion. The warm hair colour is pleasant too.
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No.12855
>>12854
She looks like Haley Joel Hosment. I think you were right to shrink her eyes but you might not have pushed it enough, because their size makes them appear too close together. Just remember to observe the general "1 eye width apart" rule. I'm seeing other problems with some other parts of this drawing but I think you just need to pick a better reference next time. The forms on your reference are not clear due to sunlight making parts of her body disappear. Otherwise I think you could easily do better.
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No.12856
Haven't been really drawing much outside of the usual stuff.
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No.12857
>>12854
we can see the top and back half of her head. head should be on a huge tilt downward based on this. her face is completely flat relative to this. nostrils should be barely visible. far less of the eye as the socket should cover some now. eyelashes and a lower eye lid would help make her look less mannequin-like. you could alternatively flatten the top of her head.
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No.12865
>>12853
>Well… I do not use an animal costume, if that's what you think anon.
That's a fursuiter.
You don't seem to have a great grasp on English, so I doubt you know the subtleties of internet slang. A furry is somebody who either creates furry content or participates in the furry community. What can be described as "furry content" is broad and not always agreed upon, but the core of it is anthropomorphic animals, often sexualized in some way. Drawing furry characters would get you considered a furry by most people.
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No.12869
>>12855
I did remember the 1 eye width apart rule but so late that I couldn't be arsed. Of course I could do better with a reference to stick more closely to, but there's also fun in not doing that.
>>12857
Heh, can't believe I didn't notice these.
Thanks. Maybe I'll go back and fix some of these later, or keep them in mind to next time.
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No.12870
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No.12873
>>12870
I want to shoot her in the womb and make her infertile.
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No.12874
>>12870
kawaii, you need to push more on detail articulation. Start with hair and slowly build up on drawing a perfect body anatomy. The hair is actually more complex than what you think it is. Hair have hair lines and and each of hair lines are not symmetrical to each other. The tip of the hair section is somthing you need to pay attention. It ended with strands, short hair style ended with a lot of tiny strand. The strands can also be partially visible on top of the head as well.
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No.12875
>>12873
Wow, Rude.
>>12874
Hair is quite complicated so I have been living it simple so I can focus on the rest of the body. But yes, I can't do that forever. That Hair chart will be helpful, thanks.
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No.12876
>>12869
The problem wasn't what you didn't stick to, it what what you did try to stick to. Like the arm that is furthest away, majorly obscured by sunlight and drawn as is. It doesn't feel like a part of her body. I can understand using the picture as what it is, a reference to what you want to create and not a copy- (which is actually how they should be used) but a bad reference makes it pointlessly difficult since you're not gathering accurate information on how to portray the shapes you want to draw. It's alright to challenge yourself, but this is not a constructive method.
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No.12877
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No.12878
also some experiments with stylizing more. I think I really need to develop and push this stuff.
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No.12879
>>12780
>>12776
>>12769
Me again. I fixed the shadows and the lights finally. I also removed all the lights on the edges, except on the bright objects and the clothes. I think they look better than before.
I'm going to work with another drawing I guess, so I think I will not keep posting these two. Thanks for your patience fellas.
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No.12881
>>12879
Looks good, bro. The only critique I can think to give now is the darkest shadows look too dark or saturated on the light fur colors. Also want to point out the shadows and colored lineart. I use colored lineart sometimes and when the shadows & lines get close in lightness levels, the hues can clash and be distracting. I usually go in and darken the lines when that happens, but here it was easy to pull the saturation down on the (light fur) shadows a little and help both problems.
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No.12882
I did more with the hair this time but I forgot that I was supposed to do even more than that.
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No.12883
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No.12884
>>12879
The bespeckled one looks off balance to me. Like both her legs tilt forward so her centre of gravity is in front yet there is nothing holding her up there.
The Redheaded one has the same issue >>12832 does in regards to the left leg sticking out too far and appearing too long.
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No.12889
>>12881
Perfect. Thanks a lot anon, I really appreciate your help.
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No.12890
>>12884
I will be more careful with those details the next time. Thanks anon.
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No.12919
I'm trying to work more on clothing and creases.
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No.12923
>>12837
>>12835
Thank you for the input anons. I just decided to take a break amd redo the drawing as something else I could manage.
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No.12935
Ran out of willingness towards the end.
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No.12936
>>12919
>>12935
I think you could draw bigger hands. Put your hand on your face and see how big it is.
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No.12939
>>12936
I'm not that anon but girls always have smaller hands then men though. I think it's pretty much stylized on how it is drawn.
>>12935
Yeah you need to have consistency in your drawing. The hand looks really stiff on this one. The other one here >>12919 have long head.
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No.12940
>>12936
Yes, I need to work on that.
>>12939
They are meant to be small but not that small.
I'll work on consistency too.
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No.12942
Ugh…… Ruined the hands again…
I spent far too long on this so I gave up.
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No.12943
>>12879
>>12881
You are drawing my eye to the breast but there is nothing there to look at, its just a blob of one colour. With the light that you've already drawn wouldnt some more of it fall on her underboob? Perhaps her arm would be blocking it, but having tits that pop a bit more surely is more important than that
>>12942
SHOW ME THEM HANDS
DONT HIDE THEM BEHIND THE BODY U NIGGER
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No.12944
>>12943
I left them until the end and by that point I was too tired to do them properly which only made me frustrated when they didn't come out right. So from now on, I am going to write a note telling me what to focus on next time and then I will do that first or at least after the initial ground work phases.
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No.12945
uspposed to be looking up at an angle and it doesnt and its really annoying
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No.12947
>>12943
>You are drawing my eye to the breast but there is nothing there to look at, its just a blob of one colour. With the light that you've already drawn wouldnt some more of it fall on her underboob? Perhaps her arm would be blocking it, but having tits that pop a bit more surely is more important than that
I can try adding a little light on that side to highlight the breasts a bit. I still do not finish correcting the drawing, so I can take the opportunity to try something. In addition, what really stands out the most is her butt.
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No.12952
>>12947
I'm a tits man, its the breast that stands out, the butt is just what the eye climbs over to get there.
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No.12953
>>12945
Kind of visualize the character receding into space in a box and try and constrain everything that way. I don't know man, foreshortening is gay
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No.12954
>>12939
Nigga those hands are small as frick by any standard. He should look at one of his japanese anime grills and compare
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No.12987
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No.12992
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No.13008
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No.13013
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No.13017
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No.13019
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No.13022
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No.13024
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No.13025
>>13024
that's pretty neat, how'd you do that?
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No.13027
>>13025
Thanks. I used the Python Image Library to draw a set amount of randomly-placed letters on a blank canvas. The color of each letter is determined using the original image (pictured). After having generated a hundred or so pictures with an increasing amount of letters I put them together into a gif.
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No.13028
>>13027
you have this much power and didnt use it for porn? shame.
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No.13035
>>13028
What are gondolas if not philosophical porn?
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No.13049
From imagination, no construction.
Is this a normal level of proportion you get w/ only eyeballing? Or is my sense of proportion particularly fucked?
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No.13050
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No.13051
>>13049
I use body parts as a reference for other part so even doing that my proportions are still fine. Yours mostly are just not the legs. From the bottom of the groin to the top of the head should be the same distance as the length of the legs, well a bit less in your case maybe, I draw women and in a different style.
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No.13053
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No.13056
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No.13057
>>13056
Lookin' good, little man. I feel like we could go beat up some nerds together.
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No.13058
Can anyone tell me if I'm doing anything wrong?
I post a lot and nobody's ever responded to my art, haha.
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No.13059
>>13058
are you using references or just drawing randomly? how long are you spending on each sketch? are you going for manga style proportions (heads seem to imply that, but just confirming)? some of the bodies look like children. what age are you drawing (matters for proportions)? also, a lot look like upshots. i'm not sure if that's what you are trying to achieve, so its hard to judge. maybe your perspective and proportions are way off. maybe you are just going for upshots. maybe you want stylistically to have that shape.
the first one feels too scratchy and rough to really give feedback on. i dont even get a real sense of motion. drawing a line of motion/action could help since you arent doing entire bodies and hard to judge what you were trying for. some people draw cubes rotated in planes to show the directionality of their drawings. take the first one on left - is he laying down? standing? looks like he's falling way back or we are bug's eye view/upshot on the figure. second one is similar - is the perspective on the ground looking up at them? wheres that arm going? is it in front or behind the body? is it straight? even at rest, the arm should have slight bend, but no joint visible. what were you trying to achieve with the shot? for an upshot, it looks okish. other arm isnt really discernable and the lack of hands/feet and head makes it difficult to judge. but it looks like an upshot on someone in shirt/pants. if its referenced, we need reference to tell you how well it was captured. if its from imagination, we need some scale and idea of what you were trying to achieve.
take the one on far right. is that a child's body or extreme foreshortening? it looks like the torso is coming forward and bending at waist, but lack of breasts (hips to shoulder ratio implies woman), arms and head make it difficult to judge what you are trying to achieve.
if you want feedback, post what you did, images of references, and what you are trying to achieve. how long you spent on each figure is also useful. if its just quick 30 second gestures, we will have different feedback from 5-10 mins spent on each or even 2 mins on each.
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No.13060
>>13059
Drawing randomly from imagination, a minute usually on each sketch. I'm going for pic's related. Mostly I'm trying to get the shapes down and make it look good, and forget about if it's standing. or not.
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No.13064
>>13058
>>13060
Often they look more like gesture drawings so it's hard to judge. When you say you spend a minute doing it this kind of reinforces my feeling. There is nothing wrong with it but maybe try some more in depth practice as well.
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No.13086
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No.13089
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No.13090
Apologises to my fans. I did not draw a picture yesterday.
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No.13102
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No.13106
>>13102
I'm working on the detail and general polish of the image, then I will try and work on dynamism. I don't think adding dynamism to something like my image would help much.
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No.13111
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No.13113
>>13106
Not him, but yes, it would. The way I consider art is among other things as a way to communicate, which can be helped by such material as the one he's posted because it will help making the action clearer (unless what you want to convey is your ability to render/add good details/polish etc)
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No.13115
>>13111
stop doing digital. all you are doing is tracing over better work.
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No.13116
>>13113
I know it will help in the long run, I mean right now. The problem with my images is not only that they lack dynamism, there are many other issues that come before that.
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No.13117
>>13115
explain that to me homie
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No.13118
>>13116
On the contrary, I would say it's never too early to make your pictures more lively. Heck, you can do it with stick figures if you want.
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No.13121
Refined and colored a towergirls draw from, like, six weeks ago.
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No.13124
>>13121
I like that green reflective light on the wings, I kind of think it would look good on the other side too
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No.13125
>>13124
Ehhh maybe not. Compositional problem, would create multiple focal points etc. nonetheless: good jerb
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No.13126
>>13121
wings dont work that way. yours physically do not work. she wont fly in any universe. its not enough to 'look like wings'. feathers need to go in a certain way to provide the ability to fly. primaries, secondaries, coverts, etc come in set patterns and layer a certain way. Doesnt matter how big or small the bird is. i suggest studying birds and bats (if you want demonic/dragon/webbed-like wings - they work completely different from bird-like wings and the physics for their flight and patterns are unique to them). just learnign about the feathers and wings would be enough to make this look much better. things can be fantastical, like egyptian cat/bird/sphynx girl, but certain things should still remain grounded in reality. wings are one of these things.
i'd also consider giving bird/gryphon-like feet and the reverse joint of birds for her feet to capture more of the hybrid nature of your mash-up, but that's just a suggestion on my part.
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No.13127
>>13121
On thing I might say is that the fluffnificent "top plane" of the wings seems to droop quite a bit lower on our left than our right despite their relatively similar highest point and similar origination from behind the contour of the shoulders. See how it's almost level with the bottom of the breast on one side and the top of the other?
Because of her fluffy arms it kind of creates a tangent on the left side with the wings and it becomes a little hard to tell that said wings are coming out from behind her back. Because you drew it yourself the obscurity might not be super obvious but maybe try squinting around and see if you can see what I mean.
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No.13128
Dumping some art I've made as I wait for my drawing tablet, so I can finally ditch MSPaint + Mouse.
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No.13130
>>13128
>character getting its head ripped clear off its shoulders
gosh i wish that were me
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No.13132
A test to see how easy and fast it is to trace models. It feels cheap so I might not do it much though.
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No.13141
>>13128
This art is very 2007
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No.13144
>>13141
>>13128
I think I've mentioned it to him once but it reminds me of drawhores in a good nostalgic way.
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No.13147
>>13144
>>13141
The truth is, I was very much into the early newgrounds scene back in the day, my style never evolved beyond that for some reason. These are some drawings I made around back in those days.
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No.13154
howdy. are you guys like /ic/ or no
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No.13155
>>13154
The closest thing 8chan had to /ic/
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No.13156
>>13154
Hey Yev, welcome!
>howdy. are you guys like /ic/ or no
This is thematically like /ic/ in that it's an art board, I think the only real difference is that it's pretty slow. Most of us don't post unless we have something to show or something to say; you might only see a handful of posts each day and on occasion none at all.
We're a pretty small community with around 10 users total so this is not a good place to promote yourself, but it is a comfy place to draw and exchange critiques and a little banter once in a while.
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No.13157
>>13154
Your work has a strong appeal in some ways but ironing out some of the flaws couldn't hurt. Grind some hands; I also feel like the head and spine relationship on the girl on our right seems a bit off considering the extreme angle between her two shoulders.
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No.13159
>>13156
seems a lot more peaceful so far. dw I wasn't looking to promote myself, I was just looking for another place cause I got perma banned on 4chan. (it was for discussing loli. nope, not even posting just discussing) its a pretty stupid reason but I dont care enough to appeal it and wanted to leave /ic anyways, though I still lurk sometimes.
>>13157
dang you're right, I didn't see it till you mentioned it. her neck in this picture would have to be long as heck. this pic's actually from January so my hands have gotten a little bit better since then but I still probably should grind them. (Posted this becasue my recent stuff was pone related and dont know if it's allowed)
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No.13162
Dabbling with animation, and aseprite.
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No.13166
>>13159
The pone and furry rules on /ic/ were an anachronism, you're free to post what you want here, sugarcube. If you're posting hard core pornography I think it's good etiquette to spoiler it, but simple lewd nudity like >>13154 shouldn't really make anybody particularly butthurt.
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No.13175
>>13166
kk I'll show what I got
>>13162
you should make a full fight animation, would be cool
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No.13176
>>13175
Cute butts as usual fella, are you going for a fish-eye lens effect on the left piece intentionally? I think it's close to working but I feel something is JUST a bit off. Perhaps if you indicated her obliques just a bit more with a slight compression on the outer contour of the left side it would read a little better but I'm not sure-wouldn't take long to try, though-see what you think and play around with adding some variation to that left contour because she kind of looks like she's shaped like grimace on that side with how straight up and down vertical it is.
One thing might help your hands is to just check some of the measurements of your own hand and try and use them as reference; the distance between the tip of the middle finger to the top of the metacarpal and the top of the metacarpal to the carpal bones is pretty similar
and it's a phenomena that repeats with the shorter fingers
Also keep in mind, when looking from the palmar/bottom view of the hand a good chunk of the bottom of the phallanges are obscured by fat and "webbing", in short your fingers look a little stubbier from the bottom than they do on the top.
Keep it up!
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No.13196
Fucking around with AEsprite some more, has shown me how little of this I know. And also given me a desire to know more about this stuff.
>>13175
>you should make a full fight animation, would be cool
You know, that's not a bad idea. I grew up loving those, I've always wanted to make my drawings move, and the way I choreograph stuff would be a good fit.
It'd be a good skill to learn, too, since right now I'm only barely grasping how little of this I know.
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No.13209
I drew a cute loli to make twitter mad.
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No.13212
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No.13220
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No.13225
>>13209
Cute
>>13220
Breast on our right looks a little warped
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No.13229
>>13212
Not personally, but the usual suspects were already having a good cry over #arbyswaifu. Which honestly kinda sucks, Arby's was retweeting the better ones before the screeching blew up.
>>13225
thnx
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No.13231
>>13154
>>13175
oh fucking christ not you. it was nice knowing /loomis/ while it lasted
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No.13233
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No.13234
>>13231
What's wrong with him?
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No.13235
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No.13240
>>13235
Just a harmless binary brush tiddy poster. He was accused of astroturfing on /ic/ (i.e. making threads about himself), but I never believed that.
Some people can trigger an autistic obsession in others-a lot of artists on /ic/ had been driven off by such people in the past-and a lot of people on the sidelines can't understand that phenomenon so they reach for what is the otherwise most likely scenario (that the artist is simply trying to drum up discussion about themselves for attention).
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No.13250
>>13231
I'm not gonna post here that much. I'll probably just lurk for the most part
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No.13252
>>13250
This is the slowest board in the world so lurking probably wouldn't be super entertaining. Consider participating in the weekly drawing thread or maybe the NEW drawpile thread at least if you don't want to post on the board itself.
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No.13253
>>13209
>giving corporations free ads and free art
I hate the western pig fujos wanting to normalize otaku culture too, but come on man.
But at the same time the economy is growing shittier and shittier so artists have to resort to drawing shitty trending waifus just so they can have that 5 bucks to eat a cheap meal.
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No.13285
>>13060
>>13058
What kind of practice do you do to draw like this in the first place? This is pretty much exactly what I'm looking for.
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No.13290
I decided to finish this but I don’t know really. It’s taking too long and I am not really learning from it.
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No.13310
This is my attempt at much looser sketching while also sticking to a reference.
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No.13311
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No.13312
>>13086
dawaj
>>13290
MWAAAH THE FRENCH TANKS
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No.13314
>>13310
Looks significantly better than usual.
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No.13317
>>13253
>But at the same time the economy is growing shittier and shittier so artists have to resort to drawing shitty trending waifus just so they can have that 5 bucks to eat a cheap meal
Artists get PAID to draw girls for people?
>economy is growing shittier
Quit watching fake news
>>13310
The perspective, posing and expression give it more life. Less flat than your usual. Good Job.
>>13311
There's an awful lot of cute already showing under your current skill level. Keep drawin'.
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No.13320
Wound up drawing and designing stuff, for way longer than I wanted to, and didn't work on the comic today, as a result.
On the plus side, I got these done. Just redrafting a design I had, to go alongside the redrafting of her character. Though I guess the last one here is pretty risque, for me. Whatever, I had to show her back to actually design the pattern.
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No.13321
YouTube embed. Click thumbnail to play.
>>13320
I wonder what kind of music they listen to in the urban gameified society of Kangsburgh
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No.13327
>>13314
>>13317
Thanks. Its nice to know that I'm making progress.
I've inked it today, but im not too confidant on my inking.
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No.13328
YouTube embed. Click thumbnail to play.
>>13321
I guess it never occurred to me to say that I'm always willing to divulge information, and or answer questions, about my material. So yeah, I'll spill some details.
Honestly stuff like what you posted wouldn't be out of place. Since technically it's just whatever my tastes in music are (the entire comic's just that. "My tastes" in whatever.) The song I linked, I had on loop as I drew that, and it's the kind of music I'm having Claire blast. But anything "high energy" is what you could imagine the denizens of Kangsville listening to.
On that note, "music" as a concept, is really important to the comic, if the Afterburns (technically only one's been named, but three have been shown) names didn't give anything away. To the point where each character so far has a certain kind of genre and tone, associated with them. So Claire is like "loud harsh noisy vocaloid music." Max is like "JAM Project/Motley Crue." Papi is "metal covers of jrock/j music in general." And this extends to the environments, too. The tavern back in Ch2 had that one medieval theme from Rayman Legends, The Gilded Samurai is Aquarium Park Act 1, I could keep going but you get the idea.
There's upcoming action sequences that I've also sequenced, by mentally mapping them out in time to music. The chapter I'm currently working on I did the first stages of drafting, by imagining stuff, while listening to Devils Never Cry. There's one sequence, as well, that even though it's the midpoint of the story, I'd honestly be fine if I wasn't able to work on it anymore after that, that's set to something you could probably pick out if you're picking up on where I'm drawing shit from.
So yeah, if you ever want to know more, feel free to ask.
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No.13329
Feeling real fantasy today probably should still bump the contrast up a little and make some of the darks a bit darker
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No.13330
>>13329
Diggin' the reflected light and grass
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No.13336
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No.13337
>>13336
Good shit! Love the angle and sass
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No.13338
>>13336
Shamelessly semi traced from somewhere.
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No.13339
>>13338
Source is Wortenia Senki, by the way. I just added a stronger lineweight and elementary color/shading.
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No.13340
>>13336
>>13338
>>13339
Sounds like it was good practice for "clean up"; consider trying to draw the character in a different angle to internalize some of the stylistic choices. It looks like her hand and arm that is nearer to the viewer is a tad smaller than the one further back with the ladle though.
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No.13342
>>13340
I am aware that copying others, even inadvertedly will make someone copy the mistakes of the artist as well as adding on their own errors, but thank you, i shall keep that in mind.
The female warrior's left hand and the left side of her shorts is a bit of a disaster. That's on me.
For the old guy, i tried to put more effort into making the darker areas a "Line" cutting through rather than a gradient from left to right, and tried to accentuate the face by switching shade/highlight around the eyes.
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No.13344
>>13329
Minor update to try and cleanup a bit and give more character to some of the items in the scene. Also trying to use the detail brush to push a bit for the harsher darks and lights.
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No.13345
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No.13372
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No.13374
I'm experimenting with a method of color that is insipred by cell shading. Does this look ok so far?
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No.13375
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No.13390
I've been collecting pictures of and drawing inspiration from medieval woodcuts lately. I think soon I'll try carving a real one to see what happens.
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No.13391
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No.13392
Been trying to develop my style into something different, this is the result so far while I await for my tablet.
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No.13393
>>13392
I forgot to add this one drawing I made
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No.13394
>>13393
That was the unfinished version, here's the finished version, fuck.
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No.13396
>>13392
>>13394
Very cute, fun stuff fella
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No.13397
>>13394
>>13392
I like that the designs are simple and clear.
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No.13399
>>13396
>>13397
Thank you, I'm looking to hopefully start a comic in the near future with perhaps this cast of characters among many others.
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No.13400
>>13399
>family
Which one's the mom?
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No.13401
>>13400
There is no such thing as a mom
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No.13402
I'm still drawing more character designs, I feel like I can be a tad one note in my style, and I'm trying to experiment.
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No.13404
>>13402
Me on the left when doomguy gets the bfg
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No.13407
>>13404
Yeah I took the Doom Imps for reference in that case.
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No.13408
>>13407
Fucking cute shit, the only thing that bugs me is there faces on your red demons are a bit difficult to see as red typically has a lower base value. So I suggest making it brighter somehow; either by brightening it a bit or shitting the hue a but closer to get a red orange instead. Otherwise I fucking love those little demons
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No.13412
Trying to make a simple and appealing style. I drew more of this same character, but I didn't color them yet.
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No.13417
>>13412
That's really cute, I like it, I don't quite get what's going on with the hand, but it's really nice!
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No.13418
>>13417
It's a little more fugged than I thought, but basically she doesn't have any wrists. Just a big ass forearm-hand with fingers.
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No.13420
>>13418
It's still pretty cute, also here, I drew a goat like character because why not.
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No.13421
Between today and yesterday I worked with something different. I tried to draw mushrooms. I painted them with crayons.
I still need to color one. Maybe for tomorrow I will finish the whole set.
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No.13422
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No.13425
>>13421
I gotta say, they're really well drawn, I love every detail in them.
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No.13426
>>13421
Very appealing mushrooms.
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No.13427
>>13412
>>13418
>she doesn't have any wrists. Just a big ass forearm-hand with fingers
liek dis?
>>13420
Nice little cartoon characters you got there, bud.
>>13421
You do good crayon work. Are these, like, Crayola, or fancy adult artist fancy-pants crayons?
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No.13428
>>13427
You're too good heh.
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No.13429
YouTube embed. Click thumbnail to play.
>>13427
G-d I want to breed her spacepussy
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No.13436
>>13427
They are regular school crayons. But according to a friend, these are good.
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No.13437
The 2nd picture I drew yesterday. Had some trouble with layers. Not even gonna bother finishing the last one. Just going to get some practice before posting again. One thing to note is that her fingers are too fat to use the gun. In the future I think I'm going to make it wrist-mounted like XCOM.
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No.13444
>>13436
Ah, we call those colored pencils in Burgerland.
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No.13454
>>13422
>>13425
>>13426
>>13427
Thank you all
I finished coloring the last mushroom. I already have the complete set.
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No.13462
I know I said I wouldn't be posting in awhile, but I tried something new. I tried to paint something without doing a sketch first, and I think it came out pretty good. The outlines are fugged because I did it all on one layer with a white background and didn't consider why that might be a problem.
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No.13464
>>13462
reposting with better outlines.
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No.13471
I drew 3 dinosaurs, not much to say there, what do you think?
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No.13472
>>13454
That colorful style reminds me a bit of some highly-detailed kids' books about gnomes living in the forest I used to read when I was young.
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No.13473
>>13471
>>13425
I think it's good that you're drawing their legs instead of stopping at the torso.
Have you thought about using those characters in a comic of some sorts or making them interact?
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No.13474
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No.13475
>>13473
Yes, all these characters I've drawn for comics back in the day, and I'm looking to make more in the future with my current skills.
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No.13476
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No.13477
>>13474
You should add some music to it.
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No.13483
>>13477
And make it an animatic.
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No.13487
Today I started working on two new drawings, but until now I only have the skeletons.
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No.13488
>>13487
Lookin' good. I know this is a dead bort and all, but for future reference wouldn't this go in the practice thread?
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No.13504
Working on a webcomic currently, this is one proof of concept out of many that I'm working on, trying to see what I can do.
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No.13505
>>13504
Goddammit, I posted the unfinished version. Sorry.
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No.13508
Something I was working on and never finished
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No.13510
Been a while since I dropped stuff. Actually been getting commissions and making some art for some people trying to rewrite and recreate some Weebshit Series from the ground up.
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No.13518
I've finished my first comic, what do you guys think? Any input?
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No.13520
>>13518
Here's another one, what do you think?
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No.13521
>>13518
>>13520
These work as a proof of concept but there doesnt seem to be much of a punchline to either comic. The idea that the characters are demonic and have such mundane interactions with each other doesnt sit well with me.
Keep in mind youre working in a digital form and you can format it however you want without the need for awkward sized panels. You can do pure vertical panels so that you can just scroll through and that might be easier to work with.
the most important thing if you want to get better though is that you just keep making them
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No.13522
>>13521
Not him, but I don't mind the perceived lack of punchline at all (although I myself feel like there are punchlines). They feel more like a way to characterize the characters.
>You can do pure vertical panels so that you can just scroll through and that might be easier to work with.
They kinda feel like 4komas, don't they?
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No.13523
>>13522
Oh shit you're right. Maybe try formatting then like 4komas
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No.13524
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No.13527
>>13524
It's just a pseudonym I've used for years, long story.
>>13521
>>13522
Yeah, it's hard to come up with plot ideas early on, so these are just for the sake of characterization as to establish characters. Also about the panel layout, I thought they'd be a tad chaotic as to fit in with the style of the comic, but I'm always up for new ways to format the comics. Thanks for the input.
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No.13531
>>13527
Unless I'm reading the joke wrong, (hesh is lonely because he's an asshole) mirroring the final panels let's the dialouge read better.
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No.13532
>>13531
Yeah I thought about that when it was too late, thank you so much for the edit, I was gonna do it myself eventually, but I got caught up in the next comic.
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No.13534
>>13532
Don't do the red text on a red/orange fire; it makes it nearly illegibly
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No.13536
>>13532
I didn't know Soulja-Anon lurked here.
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No.13542
Here's my latest comic, a bit edgier than the last one. But only because I couldn't think of any good ideas.
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No.13545
>>13542
Shouldn't hell be full of n👆ggers?
real nibba craft-honing suggestion: li'l bro's design should have an obvious (not drastic) difference from the MC's. I get that he has a usually pleasant expression and he's holding something here, but it would help in the future to not confuse them from one panel to the next.
ALSO - NEW THREAD WHEN?
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No.13546
>>13545
Head shape, body shape, horn length, horn style, slight change in tone all seem like pretty good options.
Making older specimens more angular and have a more extreme aspect ratio in body parts is a pretty classic approach. Head taking up less of the whole body, and facial features taking up less of the head, too. In the same vein, younger creatures could be more rounded, both in outline and in width-to-height ratio of the torso and head, and could have larger heads when compared to the rest of the body.
Horns seem like a good candidate for personality. Shorter, rounder, plumper, less pointy but otherwise pristine and clean versus longer, thinner, angled and unkempt.
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No.13550
>>13545
>Shouldn't hell be full of n👆ggers?
They have a strict no n👆ggers policy
> li'l bro's design should have an obvious (not drastic) difference from the MC's.
Yeah, I feel like they're a bit too similar.
>>13546
That's what I'm trying with the younger brother, he's clearly shorter, same with his horns, although it may be hard to tell sometimes.
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No.13553
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No.13555
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No.13556
Let's see if this one fairs better, I'm making at least one comic everyday trying to get a feel of what this is about. Also taking notes from all of your ideas in order to improve.
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No.13585
>>13556
The text blends a little in the darker areas of the background. With different screen settings/brightness it might blend a lot. Maybe implement word balloons.
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No.13590
>>13402
Like the figure on the right, they're cute.
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No.13591
Me IRL in a few months time
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No.13592
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No.13640
>>13556
Good job on the facial expressions, maybe try using some more color on your characters or trying to add an actual background to create some depth. I love the mspaint jagged edges, tkmiz uses that a bit
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No.16752
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