No.10455 [Last50 Posts]
Lucky Numbers edition
old thread: >>8908
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No.10458
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No.10480
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No.10481
>>10480
Reminds me of Ratfink. Study basic forms and try to make more use of them bro. Things like the brow ridge look okay but the nose and that horn in the middle of the forehead don't look like they're relating to anything on the surface below them. Keep practicing.
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No.10523
E'rybody look at this before I ruin it with the INKS.
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No.10524
>>10523
Teach me your ink ruining ways fampai
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No.10525
>>10524
Start inking and don't not screw up.
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No.10528
>>10525
Wise words, thank you m🅰️ster
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No.10533
>>10523
I like your colored work but you should post your sketches more bubbi, shit looks like a frame from an animation.
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No.10558
>>10533
If my pencil work was normally this clean, I would post it more. When I think somethings important enough or warrants it, I'll scan in the (horribly sloppy) pencils, make any needed adjustments like scaling or rotation, and print it back out in light cyan. That pic is light "final" pencils over the cyan print. (B&W scan)
The inks came out breddy okay, tho, I don't think I completely ruined it.
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No.10559
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No.10564
>>10558
You've successfully drawn the most hatable face I've ever seen.
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No.10566
>>10559
>u will never put your're pipi in a papi
JUST
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No.10569
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No.10571
futzing around, did some faces
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No.10572
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No.10574
I need help, I'm trying to learn painting and don't know what to do from now, besides RL studies and such. Feed me some precious shit I clearly missed, boys.
Also, the hands are atrocious, but that's for another time.
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No.10575
>>10574
Now that you've blocked in the different values, use a soft round "airbrush" to smooth them out. You will likely have to zoom in to do this so prepare for unfamiliar territory. With the hands, try and observe the major size discrepancy between them and at least focus on getting that right if the anatomy escapes you at the moment.
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No.10576
>>10575
Sir, yes sir! Thanks for the food brain, sir!
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No.10577
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No.10580
>two of my drawings next to each other
>hand guy looks confused
nice
i don't even know what i am doing at this point anymore
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No.10581
>>10580
I wish I knew, because I like your style. Saging because I'm not really contributing at the moment
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No.10582
>>10581
Actually here I found a WIP I can post. Please tear it apart so I can build it better
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No.10585
I am working on this project. It's basically a nude cheetah woman. But I have some doubts about the anatomy and proportions. Could someone guide me a little? Do you think the drawing looks good?
I'm sorry to bother you all, but I do not know who to turn to. Once I finish with the lines I will start practicing with the color.
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No.10586
>>10585
Looks pretty good to me. I'm not sure if her nip would be right along the contours of her breast on our left-I feel like maybe we'd see a bit of the lower plane of the breast there.
You could try compressing the upper body or widening her hips slightly to emphasize the feminine figure-also increasing the head size by like 5% or somewhere thereabouts. Just suggestions, looks solid.
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No.10587
>>10580
It's like seeing some wonderful artist descend into madness live.
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No.10588
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No.10590
>>10580
Reminds me of cassetterecorder, Just nowhere as good.
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No.10591
>>10582
That dark line where the arm attaches to the chest looks a little wonky. (That whole arm nub really.) Facial features might not be lined up with skull orientation.
>>10585
>>10586
Yeah, make her head a little bigger, unless you're into that weird small head big everything else style some porners do. The contour where her left tid interacts with and overhangs the ribcage might need a subtle S-curve or a thickening line to show shadow and depth or something.
I think the narrow low-fat hips work good for a cheetah-lady.
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No.10594
>>10586
>>10591
All set. I already applied the suggestions that you had offered me a few moments ago. I slightly increase the size of the head and enlarge the hips a little. I rebuilt her breasts too. Now I think they look much better. Also modify the arms a little.
I think I can start with the details and clean the lines. I will try to draw her in another pose when I have the opportunity.
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No.10595
>>10591
I'll be reworking the arm, I had that there because the form want reading right. I guess it's time to go reference shopping. The only reason it's a nice if because a good chunk of the hand will be hidden by a rapier. The head/skull I didn't put too much work in so I'll have to clean it up a bit before facial features are added.
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No.10596
I really need help on this comm. Goddamn.
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No.10597
>>10596
Why is it all the way on the edge of the paper? Or is it a commission to give to a friend and they don't really care one way or the other?
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No.10602
>>10597
The sketch book is extra small. They paid me in food, so no, they didn't really care
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No.10611
>>10564
Thanks, I worked hard on it!
>>10572
C'mon, now. That's completely different.
>>10594
Improved!
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No.10612
>>10611
Great work, I can feel her impotent nerd rage from here (because I was already feeling it beforehand, probably)
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No.10619
>>10587
maybe that was the plan all along fam
have a boomer
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No.10622
>>10619
I thought I was looking into a mirror for a second
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No.10631
>>10622
*sips*
You too, huh?
>/boomis/
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No.10637
>>10611
I really like your drawing style dude. She looks great!
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No.10641
recent sketches.
might as well post a recent request for a drawthread sometime
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No.10642
>>10602
Oh ok. The hands are really nice for a small drawing. just look out for those tangents like the one on the left where the hand meets the armpit. Otherwise, good job
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No.10643
Page 87
Lots of small moving parts to this page, that took me a while to draw, but I really like.
>>10566
Sorry, she's taken.
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No.10644
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No.10645
>>10643
Hey I forgot what your webpage was and it's been awhile since I've read your stuff. Can you shill your website again maybe shill it inside each page so we know what shit it is if we forget or it's reposted somewhere else
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No.10646
>>10645
I never thought of that either; putting a link to his homepage in the margins is a good idea.
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No.10647
>>10646
>>10645
>putting a link in the margins
That's a pretty good idea.
https://twitter.com/SketchOfEGWT is the main one, but there's also http://sketch-armstrong.tumblr.com
For comic links there's
http://endgamewastaken.the-comic.org
https://endgamewastaken.tumblr.com/ and
https://tapas.io/series/End-Game-Was-Taken
I think I'll likely put the twitter handle, and comicfury link, in it. Thanks, this'll help out a lot.
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No.10653
>>10643
Will this comic ever end somewhere? Over 80 pages and it's still exposition and stupid jokes
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No.10682
I succumbed to societal pressures and did a thing.
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No.10683
>>10682
qt
If you refined that idea a little more you could probably get a lot of fly-by-night followers on [current social media platform].
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No.10684
Hello everyone again!
I'm the one who drew the cheetah woman from the previous time. On this occasion, I drew her in a different pose. Now she shows her back and full body.
Like the last time, I need to know if she looks right anatomically speaking. She is slightly stylized, but I want to respect the anatomy. The only thing I'm thinking about at this moment is in how I can draw her head in that angle. Can I draw her head seeing towards the viewer without she being forced or uncomfortable?
I also have doubts with her legs.
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No.10685
>>10684
Anatomy looks fine, I don't see anything particularly weird going on. With regards to the face, I would experiment with a mirror or your webcam. I personally don't think she could turn to directly face the viewer with her shoulders at that angle, but you could have her turning her head towards the viewer to an extent and looking at the viewer out of the corner of her eye.
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No.10690
>>10683
We'll see [how it goes].
>>10612
>>10637
Thanks. I wish most of what I did came out that nice, but it still takes me so much time and work to produce something decent.
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No.10691
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No.10698
>>10690
Care to describe your coloring process? What tools do you use to do what and what did do to create the dot pattern?
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No.10707
>>10691
Thanks. Magical r63 is a little too gay for me, so I had to go with the koopa who was already a girl.
>>10698
-Make the linework layer transparent / just the lines and lock it. (If your 100% digital, you shoulda been inking on a fresh layer already, right?) With the transparency locked, you can brush right over the lines to create colored linework and "color holds."
-Flat the colors on a layer under the line work
-Make a new layer for shade and set it to multiply/linear burn and around 33% opacity. Use the flats layer to select areas and with a brush hardness set to 100, draw in the shadows. I keep the eraser settings the same as the brush and key between the two to cut in angles or make patterns.
-Do the same for a highlights layer but with it set to screen and the opacity higher.
pic related shows the colors I used in this image for shade (blue) / highlight (light magenta) in the active colors. I usually use a deep magenta for shade and light cyan for shine, but the red lighting pushed me to cool shadows.
That's the basics. For lighting effects, I use a soft "airbrush" with the flow and opacity turned way down on a layer above everything set to screen or sum shit. Final step is to resize what you post small enough people hopefully don't notice you're a hack that uses a mouse and isn't smart enough to do gradients or blending.
>what did (you) do to create the dot pattern?
I saved for web as png-8 and photoshop did that. heh
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No.10730
>>10690
>>10683
>If you refined that idea a little more you could probably get a lot of fly-by-night followers on [current social media platform].
<We'll see [how it goes].
It's been a few days, let's look at the numbers:
TUMBLR
current followers: 80
- properly tagged (bowsette, supercrown, ect.)
notes: 48 new followers: 1
TWITTER
current followers: 7
- posted without #tags 'cause I'mma dumb and don't know how twitter works
likes: 5 retweets: 2 impressions: 622 new followers: 0
- repost next day with proper tags and bonus edit
likes: 5 retweets: 2 impressions: 2106 new followers: 0
- five minute edit of images sourced from web to make a joke
likes: 13 retweets: 5 impressions: 1014
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No.10731
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No.10732
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No.10735
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No.10739
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No.10746
>>10735
>>10739
This has been a weird but wonderful journey, thank you anon
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No.10779
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No.10785
man FUCK krytac and FUCK airsoftalfonse
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No.10786
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No.10791
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No.10792
>>10785
Good rendering on the focal points. Might be a good idea to give those ropes around her wrist thicker volumes; project the contours of the rope a bit further off of the contours of her skin. Also there's a bit of a line tangent there between the rope on our right and her hand. Keep it up
>>10791
*sips*; you'll have that
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No.10793
>>10779
I think you did a decent job here with the tits, though the face is a little uncanny; a lot of times less is more. Rather than having an outline on the lips consider just making it primarily a tonal change, same with-perhaps-the cheekbones, nasal bridge and some of the folds of the eyes which you could probably "take-or-leave" to begin with.
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No.10804
>>10791
>cue Max trying to sleep at 10am
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No.10810
Anyone have any advice on effectively using color pencils?
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No.10822
I'm very close to finishing my drawing. But I need help with her hand. I think that's the only thing that I need to correct.
I have tried to draw the hand in many ways, but I can not find a good result. I think the hand it looks like weird
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No.10825
>>10822
I'm not to sure about the hand, I guess it kind of looks like it's just floating above since that part of the leg should be more inclined. Try turning the hand more towards the body.
Also, is that supposed to be a buttplug? Tails are just a furry continuation of the spinal chord, so they come around from the area just barely above the coccyx, right where the butt starts. Shitty paint drawing, but a tail would come out form around this area. Still, if it's meant to be a buttplug it's somewhat right, maybe a bit too high up.
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No.10826
>>10825
I'm trying to fix her hand by drawing it as you mentioned. It's a bit complicated but, I think with these two models it's fine (I lean more for model B). Otherwise I would have to erase her arm and redraw it at a different angle, which I really do not want.
>is that supposed to be a buttplug?
No, not at all anon, that's her tail. I put it up to the point you indicated.
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No.10827
>>10826
Your reference shows what I mean, since the hand is resting on the body and the body is round, it looked awkward before.
Model B looks nice. With A it'd take a lot of fucking around with the hand to make it look good, plus B's more of a natural pose.
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No.10831
>>10822
I think the hand is passable honestly, you could maybe add a bit of overlapping volume where the hand would be depressing into the fat of the but on the bottom side, perhaps. I do feel there might be something wrong with the deltoid area as well but it's hard to describe. Also, that line you have where the bottom of the ribcage or lat or whatever gets overlapped by the contour line of the bicep and brachioradialus is technically a tangent I believe, maybe move that line up or down just a few pixels so they're not all converging together like that. Good work so far!
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No.10837
Page 88
Honestly nothing major really happens here, aside from explaining why it's dangerous to bring Berlioz.
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No.10849
>>10837
Does practically anyone care about this anymore?
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No.10853
>>10849
Does anyone practically care about u xd
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No.10856
>>10849
Not really. I tried reading it but got so bored that i stopped after 30 pages, sorry dude. Not that you have to stop posting or anything.
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No.10857
>>10849
>>10856
It is a little exposition heavy, but I haven't stopped reading (it's posted on this board at a comfy enough pace to where it's certainly not a bother). As I'd suggested before, one good thing is that as a first project it can always be revisited later as one improves in both art and writing in the process, like how Dragon Ball Kai was just Z with a few episodes of AAAAAAAAAAAAAAAAAA-! left out or Post-Murata One Punch Man.
(Just make sure you don't follow Naruto's bad example making a comic about Naruto's Wife's son or some shit and you have nowhere to go but up)
I like this video and have posted it often because I think it has a lot of overlap with just about any artistic endeavor.
https://www.ctrlpaint.com/videos/mastering-the-art-of-letting-go
No matter how hard one has worked up to this point, less important than getting a perfect product right out of the starting gate is that you do something and learn from the many bumps in the road on the way
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No.10859
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No.10861
>>10849
I like seeing you post them here that steadily.
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No.10874
One of those days where I wish I can git gud at Foreshadowing better.
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No.10877
>>10874
Foreshortening is a real b*tch lad, I'm struggling with it myself so I don't have any advice or comment at the atm moment-just keep practicing
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No.10879
>>10827
Here is the finished LineArt. I'll see what clothes draw to her :)
I'm with the idea of creating another similar character, but slightly shorter in stature.
>>10831
>I do feel there might be something wrong with the deltoid area as well but it's hard to describe.
I try to mark the muscles of the arms to practice a bit on the anatomy. I can try to simplify and draw her arms in a simpler way if it looks bad. After all, it is more of a caricature than a 100% real model anatomically.
> Also, that line you have where the bottom of the ribcage or lat or whatever gets overlapped by the contour line of the bicep and brachioradialus is technically a tangent I believe
That is a guide line. Do you speak of the line that runs through her back? If so, the line in question is only a guide that indicates the back of the chest box
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No.10901
Just being bored, and attempting to incorporate what I've learned lately, into some loose sketching. Decided to use some stuff I have older examples of, as material, so I could compare the results.
>>10857
Thank you. I do my best.
>>10856
Sorry it wasn't to your liking, but I should point out that since I was learning as I went along with this, page 30 is still way too early in to quit. The art style is barely coalescing, as is the story, at that point. Keep up with the posts in the thread, and maybe reconsider if the upcoming pages catch your fancy. I at least promise the story gets really moving, real soon.
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No.10920
Yeah I got some opinions from friends, but it still feels weird. I regret not learning foreshortening.
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No.10924
>>10920
>I regret not learning foreshortening.
You regret not learning foreshortening YET. It's never late to begin.
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No.11003
Page 89
I trust you can deduce what's going on, with Max's past, here.
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No.11017
>>11003
What's with the layout and dialogue boxes? i had to re-read it 3 times to understand what the fuck was going on, and i still don't get it.
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No.11024
>>10920
>>10874
I dunno if I'm retarded but the sketch looks better to me. Finished linework looks very flat. I actually like the foreshortening and perspective on the sketch
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No.11032
First time using blending stumps and different lead types. Not sure what im doing really.
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No.11033
>>11032
Don't know what you're doing? looks to me like you be blendin' that sh*t nigga
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No.11034
>>11017
really? It's just left to right, top to bottom. The only part that isn't read that way has aggressively cut gutters to direct your attention through the page.
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No.11035
>>11034
I see what's going on (Max's inspiration/hero worship of this Crimson Lion guy) but I think you're trying to do something pretty hard here by cutting between this guy's dialog and the "off screen" dialog exchange of Max, Sally etc.
It is a bit confusing and I'm not sure what a good solution would be…maybe outlining the dialog boxes associated with the character with their "color" which you'd established earlier? What you did using a character's iconic shape to accentuate the dialog box is actually pretty clever but it isn't something that reads immediately, I had to stop and think about it. I think adding the color would definitely help.
Also I assume the "you two can, Max" is a typo-that kind of threw me off as well. Keep it up bubbi.
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No.11037
>>11035
>use color
That'd break the style, more than I'm willing to, at least that's my immediate response.
I'll have to think about it, even you admitted once you understood what I was doing, it all makes sense. And I've actually asked groups about this before, and I'd say maybe 85-90% of people immediately grasp it. Also, most of this is written in a way that acknowledges "you'll probably just binge all this" as in "I'm not intending people to read this with the notion of 'there were weeks between pages' going on." And the first page of this interlude nonverbally explains what's happening, with the boxes. It's either Max or Sally thinking the line about the cat lady, here, and since Max's triangles are on it, it's clearly him.
That does give me ideas for the future, though. It'd certainly have a lot of impact to change the white lines in a sound effect, to being a character's color, for example.
And yeah, I'll be sure to keep it up.
>Also I assume the "you two can, Max" is a typo-that kind of threw me off as well.
Glad you caught that.
No.
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No.11038
>>11034
>>11037
I read it wrong at first, too, but quickly figured it out. The extra-wide gutter should have been enough to lead the eye down: correct. It's possible the bottom of panel 1 angling up to 3 countered intentions, though.
I think if I were doing it, (and in hindsight) I'd have had Papi's dialogue box start lower-left panel 1 and cross the gutter down into panel 2.
>"two" wasn't a typo
I had my suspicions.
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No.11039
>>11038
Hm. Yeah, just having the dialogue box overlap the panels works well for the art style. I'll keep that in mind for the future. Oh, and uh, those suspcions, the "two" thing isn't the only example of me autistically refining details, and foreshadowing shit. There's something in there with the true nature of Sally, for example, though you're still missing some vital pieces to truly piece it all together.
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No.11045
>>11034
not really but okay, whatever.
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No.11049
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No.11052
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No.11055
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No.11067
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No.11070
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No.11072
>>10574
Threads like these are nice, it's like a temporary bank where you can short term compare yourself between studying.
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No.11073
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No.11076
shit i am not even halfway done working on but parts i kind of liked from them.
would of tried that inktober but pussied out by shitposting followed by a wagecuck lifestyle
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No.11079
>>11076
I hope that second one ends up being as nightmare inducing as it seems it will be. lol
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No.11080
>>11079
hopefully i can replicate it. it's a thing i saw during sleep paralysis a few weeks ago
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No.11082
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No.11091
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No.11092
>>11049
First pic has a traditional markers on paper vibe to it. Looks like something you might see in an early vidya manual.
>>11055
>>11067
Those certainly are some big green muscle girls. Little dudes gonna get ORKED.
>>11072
I feel like we should be able to see some cheek beyond that handle/pipe/whatever. The face looks nice. The brush strokes on the thigh make it look roughly textured or stringy.
>>11052
Good to see you're still around, kid. >>11073 This digital inks traced from the original or did you redo it on paper?
>>11082
This reads really well. I'd say all that study you've been doing is starting to pay off.
>>11091
wew [sweaty_towel_guy.jpg]
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No.11094
>>11091
I like the soft rendering throughout.
Look at your reference and see how that subtle highlight that appears right above the upper lip helps portray how the lip structure protrudes from the face.
The mouth itself is a bit too small as well. With its width if you look closer you can see how the right corner of her mouth goes to about the first third of her eye whereas you're at about a fourth in your drawing. A subtle distinction but millimeters matter. Her lips are much too thin. Note the relation of the size of her slightly opened mouth and her lips in the reference image. You could probably stack the shape of the opening of her mouth inside the shape of her lips in the reference twice each in her top and bottom lip respectively.
Keep workin' lad
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No.11099
I'm amazed at how poorly this exported as a PNG. Looks absolutely different from what I fucking drew it at.
Casual retardation reminders rarely go amiss.
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No.11102
>>11099
I'm guessing you either scaled it or exported as a png with less quality. Take a picture of the options that appear when you try to export as png.
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No.11104
>>11102
I'm using Corel Painter and there's precisely 0 PNG export settings without jumping through hoops. Yeah.
I don't think you're off the mark, though, I think the dumb fuckin' brush I used has some sort of vector capabilities. The way it was rendering the lineart seemed to be the same thickness no matter how the picture was zoomed.
Lesson learned, at least. Don't use that brush.
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No.11109
>>11099
This really gets my goat.
I need advice on how to make clean pngs, too. I tried making a little icon for a game I'm making and by the end it had tons of strokes that were invisible to the naked eye except in specific circumstances.
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No.11110
>>11092
How do you think the leg should be fixed? By softening the transition or having a different set of brush strokes?
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No.11112
>>11092
>This reads really well. I'd say all that study you've been doing is starting to pay off.
No kidding. it got around 200 notes on tumblr, in a day.
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No.11115
>>11110
It's more the individual brush strokes. There's a lot of small light to dark transitions that make it look rough, as opposed to the shoulder and upper arm where you blocked in more defined areas of shading.
>>11112
Nice.
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No.11116
>>11092
That digital piece was traced from the original, I just tweaked it a little bit while doing so.
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No.11129
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No.11134
>>11091
>>11094
Adjusted the face a little, think I improved it but lips, noses and eyebrows are hard.
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No.11139
Dicking around. I think it shows.
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No.11140
>>11139
Burt Reynolds elf is best elf
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No.11141
>>11140
Little bit of him, Tom Selleck, and just a pinch of "fucking done with the world."
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No.11156
>>11129
>gore
>bestiality
Don't post this kind of stuff, please. We may be an art board, but it's best to keep your weird kinks to yourself. Imagine if somebody started posting scat or fart porn? You'd probably be grossed out by that as well.
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No.11162
Page 90
There.
Max's goal is established.
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No.11164
>>11156
>censorship in an art board
>instead of letting him getting bullied naturally
Thanks, /tumblr/
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No.11169
>>11156
Bestiality, scat and fart porn are GOOD, redart!
Actually I'm pretty squeamish considering I've been using imageboards for 20+ years.
>>11164
I feel like that was bullying them naturally. Not every bully is going to say "Don't post that again or I'll kill you ya frickin' n-word gosh darn it". You can post pretty much anything you want here but it is good etiquette to spoiler anything weird or explicitly pornographic of course
>>11162
Please tell me their nickname is "Mean"
>wop
Das racis
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No.11170
>>11169
30+ years imageboard use here, I get that.
I felt like it was important to remind anon what he was really asking for.
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No.11171
>>11169
It's actually "Thunder Dragoon" and it's pronounced like "Jeanne" not "Gene"
I'm thinking of having a joke of Max saying Sally's spelling his name wrong, only for her to ask him how he knows, to alleviate any confusion.
>das racis
Wopping your wods is part of her culture.
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No.11172
>>11171
>"Jeanne" not "Gene"
\ʒan\ instead of /dʒiːn/ then, like the French name?
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No.11173
>>11172
Exactly.
Sally's line in the next page
>Monsieur Jeanne
is probably a clue enough, but I think having Max outright lean on the fourth wall by saying
>you're spelling it wrong
Is necessary for this.
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No.11174
>>11173
I think the French would even probably pronounce it like \ʒjɛn\, so the spelling joke also works in French.
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No.11183
>>11156
shut up lmao i spoilered it at least. actually the only thing i'm not turned on even remotely is furry stuff but that might be because i didn't get into sonic/crash/whatever anthropomorphic series was big when i was a kid
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No.11185
>>11183
I think "Animaniacs" was a big factor for me. Not a furry necessarily but I could spank it to one if I had the inclination (it's no nut november though so I'm trying to behave myself). Most real furries are gay though so idk where they get that shit from.
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No.11221
>>11183
>actually the only thing i'm not turned on even remotely is furry stuff
<draws zoo
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No.11227
>>11185
Guess you could say that mink really stole your heart.
>carlos
Also not a furry, but I feel your feels, man.
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No.11228
>>11076
me again, some recent shitty sketches.
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No.11229
>>11228
>shitty sketches.
Gotta love self-depreciation
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No.11231
>>11228
I'm not a fan of furshit so I can't speak for how erotic they might be, but I'll try to give my thoughts anyway.
I have no clue what's happening in that first image. Like, at all. I see a face and that's it.
The second image is better, I really like the colours. The shading is rough but I can't tell if that's just an artistic choice or a sign it's not finished. There are some problems with the legs, though. I know you're going for a THICC BISH but her ass is too far out, if you looked at her directly from the side it would seem freakish. Again, I don't know if this is an artistic (read as: fetish) thing or an anatomy problem.
The legs, however, do have an undeniable problem. Compare the lower legs together, the left one is wider and comes out further while the right one is thinner and has an obvious line to indicate a fold in the flesh; something that's missing from the left leg. The right knee is also more defined than the left.
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No.11234
A sketch that indicates I need more practice regarding form and anatomy.
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No.11235
>>11234
Legs look ok. Hand making the "ok" sign seems much smaller than the others
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No.11236
>>11234
dont copy grievous unless for prequel memes
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No.11237
>>11236
Or porn. There isn't a lot of porn of Grievous
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No.11270
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No.11273
drew a tree dude
i'm not really sure where to go with my art, i know i need to study more but that's kinda gay, but eeeeeehhhhhhhh
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No.11274
>>11273
Give him tits and make it a her
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No.11275
Here are my current commission drawings so far.
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No.11277
>>11275
>tfw no whale necklace gf
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No.11324
Finally got around to adjusting and re-inking this >>10925
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No.11397
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No.11401
Not up to my current standards for an inked drawing, but whatever, it was a quickie.
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No.11403
>>11401
>that gun
Muh dick.
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No.11408
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No.11409
>>11408
Oh, forgot to say this, but I'm largely going to be keeping the same production methods, but after this chapter, I'm going to go AWOL - without leave, and come back only when I have chapter 5 done. And then proceed to dumpass with every page of it. I have reasons for doing this, but I'd rather not get into them. Point is technically you'll likely be getting pages "faster," but in the sense of with this, I'll likely be able to get pages done on a faster basis. You just won't be able to read them as I do them.
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No.11428
Been a while drawing non-waifus. Happy with this, but first time I drew a genuine background.
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No.11441
>>11428
>drawing barely clothed buff lizard dudes
g a y
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No.11442
>>11441
barely clothed buff lizard dudes are GOOD (and STRAIGHT), redart!
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No.11444
>>11442
At any rate, my biggest critique of >>11428 has nothing to do with the craftsmanship of the piece itself (though there are things to be said, of course-like that hard tangent of the disproportionate wall-spike behind the tiefling's forehead, or the relation between the feet and the wall and floor trap, or how the base of the torch on the wall is working against the perspective and form of the wall by not following the same vanishing point) but the scenario and concept of the piece is pretty inscrutable to the casual observer.
One thing I think would help is to get rid of the arrows he's somehow shot into the wall three feet in front of his face (including the one that's traveling quite impossibly above and parallel to his bow gun) and replace them with arrows behind him having been fired by some unseen enemy.
Overall, it's the lizard man with his cool scales that are the highlight of the piece. Keep working bubbi, just make sure you're doing your best to give the viewer as much information as possible.
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No.11446
>>11441
It's only gay if the cocks out.
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No.11448
>>11428
Is that lizard shitting out plate armor?
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No.11449
>>11448
Problem, you kink-shaming b*got?
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No.11450
>>11449
N-no problem here anon, or female anon, or transgender anon, or two spirits anon, or transnigger anon, or attack helicopter anon […].
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No.11452
>>11450
Did you just assume my rapidly multiplying genders? Reported
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No.11453
>>11452
P-please no, I don't want to go to HRT again.
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No.11459
>>11444
My client requested a LOT of misfired bolts that just dropped in the ground while trying to dodge the trap arrows around him.
Thanks for the criticism. I'm actually pretty new to the alien concept called backgrounds and perspective as I am more used to rendering characters, hopefully I can try to be better about that next time. Maybe add waifus in a background.
>>11448
He's shitting out a NuStrormtropper Helmet. Client's request.
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No.11467
Got my 2nd favorite 2hu drawn down.
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No.11479
>>11409
>>11408
Looking forward to it
>>11467
Cute. Something of a departure from your usual "big schnozz" style
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No.11480
>>11467
She looks wide and strong.
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No.11489
>YEAH WHATEVAH, STOOPID
I'm not sorry for drawing this Max.
>>11479
Thanks. I'll have it out eventually, and hopefully having one massive DOOMP, will earn me a better reception, than the bi-weekly shit.
Like, one thing that stretching out the updates like I was doing, has done, is make the pace feel way slower than it actually is. Seriously, if you go re-read the pages I've put up, yes there's a lot of exposition, but the story really starts just "moving" once we get to chapter 2, with the first bit of real downtime and characterization, being in the latest chunk (interlude.)
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No.11529
>>11275
>2nd pic
Cute, if only the line art is slightly less thick. It would be be perfect.
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No.11532
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No.11538
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No.11539
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No.11575
I drew this yesterday. The car drawing is from today.
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No.11577
Mechanic Princess
>>11575
Nice. I like.
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No.11585
>>11577
>tfw no super crown wrench mole gf
Also checkin’ them dubbalubbs
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No.11586
Alright, like I said, these are the last two pages before I go missing with the comic, until it's done.
Right now I'm gearing up to sketch page 95 tomorrow, and if I can trim down the page count a bit, I'll probably be back around june maybe. Dunno.
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No.11587
>>11586
WE WUZ KANGZ
Godspeed lad, you going totally silent or are you still going to be grinding it out with us here in the meantime?
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No.11588
>>11587
Anything I do for practice'll go up here, and I'll also post anything I draw, outside of it, in the drawthreads, yeah.
It's just obviously I can't really show what's going on in the pages, until they're all done. The most I can do is show the thumbnails in the folder, if people are wondering if I'm actually making progress.
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No.11590
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No.11616
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No.11617
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No.11618
>>11616
Now make it a webm.
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No.11643
Aiming to draw less furfaggotry. Did these the other day at work
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No.11646
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No.11647
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No.11648
>>11646
everyone knows gondolas are like tardigrades, they survive in every environment
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No.11652
>>11648
It's an idea that popped into my head to make me draw something. Sadly I can't draw snow. Or butts, legs, backs, hair, or anything. Smdh.
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No.11681
>>11652
Don't draw snow, draw what's around it.
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No.11700
I need a bit of help improving the pose of this WIP. Sketch is done, but the lines and the coloring are gonna be my next step.
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No.11701
>>11700
The sketch should determine the pose. That other stuff is refining your image but essentially unrelated. If you want to improve the pose then consider hashing out a few more loose sketches and then picking your favorite, otherwise if you’re set on that then move on to the lines etc.
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No.11726
BAHNIN' UP
I guess the pose I started him in, and initially got some feedback on, has turned out to be a decent one to keep coming back to, to measure my progression. If I've not leveled up in anything else, at the absolute least my line quality, and sketch cleanliness, have improved to the point where I can do what I did before, but more easily.
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No.11735
i can safely say i am almost getting used to digital… or that i have at least found a workflow i feel comfortable with
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No.11737
>>11735
>no dog boobs
Pretty disappointed tbh
Very nice though
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No.11739
>>11737
The dogs boobs were in your heart all along
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No.11802
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No.11803
>>11802
Muh candy cane
Colors looking good famlad
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No.11806
>>11803
<among other things~
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No.11828
Here's my recent work.
Originally drawn with pencil, then inked it with Artline pen traditionally on translucent plastic paper. Its kind of hard to do since there's less friction compared to a piece of paper. I think my pen work is not as great compared to the one I drew with pencil. I usually do my artwork digitally but today I went for tradition method. Sometimes it baffles me of how do artist able to draw everything with nothing but pen and still manage to do it in such high quality. I even bought myself an erasable ballpen, but still couldn't draw as good like I did with pencil. Anyway, I'll probably gonna draw more in traditional way from now on.
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No.11830
>>11828
Kikes are GOOD, redart!
*collects $.12 into offshore bank account*
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No.11831
>>11828
They can draw with ink and without erasing because they have drawn more in a week than you have in a lifetime.
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No.11832
>>11831
This pretty much goes for me, you and every other armchair artist on websites like these. Am I right fellas?
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No.11839
>>11832
I can scribble architecture, but the entire profession has little to no actual drafting anymore. I cant remember the last time I used a pencil or my drafting board. It's all done in revit or cad or farmed out to some $15 per hour community college graduate and I just sign off or tell them what to fix now. It's sapped all life out me and is an endless hell where creativity has been snuffed out in favour of fucking concrete and glass monstrosities that are copy and pasted and some pretentious douchebag puts a polygon fail to render abomination on the facade of an otherwise functional building. Every day is worse than the last and there's no desire to draw anything at the end of the day. I have to walk to work every day and pass one of these depressing eyesores I signed my name to. It is a constant reminder of the hell I live and that I will never be allowed to do anything creative or even remotely artistic again. A monument to my sin.
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No.11843
>>11839
for me uni, I took two courses related to architecture just as electives for humanities (but I do find the subject interesting and took drafting in high school)
My favorite styles are megalithic, ancient, and Gothic. But Jackie Chan's attic is quite epic too. (last image)
I'm not from /loomis/ but I can draw well enough.
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No.11845
>>11839
Is it bad that I like the first one?
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No.11850
>>11845
>liking things
Anon, how could you.
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No.11893
just a dumb drawing, spur of the moment.
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No.11896
>>11893
do u even care to push yourself or improve atm
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No.11897
boobs lol also i'm not confident on the drapery of this trenchcoat for some reason
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No.11898
Wanted to try to render with thinner lines.
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No.11902
>>11897
The drapery itself, while not particularly detailed, looks fine to me for the most part as far as I can tell on my low-resolution phone. However I think the jacket has more or less obscured any indication of volume in the chest and the sudden change has created a somewhat flattened appearance
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No.11903
>>11898
For some reason she looks familiar. One problem I think I'm seeing is how the eyes appear as they would from straight on both in the angle between them and basic appearance despite the head being tilted upwards fairly significantly. Keep workin'
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No.11904
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No.11909
File: 405cd8a1fa7c3e2⋯.png (Spoiler Image,2.17 MB,2412x2301,804:767,pose adjustment suggestion….png)
>>11897
Some suggestions I wanted to quickly show before I'm late for work. Looks real good already though and it's always nice to see sw art imo
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No.11912
>>11909
wewwww thank you. a lot of shit i didnt think about
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No.11923
Hey something I threw together kinda drunk on Christmas Eve. Didn't even do an under sketch to make sure proportions and perspective are good. If anyone has any critique or has any ideas how I can further polish this let me know.
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No.11924
>>11923
It looks good fella, it’s just unfinished. For one, the values are a little muted. “Safe”. Try and push your lights lighter and your darks darker
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No.11925
>>11903
Thanks. I got a random pic from some site. Just wanted to draw from reference without the color picks.
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No.11926
>>11924
Then I'll push for more variety within those values and maybe push the lights a little lighter, because I already set a time to myself to keep the dark values at about midtone
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No.11927
>>11909
Women have wider hips than shoulders. The naval is below the waste line (gesture is image shows it is a male body for the waist and hips and pelvis area). This is basic anatomy for females. You drew a man and put tits on it. I dont care if its an alien. You drew a tranny.
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No.11930
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No.11931
>>11930
She looks like she just emasculated her enemy in single combat.
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No.11937
>>11931
(by which I mean she looks like she's making that same expression there)
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No.11978
abandoning this one after having fun drawing the face but not feeling like it fits
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No.11993
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No.11995
>>11978
Cute dragon. Her hair is creating a tangent with where her zygomatic bone would be and it detracts from the piece tbh. Keep practicin’
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No.11999
>>11993
Have you thought about working with lineweights? Especially since you're working with foreshortening, it could help make your sketches more readable.
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No.12009
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No.12012
>>12009
Good. Now you gotta push it…
FUCKIN' PUSH IT AAAAAAAAAAAAAAAAAAA-!
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No.12069
Happy little trees and skyscrapers
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No.12085
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No.12087
>>12085
I want Claire to brap on me while wearing those throwback threads
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No.12089
>>12087
I wonder what it would smell like haha just asking as a joke
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No.12090
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No.12092
Hey, it's 2019 GNU year and I made OS mascot girls again. How do you like libre girls this time around. Personally I think the one on the right look physically more adult than the 2 girls on the left. Not sure how to fix that. It's literally unintentional on how I drew her. The three of them should look basically in loli form. Any tips on how should I fix her?, or either leave her like that, which kind of not intentional though?
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No.12093
>>12092
Cute drawing anon, I think middle girl's hands are a little small though
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No.12094
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No.12097
Two redraws of childhood characters and an unfinished uniform study.
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No.12098
>>12097
Pretty decent stuff, fella.
>makes me wish I had things to redraw from when I was a kid
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No.12100
>>12098
I know that feel, anon. I trash most of the stuff I draw right after I draw it.
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No.12107
I gave my knigit an anachronistic friend
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No.12108
>>12107
THICK
I feel like her head doesn't quite fit her body, though.
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No.12112
>>12108
I'm quite certain you're right; the head/neck connection is always a problem area for me. Time to do more studies
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No.12119
>>12112
I myself like to greatly accentuate the sternocleidomastoid. It's about the only neck muscle I know apart from the trapezius in the back but it feels nice to draw and provides some structure and contrast whenever the head is turning to the side (as one of them is relaxed when the other is tense).
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No.12122
>>12119
I agree, it would be good to emphasize the smastoid but I kind of don't think I'd given myself enough room. In other words I think my biggest failure here is that it looks like her cervical vertebrae function like a compressed accordion or something, like her head is sinking into her shoulders. I don’t think it’s completely heinous but it’s noticeable enough to be unacceptable certainly, especially in thumbnail view. I'll have to give her a little more neck in general and see how it looks, perhaps
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Post last edited at
No.12125
I'm posting this to force myself to acknowledge that I can draw, to some level. I have forgotten my own ability.
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No.12126
>>12125
Kind of looks like Starfire or some sh*t, gud
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No.12128
I think I fixed what was making me uneasy but I don't know
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No.12130
>>12125
>force yourself to post art you're not happy with
>if you don't you'll post less and less
>then you don't post or draw at all.
Feels I know.
>>12128
Looks gooder to me. That poor knight: Trying to keep the boner down in his plate-mail undies.
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No.12131
>>12130
Posting somewhere everyday helps committing to draw a little.
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No.12132
>>12128
Oh man that is super hot. I'm totally going to fap to that later. The chick is pretty cute, too.
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No.12134
>>12097
I don't know what that second thing is, but I want homosexual relations with it.
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No.12135
Why is it that I'm at my best when I'm in pen, messy, and loose?
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No.12136
>>12135
Post your best and we'll let you know.
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No.12137
>>12136
Well the left isn't finished might not ever finish, but the right is at least somewhat finished.
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No.12138
>>12137
Sorry forgot the other picture
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No.12139
>>12137
>>12138
Could be worse, you look like you’re doing alright for yourself. Keep it up!
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No.12140
>>12139
Thanks bro, it just feels like I've been in a slump for years now.
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No.12141
One day I will draw something that isnt just a naked lady, this was not that day.
I might work some more on this tomorrow, I would like to try and work in more contrast and colour.
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No.12142
>>12141
Head is just a bit too big I think
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No.12143
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No.12144
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No.12145
>>12087
>>12089
"Hydrogen sulfide and mercaptans, to be precise."
>>12141
I see what you mean, it's got a good palette, but the contrast is a bit lacking here, and could stand to be pushed more. Also a few anatomical things are pretty off. The eyes in particular are rather uncanny. Still, you have a good eye for color itself.
Have you considered studying more isolated, simpler, subjects? Like just a photo of an apple, or anything colorful in everyday life. Maybe also study in grayscale, so you focus on the contrast.
>>12135
>>12137
You're doing fine. If I had to guess, I'd say the reason you work best in pen is that it forces you to be more confident in your lines. And in turn, produce higher quality ones.
>>12143
The goodest
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No.12146
How does one go about drawing a scene like this? Is it all hand drawn or is there tracing/copy and paste on computer type stuff helping out in a massive scene like this? I'd be doing something like this on two 11 x 17 bristol for standard sequential art work. Berserk has a lot of big scenes where a lot of the soldiers look like tracings or duplicates. I'm not used to large scale battle scenes and didnt want to bitch out on it.
Is there anywhere to get tricks and tips for this scale of drawing with lots of repeating soldiers? Or is it just take the 3-4 days drawing it bit by bit?
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No.12147
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No.12148
>>12146
You go on hiatus for years on end and then post a singular chapter and then go on hiatus for another set of years
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No.12151
>>12147
You are welcome my friend.
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No.12159
>TELL HIM TO EAT SHIT, MONSIEUR MAXWELL!
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No.12161
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No.12162
>>12159
this reminds me of dangaronpa comics
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No.12163
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No.12164
>>12134
>>12147
Saying you want to have gay sex with someone's character is certainly an interesting complement.
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No.12182
>>12163
>>12162
>>12161
Thanks. It was fun to draw.
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No.12183
>>12182
I thought these were meant to be the Kanker sisters at first.
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No.12185
>>12183
I deliberately make use of bits and pieces of imagery I've liked, over the years, so it's not out of the question that I took some elements from them. If that's confusing, look at Max's hair, and you'll see it's actually very similar to Sonic's.
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No.12186
YouTube embed. Click thumbnail to play.
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No.12187
>>12186
A miserable little pile of secrets.
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No.12188
YouTube embed. Click thumbnail to play.
>>12187
How many references are we gonna cross here?
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No.12190
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No.12192
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No.12196
Been experimenting with cheap felt tip pens and colour pencils so I can learn to paint without using up my paints or making a mess as often. Looks like I'm going to have to use paint. Smh.
>>12192
A wild goblin appears, begging for death to end it's suffering.
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No.12200
<XJ9? Please, anon, get some taste.
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No.12202
>>12200
>dat pre-teen robot
>#dark_skin
…and here I thought I was degenerate for the terrible damage I'd done to my dingy little dinger over Jenny the Juvenile Jewish J'gynoid
U shuld b shm urslf
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No.12206
>>12202
She's actually a 1000 stellar-cycles-old cyber-loli, so it's okay.
draw teen QT/Get accused of fapping to loli/smh … SMH
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No.12208
Been listening to the song for this scene, on repeat, lately.
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No.12257
Fellas, where's your suits at?
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No.12262
>>12257
I don't own a suit, fren. =DDD
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No.12263
YouTube embed. Click thumbnail to play.
>>12257
I've got my late grandfather's disco suit (may he rest in pieces) and every time I put it on I'm possessed by his funk spirit and start dancing like mad.
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No.12271
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No.12308
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No.12309
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No.12310
>>12309
>>12308
idk why that double posted, and i can't seem to delete one of them
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No.12312
>>12308
>>12309
>>12310
Two glubblin' gondolas are better than one, no worries fella
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No.12315
>>12308
>>12309
GONDOLA GET TO THE SURFACE THERE'S OXYGEN ESCAPING FROM YOUR SUIT YOU'RE GOING TO DROWN
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No.12316
>>12315
Don't worry that's just his expiration
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No.12327
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No.12338
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No.12339
>>12327
I like the emphasis on the rocket fisto's contours
>>12338
>old gondola
D'aw, I hope he has a lot of time left to spend with his grandola and great-grandola children
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No.12356
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No.12357
>>12356
I can't believe an egg is on 8chan
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No.12365
Drew a character I've got an idea for instead of a gondola today
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No.12369
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No.12374
New year, new commission sketch. Pose fix welcome.
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No.12378
>see old drawing that I've always hated
>try to fix it for fun
>can't fix it and it's not fun
>??? years later it starts to look passable
>time to clean up sketchy marks by increasing contrast so I can see them
>some eldrich abomination of scribbles stares back at me
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No.12379
>>12378
Fantastic Layers and how to use them
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No.12380
Gondola always does his experiments in safety gear
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No.12384
>>12379
It's easier to draw lines on a single layer. The skin color was left behind by Krita's full retard fill tool though when I tried to remove it.
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No.12389
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No.12391
I'm trying to motivate myself by drawing characters I've made up some time ago, but I still feel empty inside.
I need more gas. I need DEATH.
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No.12394
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No.12406
>>12391
here's it in b&w. need to focus on values over color else it looks a bit muddy and doesnt do form justice
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No.12407
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No.12408
So while there's stuff like how I started with from memory, then finished, for traditional. I still think there's a pretty huge fucking gulf, between when I"m drawing digitally, and physically. I like it, since doodling on paper will force me to learn more stuff, but it's the disparity is still hilariously huge.
Anyway, wanted to draw Kass, because I've been listening to his theme's remix by Shimomura, a lot.
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No.12441
>>12406
How do I know if its value range is messy? I'm not used to this and would like to train my eyes to see those problems.
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No.12451
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No.12460
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No.12508
Lord forgive me for what I have Yabba Dabba Done
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No.12546
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No.12549
Shit, bud. Use the new thread, aint nobody scrolling down here. Missing out on them smoldolas.
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No.12620
>>12408
>1st image
What muzik is he playing?
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