No.8120
>Realizes he has no ambition left and or the current state of capitalism is making it exceedingly difficult to make what he wants
>Actually has the balls to quit
>meanwhile "masters" like Herzog and Bertolucci are still putting out forgettable film after forgettable film.
Is he our guy?
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No.8121
He knows not to go on too long
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No.8122
He's just teaching now, right?
He should put some lectures online... everyone would watch them. Although perhaps he wouldn't want to do that
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No.8130
Would you say that washed up directors keep working for ego or for money?
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No.8131
>>8130
Fuckin hell, that's too cynical. I'd say there's largely one reason to make any kind of art, which is that it's fun. One may have other motivating factors,sure. But if it's a drag, there's easier ways to make money or stroke one's ego.
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No.14630
So much for retirement
Béla Tarr to premiere new film Missing People at this summer’s Wiener Festwochen
<After funding troubles forced the shutdown of his innovative film school, the film.factory (located in Sarajevo, Bosnia and Herzegovina), Tarr has gradually been reemerging as a working artist.
https://www.cineuropa.org/en/newsdetail/370729/
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No.14659
>>14630
Is this an actual feature length movie or is it a short? Because if it's the latter, then it isn't the first time he's made one after retiring.
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No.14660
>>8120
>Is he our guy?
Is not even among the great filmmakers. Move on, anon.
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No.14661
>>8121
>He knows not to go on too long
Well done.
Since lack of funding is mentioned twice in this thread, would you say meager funding is part of the reason Bela Tarr developed the style of longer takes? More cuts means more time means more money.
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