No.812 [View All]
ITT great soundtracks
I know I've mentioned Drowning with Numbers recently since I watched it recently but damn it's got a hell of a soundtrack.
https://www.youtube.com/watch?v=3NRzj0JZk9MHave the Akira soundtrack as a bonus:
https://www.youtube.com/watch?v=2Owm7GUhogk ____________________________
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No.10631
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No.10632
>>10418
that is a new one to me. melancholy, haunting....great music
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No.10639
YouTube embed. Click thumbnail to play.
One good thing Wes Anderson did was to bring attention to this guy
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No.10720
YouTube embed. Click thumbnail to play.
>>9657
>What are good soundtracks from recent movies
Oneohtrix Point Never - Good Time
I hope this video doesn't get deleted right away
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No.10735
YouTube embed. Click thumbnail to play.
This library music track "Sammy Burdson - News Background" is used in the most recent Steven Soderbergh film Logan Lucky
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No.10744
YouTube embed. Click thumbnail to play.
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No.10746
YouTube embed. Click thumbnail to play.
This one is a little different. Music is folk instrumental with some field recording
Indian Summer (1960)
> An old farmer on New York's Delaware River is displaced by the construction of a reservoir.
(under 5 votes on imdb)
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No.10783
YouTube embed. Click thumbnail to play.
steve moore - mayhem (2017)
>>5989
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No.10825
YouTube embed. Click thumbnail to play.
Soundtrack of the Australian film "Snowtown" (2011). Whole thing was originally scored for the movie, and does a good job of matching its constant, unsettling tension.
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No.11314
YouTube embed. Click thumbnail to play.
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No.11421
YouTube embed. Click thumbnail to play.
Late pass on all the Twin Peaks music from last year. Wow!
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No.11472
>>7891
They are at redacted
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No.11478
YouTube embed. Click thumbnail to play.
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No.11491
YouTube embed. Click thumbnail to play.
Soul Flutes - Trust in Me
Bonus points if you recognize where this smooth flute track was used!
Answer: The Jungle Book (1967)
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No.11701
>>7891
>If anyone has flacs of these discs, please share!
All four in flac - #!a8ZlxKIB!wjOltcuprXGpFR9zNCGc1q_JMy3_lMZ96R-GFKQft_U
password - /film/
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No.11844
METAPHORS / Selected Soundworks from the Cinema of Apichatpong Weerasethakul
I found out about this recently. Relaxing sounds of nature with woozy music that fades in and out. Stream it at https://subrosalabel.bandcamp.com/album/metaphors-selected-soundworks-from-the-cinema-of-apichatpong-weerasethakul
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No.11985
YouTube embed. Click thumbnail to play.
Giorgio Gaslini Quartet - 5 Donne Per L'assassino (1974)
Cool jazz soundtrack for a giallo with a title that rips off Bava's Sei donne per l'assassino. The music flows very nicely from track 1 through track 9. Since the tracks are split on youtube I chose my favorite.
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No.12129
YouTube embed. Click thumbnail to play.
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No.12130
YouTube embed. Click thumbnail to play.
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No.12132
YouTube embed. Click thumbnail to play.
François de Roubaix - Anthologie 1
1. Indicatif (0:00)
2. Journal De Bord (1:36)
3. Enterrement Sous-Marin (4:53)
4. Xavier A La Maison D'Arrêt (6:13)
5. La Vie A Bord (8:45)
6. Thème De Célima (11:19)
7. Les Pirates (12:41)
8. Thème D'Amina (14:33)
9. Chapi-Chapo (16:06)
10. Le Saut De L’Ange (version longue) (18:51)
11. Drive-In (22:23)
12. La Guerre D'Algérie (24:12)
13. À Vous De Jouer Milord (27:09)
14. Titan (28:59)
15. Un Tank Pour L’Aventure (31:34)
16. Angoisse Sous-Marine (33:31)
17. Le Provocateur (35:36)
18. Les Sesterain Ou Le Miroir 2000 (37:32)
19. Amour Et Mariage (39:39)
20. Tignes (41:33)
21. Schuss… (44:05)
22. Sial IV (45:55)
23. Le Monde Est Fou (48:01)
24. Loin (Version Inédite) (50:24)
25. Miniland (52:21)
26. La Plongée (54:14)
27. Générique (56:06)
28. Cavaliers En Monoeuvre (58:12)
29. Le Soleil Se Lève A L'Est (1:00:17)
30. La Vie Commence à Minuit (1:02:41)
31. La Scoumoune (1:04:21)
32. Tramp (1:07:07)
33. Les Caïds (1:08:46)
34. Trois Pas (1:10:26)
35. L’Appel Du Large (1:12:07)
36. Enterrement Sous-Marin (alternate, bonus) (1:14:06)
37. Les Caïds (alternate, bonus) (1:16:10)
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No.12133
YouTube embed. Click thumbnail to play.
François de Roubaix - Anthologie 2
1. Dernier Domicile Connu (0:00)
2. Ecoute Le Temps (voc. Brigitte Bardot) (3:50)
3. Générique Jeunesse "L’Age Tendre" (6:30)
4. Deux Chevaliers Dans Les Andes (8:22)
5. Le Ciel Nous Fait Rêver (9:55)
6. Poursuite Dans Les Airs (11:31)
7. Tahiti (13:19)
8. Le Canal Gelé (15:51)
9. Poursuite A Anvers (17:49)
10. Laurent Et Eva (19:12)
11. La Bulle De Pépin (voc. Jean-Jacques Gallard) (20:35)
12. En Avant Pépin! (22:44)
13. Valse Du Vertige (Version 1) (24:14)
14. La Loi Du Survivant (25:26)
15. Valse Du Vertige (Version 2) (26:50)
16. Tom (27:53)
17. Les Prisonniers (30:46)
18. Vendetta (voc. François De Roubaix) (34:03)
19. Les Mémés Flingueuses (36:21)
20. Les Etrangers (37:59)
21. Les Anges (39:35)
22. A Dossiers Ouverts (42:09)
23. Calomnie (43:25)
24. Requiem Pour Un Congre (45:29)
25. Valse Du Poulpe (47:40)
26. Millénaires (49:52)
27. Je Suis Sportive (51:55)
28. Amours, Delices Et Orgues (53:31)
29. Balade De Pénélope (56:18)
30. Pénélope Se Déchaîne (58:57)
31. Une Vie A L’envers (1:00:18)
32. Des Jeunes Filles Et Des Fleurs… (1:02:52)
33. Rêverie (Maquette De Travail Inédite) (1:05:53)
34. Les Aventuriers (Maquette D'Une Chanson Inédite) (voc. Joanna Shimkus) (1:10:30)
35. Demain… (Maquette De Travail Inédite) (1:12:26)
36. Les Dunes D’Ostende (bonus) (1:15:14)
37. L’homme Orchestre (bonus) (1:17:04)
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No.12163
>>12132
>>12133
Wonderful music
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No.12178
Here's a new collection of surf soundtracks from CJ Mirra
It's completely different than "surf music" as defined by Dick Dale
https://cjmirra.bandcamp.com/album/static-original-surf-soundtracks-vol-1
https://www.youtube.com/watch?v=vm_qiObUAuE&list=PLX2BZUT9Vd0LBSTdo2DJLTPNXRB2chibk&index=1
<Ethereal soundscapes, lo-fi guitar excursions and rising orchestral, neo-classical moments summon images of the wild, awe-inspiring surf destinations – Iceland, Ireland, Scotland, The Faroes and beyond. Aficianados of cold water cinematic adventures will already be familiar with CJ’s work. The album is a selection of 8 tracks, each originally composed for one of a number of award winning surf films scored by CJ Mirra over the past four years. “The light, the landscape, the size of the waves and colour of the water all had an influence on the sound,” says CJ on harnessing the essence of these cold water locales.
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No.12213
YouTube embed. Click thumbnail to play.
Jang Hyun - Please Wait
This track was used at the end of Norfolk (2015)
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No.12220
YouTube embed. Click thumbnail to play.
The soundtrack to Akira, by the musical collective Geinoh Yamasirogumi, is pretty magical. I was just able to find a copy of their discography the other day, so I'll be giving their other albums a listen soon, but their soundtrack to Akira is really great on its own.
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No.12606
Are there any current composers who continue the musical legacy of the great Toru Takemitsu?
I can't think of any, and that's a shame. If there are new Japanese films with Toru's style of soundtrack I'd love to know about them.
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No.12607
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No.13481
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No.13483
>>13481
An hour after this post, the same story posted on /tv/ got 50+ replies. Here, it is like pulling teeth to get a single reaction to anything. I'm not pretending it's the best topic but holy shit.
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No.13487
>>13481
>>13483
There's no way you could have thought he was serious not only because he collaborated with Tarantino, but because as good of a musician as he is, he's literally Reddit: The Composer.
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No.13625
YouTube embed. Click thumbnail to play.
Thom Yorke does music for the Suspiria movie? How is that going to work?
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No.13639
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No.13932
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No.13935
YouTube embed. Click thumbnail to play.
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No.13936
I wish CM would stop being a bitch and allow us to upload mp3s/flac. There are still some pieces of music that aren't on streaming sites. The best track from this OST is nowhere to be found.
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No.13937
YouTube embed. Click thumbnail to play.
Similar to the previous post, groovy tunes from a Jack Nicholson biker movie: Hell's Angels on Wheels
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No.13943
YouTube embed. Click thumbnail to play.
John Barry's theme for On Her Majesty's Secret Service is a great instrumental.
So great, in fact, it was a placeholder theme for The Incredibles, going by the arrangement that played in the teaser trailer with Bob trying to put his belt on.
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No.13944
YouTube embed. Click thumbnail to play.
>>13943
I thought OHMSS was used as the main music for Goldeneye 64, but it's been a while since I played it
I've always liked the Louis Armstrong track from that movie too. I think it was the last music Armstrong recorded. It's probably my favorite song of any Bond movie. Again Barry does an excellent job with delicate orchestration.
I embedded John Barry's title music for Seance on Wet Afternoon. This was one of his first soundtracks, a creepy slow-burning English gem featuring a young-ish Richard Attenborough. Well worth watching.
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No.14078
Invidious embed. Click thumbnail to play.
Les Raisins De La Mort, Theme by Philippe Sissman
I'm really digging this music, from a Jean Rollin film I haven't watched yet
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No.14585
YouTube embed. Click thumbnail to play.
Soundtrack for Insomnia (1997).
Check it out if you enjoy ambient music.
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No.14589
>>14585
Yeah the Nordic countries do ambient music very well. It's easy to listen to this stuff and imagine a cold lonely existence where the sun barely shines.
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No.14834
YouTube embed. Click thumbnail to play.
If you like film soundtracks you should check out KURO (2017). The composer not only directs but also acts in the film. I think the music has a closer connection to the images than you'll find in many other films. The music is best experienced by watching the film rather than just listening.
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No.14965
YouTube embed. Click thumbnail to play.
>>9099
Another beautiful, transcendent soundtrack from Jessica Curry. What active composer is making better music that this?
Full OST: https://www.youtube.com/watch?v=v-8THFq3viU or https://rutracker.org/forum/viewtopic.php?t=5521351
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No.14966
Dead Man's soundtrack got remastered recently.
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No.15042
Taxi Drivers' soundtrack use is unmatched, I believe. Haven't been mesmerized by a combo of sight and sound like the one in taxi driver in a long time, give recs of something similar pls
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No.15504
Joe Hisaishi has been a big shot for a long time now, making the bulk of his scoring career with Ghibli films, but one of his niche appeals are his 7 scores for Takeshi Kitano ranging from 1991 to 2002.
Here's a quick shot at 5 of them, and while these are a little campy for some folks i think they are worth a shot, especially this one for 1993's Sonatine and its title track variations. The interesting part that really caught me was the shifting droning background in some of the songs (1st, 3rd and 4th webms) that appear as a silence replacement in scenes either at night or in moments of emotional investment were time passes in a flash, creating a somewhat dense atmosphere as the movie version is more evident. The omnipresent soft echo adds to the flavor, especially in the piano pieces.
The film's overseas distribution is a good story itself, a funny series of benign accidents on enthusiasts and foiled malicious plans of plagiarism by directors.
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No.15506
Returning a little into a more soft and juvenile side there's 1991's A Scene at the Sea, or That Summer, The Calmest Ocean... in its translated original title with a prolonged subtitle available in the poster and cover art here, seemingly coming from one of the surviving protagonists.
Very sweet yet melancholic vibe going on, i believe the director wanted to make clear the impression that the entire story was being told as a memory recapitulation instead of a real-time event, that something in the nostalgic music exacerbates this feeling very well. A well done exercise in terms script too, trying to move a slow-burning story with 2 mute characters.
Now jumping a short later after Takeshi's mysterious bike accident it's 1996's Kids Return, an ambiguously semi-biographic coming-of-age movie without the man himself starring anywhere. The playful and explicit tones give away the nature of the characters and the movie early on, which quickly turns into frustrated shuffles when some of the kids some? i meant all of them start stumbling with the hardships of a demanding recession-ridden Japan of the 90's.
There's a lot of mood swings but the explosive title theme takes the cake mainly for its timely appearance, pretty rad guitar too.
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No.15507
A year later the man would go on to win the once-coveted Venice Golden Lion (formerly Coppa Mussolini) with Hana-Bi aka Fireworks, competing against rivals like Yimou Zhang's Keep Cool, Pedro Costa's Ossos and the russian gem The Thief.
The movie itself is gluttonous for misery, a sure-fire catnip recipe when the jury is composed of women, and the dramatic score for strings gives an elegant and poignant accent to all the mishaps and event successions around the personal life of a beat cop, interpreted by no other than the director, again.
The mix of dry and absurd humor coming once in a while is a much appreciated aspect that i found to be a little lost recently, especially from movies where everyone is dragging themselves in an emotional swamp plus the precise allocation of such segments gives places to a strong contrast effect when the movie is about to drop someone.
And speaking of misery and prizes, Kitano wanted to go at it again in 2002 and made a little shining gem called Dolls, a cinematographer-driven film about lovelessness in different japanese social groups such as salarymen, yakuza and otaku men, along with trying to visually and ideologically explain the meaning and appeal behind the old japanese puppet theater; such attempt done in a successful way in my opinion. The score is subdued but pretty dramatic at one point, its titular theme being the juicy cherry of the mix with the inclusion of the old familiar percussion from previous projects.
The film was entered into its respective Venice Film Festival edition and faced stiff melancholic competition like Chang-Dong Lee's Oasis, Konchalovsky's House of Fools and bleeding edge The Magdalene Sisters by Marx Engels Mullan. The latter being a woman-beating hellhouse story it became a hit among the female jury, which did not forgive and gave the edge in the split decision. Obviously this is not or shouldn't be about the prizes nor immediate recognition, i just found the clear trends behind jury decisions funny like Del Toro convincing the Netflix-involved jury members to vote for Cuaron
...Yeah anyways hope these weren't a big camp, here's a couple of links if someone fancies them
>A Scene at the Sea
https://mega.nz/#!GI4SGCSJ!1J8f4XPi_U38yptZw7zYWoRghxsoepmFZse1YyYQjGw
>Sonatine
https://mega.nz/#!3EwiBQCb!Yl0LRlJSbSz5hQ8dtEF8zO9OoUNNkAVAp1xqrjjqfZU
>Kids Return
https://mega.nz/#!aU4ElIhY!1FT0D_8IloUk7Isl5J6VIB8OmZ14rdh6bB-BoNYP_Sg
>Hana-Bi
https://mega.nz/#!yQ5UEQ6B!UDWIxmKkf8qXaeZnRbm_eij-y5lHu02aPWqBW2-uKfI
>Dolls
https://mega.nz/#!WUwmgCKD!18V5QOL4ndh_6dxqPb98oJyF6jDDigLelOxfwXwnkSw
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No.15511
>>15507
Thanks for the albums. I didn't know about this guy before.
Is it quick to encode audio webms? Video webms are pretty slow, so now I only make mp4s.
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No.15530
>>15511
>Is it quick to encode audio webms?
Yes, certainly much more than videos even with VP9 enabled. There's a couple of details i forgot how to handle but the recipe i found always gives me decent results. In my PC for example the first webm, Play on the Sands, took me 10 seconds to encode.
ffmpeg -r 1 -loop 1 -i A.jpg -i 1.mp3 -c:v libvpx-vp9 -c:a libopus -b:a 96k -t 4:45 1.webm
I do have to set the specific time because the option to finish encoding at the end of the audio is pretty buggy as it continues indefinitely sometimes or abruptly finishes before.
I suppose you know the parameters but for anyone who doesn't and wants to try out:
"-r 1" is the desired framerate per second, 1 is the basic for just a single image i think, there might be another option to make the image stream static
"A.jpg" is the name of the image file you want.
"1.mp3" is the name of the audio file accompanying it.
"-c:v libvpx-vp9" is the video encoder, it's either "libvpx-vp9" or "libvpx", the difference i think it's the latter being VP8 and the former the VP9 checkmark in the "WEBM for Retards/Bakas" GUI, which makes it more lightweight but takes longer.
"-c:a libopus" is the audio encoder, it's either "libopus" or "libvorbis". Opus is, in very broad terms, the upgrade from Vorbis but i think both are recognized as .ogg at the end of the day.
"-b:a 96k" is the audio bitrate. While the bare minimum should be 128k i found that 96k is more than enough for these preview purposes unless the original audio is a very contemporary production like a WavPack or a kinky ASMR.
"-t 4:45" is the total runtime of the audio, there's an option to detect it automatically but like mentioned it's not very reliable.
"1.webm" is the name of the desired final product.
Obviously these commands are injected into an installed ffmpeg opened directly from the command window (shift+right-click in the same folder as the files to see option). There's more commands and lines but for the basic use here that should be okay, we can find many more by tinkering with the "WEBM for Xs" options and checking the argument line in the "Advanced" tab.
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