No.7524 [View All]
Hello posters of /film/, we are halfway through 2016, what are your favourite movies you've seen this year so far?
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No.7683
>>7525
seriously though how am I supposed to find this ?
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No.7701
Ten new favorites so far:
Opening Night - Cassavetes
Frost - Kelemen
Seopyeonje - Kwon-Taek
Love Streams - Cassavetes
A Story Written With Water - Yoshida
Field Niggas - Allah
Mademoiselle - Richardson
Goodbye CP - Hara
Hard To Be A God - German
Streetwise - Bell
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No.7704
>>7701
also saw Goodbye CP recently
what else from Hara and yoshida have you seen?
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No.7706
>>7701
>Mademoiselle - Richardson
Beautiful black and white cinemascope. Has that crappy DVD been upgraded yet?
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No.7708
>>7704
I've also seen The Emperor's Naked Army Marches On, which I absolutely loved, too. Next on my to watch list are: A Dedicated Life and Extreme Private Eros. Too bad the guy only made a few films, really liking him so far.
>>7706
I've seen the Optimum release, which looks better than the MGM disc. The film deserves a BluRay release, though, the cinematography is godlike.
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No.7709
>>7704
Oh, forgot you asked about Yoshida, too. Films I have seen by him are:
Heroic Purgatory
Affair in the Snow
Flame and Women
The Affair
Confessions Among Actresses
A Story Written With Water
He is easily my favorite Japanese director of all time. I'm saving his most prized film "Eros Plus Massacre" for the very end.
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No.7722
>>7709
Yoshida is really special. I wish I'd started watching his stuff sooner.
I'll never understand left wing anarchism though
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No.7731
I've only seen The Neon Demon and Operation Avalanche and they were pretty good
I feel like Refn was trying too hard to create a Lynch-ian film though. But I guess the whole Hyper-Melodrama thing works with the theme
Operation avalanche was just straight up enjoyable and it celebrates the power of film making at the same time
Was The Handmaiden any good? It looked mint, plus I love the Japanese occupied Korea setting
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No.7732
>>7708
Extreme Private Eros and Goodbye CP are the only films i've seen by him, i loved the latter but with Extreme Private Eros i felt different
>>7709
i still haven't seen anything from yoshida though i hear eros + massacre as one of the greatest films of all time
where did you watch his films?
i'll probably start with heroic purgatory
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No.7850
YouTube embed. Click thumbnail to play.
Has anyone else seen the definite MOTY?
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No.7852
>>7850
> Runtime: 350 min (including two intermissions)
I was worried this project would be trimmed down into a palatable 94 minutes
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No.7856
>>7852
Actually the intermissions make it feel like consecutively watching three films of an average length. Completely different experience.
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No.7858
>>7856
I see. That's surprisingly not much shorter than Cremaster 1-5, but this looks to have more going on
How would you compare this with Cremaster or other Barney films/art?
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No.7873
>>7858
Cremasters were mostly garbage with hit or miss 'cool' imagery and very questionable stylistic choices, nothing really beyond that. ROF has 'cool' imagery, few completely idiotic stylistic choices but also is heavily based on Ancient Evenings and Egyptian mythology thanks to which the whole thing actually amounts to something more than an art installation for edgy people with shit aesthetic taste.
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No.7910
OJ: Made in America document miniseries.
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No.7913
Cremaster is a slog and I think I only saw #3 at 8x speed
One of the central ideas is described here. I like this concept but not enough to watch the rest of them.
Bonus: Awkward silence included at the end
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No.7915
>>7913
>at 8x speed.
but why?
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No.7921
>>7915
Eventually I got impatient!
It was #2 actually. Test your endurance: https://www.youtube.com/watch?v=-6cDx8d-3kQ
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No.7922
>>7921
Can't imagine watching such short piece with 8x speed, lol.
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No.7935
>>7922
I was sick of it 2/3 of the way through so I started experimenting with different playback speeds. 4x was still too slow!
I did the same thing with White Epilepsy, which moves even slower. Instead of spending an hour watching an image morph at an almost imperceptible rate, I spent roughly that amount of time troubleshooting an ffmpeg script to encode the whole thing at 64x speed. My version lasts one minute instead of an hour. That file should be on this board somewhere.
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No.7954
>>7935
White Epilepsy is godlike. Grandrieux is easily one of the best film makers working today.
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No.7963
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No.7982
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No.8337
John Waters Top 10 of 2016
1 KRISHA (Trey Edward Shults) This hilariously harrowing portrait of a family reunion ruined by an alcoholic relative and too many dogs is told with verve and lunacy and features a top-notch performance by Krisha Fairchild, the director’s own aunt. Other people’s hell can sometimes be so much fun.
2 TICKLED (David Farrier and Dylan Reeve) Hahahahaha! First you’ll chuckle watching this exceptional piece of investigative reporting, but then, once the shocking plot twists begin, you’ll choke on that laughter.
3 EVERYBODY WANTS SOME!! (Richard Linklater) The best accidentally gay movie ever made by a known heterosexual director features the most talented and sexy ensemble cast of the last decade.
4 ROAR (Noel Marshall) I finally got to see Tippi Hedren’s real-life snuff movie starring her entire family that was made in 1981 but not released in the US until 2015. Watch, slack-jawed, as Tippi is scalped and her daughter Melanie Griffith mauled by the wild-animal extras who turn out to be the real stars of this nutcase action film.
5 WIENER-DOG (Todd Solondz) The funniest dog movie since Godard’s Goodbye to Language. Nasty, blunt, rude, and full of hideous surprises.
6 ELLE (Paul Verhoeven) Do daughters of mass murderers like to get raped? In France they sometimes do, and only Isabelle Huppert could play this hetero-deviant, Claude-Chabrol-meets-Radley-Metzger character with feminist dignity. Isn’t she the best actress in the whole wide world?
7 JULIETA (Pedro Almodóvar) If Hitchcock had actually understood women, might he not have made this serious and absolutely stunning hellodrama about female longing and loneliness? Rossy de Palma is back, too. Yay!
8 LIKE CATTLE TOWARDS GLOW (Dennis Cooper and Zac Farley) Arty teenage death, Gallic rimming, and a maddening passion for punk penises make this Eric Rohmer–like porno a real French tickler for the fucked-up literary set.
9 VALLEY OF LOVE (Guillaume Nicloux) Yep, it’s her again. Isabelle Huppert and the fattest Gérard Depardieu you’ve ever seen team up as parents in Death Valley, searching for some kind of mystical message from their son who has just committed suicide. Even dead Pasolini would love this film.
10 A QUIET PASSION (Terence Davies) The grim curse of Emily Dickinson’s poetic talent has never been shown with such depressing clarity. If you can’t enjoy suffering along with her, you should be dead too.
source: https://www.artforum.com/inprint/issue=201610&id=64773
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No.8447
YouTube embed. Click thumbnail to play.
original on vimeo: https://vimeo.com/194508152
edited by David Ehrlich
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No.8461
The 20 10 Best DVDs and Blu-rays of 2016
10 - American Horror Project: Vol. 1, Arrow Video
Arrow Video's American Horror Project Vol. 1 is likely to be among the most unheralded cinematic rescue efforts of 2016; pity, since it's one of the most important. The set contains three independent American horror films (Malatesta's Carnival of Blood, The Witch Who Came from the Sea, and The Premonition) and Arrow has gone to extensive restoration lengths to locate the “original film materials” in order to conduct each 2K transfer. Every phase of these films' preservation has been overseen by the Arrow crew—a fact that makes this set all the more commendable and amazing. Each film receives enough supplements to be worth of an entire box set unto itself and the set contains a 58-page booklet with four essays, one on each individual film and one about the collection as a whole. American Horror Project Vol. 1 is certainly a triumph of film-preservation efforts, but it's also the label's symbolic demand to unlock the auteurist prescriptions of many prestige, home-disc releases. Dillard
9 - The New World, The Criterion Collection
Released once before on Blu-ray, the extended cut of Terrence Malick's The New World nonetheless looks significantly improved thanks to Criterion's 4K restoration. Infamously shot around the whims of its maker's minutely obsessed eye, the film derives much of its power from nearly imperceptible fluctuations of light and color, and never before has a home-video release so thoroughly captured the way that sunlight reflects off of John Smith's (Colin Farrell) boiled leather jacket, or how multivalent the greens of swamp reeds and coniferous trees can be. Sound is also resplendent, plotting the film's rich soundtrack of geographically and temporally appropriate birdsong in an enveloping field. The inclusion of each cut of The New World, along with a stunning 4K restoration of the preferred extended cut and copious extras, marks this as the definitive home-video release of Malick's greatest film. Cole
8 - Films of Maurice Pialat Vol. 1, Cohen Media Group
Maurice Pialat remains one of the most unsung French auteurs from the latter half of the 20th century, perhaps because his films have remained largely unavailable on North American home disc for decades. Cohen Media helped to change that in 2016 with a superb set of transfers for three Pialat films made in the late '70s, including Loulou, starring Isabelle Huppert and Gérard Depardieu, who Andrew Sarris called “the sexiest couple in the history of cinema.” The set also contains more than a handful of interviews with cast and crew, including Huppert, and the 2007 feature-length documentary “Maurice Pialat: Love Exists.” Cohen Media also released Pialat's Under the Sun of Satan as a standalone disc, though unfortunately it runs the same price as this collection. Nevertheless, any release of Pialat's work will help to fortify his place alongside the titans of European cinema. Dillard
7 - Female Prisoner Scorpion: Complete Collection, Arrow Video
Female Prisoner Scorpion: The Complete Collection, Arrow's thoroughly awesome Blu-ray set, is one of the year's most exciting releases. Following Matsu (Meiko Kaji), a women hell bent on revenge, across four films, the series boasts strange narrative turns and wonky camera angles, making it an enduring and still unusual bit of pulp that's been especially influential on the films of Quentin Tarantino. Arrow's efforts are most evident in Jailhouse 41, where a wild color palette of blue-heavy neon consistently informs the frame, whether across faces or in the entire mise-en-scène. Color rarely looks faded or dimmed, with pools of black often providing a contrast to the brighter shades. The package practically bursts at the seams with extras, with appreciations from critics and filmmakers, insights from historians, and even pair of video essays by Tom Mes, who thoroughly examines each film in the series along narrative and visual lines, while also looking at the entire career of Kaji in relation to Pinky Violence films and beyond. Dillard
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No.8462
6 - Pioneers of African-American Cinema, Kino Lorber
Kickstarter hasn't only helped independent filmmakers get their projects off the ground; it's also made previously impossible restoration efforts a distinct possibility. No home-disc offering from 2016 has spoken more favorably to these possibilities than Pioneers of African-American Cinema, Kino Lorber's five-disc Blu-ray collection that boasts 19 films spanning 1915 to 1946, and includes canonical works from Oscar Micheaux in addition to hidden gems like 1926's Ten Nights in a Bar Room. Kino raised $53,717 to help fund the set, which includes an 80-page booklet and musical scores for the films by DJ Spooky and Max Roach, among others. The term “essential” is often haphazardly tossed around when discussing restoration efforts, but this collection could be the textbook definition of the term. The films also look superb for their age. Let's just hope Pioneers: First Women Filmmakers, Kino's next restoration baby, which has already raised $49,857, receives the same sort of care and comprehension. Dillard
5 - Blood and Black Lace, Arrow Video
Arrow Video's extraordinary package perfectly complements the bounty of sensory delights offered by Mario Bava's classic giallo thriller. Tim Lucas's audio commentary allows modern viewers to imagine the newness that Blood and Black Lace represented for the thriller genre at the time of its release, though it was a financial disappointment that gained cultural cache retrospectively. And Bava's astonishing use of color is honored by a gorgeous new 2K restoration of the original camera negative, which is one of the most beautiful transfers this critic has seen of a classic giallo. Colors are ripe and hallucinatory, most impressively and subtly the blacks, which are deep and well-differentiated. Flesh tones and textures are densely detailed, intensifying our impressions of the victims' vulnerabilities. Image clarity is revelatory, though grit and grain are still present and balanced in a pleasing and print-honoring fashion. This is indispensable catnip for the horror-minded cinephile. Bowen
4 - A Brighter Summer Day, The Criterion Collection
For years, Edward Yang's magnum opus A Brighter Summer Day could only be seen on horribly sourced bootlegs. Even a home-video release directly sourced from the film's negative, and without a single touch-up, would have been considered a major event, but Criterion's 4K restoration is revelatory. Gone are the smudges and compression artifacts that pockmarked so many of the film's VCD releases; in their place are warm, natural lighting schemes and a crisp palette of reds, ambers, and pale grays. Black levels are deep and textures sharp, so that even the long shots pop with clear detail well into the background. The mono track is a modest one but impressive in comparison to the muffled, crackling sounds that were abundant on the aforementioned bootlegs. Extras include a commentary track from Tony Rayns and copious interviews, but of greatest interest is a taped performance of one of Edward Yang's plays, Likely Consequence. Given the paucity of Yang's filmed output before his death from cancer in 2007, the chance to see some of his stage work offers an unexpected opportunity to explore a fuller range of his art. Cole
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No.8463
3 - Out 1, Carlotta Films
Out 1, Jacques Rivette's 13-hour opus, has been a cinephile's holy grail for decades, making its abrupt release on home video the most significant Blu-ray in years. The film's tactile 16mm photography has been buried in low-resolution VHS rips for ages, and to see it properly restored is thrilling. Both the color and monochrome sequences are crisp and as consistent as 16mm shot on location can be, and grain is healthy throughout. The mono soundtrack, previously buried so deeply under mountains of hiss as to be indecipherable, is clear and reveals a surprising level of dynamic design. For good measure, the set comes with Rivette's four-hour recut of the series Spectre, as well as a feature-length documentary. Those with a region-free player may want to opt for Arrow Video's release, which includes three of Rivette's masterworks in addition to the series, but Carlotta's edition is a vital presentation of one of cinema's greatest endurance tests. Cole
2 - The Herschell Gordon Lewis Feast, Arrow Video
It would be easy to simply write off the works of schlockmeister Herschell Gordon Lewis as exercises in the ironic so-bad-they're-good aesthetics of camp. But that would be selling their cracked charms considerably short. Consumed in sufficient quantities, these films induce a state of cinematic delirium, with familiar faces and themes bleeding from one film to the next, as though they were only installments in one sprawling, mind-melting serial. Arrow's gargantuan 17-disc set The Herschell Gordon Lewis Feast is spread across two hardcover volumes housed in a massive red-and-green slipcase with a HGL cut-out mask embossed on the back. All 14 films feature a brief introduction from Lewis, and most of them sport a commentary track as well. There's a heaping helping of featurettes, the odd short subject, hours of outtakes, and piles of promotional materials on every disc. The HGL Annual also tucked into the slipcase is loaded with film-specific games, promotional art, and technical specs for the entire set. Wilkins
1 - Dekalog, The Criterion Collection
Criterion's 4K restoration of Krzysztof Kieślowski's series maximizes texture and color, emphasizing aspects like the pale blue color timing of the first episode to the sickly yellows that suffuse scenes of the fifth. The enhanced detail also highlights the realism that grounds the filmmaker's expressionism, rendering faces and stark backgrounds with tactile depth and clarity. Audio is just as strong, rendering Zbigniew Preisner's previously compressed score in restored, lossless mono that presents the music in full force. Bolstered by the inclusion of restored copies of A Short Film About Killing and A Short Film About Love as well as a slew of additional interviews with cast, crew, and film scholars, Dekalog is Criterion's release of the year, restoring the Polish director's magnum opus to all its visual glory. Cole
http://www.slantmagazine.com/features/article/the-20-best-dvd-and-blu-rays-of-2016/
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No.8464
>>8461
I'm pretty sure the Criterion bluray of The New World I saw had crushed colors which is a terrible mistake. And it wasn't even the longest version of the film!
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No.8465
I still need to watch the second half of The New World but I didn't think it was
> Malick's greatest film
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No.8469
>>8465
Is probably my least favorite Malick.
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No.8475
>>7560
>how new
ok im actually p pissed off how am I supposed to find a film from a single fucking shot
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No.8476
Where you at, Polski
Time is running out for your year-end picks
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No.8478
>>8475
Bezbog Innocence of Memories Akher ayam el madina Chamissos Schatten Liliom ösvény Maesta, La passion du Christ Le fils de Joseph Rester vertical River of Fundament
La mort de Louis XIV Jia Rak ti Khon Kaen Homo sapiens Cosmos Baba Vanga The Sprawl: Propaganda About Propaganda La academia de las musas Mariupolis
not him but this has been around in 4chan's /tv/
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No.8507
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No.8508
there should be a better version online of innocence of memories by now
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No.8524
>>8478
Regardless, how am I supposed to find a film from a single shot?
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No.8536
>>8524
would you have posted ITT if all names were posted in the OP?
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No.8539
>>8524
you take a screenshot from the shot and google image search it
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No.8554
>>8539
i doubt every single shot is available via google image search
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No.8555
>>8539
besides, even if it were, I'd have to edit and crop the photo first before searching.
Just seems orders of magnitude easier to list the names, left to right top to bottom ffs
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No.8556
>>8536
yeah i would've said thank you to the intelligent anon that made my life easy and allowed me to enjoy these films
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No.8560
>>8554
all but the first one with the trees i think
also i get your point, im just saying thats how i got the titles when no one posted them, back in /tv/
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No.8562
Do any of you have favorite films from 2016 or is the mysterious pollack our only listmaker?
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No.8569
>>8562
I don't watch enough new films to compile a very long list. But I'll say the Polish picks are far more interesting than the typical stuff you get from "professional" film critics. Those lists have the same 20 films in a slightly different order.
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No.8622
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No.8750
>>8622
> Nocturama
That looks like "The Burger King Kids Club Declares Jihad"
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No.8756
>>7671
To me it seems that was the point, the bad acting i mean.
Audio amd visuals were great, long time since I've seen something so interesting to "experience", just that aspect makes it worth it.
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No.8757
>>7731
The Handmaiden was pretty good
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No.9159
TSPDT's 25 Most Critically-Acclaimed Films of 2016 (based on 2016 end-of-year ballots only)
1. MOONLIGHT Barry Jenkins
2. TONI ERDMANN Maren Ade
3. MANCHESTER BY THE SEA Kenneth Lonergan
4. LA LA LAND Damien Chazelle
5. ELLE Paul Verhoeven
6. PATERSON Jim Jarmusch
7. HELL OR HIGH WATER David Mackenzie
8. CERTAIN WOMEN Kelly Reichardt
9. THE HANDMAIDEN Park Chan-wook
10. O.J.: MADE IN AMERICA Ezra Edelman
11. AMERICAN HONEY Andrea Arnold
12. ARRIVAL Denis Villeneuve
13. I. DANIEL BLAKE Ken Loach
14. CAMERAPERSON Kirsten Johnson
15. LOVE & FRIENDSHIP Whit Stillman
16. EVERYBODY WANTS SOME!! Richard Linklater
17. JACKIE Pablo Larraín
18. THINGS TO COME Mia Hansen-Løve
19. I AM NOT YOUR NEGRO Raoul Peck
20. THE WITCH Robert Eggers
21. JULIETA Pedro Almodóvar
22. THE LOBSTER Yorgos Lanthimos
23. SILENCE Martin Scorsese
24. 13TH Ava DuVernay
25. FIRE AT SEA Gianfranco Rosi
http://www.theyshootpictures.com/21stcentury.htm
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