No.5563
It just stroke me, one of the most important things that got me hooked onto Undertail was the moosic.
What's your two cents on that topic?
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No.5564
I like the music, but bought the game because it has caprines other than in like, the traditional satanist context, and that's a good thing because Satanism is sheep and lambs I'm pretty gosh darn sure, and goats are just the cutest!
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No.5565
I mean really I'll buy anything if it is cute.
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No.5566
If you were to take away music from many different forms of media, it would completely ruin it. It's something that people take for granted from it's wide range of influence.
The music in undertale was one of those things that just meshed incredibly well with everything else in the game.
The artstyle was pseudo "retro" and the music was reflected in that. It's joking when it wants to be, it's emotional when it wants to be, and it's disturbing when it wants to be.
I'd wager though, that one of the major reasons why this game stuck out so much when it was released was it's music.
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No.5567
The music goes from /comfy/ like Snowdin town to hardcore shit like Megalovania, and absolutely terrifying shit like the music in the genocide route.
I think the soundtrack is a huge part of the game, but the characters and setting are very unique and interesting as well.
I don't think we'll see another game like this for a long time.
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No.5568
>>5567
maybe nier automata
:^)
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No.5572
Half of why the game is great is the music and how the music makes every moment important and special. People who don't appreciate that little detail - which is made a huge part of this game - probably don't like the game.
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No.5573
I came to realize this after almost losing all interest of the game despite checking in on /mtt/ often.
It was when I heard bits or melodies of the soundtrack.
I think it's kind of amplifying the game a lot, the music.
>>5567
LISA :^)
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No.5575
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No.5580
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No.5583
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No.5589
It's not strictly that the music itself was good (I enjoy it) but one thing I really noticed was how in-sync with their respective battles the music was. Each beat seemed to fit with the motions that you would have to dodge, from the flying croissants to Toriel's spreading fire to Mettaton's legs.
How would you describe that?
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No.5750
>>5589
You would describe that as whoever made that happen knows what good design it. It is good design.
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No.5751
>>5589
I would call that good characterization of the projectiles. A lot of the fights revolved around themes like bravery or patience.
Example, orange attacks require you to move through them, while light blue requires you to stand still. Green resembles kindness, which can appear in healing items, or sheilds you from Undyne's attacks. The actions you do are characterized by these virtues in the gameplay.
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No.5753
>>5751
More proof that Undyne is the nicest.
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No.5760
>>5753
You have some form of movement in all the other fights. She pins you in place and tells you to stand your ground while assaulting you from all sides; you think she's the nicest?
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No.5764
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No.5778
YouTube embed. Click thumbnail to play.
>>5753
She's not the nicest, in fact I said the complete opposite. She's the biggest challenge to your niceness, not the embodiment of it. Asgore takes bravery to face, but he himself is a cuck and a coward. Even Toriel calls him out, "If you wanted to free us so bad, why didn't you cross the barrier, kill 6 humans, then open up the passage? Instead you hid in the Underground, hoping another human wouldn't show up. But you couldn't decide not to kill them either." He half-assed his multiple child homicide.
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No.5782
>>5778
What? She even waited for you to finish your call with Papyrus. Proof right there.
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No.5786
>>5782
>Snake/Raiden stops in the middle of a battle to call somebody on the Codec
>This makes whatever they're fighting totes nice because mechanics make them wait
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No.5804
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No.5835
>>5786
RE4 villagers are so polite, letting me open my attache case to eat some green herbs and pull out my shotgun.
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