Clan Radu, is always a petty publicist. From the most dramatic set accidents, to the deeply homoerotic nature of hunting a foe through betrayal, it is Clan Radu.
Before Radu the Handsome, you had a Greek actor's set, a poor man's school separate from the seminars you now support for having lost your Sophistry.
To earn a proper Radu, the operative must be offered an infant, to sacrifice; the infant's fate set, through targets, of proper heroism.
The infant, is then written into the tragic protagonist, in a work through their writer's and criminal police legend.
Merchant of Venice: The son of Richard the Lion; civil unions, to expand his marriage trade, to homosexuals. The Crusades.
Our American Cousin: The conceit of courts of Africans held through grand lines remembered in records. Dams, bridges, and tenements, built by sharecroppers.
Dracula: The hunt of police officers, if having attained education, beyond merely simple fan of art through instruction of 'villain', the man to be farted at; the police officer on civilian testimony.
White Zombie: The Transatlantic Trade, "Amazing Grace"; molasses and whiskey, firearms and rogue soldiers, and slaves and marijuana.
The Prisoner: The study of the CIA, for MI-6; "Hollywood", the Foreign Office, won for Arab film with the nuclear destruction of Hiroshima.
Boondock Saints: The slaughter industry, drafting inmates and mental patients and convicts, as Jews, to work kosher pork industry, in Israel.
The Joker: You, be the Jews, upon teachers and parents computers; to track your sons and daughters in the police, ever dwindling to Mafia influence, with your sexual trade in stories.
