[ / / / / / / / / / / / / / ] [ dir / random / 93 / biohzrd / hkacade / hkpnd / tct / utd / uy / yebalnia ]

/film/ - FILM

Film

Name
Email
Subject
REC
STOP
Comment *
File
Password (Randomized for file and post deletion; you may also set your own.)
Archive
* = required field[▶Show post options & limits]
Confused? See the FAQ.
Embed
(replaces files and can be used instead)
Oekaki
Show oekaki applet
(replaces files and can be used instead)
Options
dicesidesmodifier

Allowed file types:jpg, jpeg, gif, png, webp,webm, mp4, mov, pdf
Max filesize is16 MB.
Max image dimensions are15000 x15000.
You may upload5 per post.


Welcome to /film/ discussion - Captcha - Info - Threads - Boardtracker - Friends: [ animu / tv ] - Check us out on Letterboxd.

Be sure to visit (and bookmark) our NEW board at Anon.Cafe

File: 9e8921c25721db7⋯.jpg (95.57 KB,500x364,125:91,straub-huillet2.jpg)

 No.10327

"I'll tell you why Rivette is important. After finishing Paris belongs to us, he declares: "The intellectual nothingness of the films of Louis Malle", and it is printed. Today in Italy nobody would print that, not even the Manifesto, I swear to you. Today, if someone said, "The intellectual nothingness of the films of Rosi", it would be put ... in safety. That's what's changed. At the time, the magazine Cahiers du Cinéma, of which Rivette was the editor-in-chief, was a review of combat, struggle, and war. Because they destroyed Delannoy which is a glory of French cinema. It's like saying ... What is the name of the beautiful story of Bellocchio? Which we saw 1 / 2h to Buti under the stars. The Ora di Religion. It's vomiting, you have to have the courage to say it. And Rivette at the time in his magazine had the courage to say it. He was also able to say that the Taviani are sentimental dunces and that there is not the slightest emotion in these films, nor in those of Bellocchio; There is only a sauce, a soup to vomit useless images that do not exist, that do not hold, that are not there, there is nothing on the screen. At the time the Cahiers were doing this work. They were able to say, "The intellectual nothingness of Louis Malle's films," it was a terrible thing at the time. Truffaut wrote pages and pages in Arts against Delannoy, to defend Bresson. It was always to defend something."

____________________________
Disclaimer: this post and the subject matter and contents thereof - text, media, or otherwise - do not necessarily reflect the views of the 8kun administration.

 No.10334

File: b0fb68e7f38b438⋯.jpg (270.28 KB,1000x1524,250:381,elevator-to-the-gallows-as….jpg)

>>10327

I would say Rivette is important because of his films. If he was just an opinionated French critic from decades ago I wouldn't pay much attention to him.

But now I'm wondering which issue has this article about Malle? Paris Belongs to Us came out in 1961 so Malle had directed Elevator to the Gallows, The Lovers, Zazie in the Metro. I've only seen the first but I thought it was a nice little thriller.

Disclaimer: this post and the subject matter and contents thereof - text, media, or otherwise - do not necessarily reflect the views of the 8kun administration.



[Return][Go to top][Catalog][Nerve Center][Random][Post a Reply]
Delete Post [ ]
[]
[ / / / / / / / / / / / / / ] [ dir / random / 93 / biohzrd / hkacade / hkpnd / tct / utd / uy / yebalnia ]