No.2624
I hope /32/ are familiar with Miles Mathis, the classical artist/thinker and unofficial premier of the truth movement [http://mileswmathis dot com/updates.html]. His articles are essential reading, they pick up what the truth movement has largely missed and they cite much verifiable evidence. Please take a look at the link and leaf through to see what takes your interest. You won't regret reading.
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No.2779
He thinks the JFK assassination was real, and not the CIA goofing around with wigs and exploding blood packs. His stuff is worth reading though for its depth.
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No.2780
>>2779
Nah, it's the other way round, though he has some funny ideas about 'America's Irish Kings'.
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No.3698
Very tasteful art in the traditional style, refreshing to see.
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No.3718
>>2624
He's likely right about the CIA infiltrating various departments of sciences, seems like anyone with a cursory understanding of how intelligence agencies operate would presume this.
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No.3722
His art is very fake. I commented this elsewhere online and it didn't take long for him to try to make a defence on his website claiming it's the camera he uses, which goes to show it's still fake and he doesn't know how a real artist can tell. It also means he's combing the internet for commentary about himself, or even posting threads about himself to study reactions.
I've studied traditional atelier art for a long time. His "work" sticks out like a sore thumb, including the numerous inconsistencies that I won't mention. To point out the obvious flaws is to give him room to correct them and maintain his facade.
Since his art isn't genuine I have no reason to believe anything he posts. Plus there's the long string of flawed thinking in everything he writes.
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No.3723
>>3722
Can you at least explain what you mean by "fake?" Like it's digital or what?
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No.3732
Mathis is just an avatar for a think tank
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No.3733
>>3723
Not the same anon, but I am also a trained artist and feel that I can pick up the ball on the previous statements. There is a certain organic nature that should flow in the composition of a piece of art. To explain this in another manner: there should be a universal "language" of design in any compitent composition that ties together the themes of a piece along with its style and message. Many of the pieces this artist produces seem like hack jobs of classic art and modern photography that simply do not mash together or having glaring flaws in composition. This is not to say that the artists writing do not carry a significant weight. However, topically speaking, an artists work is usually an extension of who they are and flaws in artistic composition (wether technical or thematic) can show a subtle underhanded attempt at emulation of other works by other artists:if an artist is merely emulating the styles of another in their work and not being true to themselves then I would think any expression of political doctrine by the artist may also be critically flawed and not a representation of the artists true opinions.
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No.3791
>>3733
Original fake identifier here.
This was not what I meant at all, but nice job taking the opportunity to try to redirect the critique ;-)
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No.3849
i want everything he says to be bullshit because he said the nazi regime was all bullshit
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No.3855
>>3849
You're already mentally murdered if you have sentimental attachment to that shit.
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