218f2a No.16830036[Last 50 Posts]
Post vidya music that you like
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218f2a No.16830520
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4937a5 No.16830660
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22a3ab No.16830668
Gunpey is one of those games most people would have passed over since it's practically a semi-shovelware puzzle game, but it had some fucking awesome music. All Q? Entertainment games do.
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5dcc3f No.16830685
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cba6b0 No.16830703
huniepop, deadbolt, uab, ro, ro2, simon swerwer, knytt stories,
not crazy about sv or ut, but there's a few good ones there - might have something to do with the dev being the composer
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b458bf No.16830715
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5c0f8f No.16830717
>>16830036
>SFEx3 music
You got pretty good taste, anon. Have some more
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ca6716 No.16830749
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04d9d8 No.16830751
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60de03 No.16830759
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e5ebc7 No.16831196
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5251b8 No.16831333
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There is neat soundtrack to a crappy gba movie-tie in game. Most of the really catchy songs are from Surasshu. He went on to write songs for tranny show Steven Universe but before that he wrote very solid stuff for a bunch of crappy licensed games. The one I linked you is from the other composer Ian Stocker releasing the uncompressed version on youtube. I split apart the songs and released them on this channel.
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5251b8 No.16831354
Iridion 3D is a neat on rails shmup released that had a average ost. These 2 songs in particular do stand out.
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218f2a No.16831963
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5dcc3f No.16831977
>>16831196
Shame Naruke doesn't do much solo composition anymore, and the last game she did so for was apparently too late of a release to be deemed worth bringing over.
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000000 No.16832020
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75e9ae No.16832021
>>16831977
I wonder why. She is very talented and her compositions in the Wild Arms games are still impressed in my mind despite all these years.
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5dcc3f No.16832037
>>16832021
Getting on in years, perhaps? Though it's not like that's stopped other composers (Sugiyama's 88 and still going on Dragon Quest). Of late she's done guest arrangement for Smash Bros (Bloody Tears, Mad Monster Mansion, and Let's Go to Seoul) and co-composition for the mobileshit reboot Wild Arms: Million Memories (I'd like to think at least the OST would be good in light of that much the way the official art is, but fuck Sony for dumping the series on the mobile train like it's got no value being on their own systems). Think she's also been involved with Project Re;fire as the ongoing Wild Arms anniversary concert project, but that's still co-composition. Does seem she was releasing her own album series or something from 2013 to 2014 called "Feedback" (six total). I wonder if there's uploads of those around.
Anyhow, since you like Naruke, look into the OST for Nora to Toki if you haven't yet. Really nice music by her there.
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f92752 No.16832149
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f92752 No.16832150
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f92752 No.16832154
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57d1ba No.16832162
>>16832037
The mobile version of Wild Arms is now dead and I highly doubt we'll see any more of the franchise in the future.
>I wonder if there's uploads of those around
I couldn't find anything even on 2ch. I'll ask around in Akihabara when i'll get there this year, but those albums, even the most recent one, might be hard to find.
>look into the OST for Nora to Toki
Will do. I enjoyed what i've heard so far, thanks.
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5dcc3f No.16832930
>>16832162
>The mobile version of Wild Arms is now dead and I highly doubt we'll see any more of the franchise in the future.
That was quick. Reminds me of how fast Breath of Fire 6 went under. What a fantastic anniversary gift to fans this was. Reminder that Sony killed Wild Arms 6 to have Media.Vision make that instead.
>I couldn't find anything even on 2ch. I'll ask around in Akihabara when i'll get there this year, but those albums, even the most recent one, might be hard to find.
Did some looking myself. vk had Feedback 3rd, and doujinstyle had Feedback 5th, but the rest I can't find uploads of. Chink pirating sites might have more but I'm not sure I'd trust those. From what I can tell after looking following some links on an apparent promotional soundcloud, the entire series, even the most recent release (Feedback 7th), as well as the "Flat" duology (co-composed with Noriyuki Iwadare) are all out of print from what I've seen. Might be a good idea to familiarize yourself with the cover arts before you go, just to make it a bit easier to find.
And if you do manage to find them, could you rip and upload them to a share thread in the future?
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e17ddc No.16832938
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5dcc3f No.16832958
>>16832930
Should also say that there seems to be a "Feedback 3rd" and "Feedback 3rd plus". The vk one is only the base version. Just so you or anyone else interested is aware.
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7b0fe3 No.16832959
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af7490 No.16833322
>>16832958
>>16832930
>That was quick.
Lasted less than 2 years, at the end of the month the servers will be shut down.
>Sony killed Wild Arms 6
Definitely. I admit it was a pretty niche franchise, but they could have sold it to someone else more willing to continue it. Who am i kidding, Sony probably left WA in the dust with many other games like The Legend of Dragoon.
>vk had Feedback 3rd, and doujinstyle had Feedback 5th
I searched on vk and i managed to find Feedback, 3rd, 4th and 5th.
>familiarize yourself with the cover arts before you go
I even printed them, just in case.
>could you rip and upload them to a share thread in the future?
Sure. Lurk share threads around June, if i manage to find anything i'll upload it there. Hopefully some of the missing albums.
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70cf60 No.16833387
>>16830749
Sounds like it would be right at home in a King of Fighters game.
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ddc5d7 No.16833720
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The whole OST is really something fantastic
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39cbb8 No.16833762
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5dcc3f No.16833774
>>16833322
>I admit it was a pretty niche franchise, but they could have sold it to someone else more willing to continue it.
More popular in Japan to my knowledge, where I suppose the setting felt more exotic, and Media.Vision definitely seemed to want to continue it. Sadly, it's kind of a shock in retrospect it kept on as long as it did, given the prevalence of Sony at ignoring series they own after a generation's passed, if not just a single sequel (if anything). Of course, it might not help matter when they had the likes of IGN calling it a "filler" series in import reviews.
>I searched on vk and i managed to find Feedback, 3rd, 4th and 5th.
Odd that I could only get results for 3rd when I'd tried. Looking again, maybe it wasn't in the dump I was looking through. Another also had Feedback 1st and 6th, and the Flats as well. I guess that leaves Feedback 2nd, 3rd Plus and 7th.
>Sure. Lurk share threads around June, if i manage to find anything i'll upload it there. Hopefully some of the missing albums.
Alright, thanks again.
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5dcc3f No.16833846
>>16833774
>Odd that I could only get results for 3rd when I'd tried. Looking again, maybe it wasn't in the dump I was looking through.
Oh wait, I see what happened. The original link I'd been using was only displaying results tagged as M3-32. Still over two hundred just with that alone.
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000000 No.16834113
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>>16832162
Probably the best overall soundtrack of a franchise.
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5dcc3f No.16834165
>>16834113
While I found it sad that Naruke didn't return to the series beyond composition for the openings and endings after getting sick partway through WA4's development, I was glad that the replacements (Kouda and Agematsu) managed to keep the soundtrack quality high for subsequent games. I mean, they're clearly not Naruke's style, but I found them to fit quite well, as if respecting the standard she had set for previous OSTs.
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28a777 No.16834166
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The RGG Team usually has some real killer tracks and remixes that I like.
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5dcc3f No.16834185
>>16833774
>>16833322
Went looking for more specifics. 3rd Plus' differences seem to be that Desktop and 向かい風の彼方 are arrangetracks. Also seems like a second Vocal Collection for Wild Arms came out about a year ago (the previous being "Alone the World"), titled "Milestone" and containing a previously unreleased track by that name, in addition to vocal pieces from most entries in the series aside from 5. Not sure it's worth looking around for over one track when the rest on it might be ports (keyword: might; a lot having been in Alone the World prior, they could be arranges this time), but food for thought.
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e5ebc7 No.16834424
>>16833774
>IGN calling it a "filler" series in import reviews.
They were too busy sucking squeenix's cock to realize Wild Arms is not a filler.
>>16834113
There are so many good tracks in Wild Arms that is rather hard to choose the best. Still, that one is great.
>>16834165
>Naruke didn't return to the series beyond composition for the openings and endings after getting sick partway through WA4's development
I knew she didn't compose the music of Wild Arms 5, but didn't know that detail about Wild Arms 4. At least they considered to call her back to compose (in collaboration with others) the music for the mobile game. If the franchise is 100% dead, I just hope she'll release more Feedback albums.
>>16834185
I do have Alone the World, but didn't know about Milestone. After looking around a bit, it seems to be a collaboration with other composers with tracks from the latest games and the anime, even though most of the tracks are hers.
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5dcc3f No.16834775
>>16834424
>They were too busy sucking squeenix's cock to realize Wild Arms is not a filler.
Most likely, yes; that's where the biggest budget tends to be, and when they're not being impressed by visuals on their own accord, they're likely being given kickbacks by companies willing to dump money into them as marketing. And really, that sort of view of games is a cancer, and probably pervasive on the consumer end as well: that good games that can very much stand on their own merit might as well just be there to kill time between the releases people are actually looking forward to (or at least told to). Granted, it probably didn't help either that for a lot of older fans, at least here in the west, WA4 killed any goodwill they had towards the series' future.
>I knew she didn't compose the music of Wild Arms 5, but didn't know that detail about Wild Arms 4.
Yeah, I think some of the tracks, even beyond the opening and ending, were still by her, but again, without direct attribution, it can be hard to tell who did what. Maybe the OST manuals might list such crediting? The wikis for the series out here sure don't, but those are rather spotty and often pages are barebones anyhow.
>At least they considered to call her back to compose (in collaboration with others) the music for the mobile game. If the franchise is 100% dead, I just hope she'll release more Feedback albums.
Yeah. Better than, say, Square-Enix only having Kikuta arrange two tracks for the Secret of Mana remake. They also brought her back for Score Re;fire, probably the only really good thing to come of the series 20th anniversary by my estimate. Not sure if that's set to see album releases, or has intentionally been concert only.
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000000 No.16835069
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>>16834165
True. Although i hate 4 for it's mechanics and plot, it has some of the best music in the series. This embed one is my absolute favorite from 4.
>>16834166
Didn't know that one. Thanks for sharing.
>>16834424
Wild Arms 3 contains the largest amount of songs that i like in a single game. Pretty much all of it's soundtrack is worth listening to.
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5dcc3f No.16835103
>>16835069
The music was definitely the highest point of the game. I can't say I hate 4 myself, but that might be because I first played it long after release, and hadn't paid full price/suffered pre-release hype backlash (in fact, I guess I had really low expectations coming from what other's had said and only bothered to play it because it was cheap). I got my $15 worth of enjoyment. Still not a good Wild Arms game though, and even pricewise, 3 being about $10 in comparison gave a lot more bang for my buck prior.
I kind of wonder what average Japanese series fan reception was like though, whether it was as venomous as western fans. I mean, given that WA5 brought back more of the western aspect, I assume that they'd have taken complaints there might have been about the sci-fi push into account, but did 4 prompt a longstanding "everything past 3 is dead to me" reaction there too?
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47a1d7 No.16835187
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000000 No.16835216
>>16835103
I played 4 on emulator only. I never bothered to pay for games.
As for the japanese reaction, i do'nt know anything official. But judging by the game's theme and what was going on in japanese media at the time, i suspect that the whole plot of "muh adults are evil" might be what really made people avoid it, if they did avoid it. Many japanese entertainment productions at the time were pushing this propaganda of putting kids and teenagers against adults and portraying adults as being evil incarnate. I don't know what sparked that, or what was the intention behind it, but many fans of many forms of entertainment united to reject and boycott those containing that theme, from about 2001 up to 2008. Wild arms 4 might be one of the boycotted productions. The 5th game changing aesthetics might be just the studio trying to distance itself from the 4th game by taking away any visual aspect that might remind the 4th game. Japanese companies do that often, when something fails. They change the visual aspect in order to evoke change/deceive consumers into thinking that the new product has nothing to do with the rejected product.
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5dcc3f No.16835238
>>16835216
>The 5th game changing aesthetics might be just the studio trying to distance itself from the 4th game by taking away any visual aspect that might remind the 4th game.
Maybe, but 5 being an anniversary title, it still had Wild Arms 4's protagonists in it as cameos. So unless you mean avoiding the manga cut-in style for various cutscenes, or outward "adults are evil" vibe, I find it a bit hard to believe they wouldn't want to remind people about the fourth game (avoid the same mistakes, sure), when Jude and friends are right there. But then again, so was everyone else from 1/ACF, 2, and 3. Was a tad surprised there wasn't at least a reference to Sheyanne or Maxi in 5 though, but maybe the anime and manga were considered too distant.
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2c5e1c No.16835251
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9ce3d1 No.16835662
>>16834775
>Maybe the OST manuals might list such crediting?
I usually look up to vgmdb. According to them, Naruke is credited as composer of 24 tracks out of 81.
>>16835069
>Pretty much all of it's soundtrack is worth listening to.
Agree. Every time i listen to certain tracks i'm brought back to the game.
>Not sure if that's set to see album releases, or has intentionally been concert only.
Don't know for sure, but seems it was concert only.
>>16835103
>I kind of wonder what average Japanese series fan reception was like though
Well that could be an interesting question to ask.
Looking at the franchise in general, i can say that the mobile game dying after 1.5 year it's not a good sign. Especially there, where it's full of people playing mobage.
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000000 No.16836260
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>>16835238
>>16835662
We will only know for sure if someone digs up info from posts made by japanese consumers at the time in forums or other places for sure.
Another thing to take into account is the whole fiasco of western companies such as EA and Microshit promising funds for japanese developers at the time, in exchange for them publicly dismissing the japanese market. It may have cause a snowball reaction in the japanese fanbase of some games, studios and companies. And the consequences because of it might be growing even today, since a lot more of the japanese audience is either moving to PC, or abandoning video games at all. Even those embracing mobileshit are always avoiding cash grabs with famous brands, and only playing games from newer brands.
>>16835251
I still play this game to this day. Their rendition of The Mob Rules was a great surprise at the time.
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5dcc3f No.16836427
>>16835662
>Looking at the franchise in general, i can say that the mobile game dying after 1.5 year it's not a good sign. Especially there, where it's full of people playing mobage.
The way I kind of saw it with Breath of Fire 6, it could just well be that the brand and publisher just don't have the awareness with mobilefags that Square-Enix does. Square's kind of got the stigma for better or worse of being a JRPG company and quite a well known one, while people probably don't think nearly that much of Capcom or Sony. Capcom's had, what, Breath of Fire and Mega Man: Battle Network/Star Force? And Sony's main three being Wild Arms, PoPoLoCrois, and Arc the Lad. Also some other minor dabblings by both, but it's not like they've really tried to keep any of them very relevant in the years leading up to the mobile ones (though on the other extreme, there's something to be said against milking shit like Nintendo does). And then they essentially reboot Wild Arms and Breath of Fire as mobile games, without even porting the older games to see if there's interest there first? Just feels like they saw Square-Enix doing well at it and wanted some of that pie, like even an audience that would be apt to go "literally who?" about both still stood to earn them more money than their existing base on console or handheld. I suppose the real question is, how many people playing either were actually former fans, or did both cases anger those sorts over being tossed aside?
I still say Bamco has, at least in the past and in regard to Tales, had the right idea about mobile: giving the base there a few actual ports and some crossover titles to generate interest, but then telling them to go play the rest of the main games on actual systems if they want more, rather than shift focus to catering to them. Though, it's far less forgivable how they tried to nickle and dime them at the same time. Not even mobilefags with their shit taste in medium are apt to stand for shit like paying microtransactions to unlock save points, which the Phantasia iPort was heavily lambasted for, at least on this side of the Pacific.
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000000 No.16836514
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904485 No.16836561
>>16836260
>Even those embracing mobileshit are always avoiding cash grabs with famous brands, and only playing games from newer brands.
I can tell from experience: Fate GO is so popular, that there are even arcade boots where they can play with their phones, real cards and shit. It also looks expensive, in fact i saw a guy in particular who was dropping cash like crazy.
>>16836427
>people probably don't think nearly that much of Capcom or Sony.
Sony never really wanted to invest money on JRPGS after the PS1 era. It's pretty obvious by looking at their ips. Now, since it moved the playstation HQ to California, i can almost say they won't even consider the genre anymore.
>without even porting the older games to see if there's interest there first?
Wait, didn't they port a few Wild Arms titles to the ps4 or something? I might be wrong, i stopped buying playstation since the ps2.
>I suppose the real question is, how many people playing either were actually former fans, or did both cases anger those sorts over being tossed aside?
Hard to say. Personally i don't like one of my favorite franchises ending up as a mobile game.
For games like Wild Arms and Breath of Fire, this look like one last "modern-day" attempt to revamp them and analyze how much people are still interested in them, while for more famous games it's just another way of milking money and with less effort.
>Bamco example
I'm not well informed on how Tales was doing at the time, but i suppose it might end up in the first case i mentioned above: to analyze if people are still interested and if so, deliver more proper games.
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5dcc3f No.16836788
>>16836561
>Sony never really wanted to invest money on JRPGS after the PS1 era.
In Japan, Sony's always owned Wild Arms. It was the western branches that stopped giving a shit about publishing at the time, with SCEA ceasing to care after WA3, and SCEE after Wild Arms 1 (PAL never got WA2, 3 was published there by Ubisoft, and they never got ACF either). As to other RPGs, SCEJ did fund the continued existence of Arc the Lad into the PS2, Okage: Shadow King, Dual Hearts (or does that count as action/adventure?), Rogue Galaxy, Dark Cloud, and Tsugunai, so I wouldn't say PS2 was quite when they stopped caring about JRPGs. The Japanese branch, anyhow: SCEA only had interest in having their name on about half of those. Certainly right that they're probably long past the point of caring to keep having their own offerings though. Only RPGs I recall them funding for PS3 were Folklore and Demon's Souls (action RPGs). PSP had Wild Arms XF and PoPoLoCrois, both of which SCEA didn't give a shit about, and the latter of which seems to have been outright sold off as it's since been on phones and crossed-over with Story of Seasons for the 3DS.
>Wait, didn't they port a few Wild Arms titles to the ps4 or something? I might be wrong, i stopped buying playstation since the ps2.
I specifically meant that they didn't bother to port any of the older games (like 1 and 2) to mobile first. 1 and 2 did get digital eboot rereleases for PS3, PSP, and Vita, 3 got an eventual PS4 "HD" (IE: upscaled, trophied, and more expensive than the PS2 original is preowned where I am) PSN rerelease a few years back, and 5 got a PS3 PSN rerelease but only in Japan. I've heard before that XSEED supposedly wanted to try to port all the PS2 games to the North American PS3 PSN, but technical issues made it too difficult (could similarly be a reason why it took 5 until 2014 to get on Japan's PSN; 1 and 2 were 2006 and 2007 there).
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847cd1 No.16837050
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fb8a30 No.16837323
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Play this shit at my funeral.
If the fact that I'm dead isnt making you cry then this beautiful song sure as hell will.
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000000 No.16837351
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>>16836561
>I can tell from experience: Fate GO is so popular, that there are even arcade boots where they can play with their phones, real cards and shit. It also looks expensive, in fact i saw a guy in particular who was dropping cash like crazy.
Probably, new IPs for mobileshit don't cause the automatic rejection that famous brands do when they are turned into cash-grabs.
As for expending like crazy, the Japanese urban population are conditioned since their infancy into becoming gambling addicts and impulsive spenders. The country's economy practically survives on those behaviors.
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d7ed1b No.16837352
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>>16837323
Pretty damn gay song for a funeral
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3313e4 No.16837355
>>16837050
Based Suda, what a banger.
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6b4a3e No.16837377
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6b4a3e No.16837379
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6b4a3e No.16837380
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58aad2 No.16838129
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000000 No.16838422
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000000 No.16854138
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2hu just made me realize I haven't bothered to really pay any attention to fan remixes of of vidya music besides 2hu.
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92ee14 No.16862045
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Does anyone know the name of this music genre?
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92ee14 No.16862047
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>>16862045
another example.
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b27282 No.16862095
Underrated game with underrated soundtrack.
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000000 No.16862199
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Before the Musou infection, Koei made a really good arena fighting game.
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d343d7 No.16862231
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92bafe No.16862242
>>16862047
>>16862045
Cathedral Electronic? I have no idea but it sounds cool
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92ee14 No.16862268
>>16862242
I found some more of these going by the keyword "meditation techno choir" but i don't know if that is actually the genre name.
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3a053b No.16862496
>>16862242
>>16862268
Would call it neo-classical, but that is such a vague, useless term, that it doesn't help. About the same level as calling it video game music.
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000000 No.16863764
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000000 No.16878782
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I wish I wasn't so over-leveled for the fight. I'll need to play through the game anyways to properly see all the weapon upgrade changes.
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8795e5 No.16879259
I can't believe this one wasn't posted yet. Let's fix that.
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43ad89 No.16879329
>>16830685
Hey this song was from one of those mystery song threads
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840e8f No.16879340
I heard daigoro789 is a moslem
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5dcc3f No.16879691
>>16879329
>Hey this song was from one of those mystery song threads
That was most likely me. Kind of stopped bothering with those when people wouldn't even so much as hazard a guess on the ones I'd been making after a while. Might have been my own doing though, for picking shit most people wouldn't have heard before anyhow.
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2c5e1c No.16879877
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000000 No.16879948
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dd6cb4 No.16885439
>>16879340
The guy from youtube and spotify?
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05aec7 No.16885485
>>16830751
What's some (J-)Pop similar to the vib-ribbon OST?
>>16862095
>Cossacks II
Mein neger, does it still get MP matches nowadays?
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000000 No.16885640
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0c8376 No.16886372
The Genesis version of Mortal Kombat 1 and 2 had completely redone music that took full advantage of the sound chips in it. I honestly love the Genesis versions more for this specific reason. Especially The Pit here. I mean, jesus fuck, it gives this haunting tension that some bad shit was gonna go down.
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0c8376 No.16886375
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000000 No.16886809
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83f7fe No.16886876
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>>16830717
Why so serious?
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000000 No.16888047
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8e0879 No.16888053
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I've always thought that Dragon's Dogma had some wonderful vocals. Ive yet to hear more of Ashley Auburn's contributions to vidya music, but she seems to have quite the resume. What kind of music would something like this fall under? I like it a lot.
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8e0879 No.16888056
>>16888053
Wait shit I totally butchered her name. It's Aubrey Ashburn. She also did the voice of Kyrie in DMC4. Neat.
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b6e75f No.16888145
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3582ef No.16892672
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7f4d9d No.16892675
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Darksiders Genesis has a really nice OST.
Playing this chapter I kept thinking this had traces of the Mission Impossible theme which was fitting considering the level had you infiltrating a weapons facility.
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171a2c No.16892683
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ONE MORE GOD REJECTED
still have no idea what the rest of the lyrics mean
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0c3c75 No.16892694
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