/qresearch/ - Q Research

(Please read from the start)

Since we are talking about Horus, let’s take a look at the Wadjet for its symbolic importance to the Bloodlines; as a potential origin of the EYE symbol (((they))) are so fond of: https://en.wikipedia.org/wiki/Eye_of_Horus

“The Eye of Horus, also known as wadjet, wedjator udjat is an ancient Egyptian symbol of protection, royal power, and good health. The Eye of Horus is similar to the Eye of Ra, which belongs to a different god, Ra, but represents many of the same concepts.”

>> Yes, and this always caused confusing between both eyes. For centuries, loads of scholars and researchers cannot make the difference between the 2, sometimes even I confuse them.

“Funerary amulets were often made in the shape of the Eye of Horus.The symbol "was intended to protect the pharaoh [here] in the afterlife" and to ward off evil. Ancient Egyptian and Middle-Eastern sailors would frequently paint the symbol on the bows of their vessels to ensure safe sea travel.”

>> So it’s a protective symbol….doesn’t this remind us of what we read about the Hamsa?

“Horus

Horus was the ancient Egyptian sky god who was usually depicted as a falcon, most likely a lanner or peregrine falcon. His right eye was associated with the sun god, Ra. The eye symbol represents the marking around the eye of the falcon, including the "teardrop" marking sometimes found below the eye. The mirror image, or left eye, sometimes represented the moon and the god Djehuti (Thoth).”

>> Reading about it, how it’s written, it’s making me think that this EYE = Eye of Horus was located on the face and not on the palm of the hand like it’s the case with the Hamsa.

“It was believed by the Greeks and Romans that an evil heart could get to the eye. The thought-to-be-powerful effects of eyes and optics created the myth that the energy-producing power of the eye had the ability to cast evil spells with just a glance. Because the ancients believed the evil eye could be counteracted with a 'good eye', myths about Horus arose.”

>> It seems we have a “good” Eye and we have a “bad” Eye. If this is some sort of weapon = “energy-producing power of the eye” does this mean it was not only the bad warriors using the Eye, but also the good ones? But it was placed in a different location on the armor.

“In one myth, when Set and Horus were fighting for the throne after Osiris's death, Set gouged out Horus's left eye. The majority of the eye was restored by either Hathor or Thoth. When Horus's eye was recovered, he offered it to his father, Osiris, in hopes of restoring his life. Hence, the eye of Horus was often used to symbolise sacrifice, healing, restoration, and protection.”

- Page 893 –

>>13718962

(Please read from the start)

“As hieroglyph and symbol

There are seven different hieroglyphs used to represent the eye, most commonly "ir.t" in Egyptian, which also has the meaning "to make or do" or "one who does". In Egyptian myth the eye was not the passive organ of sight but more an agent of action, protection or wrath. The Eye of Horus was represented as a hieroglyph, designated D10 in Gardiner's sign list. It is represented in the Unicode character block for Egyptian hieroglyphs as U+13080.”

>> I’m not surprised to discover there are 7 DIFFERENT hieroglyphs to represent the EYE. Remember the Sebetti and what I said about them on page 789? I keep on wondering about the Sebetti. The way they are mentioned: were they horrible, bad or terrible persons? Were they Evil? In the Wikipedia page they always make it sound like the Sebetti are terrifying powerful beings that aren’t that “good” to humans, as if humans must fear them. I wonder if this is true or if this is a biased point of view from one specific side; regardless if it’s the good guys or the bad guys. I rather wait to gather more information, details about them before deciding if they are this or that….but for now, I don’t see them as being part of the bad guys.

I’m also wondering since we have 7 different persons (=the Sebetti), does this mean we’ve got 7 different types of armors with each one having its unique specific traits/functions.

There are 2 artifacts that I want to talk about a bit:

The First one is of a Wedjat pendant made of gold and faience that is in display in the Cairo Museum. It was found in the tomb of Tutankhamun. The central piece is the Eye or Horus or the Wedjat and it’s flanked by Uraeus on one side (=symbol of the goddess Wedjat = Lower Egypt) and the vulture on the thought (thought to be the goddess Nekhbet = Upper Egypt) on the other side. It is common knowledge among Egyptologists and even among researchers that together they represent the unification of Ancient Egypt and they protect the Pharaoh, that’s why they are represented on his crown.

But after discovering the deep meaning behind the Birds of Prey symbolism and the Horned Serpent symbolism, I think this has a deeper layer of meaning that the traditional obvious one. I think apart the obvious, standard meaning of them representing Upper and Lower Egypt, they also represent the ThunderBirds and Horned Serpent warriors whom survived the cataclysm and fought for the dominance of Ancient Egypt. This is why I will be asking anons not to rush and decide that ALL Ancient Egyptian rulers and aspects of its culture are bad or established by the Ancient Bloodlines. I think it’s a long process, but….each Pharaoh must be studied independently and separately at first, then as a second step, we should study each dynasty on it’s own to see their inclinations, either towards the ThunderBirds or their inclination towards the Horned Serpent.

- Page 894 –

>>13718997

https://en.wikipedia.org/wiki/Wadjet

“Wadjet (/ˈwædʒət/; Ancient Egyptian: wꜢḏyt "Green One"), known to the Greek world as Uto (/ˈjuːtoʊ/; Koinē Greek: Οὐτώ) or Buto (/ˈbjuːtoʊ/; Βουτώ) among other renderings including Wedjat, Uadjet, and Udjo, was originally the ancient local goddess of the city of Dep. It became part of the city that the Egyptians named Per-Wadjet ("House of Wadjet") and the Greeks called Buto (now Desouk), which was an important site in prehistoric Egypt and the cultural developments of the Paleolithic. There was also a Per-Wadjet in Upper Egypt.

Wadjet was said to be the matron and protector of Lower Egypt, and upon unification with Upper Egypt, the joint protector and patron of all of Egypt. The image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth. Wadjet was said to be the nurse of the infant god Horus. With the help of his mother Isis, they protected Horus from his treacherous uncle, Set, when they took refuge in the swamps of the Nile Delta.”

>> I thought Nephthys nursed baby Horus. Is Nephthys and Wadjet one and the same? Is Wadjet a person or an object, like a weapon? Were there 2 nurses for Horus? Or does it mean the Wedjat is an object that protected baby Horus = watched over him like a nurse does? My thoughts are going in all directions as anons can see. One thing is for sure about the Wadjet: it’s been there since before the pre-dynastic times.

“Wadjet was closely associated in ancient Egyptian religion with the Eye of Ra, a powerful protective deity. The hieroglyph for her eye is shown below; sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh. Much later, Wadjet became associated with Isis as well as with many other deities.

In the relief shown to the right, which is on the wall of the Mortuary Temple of Hatshepsut at Luxor, there are two images of Wadjet: one of her as the uraeus with her head through an ankh and another where she precedes a Horus hawk wearing the pschent, representing the pharaoh whom she protects.

Appearance

As the patron goddess, she was associated with the land and depicted as a snake-headed woman or a snake—usually an Egyptian cobra, a venomous snake common to the region; sometimes she was depicted as a woman with two snake heads and, at other times, a snake with a woman's head. Her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the oracular tradition that spread to Greece from Egypt.”

- Page 895 –

>>13726652

(Please read from the start)

>> This is rather interesting. So the power to SEE is thought to have started in Ancient Egypt and it was with a woman whom’s symbol was a snake.

“The Egyptian word wꜣḏ signifies blue and green. It is also the name for the well-known "Eye of the Moon" Indeed, in later times, she was often depicted simply as a woman with a snake's head, or as a woman wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity.

Wadjet was depicted as a cobra. As patron and protector, later Wadjet often was shown coiled upon the head of Ra; in order to act as his protection, this image of her became the uraeus symbol used on the royal crowns as well.”

>> I feel this has a deeper meaning that then obvious. I don’t understand it fully though, as in I don’t understand the role of the Moon, but mostly its importance in all of this. But in the same time, I see a similar idea between the poisonous attributes of Wedjat and those of Sisiutl and the Native American Horned Serpent. The threads connecting everything are there but they are not that strong.

“Another early depiction of Wadjet is as a cobra entwined around a papyrus stem, beginning in the Predynastic era (prior to 3100 B.C.) and it is thought to be the first image that shows a snake entwined around a staff symbol. This is a sacred image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus, which may have had separate origins.

Her image also rears up from the staff of the "flagpoles" that are used to indicate deities, as seen in the hieroglyph for "uraeus" and for "goddess" in other places.”

>> It’s well explained. So here is the real question: which is older? = the Ancient Egypt Serpent circling a staff or Gudea’s libation vase? Where did this symbol appear first? In Mesopotamia first or in Ancient Egypt first? Or maybe there is a third option of it having appeared simultaneously in both places approximately at the same time = around the same time window. I’ve talked about the rosette being a LIGHT Beam (starting page 814) and I believe it’s the same Beam of Light we see on Gudea’s Libation vase (starting page 698). I think this is what transformed, mutated, shifted in later generations to become the Caduceus and yes anons, this is a portal. The snakes/serpents we see swirl around the Light Beam are none other than Wadjet = electrical current. And those are the RINGS we see in that teleportationn device in the movie Stargate.

Also, the color BLUE is highly important. I have a question: how did they find out it was a BLUE colored EYE? It took me a long time to find out the answer of this riddle, but I finally did. We will be talking about this later on. For now, just think about it = why a BLUE eye of all the eye colors that are out there? Let me give you a hint by asking you to remember that the ThunderBird armors could fly.

- Page 896 –

>>13726676

(Please read from the start)

“Etymology

The name Wadjet is derived from the term for the symbol of her domain, Lower Egypt, the papyrus. Its hieroglyphs differ from those of the Green Crown or Deshret of Lower Egypt only by the determinative, which in the case of the crown was a picture of the Green Crown and, in the case of the goddess, a rearing cobra.

Protector of country, pharaohs, and other deities

Eventually, Wadjet was claimed as the patron goddess and protector of the whole of Lower Egypt and became associated with Nekhbet, depicted as a white vulture, who held unified Egypt. After the unification the image of Nekhbet joined Wadjet on the crown, thereafter shown as part of the uraeus.

Wadjet was associated with the Nile Delta region and was more associated with the world of the living. She was closely linked to pharaohs as a protective deity. She was associated, along with other goddesses, as the "eye of Ra". Wadjet was often depicted as an erect cobra with its hood extended as though she were ready to strike. At times she was depicted wearing the Red Crown of Lower Egypt. Wadjet was depicted many times in her cobra form alongside her Upper Egyptian counterpart Nekhbet, in her vulture form wearing the Red Crown on wall paintings or on the pharaoh's headdress.

Wadjet, as the goddess of Lower Egypt, had a large temple at the ancient Imet (now Tell Nebesha) in the Nile Delta. She was worshipped in the area as the "Lady of Imet". Later she was joined by Min and Horus to form a triad of deities.

Other uses

The Nazit Mons, a mountain on Venus, is named for Nazit, an "Egyptian winged serpent goddess". According to Elizabeth Goldsmith, the Greek name for Nazit was Buto.”

>> We have a winged serpent just like it was the case with the Native American Horned Serpent and Sisiutl.

- Page 897 –

>>13726685

(Please read from the start)

https://en.wikipedia.org/wiki/Nekhbet

“Nekhbet (/ˈnɛkˌbɛt/; also spelt Nekhebit) was an early predynastic local goddess in Egyptian mythology, who was the patron of the city of Nekheb (her name meaning of Nekheb). Ultimately, she became the patron of Upper Egypt and one of the two patron deities for all of Ancient Egypt when it was unified.

Mythology

One of Egypt's earliest temples was the shrine of Nekhbet at Nekheb (also referred to as El Kab). It was the companion city to Nekhen, the religious and political capital of Upper Egypt at the end of the Predynastic period (c. 3200–3100 BC) and probably, also during the Early Dynastic Period (c. 3100–2686 BC). The original settlement on the Nekhen site dates from Naqada I or the late Badarian cultures. At its height, from about 3400 BC, Nekhen had at least 5,000 and possibly as many as 10,000 inhabitants.

Nekhbet was the tutelary deity of Upper Egypt. Nekhbet and her Lower Egyptian counterpart Wadjet often appeared together as the "Two Ladies". One of the titles of each ruler was the Nebty name, which began with the hieroglyphs for [s/he] of the Two Ladies…

In art, Nekhbet was depicted as a vulture. Alan Gardiner identified the species that was used in divine iconography as a griffon vulture. Arielle P. Kozloff, however, argues that the vultures in New Kingdom art, with their blue-tipped beaks and loose skin, better resemble the lappet-faced vulture.

In New Kingdom times, the vulture appeared alongside the uraeus on the headdresses with which kings were buried. The uraeus and vulture are traditionally interpreted as Wadjet and Nekhbet, but Edna R. Russmann has suggested that in this context they represent Isis and Nephthys, two major funerary goddesses, instead.

Nekhbet usually was depicted hovering, with her wings spread above the royal image, clutching a shen symbol (representing eternal encircling protection), frequently in her claws.”

>> No, I don’t think it represents Isis and Nephthys, but the Uraeus represents the ThunderBirds and the Sharur electrical Weapon they usually use = remember the Wedjat is electricity depicted as a snake/serpent form.

- Pahe 898 –

>>13728147

(Please read from the start)

https://en.wikipedia.org/wiki/Uraeus

“The Uraeus (/jʊəˈriːəs/; plural Uraei or Uraeuses; from the Greek οὐραῖος, ouraîos, "on its tail"; from Egyptian jꜥrt (iaret), "rearing cobra") is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt.

>> What comes next in this Wikipedia page is a repeat of what I said earlier about the Uraeus being the combination of Wedjat and Nekhbet and it’s on the Pharaoh’s crown etc. So I’m not going to put it again, if anons are interested, they can read them in the link. I’m skipping them and only putting the notable parts.

“Symbolism

[…]

Later, the pharaohs were seen as a manifestation of the sun god Ra, and so it also was believed that the Uraeus protected them by spitting fire on their enemies from the fiery eye of the goddess. In some mythological works, the eyes of Ra are said to be uraei. Wadjets existed long before the rise of this cult when they originated as the eye of Wadjet as a cobra. Wadjets are also the name of the symbols called the Eye of the Moon, Eye of Hathor, the Eye of Horus, and the Eye of Ra—depending upon the dates of the references to the symbols.”

>> This description of the Wadjet reminds me of the snake like iconography of lightning. It seems what came out from these weapons was not a linear beam but more like how electricity/lightning comes out, as seen in the picture I’ve attached to page 659. Anons shouldn’t forget that both ThunderBirds and the Horned Serpent warriors held that type of weapon. Also, I want to ask anons to go back to the iconography I’ve put for the deities in Mesopotamia and Mesoamerica and observe how their staffs = weapons are depicted like snakes. In this paragraph, they tell us many Ancient Egyptian deities hand an EYE. Some of us assumed it’s one Eye “borrowed” by many deities; but what if each deity had its own Eye, as in its own weapon? It’s an idea worth contemplating.

“As the Uraeus was seen as a royal symbol, the deities Horus and Set were also depicted wearing the symbol on their crowns. In early ancient Egyptian mythology, Horus would have been the name given to any king as part of the many titles taken, being identified as the son of the goddess Isis. According to the later mythology of Re, the first Uraeus was said to have been created by the goddess Isis, who formed it from the dust of the earth and the spittle of the then-current sun deity. In this version of the mythology, the Uraeus was the instrument with which Isis gained the throne of Egypt for Osiris. Isis is associated with and may be considered an aspect of Wadjet.”

>> I guess this paragraph sums up everything I’ve been saying about the Wadjet and the warriors. The Wadjet was used by both sides and we have many deities using it and Isis was some type of leader of the ThunderBirds, a warrior lady.

“Golden Uraeus of Senusret II

[…]

As a hieroglyph

[…]”

- Page 899 –

>>13733867

(Please read from the start)

“The Blue Crown

Before the New Kingdom Period, the body of the Uraeus coiled in around in circles behind its raised head on the Blue Crown. The king is most often depicted wearing the Blue Crown in combat and the aftermath of combat scenes. Additionally, the smaller scale king usually wore the Blue Crown when depicted in a protective group of deities. Colossal statues of the king wearing a Blue Crown are extremely rare; the typical royal statue also does not feature a Blue Crown. Also, depictions of the Blue Crown with its Uraeus does not decorate royal tombs until late in the Ramesside Period. The deity-on-earth king was thought to require extra protection in his mortal form, emphasizing the protective qualities of the Uraeus. The Uraeus was usually crafted from precious metals, most commonly gold and less frequently silver, and adorned with gemstones.”

>> It doesn’t surprise me one bit to read about the protective attributes of the Uraeus because originally it was some sort of protective weapon that emits electricity = making it look like serpents.

As for the gemstones, it’s an item of luxury, no doubt about it, but it also reminds me of what was said about the Horned Serpent having a gem stone on his forehead. In page 750, it was said that the Horned Serpent was related to Storms, Lightning, Thunder, disease and Rainbows = this fits perfectly with then having supersonic flying armors and electricity emitting weapons, just like the ones the ThunderBirds have. Their scales had power of divination maybe connected to the poison I’m suspecting, thus making it some type of hallucinogenic type of poison if taken in small quantities, just like the shells we’ve seen in the Andean region – if taken in small quantities they are not poisons, but considered as hallucinogenic. Most importantly description item from page 750 was “a bright blazing crest like a diamond on its forehead” = so anons, what is this gem/diamond/crystal in your opinion? What can be bright, sparkles and is blazing?

I see this as an EYE on the forehead of that armor. I’m already suspecting that we have many types of armors with blasters placed on different parts of the body for each. For now, I have 3 locations of the blasters:

1 – Palm of hand = Hamsa.

2 – Forehead = Horned Serpent Gem on forehead.

3 – Where the human eyes are.

Let me explain this last one: When reading about the Wedjat and how the ThunderBirds might had blasters located on the level of the eyes, I want to remind anons of what I said in page 804 when talking about Wonder Woman and how her helmet in the movie is wrong. If the ThunderBirds are going to fly at supersonic level, then they need something to shield their face from the wind blow (at least) just like what Iron Man wears as a helmet. So this helmet emits blasts = rays, beams from the same type as the Hamsa does. And I believe this is what the ThunderBirds’ helmet was equipped with.

This shouldn’t surprise anons at all. Why? Because we do have this idea in Hollywood and the comic books. We have Superman with this famous eye beam that can melt metal. We have Cyclops from X-Men and lastly Havoc with the Beam coming out of his chest. So we see anons, we are not just dealing with blasters on the Eye level, but in various places on the body. And these EYES = blasters were used by both and bad and the good warriors just like the staff-weapon. In page 796, we see the Amazons are wearing a helmet like thing where a STAR with rays is depicted. Could this be a symbolic representation of the Beam on the forehead = the Eye = the blaster on the forehead? It’s possible.

- Page 900 –

>>13734015

(Please read from the start)

“Seraphim

The angelic seraphim, found in the Hebrew Bible and later Jewish, Christian, and Islamic traditions, are frequently associated with serpents and are thought to have derived from the concept of uraeus. Multiple-winged uraei amulets are well represented in Palestine.

>> What are the chances that the seraphim angels are warriors? Are they good or bad?

Let’s check them out: https://en.wikipedia.org/wiki/Seraph

“A seraph (/ˈsɛrəf/, "the burning one"; /ˈsɛrəfɪm/, in the King James Version also seraphims (plural); Hebrew: שָׂרָף (śārāf [saːraːf]), plural שְׂרָפִים (śərāfîm [səraːfim]); Latin: seraphim, plural seraphin (also seraphus (-i, m.)); Greek: σεραφείμ (serapheím); Arabic: (musharifin) is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. The singular "seraph" is a back-formation from the Hebrew plural-form 'seraphim', whereas in Hebrew the singular is 'saraph'.”

>> After discussing the meaning of the word with some Arab researchers back in the days I was surprised when they gave me the translation of the word Seraphim in Arabic. According to my notes from back then, it actually meant the supervisors/the watchers; the one whom oversee. Doesn’t it that sound like a guardian or a protector to anons? And it’s a perfect fit for what was written about the ThunderBirds in page 739 as in them not just protecting humans from the Evil Horned Serpent, but also restoring Law and Order among Humans whenever it was broken. Sounds like a double function of a military warrior and a policeman held by the ThunderBirds.

It’s also notable how it is said to have been in Judaism first and passed to Christianity and Islam.

“Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah (Isaiah 6:1–8) used the term to describe six-winged beings that fly around the Throne of God crying "holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in an influential Hellenistic work, the Book of Enoch, and the Book of Revelation.”

>> So in both Judaism and Christianity there are different ranks within the Seraphs. I wonder if this is shown by the number of their wings? If anons look closely to ALL, I mean ALL, the iconography + artifacts I’ve provided in this thread, we can see that we can put the warriors in 3 different categories depending on the number of wings they’ve got (regardless if they are evil or good). The number of wings comes in 1 pair of wings, 2 pair of wings or 3 pair of wings. Most as seen in this thread have one pair of wing.

Also the prophet Isaiah saying that the Seraphim fly around the Throne of God, it gives me the impression as if they are the guardians of that Throne. As for the last 3 literature “pieces” (dunno what I should call them) as in the Hellenistic writing, Book of Enoch and the Book of Revelation….All 3 were written or heavily influenced by the Bloodlines. It’s the reason why I don’t touch the Book of Enoch….that’s (((their))) beloved book. Those whom follow what is written in that book and consider it to be true….you are following (((them))) and (((their))) believes. Be careful, research, research well, hard and deep whom wrote that. You will understand and see the truth about that book once you peel away the outter layers of lies and deceit woven with it.

- Page 901 –

>>13750944

(Please read from the start)

“Origins and development

There is emerging consensus that the motifs used to display seraphs in Hyksos-era Canaan had their original sources in Egyptian uraeus iconography.”

>>This sentence is incredibly misleading. It’s a pure lie and the way it was worded is nothing but pure fabrication. This sentence suggest that the winged entities showed up first in Ancient Egypt then passed onto Mesopotamia around the time of the Hyksos. By doing so they ignored the very old iconography of winged beings in Mesopotamia (like the Anunnaki reliefs) and in Anatolia/Caucasian region, that are as old as early Egyptian Winged iconography; some even older, surely as old as pre-dynastic times. And by doing so, they also trashed and ignored the appearance of this same iconography of winged beings worldwide = without any prior contact between the cultures and civilizations (Andean region, Mesoamerica, Native American etc.). I guess it’s hard to explain how all over the world, in different places and cultures with no prior contact, we have images/ iconography of winged beings. Sure the details are different from one place to another, but the core idea behind it all is the same = we have winged beings with super human abilities and most if not all are warrior type like beings. So you see anons, with this one sentence, (((they))) are trying to redirect your thoughts and keep you away from seeking the truth behind those winged beings.

“The word saraph/seraphim appears four times in the Book of Isaiah (6:2–6, 14:29, 30:6). In Isaiah 6:2–6 the term is used to describe a type of celestial being or angel. The other uses of the word refer to serpents.”

>> Here it’s tricky anons, I’m a bit stuck/undecided on wich way to lean between 2 options: either it’s referring to the Evil winged warriors I’m calling Horned Serpents; or it’s pointing to the snake resemblance of the lightning that comes out of the staff-weapon = I’m calling Sharur – held by both the good and the bad warriors. As I’m writing this, I’m still stuck on which it is. I need more time and more clues to see through this one.

“The vision in Isaiah Chapter 6 of seraphim in an idealized version of Solomon's Temple represents the sole instance in the Hebrew Bible of this word being used to describe celestial beings."… I saw also the Lord sitting upon a throne, high and lifted up, and his train filled the temple. Above it stood the seraphim: each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly." (Isaiah 6:1–3) And one cried to another, "Holy, holy, holy, is YHWH of hosts: the whole earth is full of His glory." (verses 2–3) One seraph carries out an act of ritual purification for the prophet by touching his lips with a live coal from the altar (verses 6–7) "And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged."

>> No comments from my part.

- Page 902 –

>>13750984

(Please read from the start)

“The text describes the "seraphim" as winged celestial beings with a fiery passion for doing God's good work. Notwithstanding the wording of the text itself, at least one Hebrew scholar claims that in the Hebrew Bible the seraphim do not have the status of angels, and that it is only in later sources (like De Coelesti Hierarchia or Summa Theologiae) that they are considered to be a division of the divine messengers,”

>> Later sources….it changed in later sources, as in it was NOT originally this way and someone interfered to alter it. Unfortunately loads of researchers, anons and normal people take the Old Testament word to word nowadays and this is leading them on the wrong path, away from the truth and yes….away from our Heavenly Father. The Bible is a HEAVILY EDITED BOOK, be careful of how you use it.

“Seraphim appear in the 2nd-century BC Book of Enoch,where they are mentioned, in conjunction with cherubim, as the heavenly creatures standing nearest to the throne of God. In non-biblical sources they are sometimes called the Akyəst (Ge'ez: አክይስት "serpents", "dragons"; an alternate term for Hell).”

>> In this paragraph they are hinting that in Ethiopian tradition the seraphim are considered as the servants of the Evil One. This is interesting. I wonder which side the seraphim were on or if they were divided….as in some served good while others served evil.

“In the Second Book of Enoch, two classes of celestial beings are mentioned alongside the seraphim and cherubim, known as the phoenixes and the chalkydri (Ancient Greek: χαλκύδραι khalkýdrai, compound of χαλκός khalkós "brass, copper" + ὕδρα hýdra "hydra", "water-serpent"—lit. "brazen hydras", "copper serpents"). Both are described as "flying elements of the sun" that reside in either the 4th or 6th heaven, who have twelve wings and burst into song at sunrise.

In the Book of Revelation (4:4–8), the beasts are described as being forever in God's presence and praising him: "[A]nd they rest not day and night, saying, 'Holy, holy, holy, Lord God Almighty, which was, and is, and is to come." This account differs slightly from the account of Isaiah, stating in the eighth verse, "And the four beasts had each of them six wings about him; and they were full of eyes within". They appear also in the Gnostic text, On the Origin of the World.”

>> I must admit, these 2 paragraphs are pointing us to the attachment the Bloodlines (or if you want to call them the Kabbalah) have for the seraphim, just like (((they))) had an attachment for the Hamsa. I wonder if this is the reason why the Ethiopian tradition sees them as dragons or hellish? I’m still unsure if we are dealing with the evil warriors here or the good ones.

- Page 903 –

>>13751008

(Please read from the start)

The reason why I’m having so much trouble with deciding on which side to lean is actually Nergal and what he did to Marduk in page 788 = it was Infiltration instead of Invasion. Nergal was a spy, he infiltrated the ranks of the good deity protecting the city-state of Babylon and with tricks and deceit drove the deity away from the city.

So if it was done once back then with Nergal….and nowadays Bloodlines use the same tactic does this mean the ThunderBirds were infiltrated and there were spies and evil ones working in secret amongst their ranks? It’s starting to look that way to me. Also…what do we know about Satan and his group? Weren’t they angels and they rebelled against God?

So anons, how should I understand this? I’m a bit confused as to how I should interpret this. Are all the seraphim Horned Serpent warriors = Evil warriors? Is this name the Bloodlines use to call them = seraphim? Were they the group (or clan or faction) that made an attempt to seize the throne and killed the rightful king? Are the seraphim the Horned Serpent warriors whom followed their leader = the Great Evil One? Or were they normal warriors with a specific rank, and they were infiltrated by spies and a chunk of them rebelled = afterwards we had 2 groups of seraphim: evil ones and good ones. How should I understand this? My thoughts are going in all directions as the reader can see.

Even the wings of the seraphim had EYES all over them. Well, I don’t know about you anons, but this also confirms what I was suspecting about the winged armors having blasters on different locations on the body and not just on the palm of the hands- just like Iron man in the comics. Also, look at the GEM on the forehead of the seraphim angel I’ve attached the picture of with this page. Doesn’t this remind us of what we read about the Horned Serpent having a diamond on his forehead? Is this another blaster on the forehead?

“In Judaism

The 12th-century scholar Maimonides placed the seraphim in the fifth of ten ranks of angels in his exposition of the Jewish angelic hierarchy. In Kabbalah, the seraphim are the higher angels of the World of Beriah ("Creation", first created realm, divine understanding),[ whose understanding of their distance from the absolute divinity of Atziluth causes their continual "burning up" in self-nullification. Through this they ascend to God, and return to their place. Below them in the World of Yetzirah ("Formation", archetypal creation, divine emotions) are the Hayot angels of Ezekiel's vision, who serve God with self-aware instinctive emotions ("face of a lion, ox, eagle"). Seraphim are part of the angelarchy of modern Orthodox Judaism. Isaiah's vision is repeated several times in daily Jewish services, including at Kedushah prayer as part of the repetition of the Amidah, and in several other prayers as well. Conservative Judaism retains the traditional doctrines regarding angels and includes references to them in the liturgy, although a literal belief in angels is by no means universal among adherents. Adherents of Reform Judaism and Reconstructionist Judaism generally take images of angels as symbolic.

An ancient Judean seal from the 8th century BCE depicts them as flying asps, yet having human characteristics, as encountered by Isaiah in his commissioning as a prophet.”

- Page 904 -

>>13751286

(Please read from the start)

“Bonaventure, a Franciscan theologian who was a contemporary of Aquinas, uses the six wings of the seraph as an important analogical construct in his mystical work The Journey of the Mind to God.

Christian theology developed an idea of seraphim as beings of pure light who enjoy direct communication with God.

In Islam

Seraphim (Sarufiyyun or Musharifin) are mentioned in a hadith from Al-Tirmidhi, about a conversation between Muhammad and God, during the Night Journey, concerning what is between the Heavens and the earth, often interpreted as a reference to the "Exalted assembly" disputing the creation of Adam in Surah 38:69. Apart from that, Seraphim rarely appear in Islam. Sometimes, specific archangels, like Jibrāʾīl and Israfil, are identified as Seraphim. Robert Southey also noted an Islamic narration about Angels commanded to prostrate before Adam, whereupon Iblis refused as he boasted about himself being a Seraph created from celestial fire, more excellent than Adam.

In culture

[…]”

>> So in Islam Iblis = the Devil was a seraph whom refused to “bow” to Adam and he boasted about himself being created from the celestial fire. Is the celestial fire the Sun? If the Winged warriors came out from the Sun as a Stargate, does this mean the Sun = fire ball, gave birth to them in a metaphoric way/meaning? We also know that there were many Seraphim and that Iblis was just ONE of them.

I want to talk a bit about the images of the Seraphim I’ve been attaching to the different pages about them. If anons have noticed, in some, the seraph is holding a spear or a staff – mostly 2 staffs like our Staff-God from the Andean region. In some, Eyes are places on different parts of the body (including the forehead) or simply covering the seraph entirely like what we see in page 904. Is this the true origin of the EYE the Bloodline and their minions are so fond of? Are the multiple EYES of the seraph angel the origin of the EYE symbol of the Bloodlines? We already know the Kabbalah was fond of the seraph and had an attachment to them. So why not? It’s one of the many possibilities.

- Page 907 –

>>13751328

(Please read from the start)

The last picture I’m presenting about the Seraphim is one called Tetramorph: https://en.wikipedia.org/wiki/Tetramorph

“A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek tetra, meaning four, and morph, shape.”

>>Etymology is always important. So here we have 4 different elements combined/mixed together to make one/ to become one.

“Archaeological evidence exists showing that early man divided the four quarters of the horizon, or space, later a place of sacrifice, such as a temple, and attributed characteristics and spiritual qualities to each quarter. Alternatively the composite elements were carved into mythic creatures such as the ancient Egyptian, Greek and Babylonian sphinxes of antiquity depicting bull-like bodies with birds-wings, lion's paws and human faces. Such composite creatures are found in many mythologies.”

>> The 4 quarters of the horizon or space are usually the 4 cardinal points/directions: a lot of altars were oriented in this or that direction; some even follow astronomical/ planetary alignments (depending on the case of course). In this thread, we’ve been seeing loads of Mythic sur-natural creatures, including the Griffins.

“In Christian art, the tetramorph is the union of the symbols of the Four Evangelists, derived from the four living creatures in the Book of Ezekiel, into a single figure or, more commonly, a group of four figures. Each of the four Evangelists is associated with one of the living creatures, usually shown with wings. The most common association, but not the original or only, is: Matthew the man, Mark the lion, Luke the ox, and John the eagle. In Christian art and iconography, Evangelist portraits are often accompanied by tetramorphs, or the symbols alone used to represent them. Evangelist portraits that depict them in their human forms are often accompanied by their symbolic creatures, and Christ in Majesty is often shown surrounded by the four symbols.”

>> So this iconography find its roots in Judaism = specifically in the Book of Ezekiel and it was later on transmitted into Christianity and each animal was associated to one of the Evangelists. In other words, this was never originally a Christian Iconography. This was a transfer.

“The word comes from the Greek for "four forms" or "shapes". In English usage each symbol may be described as a tetramorph in the singular, and a group as "the tetramorphs", but usually only in contexts where all four are included. The tetramorphs were especially common in Early Medieval art, above all in illuminated Gospel books, but remain common in religious art to the present day.

Origins

Images of unions of different elements into one symbol were originally used by the Ancient Egyptians, Assyrians, and Greeks. The image of the sphinx, found in Egypt and Babylon, depicted the body of a lion and the head of a human, while the harpies of Greek mythology showed bird-like human women.”

- Page 908 –

>>13757517

(Please read from the start)

“Ezekiel's living creatures

The prophet Ezekiel lived among the Jews who were exiled to Babylon in the 6th century BC. The creatures in his vision, from which the images of the tetramorph are derived, are reminiscent of ancient Assyrian art.”

>> This is extremely misleading, extremely. First of all these mythical sur-natural creatures iconography is much older than the one of the Assyrians. The Eagle showed up with the Sumerians; anons know them as the Eagle head Anunnakis. We also have the Human face winged Anunnaki. But these 2 are not the only types of Anunnaki we have: we also have an Anunnaki looking like a fish. The rarest Anunnaki iconography is one with the head of a Lion = feline. I’m attaching pictures for anons with this page.

As for the Lamassu = Winged Bull/Ox, saying its origin is Assyrian is nothing but a big fat lie and totally misleading. Researchers and anons are familiar with the famous Lamassu giant portal sculptures. These are at the height of the Lamassu’s artistic representation/ iconography but not the ORIGIN, NOT the STARTING POINT. The Lamassu iconography first come to be under the Sumerians as presented in the imprint of this Sumerian Cylinder seal where a Lamassu is pulling a chariot.

The Lamassu first appeared in the Sumerian culture and art in other words, it’s THOUSANDS of years old; it’s definitely NOT the INVENTION of the Assyrian = a few hundreds of years old. There is a huge misdirection/twisting taking place about the origin of such creatures as the Lamassu that it has put loads of researcher on the wrong tracks for centuries; misleading them away from the truth.

Since we are at it, let’s take a quick look at the Lamassu: https://en.wikipedia.org/wiki/Lamassu

“Lama, Lamma or Lamassu (Cuneiform: 𒀭𒆗, AN.KAL; Sumerian: Dlammař; later in Akkadian: lamassu; sometimes called a lamassus) is a Sumerian protective deity. Initially depicted as a female deity in Sumerian times, when it was called Lamma, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings, under the name Lamassu. In some writings, it is portrayed to represent a female deity. A less frequently used name is shedu (Cuneiform: 𒀭𒆘, AN.KAL×BAD; Sumerian: Dalad; Akkadian, šēdu), which refers to the male counterpart of a lamassu. Lamassu represent the zodiacs, parent-stars or constellations.”

>> Notice how originally during the Sumerian times the Lama was a FEMALE and it was only thousands of years later, under the Assyrian rule that the Lamassu became MALE. Its original form was that of a Winged Bovine with the head of a HUMAN, but it’s morphed and mutated and we started to have variations of it.

- Page 909 –

>>13757540

(Please read from the start)

“Female goddess Lama

The goddess Lama appears initially as a mediating goddess who precedes the orants and presents them to the gods. The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BCE). It is a goddess wearing a ruffled dress and wearing a horned tiara symbolizing the deity, with two hands raised, in sign of prayer. A. Spycket proposed that similar female figures appearing in particular in glyptics and statuary from the Akkadian period, and in particular in the presentation scenes (common especially in the Paleo-Babylonian era) were to be considered as Lam(m)a. This opinion is commonly followed and in artistic terminology these female figures are generally referred to as Lam(m)a. From Assyrian times, Lamma becomes a hybrid deity, half-animal, half-human.”

>> This is well explained so I’m not going to comment much apart saying that she was a “protective” deity and doesn’t she remind anons of Hathor from Ancient Egypt?

“Lamassu iconography

From Assyrian times, lamassu were depicted as hybrids, with bodies of either winged bulls or lions and heads of human males. The motif of a winged animal with a human head is common to the Near East, first recorded in Ebla around 3000 BCE. The first distinct lamassu motif appeared in Assyria during the reign of Tiglath-Pileser II as a symbol of power.

>> See why I dislike going into the Assyrian period? It’s a mess, a complete mess. They did a very good job in twisting and mixing everything up, pushing us far away from the origins. See anons, the Lamassu were around way before 3000 B.C. and not around 6th century B.C. But no one from the Main Stream History wants you to know this.

“Assyrian sculpture typically placed prominent pairs of lamassu at entrances in palaces, facing the street and also internal courtyards. They were represented as "double-aspect" figures on corners, in high relief. From the front they appear to stand, and from the side, walk, and in earlier versions have five legs, as is apparent when viewed obliquely. Lumasi do not generally appear as large figures in the low-relief schemes running round palace rooms, where winged genie figures are common, but they sometimes appear within narrative reliefs, apparently protecting the Assyrians.”

>> The 5 legs are a visual effect for 3 D representation: as in if you see it from the front you will see 2 legs, but if you are seeing it from the side, you will still see 4 legs. It’s an optical/artistic/esthetic trick.

- Page 910 –

>>13757567

(Please read from the start)

“The colossal entranceway figures were often followed by a hero grasping a wriggling lion, also colossal in scale and in high relief. In the palace of Sargon II at Dur-Sharrukin, a group of at least seven lamassu and two such heroes with lions surrounded the entrance to the "throne room", "a concentration of figures which produced an overwhelming impression of power." They also appear on cylinder seals. Notable examples include those at the Gate of All Nations at Persepolis in Iran, the British Museum in London, the Louvre in Paris, the National Museum of Iraq in Baghdad, the Metropolitan Museum of Art in New York and the University of Chicago Oriental Institute. Several examples left in situ in northern Iraq were destroyed in the 2010s by the Islamic State of Iraq and the Levant when they occupied the area, as were those in the Mosul Museum.”

>> Notables = 7 Lamassu + Museum list + destruction by ISIS terrorists thanks to Hussein and Killary. What are the odds this was orchestrated and ordered by the Bloodlines? For (((them))) to destroy the Lamassu, it means (((they))) hate Winged Bull creatures and (((they))) want to erase their existence from history. This behavior of the Bloodlines towards the Lamassu is leading me to believe the Lamassu were GOOD and enemies of the Bloodline ancestors.

“Terminology

Lamassu represent the zodiacs, parent-stars, or constellations. They are depicted as protective deities because they encompass all life within them. In the Sumerian Epic of Gilgamesh, they are depicted as physical deities as well, which is where the lamassu iconography originates, these deities could be microcosms of their microcosmic zodiac, parent-star, or constellation. Although lamassu had a different iconography and portrayal in the culture of Sumer, the terms "lamassu", "alad", and "shedu" evolved throughout the Assyro-Akkadian culture from the Sumerian culture to denote the Assyrian-winged-man-bull symbol and statues during the Neo-Assyrian Empire. Female lamassu were called "apsasû".

>> This is extremely important: In early Sumerian accounts of the Lamassu, it is said they were PHYSICAL deities = PHYSICAL BEINGS; as in having a body = existing in Flesh and Blood. But for some unknown reason this was forgotten, ignored and changed into the Lamassu being some type of fantastical creatures. If we add to this what was said about them being protective beings….then….aren’t they guardians = warriors protecting mankind?

I said earlier that I’m suspecting the existence of different TYPES of armor. Well, from the looks of it, it seems we’ve found them. In page 731, I’ve said that we have Acquatic type of armor and was wondering about the ground troops. Is the Ox/Bull one of them as well as the Lion armor? It’s starting to look that way to me…Some anons will argue that the Lamassu had wings…it’s true….so does this mean the Ox armor had the ability to fly as well? I need to gather more clues before making up my mind about the ability of the Ox armor to fly and if they belonged to ground or sky troops?

What is certain about the Ox armor is it battled evil. Why? Do you remember when we were reading about the Eye of Ra (starting page 69) it was said that the Eye of Ra was sometimes personified as Hathor (Cow), Sekhmet (Lioness), Bastet (Cat), Wadjet (Cobra – I see this one as Lightning) and Mut (Vulture symbol) = it’s ALL of them….Every single one is correct. Every single one is a different armor, all worn by warriors, male and female alike. It’s a perfect fit anons, and it makes totally sense to me. And the Lion armor is shown on the Anunnaki relief in page 909 as a warrior holding a dagger/blade.

- Page 911 –

>>13759951

(Please read from the start)

Continuing where I left off about the Lamassu:

“The motif of the Assyrian-winged-man-bull called Aladlammu and Lamassu interchangeably is not the lamassu or alad of Sumerian origin, which were depicted with different iconography. These monumental statues were called aladlammû or lamassu which meant "protective spirit".In Hittite, the Sumerian form dlamma is used both as a name for the so-called "tutelary deity", identified in certain later texts with Inara, and a title given to similar protective gods.

Mythology

The lamassu is a celestial being from ancient Mesopotamian religion bearing a human head, bull's body, sometimes with the horns and the ears of a bull, and wings. It appears frequently in Mesopotamian art. The lamassu and shedu were household protective spirits of the common Babylonian people, becoming associated later as royal protectors, and were placed as sentinels at entrances.The Akkadians associated the god Papsukkal with a lamassu and the god Išum with shedu.

To protect houses, the lamassu were engraved in clay tablets, which were then buried under the door's threshold. They were often placed as a pair at the entrance of palaces. At the entrance of cities, they were sculpted in colossal size, and placed as a pair, one at each side of the door of the city, that generally had doors in the surrounding wall, each one looking towards one of the cardinal points.”

>> It’s linked to the cardinal points as I was saying about the Tetramorph.

“The ancient Jewish people were influenced by the iconography of Assyrian culture. The prophet Ezekiel wrote about a fantastic being made up of aspects of a human being, a lion, an eagle and a bull. Later, in the early Christian period, the four Gospels were ascribed to each of these components. When it was depicted in art, this image was called the Tetramorph.

In modern culture

[…]

A man with a bull's body is found among the creatures that make up Aslan's army in The Lion, the Witch and the Wardrobe by C. S. Lewis. He appears at the Stone Table, challenging the White Witch "with a great bellowing voice". In the film Alexander (2004), lamassu are seen at the Ishtar Gate in Babylon. In the Disney movie Aladdin (1992), a gold lamassu can be found in the scene where Aladdin and Abu enter the cave in the desert to find the lamp. And, in the "Star Wars" prequel: Star Wars Episode 2: Attack of the Clones, Lama Su is the name of the Kaminoan cloner who tells Obi-wan Kenobi about Jango Fett being the clone army's template.

[…]”

>> And now let’s return to where we left of about the Tetramorph on page 909.

- Page 913 –

>>13764714

(Please read from the start)

“The tetramorph in art

Representation and symbolism in Christianity

The creatures of the tetramorph, as they appear in their animal forms, are predominantly shown as winged figures. The wings, an ancient symbol of divinity, represent the divinity of the Evangelists, the divine nature of Christ, and the virtues required for Christian salvation . In regards to the depiction of St Mark in particular, the use of wings distinguish him from images of St Jerome, who is also associated with the image of a lion.

The perfect human body of Christ was originally represented as a winged man, and was later adapted for St Matthew in order to symbolise Christ's humanity. In the context of the tetramorphs, the winged man indicates Christ's humanity and reason, as well as Matthew's account of the Incarnation of Christ. The lion of St Mark represents courage, resurrection, and royalty, coinciding with the theme of Christ as king in Mark's gospel. It is also interpreted as the Lion of Judah as a reference to Christ's royal lineage.The ox, or bull, is an ancient Christian symbol of redemption and life through sacrifice, signifying Luke's records of Christ as a priest and his ultimate sacrifice for the future of humanity. The eagle represents the sky, heavens, and the human spirit, paralleling the divine nature of Christ.”

>> Would the reader believe me if I said that I was suspecting Jesus Christ to be of royal lineage….but not the Judean one?

“In their earliest appearances, the Evangelists were depicted in their human forms each with a scroll or a book to represent the Gospels. By the 5th century, images of the Evangelists evolved into their respective tetramorphs. By the later Middle Ages, the tetramorph in the form of creatures was used less frequently. Instead, the Evangelists were often shown in their human forms accompanied by their symbolic creatures, or as men with the heads of animals.”

>> As I’ve said many times already: this was NOT there at the origin but mutated and was added later on = many centuries later.

“In images where the creatures surround Christ, the winged man and the eagle are often depicted at Christ's sides, with the lion and the ox positioned lower by his feet, with the man on Christ's right, taking precedence over the eagle, and the lion to the left of the ox. These positions reflect the medieval great chain of being.

Depictions in Christian art

[…]”

- Page 916 –

>>13764723

(Please read from the start)

Since all of this about the Seraphim and the tetramorph started with Judaism, I’m going to take a look into it: https://en.wikipedia.org/wiki/Living_creatures_(Bible)

“The living creatures, living beings, or hayyoth (Hebrew חַיּוֹת ḥayyōṯ) are a class of heavenly beings in Jewish mythology. They are described in the prophet Ezekiel's vision of the heavenly chariot in the first and tenth chapters of the Book of Ezekiel. References to the sacred creatures recur in texts of Second Temple Judaism, in rabbinical merkabah ("chariot") literature, in the Book of Revelation in the New Testament, and in the Zohar.”

>> “Zohar”: https://en.wikipedia.org/wiki/Zohar

See what I’ve been trying to tell you about (((them))) being attached to the tetramorph and the seraphim just like (((they))) are attached to the hamsa: (((they))) know what it’s about.

“According to Jewish and Christian traditions, there are four living creatures, although their description varies by source. The symbolic depiction of the four living creatures in religious art, especially Christian art, is called a tetramorph.

Ezekiel's four living creatures

Ezekiel's vision of the four living creatures in Ezekiel chapter 1 are identified as cherubim in chapter 10 who are God's throne bearers. Cherubim as minor guardian deities of temple or palace thresholds are known all over the Ancient East. Each of Ezekiel's cherubim have four faces, that of a man, a lion, an ox, and an eagle. However, their human shape appearances set them apart from the griffin-like cherubs and lamassu of Babylonia and Assyria. In their ability to move, Ezekiel's cherubim do not need to turn, since they face all compass points simultaneously. This description of movement differs from the seraphim in Isaiah's vision (Isaiah 6:2) who have an extra set of wings for their ability to fly.

Revelation's four living beings

In Revelation 4:6–8, four living beings (Greek: ζῷον, zōion) are seen in John's vision. These appear as a lion, an ox, a man, and an eagle, much as in Ezekiel but in a different order. They have six wings, whereas Ezekiel's four living creatures are described as only having four. In verse 6, they are said to have "eyes all over, front and back", suggesting that they are alert and knowledgeable, that nothing escapes their notice.The description parallels the wheels that are beside the living creatures in Ezekiel 1.18; 10.12, which are said to be "full of eyes all around". The Hebrew word for "wheel" (ôpannîm) was also used in later Jewish literature to indicate a member of the angelic orders (1 Enoch 71.7; 3 Enoch 1.8; 7.1; 25.5-6, etc.). In this passage in Revelation, the four beasts surround "the one" on the red throne (which is of ruby and sardius), which is contrasted with the white throne in Daniel 7:9 and Revelation 20:11–15.”

>> The throne of God is NOT RED – color red.

- Page 917 –

>>13773940

(Please read from the start)

Another common point about Seth and the Seraphim (not all but some), is the color RED. From everything that I’ve gathered and shown to anons, I believe the RED color was the color of the Evil One’s armor and all of these EYES on it were blasters just like Iron Man has on his palms. The red throne mentioned in the Old Testament is NOT that of God, our Heavenly Father, but that of this Evil One. In page 809, it was written that Seth represents the infertile RED sand of the desert. I personally believe that the Seraphim, mostly that Tetramorph one, is none other than Clan of the Evil One = his warriors. Also the color RED was the color of the Deshtret Crown of Lower Egypt; while the White Crown mostly worn by Osiris = the Hedjet was the Crown of Upper Egypt. I don’t know for sure anons but there is a connection somehow with the color RED. The color is a tiny bit of a common point between the red crown of Egypt and the “supposed” Red Throne of God whom I think was none other the throne of Satan because the text was altered. The white throne of God = correct color and the White crown of Egypt. As in the Red color is the color of the Evil one, while the White color is the color of the good side.

I wonder why it’s the RED color and not blue or green or yellow or any other color. I wonder if this is to BLOOD, human blood, mostly bloodshed. We have Nergal and his slaughter of the people of Babylon (page 789), the Eye of Ra was unleashed on mankind and it resulted in a bloodbath (starting page 69). This is the gruesome act related to the Evil One (at least his side): Seth dismembered Osiris. It’s not the first time we’ve seen dismemberment in this thread: we saw it in Mesoamerica (page 274), also we know one of the Nommos (Dogon) was dismembered; we have it as well and in the Andean Region with the Tiwanaku culture (page 477). By the way, as I was checking that page again, I noticed the Staff-God can bring hail, rain and thunder just like what the Native American ThunderBirds are said to do.

What’s the meaning of Rothschild? = isn’t it RED SHIELD = shield is part of a military armor.

A few pages ago, I’ve said, it’s unclear if the category of angels called the Seraphim, ALL of them, followed the Evil One or if it was a section of them. We know mostly from the Epic of Gilgamesh that there was a group of plotters, so this “coup” took some time to plan and prepare. It wasn’t done in a blink and the ranks of the good guys were infiltrated…but the bad guys were also infiltrated as well = In order to save Utnapishtim from the Flood, the god Ea told him of the plan and of the dimensions to build the Ark (page 39). So in other word, Ea divulged the plan of the plotters. By doing so, he saved mankind despite the cataclysm that was unleashed on it by the Evil plotters. Doesn’t it sound like Ea was a SPY within the Bad guys, getting information for the good guys? Did he have a change of heart and reconsidered his actions?

Loads to think about.

- Page 924 –

>>13775846

(Please read from the start)

Anyone reading notice the Lance/ Spear/ Staff Seth and the Seraphim, including the Tetramorph are all holding? I did and I think it’s the Sharur or something close to it. But not all seem to shoot out electricity from them, some shot out FIRE. And it seems FIRE Sharur was the one used by the Evil One, apart his blasters (including the Hamsa). There is a movie that reflects well what I’m talking about; it’s called Oz the Great and Powerful: https://en.wikipedia.org/wiki/Oz_the_Great_and_Powerful

“Oz the Great and Powerful is a 2013 American fantasy adventure film directed by Sam Raimi and written by David Lindsay-Abaire and Mitchell Kapner from a story by Kapner. Based on L. Frank Baum's early 20th century Oz novels and set 20 years before the events of the original 1900 novel, the film is a spiritual prequel to the 1939 Metro-Goldwyn-Mayer film The Wizard of Oz. Starring James Franco in the title role, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Bill Cobbs, Joey King, and Tony Cox, the film tells the story of Oscar Diggs, a deceptive magician who arrives in the Land of Oz and encounters three witches: Theodora, Evanora, and Glinda. Oscar is then enlisted to restore order in Oz while struggling to resolve conflicts with the witches and himself.

Kapner began developing an origin story for the Wizard of Oz after a lifelong interest of wanting to create one for the character. Walt Disney Pictures commissioned the film's production in 2009 with Joe Roth as producer and Grant Curtis, Joshua Donen, Philip Steuer and Palak Patel serving as executive producers. Raimi was hired to direct the following year. After Robert Downey Jr. and Johnny Depp declined the titular role, Franco was cast in February 2011 with principal photography commencing five months later. Danny Elfman composed the film's score.

[…] The film won the Phoenix Film Critics Society Award for Best Live Action Family Film and Kunis won the MTV Movie Award for Best Villain for her performance as the Wicked Witch of the West.”

>> Now before we read the next section of this movie which is the plot, I would like to ask anons to read it carefully and compare with the CORE of what I’m trying to expose. What they did in this movie was kinda scatter the events of what happened back then and spread them to different personas in the movie – instead of them being concentrated in one person. I’m not sure if I’m explaining this right, as in they took the ideas and scattered them and divided them onto the different characters of the movie. The details don’t matter much since they are altered or switched a bit from one movie to another, but the core story is the same, the core idea:

Like there was a COUP to overthrow the good rightful king from the throne by an Evil Duo: in this case it’s 2 females. I think this is altered a bit from the original core because of the feminist movement influence on Hollywood for the last few years. I think the original Evil ones were one male and one female = a couple. And one of them, at least, was a close relative of the king: a sibling or an offspring.

- Page 925 –

>>13782319

(Please read from the start)

Like each witch had a different type of army, including one that could fly. And how they each had a different kind of power that comes out from their hands: One from the palm of her hand sends fire balls, while the other from her finger tips sends some type of green electrical current. The first one seems to be a perfect match with the hamsa and the Native American Horned Serpent (page 750), isn’t it? Isn’t: “getting dazed by the bright light” = hamsa = blasters?

Also Evanora gives Theodora an APPLE that transforms her into a hateful person, but at the origin, she was such a nice and kind hearted person, totally innocent and pure of heart. Doesn’t this remind us of Satan, whom was an angel of God at first, kind and beautiful; then he changed and transformed into a nasty fallen one? Also the apple, doesn’t this remind us of the apple from the Garden of Eden, given to Eve to corrupt her?

As for Oz, he’s a trickster, a con artist, an illusionist. He became king through lies, trickery, deceit and cheating. He’s a grand master of illusion. If you observe closely, he uses the “matrix” = illusion, to control the people of Emerald City and win over the 2 Evil Witches. Do I need to say more? Isn’t this what Satan does? Isn’t he a master of lies and illusions? What do the Bloodlines nowadays do? Don’t they use this same means and method to brainwash us and control us? What are all of these FFs? What about the Plandemic? Isn’t it like a big trick identical to the one played by the Wizard of Oz in the movie?

I can go on and on about this movie, including all the symbolism in it, like Franco making the devil horns symbol with his hand, towards the end of the movie, when he is snuggled in the Emerald City and talking with the monkey and other guy in the alley. I will leave it to anons to put this under the microscope and see everything for themselves. What is important for me is to bring attention to the same core story that keeps on repeating itself about a COUP to take over the throne by an Evil Duo, along with their group. The theme keeps on repeating itself in Hollywood a lot. Is it a reflection of a distant past? Is this mirroring the hidden history of mankind? I believe it is anons. Everything is pointing me in that direction.

Oh! There is a prophecy ^_^ If only anons knew how true this is. It seems the Bloodlines also know of this prophecy. But they know it from the Dark side; while I know it from the Light side. And yes anons, it’s about whom will rule and the age to come. Do you remember the 16 years plan Qteam talked about? Why do you think it was timed to NOW = the times we now live? The Bloodlines were in control for centuries so why NOW? Because, it’s linked to THAT prophecy. It’s about a baby that will be born and his birth will weigh on the scale either for the good side or the bad side. The Windsors think that baby is William, while the Payseurs think it’s Chelsea; both freaks are born under a planetary alignment and both have their mother named Diana ^_^ One think the child in the prophecy is male, while the other think the child is female. See now why Killary had one abortion after another before having Chelsea? Chelsea’s birth was calculated, just like William’s was.

This is an interview with a mister called Juan O Savin: https://www.bitchute.com/video/EEcJzckwCno4/

Listen to what he says about William Windsor starting minute 34. It’s not just William, but also Chelsea Clinton.

- Page 926 –

>>13784493

(Please read from the start)

Judaism is NOT the WAY. Jesus Christ is. Stop blindly following a BOOK that is used to manipulate you, it’s a means to control you. Start walking in the footsteps of Jesus Christ. It doesn’t matter how much you know the scriptures; if you do wrong, if you heart is black, if you are selfish, then you are not a Christian. Being a Christian is being compasionate. When was the last time you feed a poor hungry person? Or came to the help of a person being bullied by punks? Or gave your seat to an old or pregnant lady on the train?

ONE act of kindness drives the demons totally out of their minds. It kills them. I mean that literally, not figuratively. So imagine if there are plenty of acts of kindness taking place all over the world. The child of the prophecy has already put his weight on the scale, join him and help end this darkness faster. The choice is yours.

Now let’s go back to the lame movie called Oz the great and powerful.

“Plot

In 1905 Kansas, Oscar Diggs is a magician and con artist in a traveling circus. The circus strongman learns Oscar has flirted with his wife and threatens him. Oscar escapes in a hot air balloon but is sucked into a tornado that takes him to the Land of Oz. There he encounters the naïve witch Theodora, who believes him to be the wizard prophesied to become King of Oz by defeating the Wicked Witch, who killed the previous king. The idea of being a wealthy monarch makes Oscar accept the role. En route to the Emerald City, Theodora falls in love with Oscar though he does not reciprocate her feelings. They encounter the flying monkey, Finley, who pledges a life debt to Oscar when he saves him from a lion. Oscar reveals his deception to Finley and forces him to maintain the idea that he is the wizard.

At the Emerald City, Theodora's older sister Evanora tells Oscar that the Wicked Witch resides in the Dark Forest and can be killed by destroying her wand. On the way to the forest they are joined by an orphaned living china doll whose village and family were destroyed by the Wicked Witch. The three reach the forest and discover the "Wicked Witch" is the late king's daughter Glinda the Good Witch, and Evanora is the true Wicked Witch. Evanora sees this with her crystal ball and tricks Theodora into thinking Oscar is trying to court all three witches at once. She offers Theodora a magic apple "to remove her heartache" but it turns her into a hideous green-skinned creature.”

- Page 928 –

>>13782350

Is it really William or Chelsea?

Or is it probably Louis XVIII?

Why did Kate wear the same dress as Rosemarie when she gave birth to the son of Satan?

>>13791487

(Please read from the start)

In page 898, while taking a look at the Egyptian white vulture = Nekhbet, I noticed a detail called the Shen Symbol, which we are going to look at quickly, next. The reason I went down the Seraphim tunnel is because it’s linked to the second artifact (already mentioned that I will talk about 2 artifacts in page 894) with the blasters issue. It’s like a bridge between the 2 digging tunnels. I will tackle the second artifact once I finish with the Shen symbol.

https://en.wikipedia.org/wiki/Shen_ring

“In ancient Egypt a shen ring was a circle with a line tangent to it, represented in hieroglyphs as a stylised loop of a rope. The word shen itself means, in ancient Egyptian, encircle, while the shen ring represented eternal protection.”

>> Notable: “shen ring represents eternal protection”.

“Shen ring use in iconography

The shen ring is most often seen carried by the falcon god Horus, but was also carried by the vulture goddess Nekhbet. It was used as early as the Third Dynasty where it can be seen in the reliefs from Djoser's Step Pyramid complex.”

>> Both Horus and Nekhbet are birds of prey = ThunderBirds.

“The symbol could be stretched to contain other objects, which were then understood as being eternally protected by the shen ring. In its elongated form the shen ring became the cartouche, which enclosed and protected a royal name.

• The Goddess Heqet, (the 'Frog'), is often seated on a shenu.

• For Eternity, the renpit, papyrus stalk is usually based on top of a Shen ring. See the Egyptian god Huh. (Senusret I has a famous Lintel relief showing this.)

• The shen ring is often attached to various types of staffs, the staff of authority, or power, symbolizing the Eternal authority of that power.

• The Goddess Isis, and the Goddess Nekhbet are often shown kneeling, with their hands resting upon a shenu.

• The Hawk (Horus), and the Vulture (Goddess Mut) have the shenu in their talons, wings outstretched, over the scene portrayed. The "Horus with Outstretched Wings", shenus in its talons, is an example from the Louvre of a Pectoral Brooch, possibly for royalty.

Outside of Egypt, a Tartessian archaeological site, Cancho Roano in southern Spain, has a shen ring shaped altar.”

>> That was pretty short and dry. I want more information.

- Page 932 –

>>13798751

(Please read from the start)

http://egyptian-gods.org/egyptian-symbols-shen-ring/

“At first glance, the shen resembles a circle with a perpendicular line tangent to its bottom part. However, when looked at closely, it is a stylized loop of rope with both ends tied together yet still visible. It often has a sun disc at the center of the ring signifying the eternity of creation (as the sun is the believed to be the source of life). Its name is from the Egyptian word shenu that literally means to encircle. Like its elongated form, the cartouche, the shen or shen ring symbolizes infinity and eternity. Similarly, it also functions as a protective device when it is clutched by humans, deities and royalties.”

>> I’m unsure about the explanation given about the Shenu being a symbol of eternity or infinity. I do agree however about it having the function of a protective device. These words fit perfectly.

“The shen is often associated with deities, especially in bird forms, who are seen clutching it. It seen held by Horus in his falcon form and Nekhbet in her vulture form while hovering about the pharaoh protecting him. It may also be seen with Isis as extension of her protective functions on the king. Mut, another vulture goddess, may also be seen grasping the shen in her talons. Hequet may also be seen sitting on the shen. However, the most prominent deity associated with it is the primordial god Huh, who represented and personified infinity and eternity. It is often seen in his sun disc crown popular even until the New Kingdom. It may also be found on the base of the notch palm branches Huh usually holds.”

>> Every single one of them is a ThunderBird.

“The shen is often seen in jewelries like pendants, earrings, rings and even necklaces as a decorative aspect especially in the Middle Kingdom. It is also fairly common in amulets. The shen may also be found in coffins as sarcophagi often seen held by a goddess kneeling on the glyph for gold. During the 26th dynasty and onwards, even mummies of commoners were protected with uninscribed cartouches or shens. The most common materials used for these shens are dark hard stones like diorites and basalt, lapis lazuli. Some had tadpole hieroglyphs that were often used as numerals signifying the number of years the ruling king hoped his life and reign would extend.

The symbolism of shen is evident even in other beliefs and religions as well. It is somewhat similar and related to the Gnostic ouroborus, the wedding rings of Western culture, and the yin-yang of Chinese culture.”

>> I disagree. The Shenu ring has nothing to do with the Ourobouros, the wedding rings and the Yin-Yang. It’s a wrong interpretation. Not because it looks like a loop or ring to us, it means it really is. I think the Shenu ring is some type of weapon held by the ThunderBirds

- Page 933

>>13798767

(Please read from the start)

We still don’t have much information about the Shenu Ring, apart it was used by the Thunderbirds and it had a protective function. As for it being elongated and turning into the Cartouche, well, I rather not make a judgment on that. And I’m repeating that it’s a misinterpretation when they link it to the symbol of eternity, infinity and Ouroboros etc. That is very wrong and misleading.

I want to check some of the artifacts related to it:

1 – I posted the picture of the first item in the previous page = 933. It’s a pendant with Horus holding 2 Shen rings. I want anons to take a close look at the Ankh represented under the wings of the deity. It’s depicted in the same artifact along with the Shenu ring, yet both look different. So in no shape or form the Ankh symbol is a stretched Shenu ring like some people think it is. That is also a wrong interpretation.

2 – The second and third pictures are of Isis with the Shenu ring. Apparently it’s a rare iconography, I managed to find only 3 of them. The first one is in the previous page and the second with third one are attached with this page. I’m not surprised to see Isis with the Shenu ring because she is linked to the Thunderbirds and as I’ve said before, I think she is some kind of their leader.

3 – In the third artifact where Isis is represented, it’s a relief where Nephthys is also represented. It’s a funerary scene where we can see both goddesses on each side of the deceased and we have a ThunderBird flying over the dead person holding the Shen ring. I think it’s to protect the deceased person.

4 – This picture is of a Shenu ring on top of a Solar Disk Crown. The Ancient Egyptian deities were famous for wearing the Solar Disk Crown (at least most of the deity do). Some researchers interpreted the Shenu ring as a form of the Solar Disk Crown. If it was the Solar Disk Crown then why represent it twice, one on top of the other in this relief? It’s represented like that because it’s not the Solar Disk Crown. It’s something else, it has another meaning.

The only difference on how this specific Shen ring is depicted is that it’s upside down. When we compare it to the others, most of the others have the tangent line on the lower side, not the upper like it’s the case with this one. The reason for it to be this way might because of practical, esthetic reasons since we have 2 circular objects. But after observation of all the pictures (including the pictures I’m attaching with the next page), it seems like the Shen Ring is held by the round/circular end/part. While the tangent line is held towards the “target”/opponent or should I say where it’s going to “shoot”.

5 – The last 2 pictures I’m attaching to this page are of 2 stelas. On both of them, the Shenu ring is depicted between 2 Wedjats = Eye of Horus. We usually have the sun disk with 2 snakes, usually depicted between the 2 Wedjats = representing the Eye of Ra (picture page 69). We already know that the Eye of Ra is a weapon and as I’ve said before, I think the Wedjat’s snake shape is the lightning coming out of the ThunderBird’s blasters that are represented as the Eye of Horus. On these stelas we have the Shen ring depicted in the spot usually reserved for the Eye of Ra (= weapon) and we have the Eye of Horus ( = weapon) represented on each side of it. Anons, it’s clear as day here, on these stelas = the Shen Ring is a weapon used by the ThunderBirds. For me, this iconography is a CONFIRMATION the Shen Ring is a weapon.

- Page 934 –

>>13805634

(Please read from the start)

6 – As an additional confirmation that the Shen Ring is a weapon, and it’s also linked to the artifacts in point 5 – confirming them as well – is the first picture I’m attaching with this page. We see the Wedjat = Eye of Horus, represented with wings, holding the Shen Ring, same thing in the standard, stereotyped iconography as Horus (second picture with this page) and Nekhbet (page 898) are represented. For me this is confirmation about everything I’ve been saying about the ThunderBirds, the Wedjat and the Shen ring.

7 – The pictures of the famous mural of Nekhbet usually focus on the Vulture deity, omitting/missing/forgetting the row above depicted above her. We have one long row of Wedjat, all represented in the same orientation as the one of the Vulture. We can see 7 of them in this picture but I’m sure their number was much more than this since the design is stretched from wall to wall. In front of each Wedjat we have one Shenu ring represented.

As I’ve said in the previous page, the Shenu Ring is held from the circular end and the tangent line is directed towards the opponent = this is how the Wedjat is holding the Shen ring. It’s amazing. When I see this, I wonder if the Ancient Egyptians, in later generation, understood what both of these symbols are? Can the Lightning (=Wedjat) hold the weapon (=shen ring)? Of course not, because the lightning should come out of the weapon. So I don’t think the later generations, like the ones of the Middle Kingdom, truly, deeply understood what these 2 symbols really represent. I think they only understood these 2 symbols are very powerful and they are used for protection against evil. In both cases it’s true and correct, but these are not deities, but weapons used by Ancient warriors from a long lost and forgotten civilization.

8 – This picture is a depiction of Nekhbet, we’ve seen a close up of it in page 898. Look closely at the Staff the deity is holding and how it goes through the circular side of the Shen ring. The Shen ring was hollow, truly like a ring. I would also like to ask anons to compare the staff Nekhbet is holding to the other staffs we’ve seen worldwide, mostly to the one held by the Staff-God on the Gateway of the Sun in Tiwanaku. In page 361, I said the weapon the Staff-God is holding similar to the Japanese Naginata. Here, it looks more and more like it.

By that I mean it’s a staff that might have some type of blade at the upper section of it. I don’t know what it is for sure. In Gudea’s libation vase it looks like a saber handle, doesn’t it? I don’t know for sure if it’s a type of blade or something else, but whatever it is, there is something on the extremity of that staff. Here, what Nekhbet is holding is no exception = the upper extremity has something on it; it’s not a normal, simple staff type of weapon.

- Page 935 –

>>13812597

(Please read from the start)

9 – The first picture I’m attaching to this page is that of Horus holding the same Staff weapong with the Shen ring as Nekhbet. But what is amazing about it is that we have two, not ONE, Horus depicted. Why represent Horus twice in a row like that, as if one was standing behind the sitting one. So how come we have Horus standing with a weapon, guarding himself sitting and holding the Ankh? Does it make sense to anyone?On top of everything, we have Horus in his Bird form standing, and Horus in his Human form sitting. For me, this is not just a confirmation about the ThunderBirds’ ability to shape shift as we read with the Native Americans about them (starting page 741) = as in they can take off their fighting gear/armor and put it on whenever they want. But it also confirms what was said in the same pages about the presence of MANY ThunderBirds and not just ONE of them.

Ancient Egypt is not the only place we see the Shen Ring. We’ve already seen it before in Mesopotamia, with the relief of Ishatar (page 766). She is winged, has eagle talons, owls on each side of her and she is clearly holding a Shen Ring with her thumbs. As anons can see, the tangent line of the Shen Ring is downward. This is not the Hamsa she is holding anons, but the Shen ring, which was used by the ThunderBirds. Her wings and her feet, along with the birds of prey on each side of her confirm she is a ThunderBird.

Ishtar’s relief is NOT the ONLY one we have from Mesopotamia. There is another deity that is also holding a Shen ring from Mesopotamia and that is Shamash.

On the upper section of the famous Tablet of Shamash, the solar deity is represented seated holding the Shen Ring. In front of him we have the supposed sun “wheel” = his symbol, or what some call the rosette. I’ve already explained this = it is a BEAM of light seen from right under it, and it has lightning surrounding it/coming out of it/swirling around it. I would also like to draw anons, attention to the SIZE of Shamash compared to the other persons in front of him. He is almost double their size, isn’t he?

I keep on wondering what type of weapon is this Shen Ring? Does it emit electricity as well? Fire? Or is it some type of blade weapon? So far, it looks like it’s connected to electricity. When I tried to look at Hollywood to get a hint, I bumped into 2 productions:

1 – Tron (along with Tron:legacy)

2 – Xena (a tv series)

Well anons, I’m not convinced this is it because both lack the tangent line of the Shen Ring and don’t emit electricity. So if anyone reading has any suggestions or can remember any movie with similar weapons or machinery, please share. Nothing is coming to my mind for now apart the 2 I already mentioned.

This ends it for the Shen Ring. If I find more pieces connected to it, I will come back and recheck things out.

- Page 936 –

>>13814127

who ever did dis , and is doing dis, thank you…..

it has Punch..,

>>13786085

oh yep they all screwed up, horror stories, from horrifying families that cause genocide, to make peeps worship them in one form or another , they are that mentally messed up!

>>13798751

green horn?

>>13814127

(Please read from the start)

The second artifact (mentioned page 894) is a faience vase where the god Bes is represented with WINGS. He is holding both of his hands up, palm turned upward and the elbows slightly bent. On his palms 2 Wedjats = Eye of Horus are represented. What got me interested in this iconography is the possibility this is pointing us to where I reached with the Hamsa = Iron man armor blasters. So is the Wedjat we see on Bes hands on this vase the representation of the blasters of his armor? I think it is, so let’s check whom Bes is: https://en.wikipedia.org/wiki/Bes

“Bes (/ˈbɛs/; also spelled as Bisu), together with his feminine counterpart Beset, is an ancient Egyptian deity worshipped as a protector of households and, in particular, of mothers, children and childbirth. Bes later came to be regarded as the defender of everything good and the enemy of all that is bad. Bes may have been a Middle Kingdom import from Nubia or Somalia, and his cult did not become widespread until the beginning of the New Kingdom.”

>> So he is a late addition to the Ancient Egyptian pantheon. He is a protector and seen as a good deity whom was against everything that is BAD; that’s what is said here.

“Worship of Bes spread as far north as the area of Syria and as far west as the Balearic Islands (Ibiza) in Spain, and later into the Roman and Achaemenid Empires.

Worship

Bes was a household protector, becoming responsible – throughout ancient Egyptian history – for such varied tasks as killing snakes, fighting off evil spirits, watching after children, and aiding women in labour by fighting off evil spirits, and thus present with Taweret at births.”

>> Doesn’t this sound like he is warding off, fighting demons and Horned Serpents? = Evil.

“Images of the deity, quite different from those of the other gods, were kept in homes. Normally Egyptian gods were shown in profile, but instead Bes appeared in full face portrait, ithyphallic, and sometimes in a soldier's tunic, so as to appear ready to launch an attack on any approaching evil. He scared away demons from houses, so his statue was put up as a protector. Since he drove off evil, Bes also came to symbolize the good things in life – music, dance, and sexual pleasure. In the New Kingdom, tattoos of Bes could be found on the thighs of dancers, musicians and servant girls. Many instances of Bes masks and costumes from the New Kingdom and later have been uncovered. These show considerable wear, thought to be too great for occasional use at festivals, and are therefore thought to have been used by professional performers, or given out for rent.”

>> Well, this paragraph says it well: He was a warrior that fought demons. I think his sexual side is intriguing and the festive/theatrical side was a mutation, addition of later period by new generations.

- Page 937 –

>>13819657

(Please read from the start)

“Later, in the Ptolemaic period of Egyptian history, chambers were constructed, painted with images of Bes and his wife Beset, thought by Egyptologists to have been for the purpose of curing fertility problems or general healing rituals.”

>> Another mutation.

“Like many Egyptian gods, the worship of Bes or Beset was exported overseas. While the female variant had been more popular in Minoan Crete, the male version would prove popular with the Phoenicians and the ancient Cypriots. The Balearic island of Ibiza derives its name from the god's name, brought along with the first Phoenician settlers in 654 BC. These settlers, amazed at the lack of any sort of venomous creatures on the island, thought it to be the island of Bes (<איבשם> ʔybšm, *ʔibošim, yibbōšīm "dedicated to Bes"). Later the Roman name Ebusus was derived from this designation.”

>> ^_^ I have a riddle for anons; let’s see whom can solve this: WHY in MODERN DAY printing and scholars use Hebrew Alphabet/Letters to write the Phoenician text instead of using the Phoenician Alphabet/Letters? Let’s see whom can crack this riddle ^_^

“At the end of the 6th century BC, images of Bes began to spread across the Achaemenid Empire, which Egypt belonged to at the time. Images of Bes have been found at the Persian capital of Susa, and as far away as central Asia. Over time, the image of Bes became more Persian in style, as he was depicted wearing Persian clothes and headdress.”

>> This is a good example of cultural exchange and mutation I talked about starting page 766, when I was explaining about the demography of Carthage.

“Iconography

Modern scholars such as James Romano claim that in its earliest inception Bes was a representation of a lion rearing up on its hind legs. After the Third Intermediate Period, Bes is often seen as just the head or the face, often worn as amulets.

[…]”

- Page 938 –

>>13827578

(Please read from the start)

“The protective nature of Bes was expressed through his skill as a warrior who fended off evil but was also seen in his lighter side. In keeping with the Egyptian concept of the value of balance, Bes is as often seen in art laughing, dancing, and singing as he shown as a fierce warrior/protector. He was thought to entertain little children with his songs, and if a child were seen smiling or laughing seemingly at nothing, it was thought Bes was the cause. This may appear strange as Bes was most often depicted as an ugly, frowning dwarf who frequently displays his immense genitals, but as Wilkinson writes:

Despite his appearance, which changed in many details over time, Bes was deemed beneficent to humans and he was accepted by all classes of Egyptians as a powerful apotropaic deity [one who wards off evil and protects against bad luck]…Just as the Bes figure subsumed various minor gods and demons, in later times he was himself syncretized with other protective deities, forming the `core' of a composite deity whose elements included Amun, Min, Horus, Sopdu, Reshef and other gods. Mythologically, Bes could also be associated with Ra, Hathor, and Horus - and a female form of the god, Beset, sometimes appears as the mother of Horus. (102)

Although it has been suggested that Bes was originally a Nubian, Libyan, or Syrian deity, this is mainly speculation and, as Wilkinson and other Egyptologists note (Pinch and David among them), is unnecessary effort. The god first appears in art from the Old Kingdom of Egypt, and there seems no compelling reason to seek an origin for him outside of Egypt.”

>> So there is a slight possibility his origin might be from outside of Ancient Egypt, and yet for all of these centuries of Egyptian Studies, all of these Egyptologists, no one bothered to go look to make sure if it’s correct or not.

“Worship & Daily Life

As there was no formal temple or clergy for Bes, neither was there formal worship. People paid homage to Bes in the home or at birth houses where he stood guard. Egyptologist Rosalie David writes:

“Domestic gods were worshipped at a shrine filled with stelae, offering tables, water jars, braziers, and vases in a separate area of the home. Worship at home probably reflected the rituals performed in the great temples and would have included the presentation of food offerings and libations and the burning of incense in front of the god's statue. (Handbook, 118)”

In more modest homes which could not afford stelae, offering tables, and vases, a simple statue of Bes would be placed on an altar and whatever one could afford would be offered. Bes was mainly worshiped through the everyday activities of the people as they went about their business. Bes was often carved onto furniture, for example, and especially beds to protect people (especially children) from evil spirits or ghosts which might come in the night.”

- Page 940 –

>>13827639

(Please read from the start)

“Wilkinson notes how "the vast range of objects upon which Bes was depicted and the large number of his images and amulets demonstrate his great popularity as a household deity" (104). He appears on unguent jars, headrests, amulets, bracelets, couches, beds, chairs, mirrors, knives, and many other household items. He has been found in the ruins of the palace of Amenhotep III at Malkata and in the workmen's houses at Deir el-Medina. Rosalie David notes how the two most popular gods worshiped at Deir el-Medina were Bes and Taweret who appear frequently together in art found in the most modest to the grandest homes in that area (Handbook,118).

David points out how Bes was integral in the most basic aspects of life as a god of "love, marriage, dancing, and jollification" who also "assisted at childbirth and protected the young and weak" (Handbook, 118). As part of his duties, he was entrusted with encouraging toilet training in the young and also taught both boys and girls to be brave, to fight for justice, but also to enjoy life and sing and dance. He further could influence a boy's occupation in that a child (almost always male) who had the same short and chubby body type as Bes was thought to have been chosen by the gods as a Merchant Priest, a member of the clergy who monitored the goods which came into and went out from the temple. Bes was considered a protector of these goods and Merchant Priests were often Bes-like in body type. He also encouraged girls in their domestic duties and, like Bastet, guarded their secrets and protected their health.

Bes & Women's Interests

Bes was originally, and remained chiefly, the god of pregnant women and childbirth. Women who were experiencing difficulty in conceiving would visit a Bes Chamber (also known as an incubation chamber) at a site such as the Temple of Hathor at Dendera where they would spend the night in the god's presence. In the time of the Ptolemaic Dynasty, these Bes Chambers were decorated with images of a naked Bes with an erect phallus and a naked goddess to encourage fertility and healing. Women regularly used or carried objects engraved with the god's likeness and even had images of him tattooed on their bodies. Egyptologist Geraldine Pinch writes:

“Egyptian "old wives" probably told stories about the antics of Bes, but they do not survive in the written record. The evidence for dwarf deities is mainly pictorial. They appear on magical objects, bedroom furniture, and items used to contain or apply makeup. Bes amulets and figurines were popular for over 2,000 years. Some women even decorated their bodies with Bes tattoos to improve their sex life or fertility. (118)”

From the New Kingdom onwards, Bes became increasingly depicted in the company of the pregnant Taweret in images celebrating birth and fertility. Pinch notes, "Bes and Taweret were also the guardians of the divine infants worshipped in the Birth Houses of temples of the first millennium BCE. Temple and magical texts give Bes or Bes-Shu the role of opening the womb to allow a child to be born" (119). These birth houses were a regular aspect of temples all over Egypt and featured statuary or inscriptions of Bes outside and wall paintings of Bes and Taweret inside. One of the best-known images of Bes, in fact, comes from the birth house at the Temple of Hathor at Dendera. Scenes from these birth houses were often painted on the walls of homes and even appear on the walls of the worker's house at Deir el-Medina to encourage fertility and ensure protection.”

- Page 941 –

>>13827662

(Please read from the start)

“Female musicians regularly carried amulets of Bes or had tattoos of the god to inspire their art. Prostitutes also were tattooed with images of Bes as Egyptologist Joyce Tyldesley notes: "Prostitutes used their musical skills to entice their clients and a link between music, feminity, sex, and even childbirth is suggested by the Bes tattoos on musical prostitutes's thighs" (130). Priestesses, dancers, and musicians would also tattoo themselves with images, however, and scholars disagree on whether it was primarily prostitutes who decorated themselves with images of Bes or this was a practice observed by women in the arts and Egyptian religion generally. The dancer Isadora of Artemisia (c. 206 CE), for example, was a famous castanet dancer who had a tattoo of Bes on her thigh. Isadora was a free woman and a highly paid artist who commanded a price of thirty-six drachmas a day, travel expenses, insurance for her wardrobe and jewelry, and meal expenses. No records indicate in any way that she was a prostitute.

Bes in his feminine form, as noted, was frequently associated with Hathor and, by this link, to the concept of the Distant Goddess. The Distant Goddess was a deity who left her home to go on an adventure - usually against the wishes of her father - and then returned or was brought back and, by this action, initiated some kind of transformation. Bes is seen in depictions as a monkey, entertaining the goddess upon her return, or as the goddess herself. The transformative aspect of Bes and his fearsome appearance define him as a 'trickster god' - one who may appear harmful but has humanity's best interests at heart.”

>> So Bes had a fearsome appearance which may have made him look harmful but he had humanity’s best interest at heart. This is interesting and it’s reminding me of the Staff-God/ Viracocha. The Andean deity used to wear a mask in order to hide his face. This act of wearing a mask always made me wonder why Viracocha/Staff-God did that? What’s the purpose of wearing a mask? Did he look as fearsome as Bes did? But the Andean deity was a Giant and here, Bes is a dwarf. The more I read about Bes, the more I feel like I’m reading “The Lord of the Ring” book.

“The Divine Guardian

Bes was frequently called upon in a person's youth for protection, either by a parent, guardian, or by one's self. The Magical Lullaby of ancient Egypt was a spell a mother or older sister would sing to ward evil spirits away from a sleeping child, and Bes was sometimes invoked along with this poem for maximum protection. Mothers would draw an image of Bes on their child's left hand and wrap the hand in cloth blessed by the temple so the child would have pleasant dreams. The image of Bes on the hand associated with the dream world would drive away any spiritual elements which might give the child nightmares.

Just as Bes guarded one in one's sleep, he was there throughout one's day encouraging, enlivening, and protecting. Wilkinson notes the work of scholar James Romano who demonstrated that "the origin of the Bes iconography is most likely to be found in the image of a male lion rearing up on its hind paws" (102). The lion was one of the earliest zoological images for the power of the gods and the forces of nature. The suggestion that Bes originated from lion imagery makes sense when one considers how the lion was used in iconography throughout Egyptian history. The lion always symbolizes divine or temporal power, protection, majesty, and vitality. Bes, the shaggy-maned dwarf, may lack the dignity of a lion in many of his depictions but certainly embodies the elements the Egyptians believed lions symbolized. In sleep or awake, throughout one's life, Bes was always watching out for people, protecting them, and encouraging them to do their best in life.”

- Page 942 –

>>13827715

(Please read from the start)

>> Well, I guess anons have guessed it right if they think I disagree with the interpretation given about Bes’ iconography origin in the last paragraph. IF, I repeat = IF Bes’ iconography is one of a Lion = Feline, I don’t think it had to do with the animal, but with the warrior wearing a Feline armor; just like the iconography we had from Mesopotamia and yes, even in Mesoamerica and the Andean Region where Panther warriors existed.

There are additional interesting artifacts representing Bes, apart the faience vessel on page 937.

1 - The first one is an amulet (1070-712 B.C.) at the Metropolitan Museum. Look at the feathered headdress he is wearing anons. Sure it’s from the New Kingdom era, but it does line up with the other headdresses we’ve seen in this thread in other cultures and civilizations.

2 – In the second picture we see Beset and Bes on a relief; it’s in the Louvre. He is wearing a feathered headdress. He also has on his shoulders a Feline Skin; with what looks like a Feline head on his chest = either it’s a medallion or probably it’s the head of the Feline Skin he’s got on his shoulders. The extension we see between his legs is the tail of the Feline Skin he has on his shoulders = not to be mixed with his genitals. I don’t know how many of you know this but in Ancient Egypt the high priests used to wear a Feline Skin on top of their tunic, as a sign of their rank; so it’s not unusual to see it in Ancient Egypt. But this doesn’t mean this is the case for Bes.

This could mean (it’s a possibility) he is originally a warrior wearing a Feline Armor. This is supported by him having his right arm up in the air, brandishing what looks like a sabre or a sword of some type = warrior stance. It fits with his protector image, doesn’t it? He might be holding something in his left hand as well, that seems to be extending a rope shape. But it’s broken, so it’s undetermined.

As for Beset with the drum (despite the damaged part) next to him: don’t forget anons, the duo was considered the deities for celebrations and festivities. Take a closer look at Beset: she is wearing the same Feline Skin with the tail dangling like with Bes. Just compare for yourselves.

There are many reliefs of the same type representing Bes, with variation, if anons want to check them online. It’s like a stereotyped representation of him.

3 – On the Limestone stela (at the British Museum) Bess is represented in the same stance as we saw him in the previous relief, but 3 times in a row = big size – additionally, we have the same representation of him but in a smaller size next to the 3 bigger ones. This stela was broken, but it’s obvious there is second of the same small size next to it as well = as in 3 big size Bes + 2 smaller size Bes. Here everything is clear = the feathered headdress he is wearing on his head, the sword he is brandishing up high. He doesn’t have on his shoulders here a feline skin.

What is he holding his is left hand anons? Is that a rope? A slight possibility it’s the Shenu Ring? Or maybe it’s a form of a snake/serpent. He is a protector after all that kills evil spirits.

4 – The next artifact is a statuette of Bes with his feathered headdress trimmed and topped with the bust of a bird of prey = Horus maybe. Is this indicating Bes was a ThunderBird or should I say on friendly terms with the ThunderBirds = on the same side as them?

- Page 943 –

>>13827762

(Please read from the start)

5 – The next artifact is one of many of the same type; as if it is another stereotyped representation. Most seem to date of later times. Those are stelas with Horus, as a child or youngster, represented in the middle/ center of the design, standing on either Nile Crocodiles HEADS or sometimes Big Snakes HEADS (depending on which stela you are working on). I want to draw the attention of the reader that royal family male young members, mostly the princes are represented like Horus is here = same hairdo. In page 97, I put a picture of the “Kings List” from the Dendera Temple, where we can see Seti I and young Ramses (future Ramses II) making offerings. Compare young Ramses hair style with what we see on this stela = it’s the hairdo reserved for children and teens = not adult yet.

On each side of Horus, there is a staff represented. But the top end of each staff is different than the other: The one on the right hand of Young Horus has a crowned eagle on top, while the one on the left hand of Young Horus has a Papyrus flower with 2 columns coming out of its upper end; a possibility 2 rays of light = my interpretation.

Bes is represented either entirely standing behind young Horus or we see only his head kinda floating alone above Horus – depending on which stela you are working on since there are so many of them. From the way Bes is always represented, it’s clear he is playing the role of guardian or protector of the youngster; which fits perfectly with what he is believed to be = a protector of children.

What is amazing in this stereotyped iconography is what young Horus is holding on his hands. From the upper side of both fists we see 2 snakes/serpents coming out upwardly, facing outward. A lot will quickly jump on it and say these are snakes. I say NO they are not. They look like snakes, but they are representing LIGHTNING actually; just like what the Wedjat is.

On the lower side of the right hand fist Horus is holding a miniature Antelope and a Scorpion both from their tails. On the lower part of his left fist he is holding a miniature feline with its tail, sometimes we have a scorpion there along with the feline.

I think each animal represents one of the warrior clans and along with them their armors. Yes! These are clan heraldic symbols that even represents the armors of each clan. It’s normal for each clan to have its own symbols. I think this hold a very important and significant meaning = HORUS is the leader of these animals; as in the ThunderBirds lead the other warrior factions, like the feline, scorpion and the Antelope. Anons, just a thought: Is the Lamassu and the Antelope one and the same? Is this why the Lamassu is sometimes represented with wings?= because they fall under the leadership of the ThunderBirds? Or is it the other way around? We do have a connection between Hathor and Horus, but I still don’t fully grasp it yet. Also don’t forget that the Scoprion protected Isis when she fled to protect Horus from Seth’s wrath.

As I’ve said before, there are many of these stelas, so there are variations from one to another. I’m just giving a general description, like a standard one for all. If anons are interested, they can check out the rest on the net and see the difference between each of them.

- Page 944 –

>>13829299

(Please read from the start)

The last 2 artifacts representing Bes are a bit similar when depicting him = he’s standing in the same way.

6 – He is represented at the center of a Stela which dates back to the Roman times (if my memory is not betraying me). Bes is represented facing us from the waist up; while from waist down he is represented from the side = de coté. He is wearing a short tunic and sandals on his feet. He’s also got an elaborate crown on his head = Roman style. He’s got the usual feline skin on his shoulder and where the feline skin legs cross on his chest, it’s not that clear from this picture, but it’s either tied in a knot or the traditional feline face we usually have there has been reduced to the size of a medallion.

What’s amazing about this stela of Bes are 3 details:

A – He’s got 2 pairs of arms.

B – He’s got 2 pairs of wings, maybe even 3.

C – He is standing on an Ouroboros.

A-The Arms: The first pair of arms Bes has is depicted stretched upward horizontally, at the level of his shoulders. Both his hands are closed into fists where he is holding one flail in each hand. The flails are oriented upwards and inwardly.

The second pair of arms is lowered. His right hand is depicted parallel to his body and his hand closed in a fist where he seems to be holding some type of weapon. That weapon is a bit strange. It starts out from his hand as a club/ handle, then at the extremity of the club it makes a 90 degrees angle downward with what seems/looks like to be some sort of blade. If we compare this with Bes’ other iconography from various artifacts, we will notice he usually holds some type of sword, mostly a sabre in his right hand. So I don’t see why this weapon should be different from the standard/stereotyped iconography = Bes holding a sabre in his right hand. It’s just represented via Roman style, not Ancient Egyptian.

His left arm is bent = not parallel to the body and in the closed fist of his left hand he is holding multiple objects. It’s clear he is holding a staff type of weapon. The upper end of this staff has a shape: it’s a bit hard to identify what it is with the picture that I’ve got, but I’m leaning towards this being a bird of prey; like a falcon or vulture etc. something of the sort. Coming out upwards from his left fist, on the right side of the staff weapon, a scorpion is depicted parallel to the length of Bes arm, till his elbow level. It’s a bit tricky to see but it’s definitely a scorpion. Below is left fist, there are 2 other animals represented on each side of the staff weapon: there is an antelope held by its horns on the right side of the staff; while on the left side there is a feline held from its tail. This is the same idea in the representation as we saw in the previous artifact where a young Horus is depicted holding such animals in his fists. I don’t think these represent real animals but are heraldic symbols.

- Page 945 –

>>13829328

(Please read from the start)

B- The Wings: For certain Bes got 2 pairs of wings that are stretched out, depicted one on top of the other, parallel and under his stretched out arms. It’s as if these wings are attached to the stretched out arms. This reminds me of the Elamite artifact we saw on page 807. But there is a tricky part with the wings = it can be folded wings or it can the falcon tail depicted behind his right leg. A visual comparison with an actual bird should solve this issue.

Another troubling detail is “something curved” depicted between the right leg and the tail/folded wing. I’m not certain, but it’s possible this is the tail of the feline skin he’s got on his shoulders.

Seeing Bes represented with many wings bring the Seraphim back to mind and what was said about the number of wings indicating the rank of the angel/warrior. So does this indicate Bes’ rank? Do not forget anons that this is a Roman time representation of Bes where the Bloodlines were in control of the Empire. So be careful while working on this.

C – The Ouroboros: The entire scene is taking place with Bes standing on a long serpent which has its own tail in its mouth = the Ouroboros. This a definitive sign of the Bloodlines. This Ouroboros is encircling some miniature animals. I can see 6 of them but since the picture isn’t clear, that number not definitive. Some have 4 legs. It’s obvious these are heraldic animals = representing either persons or clans/families. Since they are depicted in the Ouroboros could these animals represent some of the Bloodline families within the Roman Empire? It’s possible, isn’t it?

I want to remind anons that we are dealing with the representation of Bes during the Roman times as in a mutation and a mutilation of his cult might have occurred just like it was the case with Isis and Osiris. But this artifact also highlights the presence of the Bloodlines within the Roman Empire.

7 – The last artifact is a bronze statuette of a naked Bes in a walking stance. This is his traditional representation in Ancient Egypt, recognizable thanks to the feathered crown he is wearing on his head; which is very different from the crown we saw him wearing in the previous artifact, dating from the Roman times. Here again, Bes is represented with 2 pairs of wings: same as previous artifact. He also has 2 pairs of arms as well. One is stretched as the previous artifact while the second pair is lowered, parallel to his body. We doesn’t see him holding any weapons, they might have deteriorated or broken.

- Page 946 –

>>13829424

(Please read from the start)

Next I want to take a look at Pazuzu to see why he was linked to Bes in the Wikipedia page despite the fact that they had nothing in common: https://en.wikipedia.org/wiki/Pazuzu

“In ancient Mesopotamian religion, Pazuzu (Akkadian: Dpà.zu.zu; also called Fazuzu or Pazuza) was the king of the demons of the wind, brother of Humbaba and son of the god Hanbi. He also represented the southwestern wind, the bearer of storms and drought.”

>> Compare what is written here about Pazuzu and what is written about the Native American Horned Serpent on page 750 = both manipulated storms, rain etc. If the Horned Serpent warriors stole the technology from the ThunderBirds, then it’s natural for them to have the same “effects” as the ThunderBirds.

A lot of researchers (either professionals or amateurs) make with Pazuzu the same mistake made with the Lamassu. A lot think this is Assyrian but it’s not. Just like with the Lamassu, Pazuzu reached its apogee during the Assyrian times. But the word is FOR SURE AKKADIAN and it’s suspected to have Sumerian origins. So be careful while working on this.

“Iconography

Pazuzu is often depicted as a combination of diverse animal and human parts. He has the body of a man, the head of a lion or dog, talons of an eagle, two pairs of wings, a scorpion's tail and a serpentine penis. He has his right hand up and left hand down.”

>> Remember Mishipeshu (page 748) from the Native Americans? Remember the Horned Serpent (page 750) from the Native Americans? Remember the Sisiutl (page 759) from the Native Americans? Remember Seth (page 809) from Ancient Egypt? Recheck everything, re-read and compare yourselves anons. It’s clear there are various common elements scattered among them, but there is a lot in common between all of them, mostly the fact that they are all Tetramorphs (like the Seraphim p.901) or maybe I should say Multi-morphs. The only 2 new elements we have is the type of the tail = Scorpion’s tail (was this tech stolen from the Scorpion clan warriors armor?) and a serpentine penis which denotes a sexual component to them.

One thing is for sure: loads of historians, archaeologists and researchers worldwide had made the mistake to believe all of these Horned Serpents were one person seen (a bit differently sometimes) in different cultures/civilizations. No one guessed this is not ONE person, but MANY = a squadron of evil warriors wearing all the same armors and they are spread all over the world.

- Page 948 –

>>13834228

(Please read from the start)

While taking a look at the iconography of Pazuzu, I noticed he had “circles” (two of them) on his chest – picture in previous page. No, no, these are not female breasts. But we’ve seen them before in this thread: with the Seraphim (page 924 – second picture), with the Horned Serpent (page 753 – second picture + page 755 – Horned Serpent on pottery, circles on wing). It also reminds me of Havoc from X-men mentioned in page 900.

I would like to ask anons to take a look at the picture I’m attaching with this page of Pazuzu. Notice his boots? Now compare with Ishtar relief on page 766 please. They are identical, aren’t they? These are the boots worn by the ThunderBirds warriors that the Horned Serpent warriors probably stole the tech and integrated it to their own armor.

“Mythology

Pazuzu is the demon of the southwest wind known for bringing famine during dry seasons, and locusts during rainy seasons. Pazuzu was invoked in apotropaic amulets, which combat the powers of his rival, the malicious goddess Lamashtu, who was believed to cause harm to mother and child during childbirth. Although Pazuzu is, himself, considered to be an evil spirit, he drives and frightens away other evil spirits, therefore protecting humans against plagues and misfortunes.”

>> Now this is the most twisted contradiction I’ve ever seen in my life: according to this paragraph you fight evil by bringing upon it a bigger evil. Isn’t this twisted? Pazuzu is the king of demons but he is liked and nice because he is more evil than the malicious goddess Lamashtu. Are you kidding me? Whom wrote this? He protects humans from plagues, but he brings locust, famine and drought. Is this a joke? Something is very wrong here.

Also it’s interesting how Pazuzu, a Horned Serpent, is mentioned with an evil goddess whom used to harm children. We’ve seen Sisiutl guarding the ogress Dzunukwa whom used to eat children (page 763).

“In modern popular culture

• In the 1971 novel The Exorcist and the film based on the novel, Pazuzu is supposedly the evil spirit that possesses the young girl Regan MacNeil. He reappears in the 1977 sequel Exorcist II: The Heretic. In this film, Pazuzu is both named as the demon antagonist of Regan and the unwitting helper of Father Philip Lamont (Richard Burton), as he seeks to free Regan from the demon's grip. Pazuzu also appears in the TV series The Exorcist and is integrated into the adult Regan MacNeil, played by Geena Davis.

• William S. Burroughs invokes Pazuzu in the dedication for his novel Cities of the Red Night.”

- Page 949 –

>>13834296

(Please read from the start)

There are 3 notables from the Pazuzu Wikipedia page. I’m going to check all of them; some digging tunnels lead in different directions than others and are LONG. My first stop is going to be Humbaba: https://en.wikipedia.org/wiki/Humbaba

“In Ancient Mesopotamian religion, Humbaba (𒄷𒌝𒁀𒁀 Assyrian spelling), also spelled Huwawa (𒄷𒉿𒉿 Sumerian spelling) and surnamed the Terrible, was a monstrous giant of immemorial age raised by Utu, the Sun. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who "assigned [Humbaba] as a terror to human beings. Gilgamesh and Enkidu defeated this great enemy."

>>Humbaba was raised by the Sun as in he is a child of the Sun, just like Viracocha was. He is a giant as in big in size just like Viracocha was. He is said to be some type of monster, but this also reminds me of how Viracocha used to hide his face behind a mask; always making me wonder why he did that. He was of immemorial age as in he was incredibly old = he was of antediluvian age = as in he was not hundreds but thousands of years old. I want to attract anons attention to this specific point = living for many thousands of years not a few decades like we humans do nowadays. This is a common point in many myths and legends worldwide where it is said that people or deities used to live for an extremely long time and not just a few decades, mostly live to be a hundred years old. So what happened to change that? How did we get from living for so long to living for so short? Think about it anons.

Enlil assigned Humbaba as a guarding of the Cedar Forest. Humbaba was a terror and danger to mankind. I want to remind anons that it was the same Enlil that conspired with other gods and plotted the destruction of mankind. Anyone apart me find Enlil a human hating deity? We have Enlil (as well as the other gods from Mesopotamia) sometimes portrayed in a good light and sometimes portrayed in a bad light.

I think this is due to 2 factors:

1 – The texts that we have in our hands nowadays are incomplete = fragments and we have big chunks of them missing.

2 – Starting from the Akkadian period and mostly the Assyrian and the Babylonian period, huge misinterpretation occurred of many Mesopotamian deities, mixing their image and mixing the bad with the good; which ended up in projecting this double take, confusing image we currently have of them. Like Enlil, was he a ThunderBird, was he a Horned Serpent or was he a Traitor ThunderBird? I’ve been unable to see through many of the Mesopotamian gods; as in unable to decide which side they are on because of this confusion.

- Page 951 –

>>13842053

(Please read from the start)

As for Humbaba being the guardian of the Cedar Forest, this does not mean the place is evil. It only means Humbaba was living in that geographic location. Do not forget anons that the Horned Serpents, just like the ThunderBirds, were scattered all over the world and not concentrated in one location.

“Description

His face is that of a lion. "When he looks at someone, it is the look of death." "Humbaba's roar is a flood, his mouth is death and his breath is fire! He can hear a hundred leagues away any [rustling?] in his forest! Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, from which omens might be read.”

>> This paragraph is truly amazing because it’s identical to what we read with the Native American’s Mishipeshu (page 748), the Horned Serpent (page 750), the Sisiutl (page 760) and Pazuzu (page 948). His “breath of fire” reminds me of the spear of fire held by Seth (starting page 809) and it also reminds me of the fiery aspect of the Seraphim. The last sentence is disgusting, but I’m wondering if this specific Horned Serpent warrior a.k.a. Humbaba wasn’t injured in the face and was sporting bandages. Just a thought, I might be totally wrong here.

“Another description from Georg Burckhardt's translation of the Epic of Gilgamesh says, "he had the paws of a lion and a body covered in thorny scales; his feet had the claws of a vulture, and on his head were the horns of a wild bull; his tail and phallus each ended in a snake's head.”

>> No need for me to repeat what I said before about Humbaba being similar to the Horned Serpent warriors in other parts of the world. But I would like to point out we’ve got some different details from one tale to another: sometimes the tail is that of a snake, sometimes that of a scorpion. But does it really matter what it truly is? I think the armor of the Horned Serpents was a composite one with stolen tech from other warrior clans and integrated into it. They might have stolen the tail from the scorpion clan armor technology or it might have been originally part of the Horned Serpent armor. If the Horned Serpents needed to steal tech from the Scorpion armor, then this mean not all the Scorpion warriors supported the Horned Serpents. Nergal is starting to look more and more like a traitor to the Scorpion clan and a spy for the Horned Serpent clan. This is how the Horned Serpent armor became Tetramorph or should I say multi-morph, exactly identical situation as the Seraphim. See why Kabbalah adores the Seraphim and the Hamsa? And both are at the core of Judaism. Amazing coincidence! That is…if you believe in coincidence.

As for the phallus being a snake/serpent. I don’t think here it truly represents the animal = snake. Here, I think it’s symbolic. When I take a look at the standard representation of the Baphomet (((they))) worship, apart the hand gesture that is identical to the one Pazuzu makes, there is a Caduceus where his phallus should be.

- Page 953 –

>>13848913

(Please read from the start)

>> Well, I won’t be surprised to find out that the story of Humbaba was transferred to the Greeks via the Hittites. But regardless if the transfer occurred or not, Medusa was also a Horned Serpent warrior just like Humbaba was. We are dealing with the same group here, it’s just the details are a bit different depending on the culture and the generation the tale is told in.

I keep on talking about mutation, distortion and even mutilation to historical fact in this thread. I’m going to show anons an imprint of a Sumerian Seal where Gilgamesh and Enkidu are killing Humbaba – first picture attached to this page. On the oldest = Sumerian imprint, we can clearly see that Humbaba had a full human body and he is wearing a horned helmet similar to the one Nergal wears. Sure, it’s not identical, but it’s close. That’s clearly a horned helmet. Above the scene we also see 7 dots displayed on 2 rows. Do these 7 dots represent the 7 radiances or terrors mentioned in the Wikipedia page? And did anons notice the “shining star” right above Humbaba? Is that really a star? Or is it a Beam of Light from above?

The second picture I’m attaching with this page is the imprint of a cylinder seal from the Assyrian time. The transformation is huge. The human body of Humbaba was replaced by the one of a winged bull, transforming him into a Lamassu; an image extremely far away from his true and original one. Gilgamesh is also represented with wings as if he was wearing a ThunderBird flying gear.

This is a very good example of how ancient knowledge mutated with later generations. See now why the researcher should stick to the oldest period and not go into the Assyrian one?

There is something troubeling me: In the Anvegers movie series, there is a scene from the one called The Avengers: Age of Ultron, where Thor is leaving at the end of the movie and Tony along Steve, are seeing him “take off” in the Bifrost. Then Tony cracks a joke about Thor having no regards to lawn maintenance. Did anyone notice the pattern the Bifrost made on the lawn? I did. The 4th picture is the publically known patter left by the Bifrost. But if I flip that pattern upside down what do anons see?

I’ve marked the eyes in red and highlighted in green the contour of the face for anons. I’ve also put in yellow what seems to be the cheek plates identical to what the Amazones wear in Wonder Woman. This Bifrost pattern even has braided hair on it = marked in brown. Compare with the amulet of Humbaba, first picture in page 953 while keeping in mind that the amulet is in 3 D shape, while the Bifrost pattern in the movie is in 2 D shape. What do you think? Similar or not? I’m confused about it.

Some may argue this is a Viking warrior represented by the Bifrost or an Asgardian warrior. Well, maybe….but….weren’t the Horned Serpents also warrior of that Ancient Lost Civilization just like the ThunderBirds? But then they wanted to grab power and rebelled; and a calamity occurred as a consequence of their greed for power. This might be a Viking or Asgardian warrior, but seeing how Satanic oriented the Avengers’ series is, which one do you think it is: Viking, Asgardian or Humbaba? Make up your own mind about it. Strangely, it also reminds me of what the Amazones are wearing in Wonder Woman.

- Page 957 –

>>13848945

(Please read from the start)

The second notable from the Pazuzu Wikipedia page after Humbaba is another monster called Lamashtu: https://en.wikipedia.org/wiki/Lamashtu

“In Mesopotamian mythology, Lamashtu (Akkadian dLa-maš-tu; Sumerian Dimme Dim3-me or Kamadme) was a female demon, monster, malevolent goddess or demigoddess who menaced women during childbirth and, if possible, kidnapped their children while they were breastfeeding. She would gnaw on their bones and suck their blood, as well as being charged with a number of other evil deeds. She was a daughter of the Sky God Anu.”

>> Of course she is the daughter of the Sky God Anu because she came from the Sky, as in she Flew in; in other words, she is a daughter of the Sun as well. She used to kidnap children to eat them and drink their blood. Doesn’t this mean she is a pedovore? And just like nowadays Bloodlines on top of it all.

“Lamashtu is depicted as a mythological hybrid, with a hairy body, a lioness' head with donkey's teeth and ears, long fingers and fingernails, and the feet of a bird with sharp talons. She is often shown standing or kneeling on a donkey, nursing a pig and a dog, and holding snakes. She thus bears some functions and resemblance to the Mesopotamian demon Lilith.”

>> Amazing! We have another Tetra-morph or should I say another Multi-morph, just like Pazuzu, Seth, Humbaba etc. I bet the snakes she is holding are lightning bolts represented as snakes; or they could be the Sharur weapon = Staff-weapon that emits lightning. We’ve got 2 new details about her: 1 – breastfeeding a pig and a dog which means she was pregnant and had children. 2 – She bares resemblance to Lilith.

“Mythology

Lamashtu's father was the Sky God Anu. Unlike many other usual demonic figures and depictions in Mesopotamian lore, Lamashtu was said to act in malevolence of her own accord, rather than at the gods' instructions. Along with this her name was written together with the cuneiform determinative indicating deity. This means she was a goddess or a demigoddess in her own right.

She bore seven names and was described as seven witches in incantations. Her evil deeds included (but were not limited to): slaying children, unborns, and neonates; causing harm to mothers and expectant mothers; eating men and drinking their blood; disturbing sleep; bringing nightmares; killing foliage; infesting rivers and lakes; and being a bringer of disease, sickness, and death.”

>> In other words she was a pedovore. Good old number 7 again.

- Page 958 –

>>13856127

(Please read from the start)

“Pazuzu, a god or demon, was invoked to protect birthing mothers and infants against Lamashtu's malevolence, usually on amulets and statues. Although Pazuzu was said to be bringer of famine and drought, he was also invoked against evil for protection, and against plague, but he was primarily and popularly invoked against his fierce, malicious rival Lamashtu.”

>>This is what I was talking about when I said that a Horned Serpent can be fighting another Horned Serpent because of greed or rivalry, just like what happened between Alexander’s generals.

“Incantation against Lamaštu:

Great is the daughter of Heaven who tortures babies

Her hand is a net, her embrace is death

She is cruel, raging, angry, predatory

A runner, a thief is the daughter of Heaven

She touches the bellies of women in labor

She pulls out the pregnant women's baby

The daughter of Heaven is one of the Gods, her brothers

With no child of her own.

Her head is a lion's head

Her body is a donkey's body

She roars like a lion

She constantly howls like a demon-dog”

>> Well they said in this incantation that she cannot get pregnant herself, so how come she can breastfeed? Whom are her brothers mentioned in this incantation? She is Multi-morph alright.

“In another incantation against her, she appears to be identified with Inanna:

Lamash, daughter of Anu

Whose name has been uttered by the gods

Innin(Inanna), queen of queens

Lamashtu, O great lady

Who seizes the painful Asakku

Overwhelming the ‘Alû

Come not nigh what belongeth to the man

Be conjured by Heaven

Be conjured by the Earth

Be conjured by Enlil

Be conjured by Ea.”

>> It’s unclear if she is identified with Inanna, that is uncertain. But I do like the title of Queen of Queens meantioned in this incantation, which reminds me of another title = King of Kings. Keep this in mind and I will be talking about it later on.

- Page 959 –

>>13856152

(Please read from the start)

“In modern culture

[…]

Ritual

An Akkadian incantation and ritual against Lamashtu is edited in Texte aus der Umwelt des Alten Testaments vol. 2 (1988) .It is glossed as an "incantation to dispel lasting fever and Lamashtu". The prescribed ritual involves a Lamashtu figurine. A sacrifice of bread must be placed before the figurine and water must be poured over it. A black dog must be made to carry the figurine. Then it is placed near the head of the sick child for three days, with the heart of a piglet placed in its mouth. The incantation must be recited three times a day, besides further food sacrifices. At dusk on the third day, the figurine is taken outdoors and buried near the wall.”

Unfortunately I couldn’t find any Sumerian or Akkadian artifacts representing Lamashtu. All I found were Assyrian, Neo-Assyrian and possibly Babylonian; we know how big the mutation took place during this period. So can we trust the iconography on these artifacts as being the original = authentic? I don’t know.

The artifact I’m going to check about Lamashtu is from a much later period called Neo-Assyrian. This is a stereotyped item, as in many of the same item were produced back in the days, like making many amulets of the same. The other artifacts are fragments of the same design but from different damaged artifacts. I’m going to work on the “complete” piece but put the pictures of many fragments from other artifacts. These can be found as Bronze plaques or stone plaques and there can be some small details varying from one artifact to another – but it’s no big deal since the general description is the same standard one for almost all of them.

So here we have a Neo-Assyrian bronze plaque currently displayed at the Louvre. This plaque was titled: Plaque of the Hells – translated from the French: Plaque des Enfers.

When we look at the over artifact from both sides, we will see the demon king Pazuzu depicted on the back side of the plaque. But we see his back side as well on the reverse. When we look at the plaque from the front, we see his head and his hands on top of the upper registers. It gives you the impression it’s a 3 D object with Pazuzu standing behind the plaque and peeking = takin a look to what’s going on, on the front side of the plaque; or simply taking a look to whomever is looking at the plaque. Some even go a bit further in the interpretation and say Pazuzu seem to be holding the plaque as if it’s a carton board with a display scene on it.

There are 4 different scenes = 4 registers displayed on the plaque. They are represented horizontally, one on top of the other, parallel to one another. I’m going to start with the bottom register and move my way up.

The bottom register is the biggest in size. At the center of it, we have Lamashtu represented in her traditional, standard pose with both of her arms bent at the level of the elbow and held up. She is holding a bicephalic serpent in each fist. As explained before, I think these are Lightning and not animals = snakes. This is a symbolic representation of Lightning which is a common practice between Mesopotamia and Ancient Egypt. She is kneeling with her right knee on what looks like a horse – Main Stream History says it’s a donkey, but no, it’s a horse. This is not a real animal but this represents a heraldic symbol of one specific geographic location. We’ve talked about it before in this thread. Can anons guess which country was always known through history as being the land of the horses? = Yes, it’s Armenia (starting page 10).

- Page 960 –

>>13863547

(Please read from the start)

It is a common practice at early stages of history when the survivors came out from the Flood to represent people standing on various animals, mostly felines. We also found this common use in pre-dynastic Egypt, where each city, each nome and each kingdom (either upper or lower Egypt) had their own symbolic animal (example Libyan palette page 117). The only difference is that in Anatolia and in Mesopotamia deities and people stand on the symbolic animal. I think the Neo-Assyrians copied this without even knowing what it really means, the deep meaning in this.

Do anons remember the winged Elamite statuette from page 807? That winged warrior had the same stance as Lamashtu does on this plaque. Do you remember what I said back then, about the statuette might have hand blasters? Why do you think its arms are depicted that way? As if it’s either on defensive stance or is about to block something? Does this stance remind you of how Iron Man shoots his blasters? Now compare it all to Lamashtu holding the lightning in her hands. Make up your own mind about this. Put all the pieces together yourself.

Right under Lamashtu’s left knee there is a scorpion depicted. It’s important to note that most of the elements in this scene are represented in relief while the scorpion and a couple of other items are engraved on the plaque. Also remember that the Scorpion has a meaning = symbol = indication of a warrior.

Lamashtu kneeling on the horse is in a circular boat. Anons may argue it’s not a circular boat, but I want to remind anons that we are looking at this scene from the side. We are not looking face to face at Lamashtu but looking at her de coté = from the side. So it’s the same with the boat. And yes anons, you guessed it right = this is a Kuphar she is standing on. Please go back to page 15 (starting) and take a look at the photographs of the Kuphar. Now let’s cut the Kuphar exactly in its diameter and look at it from the side, what will we see? And just like it’s the case with the Kuphar, there are no oars here, on the plaque, as well. The only difference is that Lamashtu’s Kuphar has decoration on it while modern day Kuphars are simple, plain.

The Kuphar Lamashtu is standing on is floating on a body of water which contains loads of fish. Well, we can assume this is the Euphrates but what is troubling me are the two “trees” we see in the background. Those are not date trees or palm trees like the type of trees we see in Mesopotamia. Those look like “forest trees” – I’m even suspecting these might be some type of fir tree; which also indicates Armenia if we combine it with the river. Anons shouldn’t forget that the Euphrates’s two main sources were in the Armenian Plateau. It’s the spikes on the trees that are making me think of Fir trees.

Above the Fir trees, different objects are depicted = 8 or 9 of them, with one looking like a archer’s bow and another like jug or an amphora at the top.Right behind Lamshtu, Pazuzu is depicted on a ground marked by a line in his traditional pose = as in lifting one arm and lowering the other. He is clearly standing on the banks of the Euphrates River. There might be an engraved tree between him and the boat but I’m not sure about it.

- Page 961 –

>>13870108

(Please read from the start)

The whole scene is oriented towards your right hand if you are looking at the screen; this including the fish. I don’t know about you, but the orientation is giving me the impression that the boat is flowing downwards = going downstream; which in turn consolidates my interpretation this is a Kuphar and we are flowing down from Armenia on the Euphrates River in this scene.

The second register, the one just above, is narrower than the previous one. The scene flow is also oriented toward your right hand. And this is where I’m going to start:

The first person we see in this register is a bearded man, wearing traditional Assyrian tunic and cap. He’s got his left arm lowered while his right arm is held up high. His hands are positioned in the same way as Pazuzu is.

The second person in this register forms a duet with the third person. Both are facing one another, which makes the second person having turned his back to the first person whom is right in front of him. Both are wearing traditional Assyrian tunics and both have their right arm lifted upwards which is again the same pose as Pazuzu does. Both have the body of a human but their heads is that of a feline. Anons guessed it right if they think these are warriors wearing a feline armor.

Right behind this feline duo, we have a strange scene. Two men wearing fish = aquatic armor are standing on each side of a sick person’s bed, with their right hands raised in a blessing gesture. Between them, it seems there is a bed with a mattress on it. This bed looks incredibly close to the one we have in dynastic Ancient Egypt – as seen in picture attached to this page. A person is lying on the bed with his/her arms extended upwards. This person is not dead YET, but probably sick and at risk of dying.

What is puzzling about this person what she/he is wearing. It’s like some type of long tunic or robe with a hood to cover the head. So I’m wondering if this is not a “hospital gown” type of clothing we have here. What do you think anons: is this bed a “healing” bed like the ones we’ve mentioned before in this thread (page 207 – 10th point)? Is the second register representing a fight between warriors and someone got wounded and is being treated? It’s a possibility.

This register ends on your far left hand with what looks like a high stool where an object is placed. Looking at the height of the stool, this is an oil lamp put on the high stool to get the room brighter. Placing light on a high surface illuminates and brightens the room much more than placing the light on the floor or near the floor. A simple trick, but an effective one. Check the picture and compare.

- Page 962 –

>>13877603

(Please read from the start)

The third register is also a narrow one and it’s also oriented towards your right hand. This register, along with the last = top one are amazing.

Here we have a row of SEVEN persons standing, all wearing the same Assyrian type of tunic; with their left arm lowered and their right arm lifted up in the same pose as Pazuzu. I have no idea what this hand positioning means: is this how they used to say hello before the Flood? Just being a bit silly there with my thoughts cause this hand gesture is not exclusive to Baphomet or Pazuzu; seems other Flood survivors used it as well, but its meaning is lost to us.This gesture is very ancient. We have a very nice collection of warriors here anons. But look closely, each one is different than the others because each has a different animal head.

Starting from your right hand, they are:

1 – Serpent.

2 – Eagle.

3 – A horned animal, possibly a Bull/Ox.

4 – Ram.

5 – I couldn’t identify this animal.

6 – Dog or maybe even a wolf.

7 – Feline.

Say hello to the Sebetti anons as we are seeing them for the first time gathered all of them in one place.

All 7 of them are clearly warriors anons and not demons from Hell as the Main Stream History told us about them.

I’m attaching to this page, different fragments from damaged artifacts where the third register is shown. I hope anons can help me identify the remaining animal I am uncertain of = as in number 5 of the list I provided.

I would also like to point out that there is no specific order in which these 7 warriors are represented. If you look at all the artifacts, their place in the row changes, so I’m guessing they are placed there randomly and not according to their rank or importance.

- Page 963 –

>>13877613

(Please read from the start)

Now the top = 4th register, the last one is also amazing as well being a huge puzzle. These are symbols representing important stuff. What stuff? I think they represent WEAPONS or notable items. Each one of them belongs to ONE Sebetti = is owned by one Sebetti = his signature weapon.

There is a possibility – not certain about it – that each Sebetti warrior has his own TYPE of weapon depicted right on top of him. Anons should know by now that I don’t say those things out of the blue. In page 894, it was said that there are 7 different hieroglyphs to represent the Wedjat = Eye of Horus = Electrical weapon. I interpret this as there are 7 different types of weapons which emit the same type of electrical beam or close to it. Did anyone ever wonder whom came up with the idea of a Stun Gun or a Taser? Where that idea really came from? Connect the dots anons. Alos on page 955, it was said that Humbaba has 7 Splendors or 7 Auras which Gilgamesh had to take from him in order to defeat him.

I usually prefer to work with Sumerian/Akkadian artifacts because they are the oldest and closest to the origin. But I couldn’t find a Lamashtu plaque from that period and all I found were these Neo-Assyrian, Babylonian, Assyrian ones. I hope someone reading would be able to find a similar but Sumerian artifact and share it with us in this thread. I am aware there might a mutation, mostly in the details; like maybe one of the Sebetti’s animal head might be different, or one those stuff above the fir trees. The Assyrians messed things up but not as much as the Greek and then the Hellenistic Kingdoms extended with the Romans.

So how do I know these are the Sebetti’s weapons and not constellations or anything else? On the bronze Plaque from Hell, the first Sebetti represented in the third register is a Serpent. Just above him in the 4th registers there is a specific symbol made up of strange object? If you look at the second register, on top of the high stool, and compare you will notice that both objects are identical = it’s an oil lamp. Then it means the Serpent a LIGHT BEARER. Which explains why (((they))) call Lucifer the Light Bearer, doesn’t it?

Right above the oil lamp in the 4th register we have 2 rows of dots one of top of the other. The upper row has 4 dots, while the lower row has 3 dots. In total, this makes 7 dots. This might be a constellation but I don’t think anyone will figure out which constellation it is, because I believe these are blasters and not a constellation. In page 955 while taking a look at Humbaba we learned he had 7 “radiances” which he “gave away” after being tricked by Gilgamesh to do so. Back then I said those are the blasters. And it’s the same blasters Enlil redistributed, but they were either called Auras or Splendors; as if they were some Gems (remember Native American Horned Serpent gem on forehead as well as Seraphim gem on forehead), which also shine like the blasters. Same thing seen in Cylinder Seal imprints, depicted just above a person on page 909 third picture – I believe these are indication to which clan the person bellow the dots belongs to; in this case: Serpent Sebetti.

If I combine the oil lamp with the 7 dots, this indicates we are dealing with 7 things that emits light/ shines = the blasters. So you see anons, I was right: this is the weapon of the Serpent Sebetti. This is a symbolic representation of the weapon = blasters. As in how do you explain to the person seeing this, that the Serpent Sebetti uses 7 “gems” = blasters which emits light? This is how you do it in Ancient Times = you put 7 dots and an oil lamp to indicate that you have 7 round/circular things that emits light. Remember the 7 Auras from Humbaba – Cylinder Seal imprint page 957 + Cylinder Seal imprint on page 909, same 7 dots indicating the person standing under it is Horned Serpent Warrior.

Now look at the first picture from the previous page = 963. We see the partially the upper register where the place of the weapons is different as well as the place of the Serpent Sebetti standing the row. I think it’s either the third or the 4th Sebetti starting from your left hand side. I’m unable to say exactly which ones because of the artistic style in the carving, it’s not that refined as the Bronze Plaque from Hell; here it’s a more rough artistic method. And just above the Serpent Sebetti is the same symbol pointing to his weapon. Anons, did you notice the Serpent Sebetti doesn’t have horns?

- Page 964 –

>>13885741

(Please read from the start)

If I follow the same line of reasoning and take a look at the other Sebetti can I attribute the weapons and guess what they are?

The second Sebetti in the row is the Eagle. Right above him there is a concave shape that looks like a Moon crescent. Is this the ThunderBirds weapon? Is this the Sharur that emits electricity? Could this be an archer’s bow? If it was, why isn’t it represented downwards this way and not sideward as it’s traditionally depicted? Strange, isn’t it?

The Third Sebetti in the row is an ox/bull . If I follow in the same line of reasoning, then I should associate the winged bird like item to him. I bet a lot of reader are already familiar with this ancient design, and we’ve seen it on Behistun inscription (page 8) as well as seen in other artifacts in this thread, here and there. I think this is an aircraft anons, not a body Jet suit like the ones used by the ThunderBirds. This is like the F35 or any other type of plane. And IF this turns out to be the specialty weapon used by the Ox Sebetti, it means they were airplane pilots. The Ox Sebetti could fly not because he used to wear Jet Suits like the ThunderBirds but because they piloted airplanes, probably military type of airplanes. And in turn this explains perfectly why Hathor and the Lamassu, both of them, have wings. Does this explain why Hathor was considered by early Ancient Egypt as the mother of Horus? = as in Fighter planes pilots and Jet Suit pilots’ place is in the sky = they were both the guardians of the sky?

The Fourth Sebetti is the Ram. In Ancient Egypt, the Ram was associated with Osiris for unknown reasons (page 837). We don’t see much (so far) the Ram armor. If we look at the fourth in the 4th registers, the one that is supposed to belong to the Ram Sebetti, at first sight, it looks like a shield with solar design on it and maybe a stack of javelins or small spears next to it. But we also saw the same design as the symbol of Shamash in this thread in page 814, which I believe is a beam of light with electricity swirling around it. Strangely, for some unknown reason, the Ram has always been associated in Ancient times either to the Sun or to solar deities – which is another type of connection to this Bean of Light. So here, there is still loads of info to gather.

It’s hard to figure out which animal is the Fifth Sebetti from this artifact and the weapon that should go to him looks like a staff with something on top of it. Could this be the Sharur? = the staff weapon used by the Staff-God in the Andes? Maybe, but when I went back to take a look I noticed a pottery piece from the Moche Culture (page 441) where a warrior is wearing a bird mask and is holding in his left hand a shield with javelins, and in his right hand he is holding a staff with its upper end shaped like what we see on this plaque. Is this a coincidence? I don’t know, but here, it needs more digging and it’s better to gather more information.

- Page 965 –

>>13891862

(Please read from the start)

The 6th Sebetti has a Canine face, either a dog or a wolf. His weapon should be that trident shaped like object. I have no idea what this could be. Do anons remember how Seth uses some type of Spear (page 808) which emits fire? A lot of researchers think that Seth looks like a dog of the desert, so does this mean he was part of the Canine clan and he betrayed them and worked for the Evil One? Or does this mean the entire Canine clan was among the coup plotters = co-conspirators along with the Serpent clan? I don’t know. But I do know that Pazuzu is also said to have SOMETIMES the face of a dog; while Lamashtu is said to nurse a dog. So are these traitor warriors to their own clans? Is the Canine clan the ally of the Serpent clan? Or did the Serpent clan also steal tech from the Canine clan to integrate it to its own like what it did to the ThunderBirds and Feline Armor? Did the Horned Serpent warriors go as far as to steal tech from the other 6 clans and to integrate them to their own armors? So far seems this way because we have loads of tetra-morphs and multi-morphs on our hands. Unless I find direct proof of the Canine clan being among the coup plotters, then I am thinking the Canine clan had traitors among its ranks and their armor tech was stolen from them. I hope I will find more information as I progress in this thread, to help me see through the Canine Clan better.

The last Sebetti is clearly a feline one and his weapon is made of 2 parts. I have no clue what that box looking thing might be = a square shield maybe. I don’t know. But amazingly the staff next has some type of animal on its upper extremity which is incredibly similar to what Bes is holding in page 945 – now this relief of Bes dates back to Roman times, so I’m scratching my head trying to figure out how the Romans got a hold of an Assyrian staff design. Was it also transferred via Hittites to the Greeks and from there to the Romans? This needs further digging.

Anons may wonder how I am sure we are dealing with weapons here and not some cosmic bodies or heraldic symbols etc. Well, I went back and took a look at the Sumerian cylinder seal imprints, which are a marvelous source of information in my opinion.

The first cylinder seal shows us the central person holding some type of weapon which both extremities shaped like a trident. We’ve seen this before with the Anunnaki weapon as well but it was a shorter version = I mean the middle section between the forks was shorter. We’ve also seen it in the Chimu pottery on page 449. Are all 4 (including the one on the Cylinder seal) the same weapon? Well, the other 3 do look similar to one another, but this one the Bronze Plaque from Hell is tricky.

The second Sumerian Cylinder seal has many of these weapons on it: the Concave crescent one, the strange staffs/spears behind the hooded person, the 7 dots above the person on the left and the winged flying craft on the upper right corner. It’s interesting isn’t it?

I also want to attract anons attention to 2 additional details about this Sumerian Cylinder Seal:

1 - The Lady sitting on the throne has 4 stars behind her depicted vertically, along with something strange on top of her head. I couldn’t figure out what it was since the picture quality is bad. But what I want to draw attention to is where her throne is resting = on the back of an animal, possibly a feline. This is the same idea behind Lamashtu kneeling on the back of a horse in the Bronze Plaque from Hell. The animal under the throne is a country = this is to say this lady comes from this country, this land.

- Page 966 –

>>13900644

(Please read from the start)

2 – The man standing behind the vertical stars, it’s clear he is holding something, but I’m more concerned with his hooded clothes: He is wearing a feline armor and he is surrounded with all the weapons as if he was a protecting warrior.

The last Sumerian Cylinder Seal is supposed to be, according to the Main Stream History, representing the 4 Seasons. We have 4 males kneeling on their right knee, all in the same position and orientation. They’ve got cute curly hair too. With both hands, they are holding a long staff in front of them. The upper extremity of the staff they are holding has a strange shape to it, but right under the extremity, we have what looks like a SHEN RING attached to the staff.

The first season = on your right hand, as in Mr Spring, is represented a bit shorter = smaller than the other 3. The second one, as in Mr Winter, has a snake/serpent positioned parallel to his staff = vertically. Is this indicating his clan or is it pointing to the electricity ability of the staff he is holding? I think it’s the second option. These 2 seasons, as in Mr Spring and Mr Winter also have a cuneiform inscription close to them.

What is interesting in this Cylinder imprint is mostly what is on top of each Season. Starting with the one on your right hand = Mr Spring:

1 - Concave shape, looking like a moon crescent. 2 – A fish. 3 – A vase or Amphora with what looks like water either coming out of it or coming into it. 4 – Symbol of Shamash = Beam of Light with electricity swirling around it.

We’ve seen the first and the last symbol on top register of the Bronze Plaque from Hell of Lamashtu. So if these were seasons and their symbol, why wasn’t this the interpretation given to the symbol on the bronze plaque? If Spring and Summer are represented symbolically on the bronze plaque why was it called the plaque from Hell? Is it me or is there something wrong here? Do Spring and Summer represent Hell or do they represent Life and Joy? Something is off here, which is pushing me to believe we have a wrong interpretation on BOTH artifacts: these are not symbols of seasons nor cosmic bodies or anything else. These are symbols representing the type of weapon used by ONE of the Sebetti.

The Sumerians being the oldest, these symbols on this cylinder seal might be the authentic ones of 4 of the Sebetti. While the ones we see in the Neo-Assyrian bronze plaque from Hell, MIGHT have a few of them changed or mutated along with time = altered.

- Page 967 –

>>13901409

(Please read from the start)

The last artifact I want to show anons is a relief of Lamashtu from the Babylonian period. As anons can see, the changes are huge. Starting with Lamashtu herself having the body of a snake/serpent instead of the human body. Behind her we have the high stool with the oil lamp we saw in the upper register of the Bronze Plaque from Hell. Only the head of Pazuzu is represented, seen from the side, depicted right in front of her. Under the head of Pazuzu there is a leg of an animal; most probably a horse. I have no idea what this leg is doing there, like that, on its own. But it might be a portion of the horse we see Lamashtu kneel on in the Bronze Plaque from Hell. Maybe since the space is limited, the artist chose to represent the horse leg to keep on the “tradition” of “there is a horse” in the iconography of Lamashtu. For the artist to cut corners like this, it means he doesn’t know the true meaning behind the original presence of the horse.

So even in later time the mutation and distortion continue. This feels like pealing a cabbage isn’t it anons? You got to take out the outer layers one by one to reach the core. Here the situation is the same. We got to go to the oldest period in order to get the most accurate information possible and be the closest to the starting point.

When I look at this Lamashtu Bronze Plaque of the Hells in an overall way, I see a story: Reading from top till down: I see 7 Kings = Sebetti with powerful weapons, then I see someone important dying or on the verge of death and warriors probably guarding him and healers/clergy attending to him, then I see people coming down from the Ark from Armenian Plateau and navigating down the Euphrates: isn’t all of this the story of the murdered king by the Evil One, then the Calamity occurring then the survivors coming out from the Ark?

Let’s talk about the Sebetti:

Whom are the Sebetti? This is the big mystery we have on our hands anons. What information do we have about them? Did ancient sources write about them? If so, from which era? How many inscriptions are there about them?

The only ancient written document we have, close enough to the oldest time, is the Epic of Erra (page 789). Strange isn’t it? From the looks of it the Sebetti were simply “remarkable” beings, but AMAZINGLY there is no abundant information about them? Not just in modern times, but even in Ancient times. The information about them is so scarce despite them being of high importance.

In the Epic of Erra it is reported that the Sebetti were “Champions without peer”, in a repeated formula. Let’s stop here and work a bit on this one = Champions without peer.

What is the definition of “Champion”:

“champion

/ˈtʃampɪən/

noun

plural noun: champions

1. a person who has surpassed all rivals in a sporting contest or other competition.

"a champion hurdler"

2. a person who vigorously supports or defends a person or cause.

"he became the determined champion of a free press"

• historical

a knight who fought in single combat on behalf of the monarch.”

>> So in other words a Champion is a FIGHTER. Isn’t the synonym of fighter = warrior? Yes, it is.

- Page 968 –

>>13908681

(Please read from the start)

Since I’m here, I’m going to go into the Hathor tunnel and I want to remind anons these are interconnected tunnels; as in it’s like a maze which links to Isis and others: https://en.wikipedia.org/wiki/Hathor

“Hathor (Ancient Egyptian: ḥwt-ḥr "House of Horus", Ancient Greek: Ἁθώρ Hathōr) was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.”

>> The Notables:

1 – “Hwt-hr” is the Ancient Egyptian name of Hathor and it means :the “House of Horus”; as in the CLAN of Horus. This proves my point that each Sebetti was a clan/family/tribe. And this reaffirms the solid ties between the Lamassu Sebetti and the ThunderBird Sebetti.

2 – Hathor was a SKY deity, just like Horus. This connects to the last sentence in the previous notable; the Lamassu and the ThunderBirds Sebettis were both warriors of the SKY. The Lamassu Sebetti aircraft pilots while the ThunderBirds were Jet Suit warriors. If I want to compare them both to nowadays military, I would say Lamassu are like F35 pilots and the ThunderBirds are like the paratroopers (sort of); but I guess anons understand what I mean there.

3 – It’s unclear if she was the mother or the consort of Horus or Ra; which both were connected to Kingship. It’s vague and ambiguous, isn’t it? I think this confusion is due to the Ancient Egyptians lack of knowledge and awareness about the existence of the Sebetti. They didn’t know like it was the case in Mesopotamia that there were 7 KINGS; each king had its own heraldic animal and each had his own army made of many warriors. The Ancient Egyptians were unable to understand how Hathor was connected and devoted to the King. Which in turn proves my point that the Lamassu warriors were among the good guys whom fought the Horned Serpent clan.

4 – Hathor was a motherly figure.

- Page 971 –

>>13915929

(Please read from the start)

5 – Hathor was one of the goddess whom acted like the EYE of Ra. Remember anons, the EYE of Ra was a weapon. This has a double meaning:

A – Hathor was the weapon herself as in she was a warrior, a fighter.

B – Hathor had a weapon powerful as the Sharur was. Let me explain:

From many years of reading many books belonging to many cultures, I found out that a Bull’s horns are not just attack/defense weapon but the horns also represent/symbolize his strength. When you observe the animal = Bull, you will get the same image projected to you. This is the same type of situation as the Eagle. The Birds of Prey have their beak, their ability to fly and their Talons as their special characteristics and yes as their weapons. The Bull has his physical strength and his horns are his strength points = characteristic. If we apply this to the Lamassu and Hathor, we will notice it fits perfectly with them as well; as in their horns are their power. So this is where the researcher should focus = the Horns are the weapon.

A lot of researcher, including anons, see the Horns of Hathor as the first picture I’m attaching with this page. Because of the coloring, they think the circle between the Horns is the Sun. And some even push it further to say this represents the Stargate because of the black lines of the Horns around the Sun disk. But doing so, by going into this tunnel, some researchers are forgetting or neglecting one tiny detail in it, or simply misunderstanding it = the golden serpent wrapped around the circle.

The real Hathor crown = Horns look like the second picture I’m attaching with this page. Look closely at that snake: it’s golden and it’s NOT eating its own tail like the Ouroboros but it’s standing up, like a cobra does, facing the one facing Hathor. Yes anons, this is the Wedjat = Eye of Horus (page 895). If you compare how the Wedjat is depicted and how this golden serpent in Hathor crown is, you will notice they are identical. Back then, I said the Wedjat is electricity that is depicted = shaped like a serpent/snake.

If I combine this information with Hathor crown being the Eye of Ra = weapon and with the horns of a Bull being his weapon… all 3 are pointing me that Hathor horns used to emit electricity. They were weapons on the helmet of the warrior which zapped the opponent. The ThunderBirds had their Sharur = Staff weapon emitting electricity which they used to zap their opponents. The Lamassu warrior didn’t have a staff but they had their horns as their weapon and their point of strength which used to emit electricity and shoot their opponent.

The reader is going to ask me: so then, what is this red circle between the horns which the snake wraps itself around? I will say, this is the energy weapon gathering epicenter. Let me explain: the horns are some type of rods which emits electricity and it sends it to the center = space between the horns as anons can see in the third picture I’m posting with this page.

- Page 972 –

>>13915948

(Please read from the start)

The electricity starts to concentrate in the space between the horns and starts to form a circle like what you see in the first picture I’ve attached with this page. Why does it concentrate into a circle and not a triangle or a rectangle? Well, I honestly don’t know but I am saying it’s a circle based on the iconography I have from Hathor. Remember anons, I’m taking a look at her “weapon”. I’m calling it a circle, but I think if we look at it from a 3 D perspective and not a 2 D one, there is a possibility this turns out to be an electrical sphere.

So the electricity coming out of the hors keeps on gathering and concentrating in a circular/spherical shape, till there is enough of it to form an epicenter; as seen in the second picture attached to this page.

When the electricity in the epicenter is strong enough, it will shoot out in a beam/ray straight ahead, like an arrow, but it’s made of electricity. As the beam is shot, the horn rods clam down and the electrical circle/sphere starts to dissipate between the horns, to vanish like seen in the third picture I’ve attached with this page. It’s similar to the concept of a Taser Gun (page 964).

The whole process can reboot and reshoot a second, third, etc. times in the same way. I don’t think it will take much time for the electrical beam at the epicenter to form. I mean this is not a process that will take 15 min for the horns to charge the beam. I think this is a fast process, like taking 30 sec at tops to charge and shoot the beam, to recharge once more. Why? Because this is a weapon used by a warrior during battle. Isn’t that why weapons are created? = to be used during battle against an enemy? So if your weapon needs 5, 10 or 15 min to reboot = recharge….and you are on the battlefield surrounded with enemies shooting at you….you would be very much dead in a blink if it takes too long to recharge. A warrior doesn’t use a weapon for a picnic but when there is danger. So this weapon needs to be powerful, practical and swift for it to be an effective one.

The reader may think the old man that I am has finally gone senile and all of this is not even possible. Well, I want to remind you that Qteam itself said that the deeper you go the weirder things get – in that sense anyway, I don’t remember the exact words. But we also know that modern day Bloodlines were reverse engineering the technology of this lost civilization. So anons, do you think (((they))) managed to reverse engineer Hathor’s horn weapon? I’m not that sure, but I have a proposition = a possibility = there is something called Laser Weapon or D.E.W. either fired from satellites (if I understood this correctly) or from drones and planes. Also take a look at page 926, the 2 evil witches and how they hold their hands = they look like Hathor horns with the electricity/beam forming in the middle.

I’m not an expert, but it seems this type of Laser emits a RED beam which, incredibly, coincide with the red color of the circle between Hathor’s horns. Now this is just a proposition from the old man; I’m curious and I’m willing to hear any suggestions anons can give about what type of Beam we are dealing with. Could it be different types of beam, like electricity for one and the other is of fire?

- Page 973 –

>>13915974

(Please read from the start)

I’m not basing my words about Hathor’s Horns being a weapon that shoots out a red energy beam with just one of her iconography. I have other artifacts I want anons to take a look at:

1 – The first artifact is from a rather late period as anons can see in the details I’ve written with the picture. This iconography seem to be a stereotyped one, as in we may have more than one artifact with the same imagery on it. What do we see on these artifacts?

We have the head of Hathor represented in her human form = face. Her long hair curls up at its lower extremity to end up in being the Wedjat = standing Snake (on each side of her face) which we now know represents electricity. Her ears are clearly shown. We can also see her traditional horns but their upper extremity is curled instead of being the traditional pointy ones. I think this detail is due to the mutation which occurs as time passes by.

Right above her head, between her horns we have the EYE of RA/Horus also known as the Wedjat symbol represented. The reader may find this weird, or for those whom been reading what I’ve been writing from the start, know this might be a mutation; which it is. But a mutation of what exactly? This is a mutation of the red circle that she usually has between her horns: that red circle encircled with a golden serpent = Wedjat. I think even during this late period the Egyptians understood that the red hathoric disk and the Wedjat were similar = have electrical properties or being some type of beam. This is why much much later generations replaced the hathoric circle in her crown by the Wedjat. It is a mutation but they somehow managed to preserve the meaning of it. This is incredible. Somehow, they used 2 symbols representing weapons in the same spot between her horns.

2 – In the third picture I’ve attached with this page, there are 2 artifacts. The first one is a statuette of Hathor with a Bovine head, while the second one is a cylinder seal with Hathor depicted on it; and this is the artifact I’m interested in = the cylinder seal.

Hathor is depicted with her human face and it “looks like” she has an upside down Ankh on each side of her. Her ears are clearly shown. Her horns end up in a curly form instead of them being pointy, like in the previous artifact. But here we have a different detail = what’s between her horns? Well, there is a vertical line coming out from her head and on the very top of it, we have a very strange shape. I’m not sure if it’s downward triangle or a semi-circle with its diameter marked. But does it matter? The important is that the red disk circled with a golden serpent is all gone and in its place we have a strange design, which could look like an object in the sky and a beam is coming down from it. I can assure you this is not a hair pin, nor a candle or anything else you can think of. I’m going to leave it to anons to make up their own minds about this strange and unconventional iconography of Hathor.

- Page 974 –

>>13922826

(Please read from the start)

“Origins

Images of cattle appear frequently in the artwork of Predynastic Egypt (before c. 3100 BC), as do images of women with upraised, curved arms reminiscent of the shape of bovine horns. Both types of imagery may represent goddesses connected with cattle. Cows are venerated in many cultures, including ancient Egypt, as symbols of motherhood and nourishment, because they care for their calves and provide humans with milk. The Gerzeh Palette, a stone palette from the Naqada II period of prehistory (c. 3500–3200 BC), shows the silhouette of a cow's head with inward-curving horns surrounded by stars. The palette suggests that this cow was also linked with the sky, as were several goddesses from later times who were represented in this form: Hathor, Mehet-Weret, and Nut.”

>> Yes the image of bovines do show up in pre-dynastic Egypt and we’ve seen them before in this thread. The women raising their arms in page 142, I can assure you we are not dealing with Hathor or any bovine type of deity. I’ve already explained about these ladies back in the page. Did you notice anons how they admit in this paragraph that the cow imagery projects motherhood and nourishment? But not prostitution or sexuality? I see it more as a lady having a naughty humor and sensuality. I don’t get from her the same mental image I get from Aphrodite/Venus = lustfull woman.

We’ve also seen the Gerzeh Palette in this thread in page 112. There is no consensus on what this Palette really represents. Some say it’s Hathor or a Cow head, while others suggest it’s stars from a constellation. I bet loads of people looking at this Palette are tempted to see it as the first picture I’ve posted with this page.

But us, in archaeology see it as the second picture. I want to attract anons’ attention to the SHAPE of the stars on the upper tip of the horns and the one right on top of the head of the Bull. Don’t misunderstand, it doesn’t matter how many hands the stars have; what matter is the pointy shape of those 3 stars if you compare them to the convex shape of the stars on the ears of the bovine.

If I consider those 3 stars = 2 on the horns and one on top of the head as not being stars but sparks, then what I said about the electricity being generated by 2 rods and forming an electrical spheres between the horns (pages 971-972) is depicted right in front us. Does this artifact show us the laser beam of the Lamassu being formed by the horns? Can I consider this specific artifact as evidence of the horns being a weapon shooting a beam? = don’t forget, it dates back from pre-dynastic Egypt.

- Page 976 –

>>13922851

(Please read from the start)

If I combine this Palette with the artifacts of page 974, then I believe these are sparks pointing to the horns emitting that electrical beam/laser. I’m going to ask anons to go to this link because I was unable to transfer the drawings onto here in a good way – see picture 1 of this page: https://en.wikipedia.org/wiki/List_of_ancient_Egyptian_palettes

Go down to where it’s written about the Gerzeh Palette and take a very good look at the hieroglyphs. They start with a star, then there is a pair of horns upwards, then Hathor’s sistrum; then the last hieroglyph is one with horns upside down, a star between them and a line coming straight down from the star. Take a long and good look at these hieroglyphs anons. I’ve tried to copy them on this page, I hope it’s visible and clear to anons. It’s not that good visually.

Anons, it’s very clear if we see these hieroglyphs from that Wikipedia page that I’m a 100% right with my interpretation of the Hathor’s Horns = it’s the special weapon of the Lamassu warriors which emits some sort of Beam that is shoot out forward like an arrow.

If we compare the Horn Hieroglyph to the second weapon on the upper register of the bronze Plaque from Hell, we will find out they are very similar. I think this second weapon we see is the Weapon Horns of the Lamassu warriors.

Did I make a wrong interpretation a few pages earlier when I was describing the bronze Plaque of Hell and said that each Sebetti in the third register has his own weapon on top of him in the 4th register? No I didn’t. But why is the Lamassu horn weapon depicted just above the ThunderBird Sebetti and the winged weapon depicted above the Lamassu Sebetti?

If the Lamassu weapon was the third weapon, just above the Lamassu warrior, then we would have never known the flying ability of the Lamassu warrior. We already know that Eagles = ThunderBirds can fly, so we do not need to confirm it with the upper register weapons. But by switching the places it becomes clear = If the places of the weapon weren’t switched we would never know about the flying ability of the Lamassu warrior. Also the Lamassu weapon is pretty close to the Sharur staff used by the ThunderBirds. And anons shouldn’t forget the close ties between the Lamassu warriors and the ThunderBirds warriors.

Let’s continue where I left off with Hathor:

“Despite these early precedents, Hathor is not unambiguously mentioned or depicted until the Fourth Dynasty (c. 2613–2494 BC) of the Old Kingdom, although several artifacts that refer to her may date to the Early Dynastic Period (c. 3100–2686 BC). When Hathor does clearly appear, her horns curve outward, rather than inward like those in Predynastic art.”

>> So in the pre-dynastic times her horns were curled inward, while in the early dynastic times her horns were pointing outward. Then this means that the artifacts from page 974 were accurate in this specific detail about her horns, despite them being of late period. Do you think they were also accurate about the Wedjat = Eye of Ra/Horus between the horns as well? It’s possible but not certain.

- Page 977 -

>>13922874

(Please read from the start)

“A bovine deity with inward-curving horns appears on the Narmer Palette from near the start of Egyptian history, both atop the palette and on the belt or apron of the king, Narmer. The Egyptologist Henry George Fischer suggested this deity may be Bat, a goddess who was later depicted with a woman's face and inward-curling horns, seemingly reflecting the curve of the cow horns. The Egyptologist Lana Troy, however, identifies a passage in the Pyramid Texts from the late Old Kingdom that connects Hathor with the "apron" of the king, reminiscent of the goddess on Narmer's garments, and suggests the goddess on the Narmer Palette is Hathor rather than Bat.”

>> Narmer Paletter starting page 122.

“In the Fourth Dynasty, Hathor rose rapidly to prominence. She supplanted an early crocodile god who was worshipped at Dendera in Upper Egypt to become Dendera's patron deity, and she increasingly absorbed the cult of Bat in the neighboring region of Hu, so that in the Middle Kingdom (c. 2055–1650 BC) the two deities fused into one. The theology surrounding the pharaoh in the Old Kingdom, unlike that of earlier times, focused heavily on the sun god Ra as king of the gods and father and patron of the earthly king. Hathor ascended with Ra and became his mythological wife, and thus divine mother of the pharaoh.

Roles

“Hathor took many forms and appeared in a wide variety of roles. The Egyptologist Robyn Gillam suggests that these diverse forms emerged when the royal goddess promoted by the Old Kingdom court subsumed many local goddesses worshipped by the general populace, who were then treated as manifestations of her. Egyptian texts often speak of the manifestations of the goddess as "Seven Hathors" or, less commonly, of many more Hathors—as many as 362. For these reasons, Gillam calls her "a type of deity rather than a single entity". Hathor's diversity reflects the range of traits that the Egyptians associated with goddesses. More than any other deity, she exemplifies the Egyptian perception of femininity.”

>> The way I interpret this is that the Seven Hathors points to/refers to the Lamassu Sebetti; as in the Bull warrior among the 7 warriors. While the 362 = many Hathors are the Lamassu warriors. That’s quite a number of them in Ancient Egypt, isn’t it?

“Sky goddess

Hathor was given the epithets "mistress of the sky" and "mistress of the stars", and was said to dwell in the sky with Ra and other sun deities. Egyptians thought of the sky as a body of water through which the sun god sailed, and they connected it with the waters from which, according to their creation myths, the sun emerged at the beginning of time. This cosmic mother goddess was often represented as a cow. Hathor and Mehet-Weret were both thought of as the cow who birthed the sun god and placed him between her horns. Like Nut, Hathor was said to give birth to the sun god each dawn.”

“Hathor's Egyptian name was ḥwt-ḥrw or ḥwt-ḥr. It is typically translated "house of Horus" but can also be rendered as "my house is the sky".The falcon god Horus represented, among other things, the sun and sky. The "house" referred to may be the sky in which Horus lives, or the goddess's womb from which he, as a sun god, is born each day.”

>> I already explained this.

- Page 978 –

>>13922888

(Please read from the start)

“Solar goddess

Hathor was a solar deity, a feminine counterpart to sun gods such as Horus and Ra, and was a member of the divine entourage that accompanied Ra as he sailed through the sky in his barque. She was commonly called the "Golden One", referring to the radiance of the sun, and texts from her temple at Dendera say "her rays illuminate the whole earth." She was sometimes fused with another goddess, Nebethetepet, whose name can mean "Lady of the Offering", "Lady of Contentment", or "Lady of the Vulva". At Ra's cult center of Heliopolis, Hathor-Nebethetepet was worshipped as his consort, and the Egyptologist Rudolf Anthes argued that Hathor's name referred to a mythical "house of Horus" at Heliopolis that was connected with the ideology of kingship.”

>> Everything in this paragraph is pointing me that she was one of the Sebetti. It’s interesting if you think about it! I mean the idea of not all the Sebetti were male, but some were also females.

“She was one of many goddesses to take the role of the Eye of Ra, a feminine personification of the disk of the sun and an extension of Ra's own power. Ra was sometimes portrayed inside the disk, which Troy interprets as meaning that the Eye goddess was thought of as a womb from which the sun god was born. Hathor's seemingly contradictory roles as mother, wife, and daughter of Ra reflected the daily cycle of the sun. At sunset the god entered the body of the goddess, impregnating her and fathering the deities born from her womb at sunrise: himself and the Eye goddess, who would later give birth to him. Ra gave rise to his daughter, the Eye goddess, who in turn gave rise to him, her son, in a cycle of constant regeneration.”

>> I’ve already explained about Hathor being one of the Eye of Ra = a warrior with a weapon.

“The Eye of Ra protected the sun god from his enemies and was often represented as a uraeus, or rearing cobra, or as a lioness. A form of the Eye of Ra known as "Hathor of the Four Faces", represented by a set of four cobras, was said to face in each of the cardinal directions to watch for threats to the sun god. A group of myths, known from the New Kingdom (c. 1550–1070 BC) onward, describe what happens when the Eye goddess rampages uncontrolled. In the funerary text known as the Book of the Heavenly Cow, Ra sends Hathor as the Eye of Ra to punish humans for plotting rebellion against his rule. She becomes the lioness goddess Sekhmet and massacres the rebellious humans, but Ra decides to prevent her from killing all humanity. He orders that beer be dyed red and poured out over the land. The Eye goddess drinks the beer, mistaking it for blood, and in her inebriated state reverts to being the benign and beautiful Hathor. Related to this story is the myth of the Distant Goddess, from the Late and Ptolemaic periods. The Eye goddess, sometimes in the form of Hathor, rebels against Ra's control and rampages freely in a foreign land: Libya west of Egypt or Nubia to the south. Weakened by the loss of his Eye, Ra sends another god, such as Thoth, to bring her back to him. Once pacified, the goddess returns to become the consort of the sun god or of the god who brings her back. The two aspects of the Eye goddess—violent and dangerous versus beautiful and joyful—reflected the Egyptian belief that women, as the Egyptologist Carolyn Graves-Brown puts it, "encompassed both extreme passions of fury and love".”

>> The first sentence confirms my point that the Cobra of the Uraeus is in fact Electricity. Hathor of the Four Faces: does this mean the Lamassu warriors were stationed in the direction of the Four Cardinal Points? As for the late periods mentioned, well, it’s far from the starting point, so I’m not going to get into it.

- Page 979 –

>>13929869

(Please read from the start)

“Music, dance, and joy

Egyptian religion celebrated the sensory pleasures of life, believed to be among the gods' gifts to humanity. Egyptians ate, drank, danced, and played music at their religious festivals. They perfumed the air with flowers and incense. Many of Hathor's epithets link her to celebration; she is called the mistress of music, dance, garlands, myrrh, and drunkenness. In hymns and temple reliefs, musicians play tambourines, harps, lyres, and sistra in Hathor's honor. The sistrum, a rattle-like instrument, was particularly important in Hathor's worship. Sistra had erotic connotations and, by extension, alluded to the creation of new life.

These aspects of Hathor were linked with the myth of the Eye of Ra. The Eye was pacified by beer in the story of the Destruction of Mankind. In some versions of the Distant Goddess myth, the wandering Eye's wildness abated when she was appeased with products of civilization like music, dance, and wine. The water of the annual flooding of the Nile, colored red by sediment, was likened to wine, and to the red-dyed beer in the Destruction of Mankind. Festivals during the inundation therefore incorporated drink, music, and dance as a way to appease the returning goddess. A text from the Temple of Edfu says of Hathor, "the gods play the sistrum for her, the goddesses dance for her to dispel her bad temper." A hymn to the goddess Raet-Tawy as a form of Hathor at the temple of Medamud describes the Festival of Drunkenness as part of her mythic return to Egypt. Women carry bouquets of flowers, drunken revelers play drums, and people and animals from foreign lands dance for her as she enters the temple's festival booth. The noise of the celebration drives away hostile powers and ensures the goddess will remain in her joyful form as she awaits the male god of the temple, her mythological consort Montu, whose son she will bear.”

>> Take note in big red pen of: “annual flooding of the Nile, colored red by sediment”. I will be explaining something very important later on and I will be talking about this specific FACT.

“Sexuality, beauty, and love

Hathor's joyful, ecstatic side indicates her feminine, procreative power. In some creation myths she helped produce the world itself. Atum, a creator god who contained all things within himself, was said to have produced his children Shu and Tefnut, and thus begun the process of creation, by masturbating. The hand he used for this act, the Hand of Atum, represented the female aspect of himself and could be personified by Hathor, Nebethetepet, or another goddess, Iusaaset. In a late creation myth from the Ptolemaic Period (332–30 BC), the god Khonsu is put in a central role, and Hathor is the goddess with whom Khonsu mates to enable creation.”

- Page 980 –

>>13929875

(Please read from the start)

“Hathor could be the consort of many male gods, of whom Ra was only the most prominent. Mut was the usual consort of Amun, the preeminent deity during the New Kingdom who was often linked with Ra. But Mut was rarely portrayed alongside Amun in contexts related to sex or fertility, and in those circumstances, Hathor or Isis stood at his side instead. In the late periods of Egyptian history, the form of Hathor from Dendera and the form of Horus from Edfu were considered husband and wife[ and in different versions of the myth of the Distant Goddess, Hathor-Raettawy was the consort of Montu[ and Hathor-Tefnut the consort of Shu.”

>> See how much her role changed in the late period?

“Hathor's sexual side was seen in some short stories. In a cryptic fragment of a Middle Kingdom story, known as "The Tale of the Herdsman", a herdsman encounters a hairy, animal-like goddess in a marsh and reacts with terror. On another day he encounters her as a nude, alluring woman. Most Egyptologists who study this story think this woman is Hathor or a goddess like her, one who can be wild and dangerous or benign and erotic. Thomas Schneider interprets the text as implying that between his two encounters with the goddess the herdsman has done something to pacify her. In "The Contendings of Horus and Set", a New Kingdom short story about the dispute between those two gods, Ra is upset after being insulted by another god, Babi, and lies on his back alone. After some time, Hathor exposes her genitals to Ra, making him laugh and get up again to perform his duties as ruler of the gods. Life and order were thought to be dependent on Ra's activity, and the story implies that Hathor averted the disastrous consequences of his idleness. Her act may have lifted Ra's spirits partly because it sexually aroused him, although why he laughed is not fully understood.”

>> So let me get this straight: from the first story we do not know for certain it’s Hathor, some only suspect it’s her, and in the second she decides to play Marilyn Monroe in a tale of later period. We” accuse” her of being a sexual hungry lady because of these 2 stories made of straws.

“Hathor was praised for her beautiful hair. Egyptian literature contains allusions to a myth not clearly described in any surviving texts, in which Hathor lost a lock of hair that represented her sexual allure. One text compares this loss with Horus's loss of his divine Eye and Set's loss of his testicles during the struggle between the two gods, implying that the loss of Hathor's lock was as catastrophic for her as the maiming of Horus and Set was for them.

Hathor was called "mistress of love", as an extension of her sexual aspect. In the series of love poems from Papyrus Chester Beatty I, from the Twentieth Dynasty (c. 1189–1077 BC), men and women ask Hathor to bring their lovers to them: "I prayed to her [Hathor] and she heard my prayer. She destined my mistress [loved one] for me. And she came of her own free will to see me.”

>> So she “earned” her title of mistress of love because of:

1 – A story that does mention her but some suspect it’s her in it.

2 – A late period story where mutation might have occurred, she is said to have been playful and decided to be the first Marilyn Monroe in history.

3 – She lost a lock of her hair.

So (((they))) gathered these elements (according to Wikipedia) and pushed them as facts about her sexuality. I don’t know about you anons, but me, I need more. This is inconclusive. Which makes me wonder why did (((they))) want to disfigure the image of Hathor from a motherly one to a sexual one, just like what (((they))) did to Isis image.

- Page 981 –

>>13929883

(Please read from the start)

“Motherhood and queenship

Hathor was considered the mother of various child deities. As suggested by her name, she was often thought of as both Horus's mother and consort. As both the king's wife and his heir's mother, Hathor was the mythic counterpart of human queens.

Isis and Osiris were considered Horus's parents in the Osiris myth as far back as the late Old Kingdom, but the relationship between Horus and Hathor may be older still. If so, Horus only came to be linked with Isis and Osiris as the Osiris myth emerged during the Old Kingdom. Even after Isis was firmly established as Horus's mother, Hathor continued to appear in this role, especially when nursing the pharaoh. Images of the Hathor-cow with a child in a papyrus thicket represented his mythological upbringing in a secluded marsh. Goddesses' milk was a sign of divinity and royal status. Thus, images in which Hathor nurses the pharaoh represent his right to rule. Hathor's relationship with Horus gave a healing aspect to her character, as she was said to have restored Horus's missing eye or eyes after Set attacked him. In the version of this episode in "The Contendings of Horus and Set", Hathor finds Horus with his eyes torn out and heals the wounds with gazelle's milk.”

>> The certain points are: she is in good terms with Horus and her relationship with him is close. I don’t mean she is in love with her when I say relationship, by that I mean her link, her bond, her connection to him.

“Beginning in the Late Period (664–323 BC), temples focused on the worship of a divine family: an adult male deity, his wife, and their immature son. Satellite buildings, known as mammisis, were built in celebration of the birth of the local child deity. The child god represented the cyclical renewal of the cosmos and an archetypal heir to the kingship. Hathor was the mother in many of these local triads of gods. At Dendera, the mature Horus of Edfu was the father and Hathor the mother, while their child was Ihy, a god whose name meant "sistrum-player" and who personified the jubilation associated with the instrument. At Kom Ombo, Hathor's local form, Tasenetnofret, was mother to Horus's son Panebtawy. Other children of Hathor included a minor deity from the town of Hu, named Neferhotep, and several child forms of Horus.

The milky sap of the sycamore tree, which the Egyptians regarded as a symbol of life, became one of her symbols. The milk was equated with water of the Nile inundation and thus fertility. In the late Ptolemaic and Roman Periods, many temples contained a creation myth that adapted long-standing ideas about creation. The version from Hathor's temple at Dendera emphasizes that she, as a female solar deity, was the first being to emerge from the primordial waters that preceded creation, and her life-giving light and milk nourished all living things.

Like Meskhenet, another goddess who presided over birth, Hathor was connected with shai, the Egyptian concept of fate, particularly when she took the form of the Seven Hathors. In two New Kingdom works of fiction, the "Tale of Two Brothers" and the "Tale of the Doomed Prince", the Hathors appear at the births of major characters and foretell the manner of their deaths.”

- Page 982 –

>>13929892

(Please read from the start)

“Hathor's maternal aspects can be compared with those of Isis and Mut, yet there are many contrasts between them. Isis's devotion to her husband and care for their child represented a more socially acceptable form of love than Hathor's uninhibited sexuality, and Mut's character was more authoritative than sexual.The text of the first century AD Insinger Papyrus likens a faithful wife, the mistress of a household, to Mut, while comparing Hathor to a strange woman who tempts a married man.

Foreign lands and goods

Egypt maintained trade relations with the coastal cities of Syria and Canaan, particularly Byblos, placing Egyptian religion in contact with the religions of that region. At some point, perhaps as early as the Old Kingdom, the Egyptians began to refer to the patron goddess of Byblos, Baalat Gebal, as a local form of Hathor. So strong was Hathor's link to Byblos that texts from Dendera say she resided there. The Egyptians sometimes equated Anat, an aggressive Canaanite goddess who came to be worshipped in Egypt during the New Kingdom, with Hathor. Some Canaanite artworks depict a nude goddess with a curling wig taken from Hathor's iconography. Which goddess these images represent is not known, but the Egyptians adopted her iconography and came to regard her as an independent deity, Qetesh, whom they associated with Hathor.”

>> LoL! I’m holding my ribs and roaring in laughter. Check out this beauty of paragraph anons. (((They))) tell you the City-State’s name = Byblos which is clearly Phoenician; it’s in fact one of the oldest Phoenician City-States. But amazingly the names Phoenicia and/or Lebanon are not mentioned. Instead (((they))) use Syria, Canaan and the funniest is “that region”! LoL! THAT REGION! I bet (((they))) choke on the name if (((they))) say it out loud. Is it that hard to say Phoenicia? Why aren’t (((they))) saying it? It’s just a name of an old country after all, nothing to it. Or is there something to it? Think anons, think.

So it’s Isis/Hathor and she resided = lived in the Gebal City-State for some time. The link between Gebal City-State and Ancient Egypt Hathor/Isis was STRONG. (((They))) tell us in this Wikipedia page that the Ancient Egyptians equate Baalat of Gebal = Lady of Gebal to Anat, but don’t give us a source, an artifact, and don’t tell us how or why. Incredible! We are supposed to believe (((their))) word. Seems like Dendera site is holding more than one secret/mystery.

Another beauty is this sentence: “Some Canaanite artworks depict a nude goddess with a curling wig taken from Hathor's iconography” = it’s incredible how vague this sentence is. We don’t know the name of the goddess, her description and where she was specifically worshiped. We also don’t know what these artifacts are and where they were found. (((They))) won’t tell you that a part of these artifacts representing this mysterious goddess were found in current day Israel. Shh! Nothing to see here. And just because 2 ladies have curly hair, it doesn’t mean they are one and same person. It simply means both have curly hair and that’s it.

- Page 983 –

>>13938429

(Please read from the start)

“Hathor's solar character may have played a role in linking her with trade: she was believed to protect ships on the Nile and in the seas beyond Egypt, as she protected the barque of Ra in the sky. The mythological wandering of the Eye goddess in Nubia or Libya gave her a connection with those lands as well.”

>> Isis played the same exact role (page 848), didn’t she? I keep on wondering why both deities were protecting ships. Is it something that’s got to do with the Great Flood and the Ark? Were they on board and protected the Ark with their special powers during the cataclysm? Or is this due to the Nile navigation? Maybe trade nagivation with the Phoenician and Chypriotes?

“Hathor was closely connected with the Sinai Peninsula, which was not considered part of Egypt proper but was the site of Egyptian mines for copper, turquoise, and malachite during the Middle and New Kingdoms. One of Hathor's epithets, "Lady of Mefkat", may have referred specifically to turquoise or to all blue-green minerals. She was also called "Lady of Faience", a blue-green ceramic that Egyptians likened to turquoise. Hathor was also worshipped at various quarries and mining sites in Egypt's Eastern Desert, such as the amethyst mines of Wadi el-Hudi, where she was sometimes called "Lady of Amethyst".

South of Egypt, Hathor's influence was thought to have extended over the land of Punt, which lay along the Red Sea coast and was a major source for the incense with which Hathor was linked, as well as with Nubia, northwest of Punt. The autobiography of Harkhuf, an official in the Sixth Dynasty (c. 2345–2181 BC), describes his expedition to a land in or near Nubia, from which he brought back great quantities of ebony, panther skins, and incense for the king. The text describes these exotic goods as Hathor's gift to the pharaoh.Egyptian expeditions to mine gold in Nubia introduced her cult to the region during the Middle and New Kingdoms, and New Kingdom pharaohs built several temples to her in the portions of Nubia that they ruled.

Afterlife

Hathor was one of several goddesses believed to assist deceased souls in the afterlife. One of these was Imentet, the goddess of the west, who personified the necropolises, or clusters of tombs, on the west bank of the Nile, and the realm of the afterlife itself. She was often regarded as a specialized manifestation of Hathor.

Just as she crossed the boundary between Egypt and foreign lands, Hathor passed through the boundary between the living and the Duat, the realm of the dead. She helped the spirits of deceased humans enter the Duat and was closely linked with tomb sites, where that transition began.The Theban necropolis, for example, was often portrayed as a stylized mountain with the cow of Hathor emerging from it. Her role as a sky goddess was also linked to the afterlife. Because the sky goddess—either Nut or Hathor—assisted Ra in his daily rebirth, she had an important part in ancient Egyptian afterlife beliefs, according to which deceased humans were reborn like the sun god. Coffins, tombs, and the underworld itself were interpreted as the womb of this goddess, from which the deceased soul would be reborn.

[…]”

- Page 984 –

>>13922874

Why did the presentation of the sistrum change?

>>13938442

(Please read from the start)

“Iconography

Hathor was often depicted as a cow bearing the sun disk between her horns, especially when shown nursing the king. She could also appear as a woman with the head of a cow. Her most common form, however, was a woman wearing a headdress of the horns and sun disk, often with a red or turquoise sheath dress, or a dress combining both colors. Sometimes the horns stood atop a low modius or the vulture headdress that Egyptian queens often wore in the New Kingdom. Because Isis adopted the same headdress during the New Kingdom, the two goddesses can be distinguished only if labeled in writing. When in the role of Imentet, Hathor wore the emblem of the west upon her head instead of the horned headdress. The Seven Hathors were sometimes portrayed as a set of seven cows, accompanied by a minor sky and afterlife deity called the Bull of the West.

Some animals other than cattle could represent Hathor. The uraeus was a common motif in Egyptian art and could represent a variety of goddesses who were identified with the Eye of Ra. When Hathor was depicted as a uraeus, it represented the ferocious and protective aspects of her character. She also appeared as a lioness, and this form had a similar meaning. In contrast, the domestic cat, which was sometimes connected with Hathor, often represented the Eye goddess's pacified form.When portrayed as a sycamore tree, Hathor was usually shown with the upper body of her human form emerging from the trunk.

Like other goddesses, Hathor might carry a stalk of papyrus as a staff, though she could instead hold a was staff, a symbol of power that was usually restricted to male deities. The only goddesses who used the was were those, like Hathor, who were linked with the Eye of Ra. She also commonly carried a sistrum or a menat necklace. The sistrum came in two varieties: a simple loop shape or the more complex naos sistrum, which was shaped to resemble a naos shrine and flanked by volutes resembling the antennae of the Bat emblem. Mirrors were another of her symbols, because in Egypt they were often made of gold or bronze and therefore symbolized the sun disk, and because they were connected with beauty and femininity. Some mirror handles were made in the shape of Hathor's face. The menat necklace, made up of many strands of beads, was shaken in ceremonies in Hathor's honor, similarly to the sistrum. Images of it were sometimes seen as personifications of Hathor herself.”

>> What are the odds the WAS staff is my little Sharur weapon = staff weapon held by the ThunderBirds mostly? I like it how they say that the Was Staff is linked to the Eye of Ra; pointing us that both are weapons. I wonder if they used to shoot the same thing = electricity or did it shoot some type of plasma or laser beam? Anons can see Hathor holding the Was Staff in page 971.

The sistrum is a weird instrument, isn’t it? It’s interesting how in its second form it resembles a naos. When you look at the Naos Sistrums, it actually looks like a portal = stargate and right in the middle of the “door way” there is a Wedjat depicted = electricity. This is another proof = apart the pictures I’ve posted before of the Light column coming from the sky with electricity around it – and Gudea’s Libation vase and Shamash symbol; that it is made of Light surrounded with electricity. If you think about it carefully, you will understand why the Bloodlines are using technology = machinery to attempt to reopen the Stargate = machines run on electricity and electricity is needed to at least go through the Stargate. All of this is another proof that the Wedjat is truly electricity depicted as standing Cobra ready to attach. It’s all connecting perfectly for me.

- Page 985 –

>>13950002

(Please read from the start)

“Dendera, Hathor's oldest temple in Upper Egypt, dates to at least to the Fourth Dynasty. After the end of the Old Kingdom it surpassed her Memphite temples in importance. Many kings made additions to the temple complex through Egyptian history. The last version of the temple was built in the Ptolemaic and Roman Periods and is today one of the best-preserved Egyptian temples from that time.”

>> So the records = archives at the Dendera Temple dated from back then. Impressive! No wonder they had records of Ancient machinery including the Lightbulbs and had advanced Astronomical knowledge (starting page 93).

“In the Old Kingdom, most priests of Hathor, including the highest ranks, were women. Many of these women were members of the royal family. In the course of the Middle Kingdom, women were increasingly excluded from the highest priestly positions, at the same time that queens were becoming more closely tied to Hathor's cult. Thus, non-royal women disappeared from the high ranks of Hathor's priesthood, although women continued to serve as musicians and singers in temple cults across Egypt.

The most frequent temple rite for any deity was the daily offering ritual, in which the cult image, or statue, of a deity would be clothed and given food. The daily ritual was largely the same in every Egyptian temple, although the goods given as offerings could vary according to which deity received them. Wine and beer were common offerings in all temples, but especially in rituals in Hathor's honor, and she and the goddesses related to her often received sistra and menat necklaces. In Late and Ptolemaic times, they were also offered a pair of mirrors, representing the sun and the moon.

Festivals

Many of Hathor's annual festivals were celebrated with drinking and dancing that served a ritual purpose. Revelers at these festivals may have aimed to reach a state of religious ecstasy, which was otherwise rare or nonexistent in ancient Egyptian religion. Graves-Brown suggests that celebrants in Hathor's festivals aimed to reach an altered state of consciousness to allow them interact with the divine realm. An example is the Festival of Drunkenness, commemorating the return of the Eye of Ra, which was celebrated on the twentieth day of the month of Thout at temples to Hathor and to other Eye goddesses. It was celebrated as early as the Middle Kingdom, but it is best known from Ptolemaic and Roman times. The dancing, eating and drinking that took place during the Festival of Drunkenness represented the opposite of the sorrow, hunger, and thirst that the Egyptians associated with death. Whereas the rampages of the Eye of Ra brought death to humans, the Festival of Drunkenness celebrated life, abundance, and joy.

[…]”

- Page 988 –

>>13950035

(Please read from the start)

>> So in other words Hathor was considered as a protector of pregnant women, birth and children. It fits with the image of the Lamassu as being the protector of mankind. As for what is written about the Roman times, I’ve already explained all there is about the mutation, so I’m not going to repeat it.

“Funerary practices

As an afterlife deity, Hathor appeared frequently in funerary texts and art. In the early New Kingdom, for instance, Osiris, Anubis, and Hathor were the three deities most commonly found in royal tomb decoration. In that period she often appeared as the goddess welcoming the dead into the afterlife. Other images referred to her more obliquely. Reliefs in Old Kingdom tombs show men and women performing a ritual called "shaking the papyrus". The significance of this rite is not known, but inscriptions sometimes say it was performed "for Hathor", and shaking papyrus stalks produces a rustling sound that may have been likened to the rattling of a sistrum. Other Hathoric imagery in tombs included the cow emerging from the mountain of the necropolis and the seated figure of the goddess presiding over a garden in the afterlife. […]”

>> This is interesting information: in the Old Kingdom times, they used to shake the papyrus. This might have been the earliest form of the sistrum. It evolved then into the metallic instrument we are familiar with. So this is the earliest form of the sistrum but it still doesn’t explain why they wanted to make that sound. What does it refer to? And I do like the idea of Hathor “presiding over a garden in the afterlife”: what garden are they talking about here?

“[…]. Tombs' festival imagery, however, may refer to festivals involving Hathor, such as the Festival of Drunkenness, or to the private feasts, which were also closely connected with her. Drinking and dancing at these feasts may have been meant to intoxicate the celebrants, as at the Festival of Drunkenness, allowing them to commune with the spirits of the deceased.

[…]”

>> I’ve already explained this and how I think alcohol was used instead of hallucinogenic substances in order to get into some type of trances or another state of consciousness in order to communicate with the other world.

One thing for sure about Hathor: she is projecting the image of being a protector of mankind just like the rest of the Lamassu warriors and also, they are on the side of the Thunderbirds.

- Page 990 –

>>13950051

(Please read from the start)

I want to take a quick look at the sistrum: https://en.wikipedia.org/wiki/Sistrum

“A sistrum (plural: sistra or Latin sistra; from the Greek σεῖστρον seistron of the same meaning; literally "that which is being shaken", from σείειν seiein, "to shake") is a musical instrument of the percussion family, chiefly associated with ancient Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze and between 30 and 76 cm in width. When shaken, the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. Its name in the ancient Egyptian language was sekhem (sḫm) and sesheshet (sššt).

Sekhem is the simpler, hoop-like sistrum, while sesheshet (an onomatopoeic word) is the naos-shaped one. The modern day West African disc rattle instrument is also called a sistrum.

Egyptian sistrum

The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddess Hathor, with the U-shape of the sistrum's handle and frame seen as resembling the face and horns of the cow goddess. It also was shaken to avert the flooding of the Nile and to frighten away Set.”

>> This is a link to the point I was making about the sistrum being the sound of electricity; most probably the charge made between the Lamassu horns. Seth used to get frightened by it, this is very telling. Do you remember the idea behind the Hamsa that it used to be a protective means, which points to a weapon to defend one’s self? Here, you gotta ask yourself what can scare an enemy? It’s the same concept behind the tail of the rattlesnake: when it shakes its tails, it’s saying I’m here, to its prey and its foes. I think more and more that the crackling sound = the sistrum sound is the sound made by the Horn Weapon beam charge of the Lamassu. Also I think the idea of “averting” the flooding of the Nile is an echo to the Great Flood. I think the earliest of Ancient Egyptians thought that if the Lamassu Beam weapon declared its presence by making the sound like the sistrum, it’s signaling to the Horned Snake warrior that we are here, so don’t you dare attack or harm us = preventing another Great Flood. Yes anons, if you haven’t figured it out yet, it’s clear as day that the Horned Serpent caused the Great Cataclysm which the Great Flood was a part of. I will be gathering the rest of the piece of this puzzle before the full image is complete.

“Isis in her role as mother and creator was depicted holding a pail, symbolizing the flooding of the Nile, in one hand and a sistrum in the other.The goddess Bast often is depicted holding a sistrum also, with it symbolizing her role as a goddess of dance, joy, and festivity.

[…]”

>> Bast was a deity with a feline head which means she is a feline warrior. Isis, I think she is the Queen and most probably the head of the ThunderBirds as I’ve said before. So how come both are holding a sistrum = I think because both of the weapons used by the ThunderBirds and the Feline warriors also emitted electricity. It’s the Sharur for the ThunderBirds, we’ve already seen plenty of it in this thread. But what is the weapon of the feline Warriors? I have no idea what it could be.

“Minoan sistrum

The ancient Minoans also used the sistrum, and a number of examples made of local clay have been found on the island of Crete. […]”

- Page 991 –

>>13951477

(Please read from the start)

“The sistrum today

The sistrum has remained a liturgical instrument in the Ethiopian Orthodox Church throughout the centuries and is played during the dance performed by the debtera (cantors) on important church festivals. It is also occasionally found in Neopagan worship & ritual. […]”

Let’s take another quick look this time of the Was-Scepter: https://en.wikipedia.org/wiki/Was-sceptre

“The was (Egyptian wꜣs "power, dominion"[1]) sceptre is a symbol that appeared often in relics, art, and hieroglyphics associated with the ancient Egyptian religion. It appears as a stylized animal head at the top of a long, straight staff with a forked end.

Was sceptres were used as symbols of power or dominion, and were associated with ancient Egyptian deities such as Set or Anubis as well as with the pharaoh. Was sceptres also represent the Set animal. In later use, it was a symbol of control over the force of chaos that Set represented.”

>> So it was used by most deities, also representing Seth as an animal. But the last sentence is the most eye catching: the Was Scepter was used as a symbol of control over the forces of chaos that Seth represented. I think the Horned Serpents also stole the electrical Sharur Staff and used it as well. But the Sharur was mostly the weapon used by the ThunderBirds to repell the Horned Serpents.

“In a funerary context the was sceptre was responsible for the well-being of the deceased, and was thus sometimes included in the tomb equipment or in the decoration of the tomb or coffin. The sceptre is also considered an amulet. The Egyptians perceived the sky as being supported on four pillars, which could have the shape of the was. This sceptre was also the symbol of the fourth Upper Egyptian nome, the nome of Thebes (called wꜣst in Egyptian).

Was sceptres were depicted as being carried by gods, pharaohs, and priests. They commonly occur in paintings, drawings, and carvings of gods, and often parallel with emblems such as the ankh and the djed-pillar. Remnants of real was sceptres have been found. They are constructed of faience or wood, where the head and forked tail of the Set animal are visible. The earliest examples date to the First Dynasty.

The Was (wꜣs) is the Egyptian hieroglyph character representing power.”

>> This is very interesting. I don’t think this is the weapon of Seth exclusively, I think it was used by many warrior types. Check picture page 449.

- Page 992 –

>>13951498

(Please read from the start)

After going down a bit the Lamassu Sebetti tunnel and connecting the many tunnels together, including the ones with Horus via Hathor (for example) it’s time to continue where I left off about the Sebetti on page 970.

3-The Feline warriors were both male and female warriors. It seems we are dealing with the Land troops here anons. So far, I haven’t seen any winged felines warriors. The Feline warriors were seen all over the world.

In Ancient Egypt, We’ve seen the Eye of Ra (starting page 69) whom turned into the Feline and massacred loads of people; there is also Ra taking the shape of a Feline to slay Apep (page 76); we have Bes (starting page 937) as well. We do know we have 2 ladies feline warriors, both very famous in Ancient Egypt: Sekhmet and Bastet. So next I’m going to take a look at these 2 feline ladies.

I’m going to start with Sekhmet: https://en.wikipedia.org/wiki/Sekhmet

“In Egyptian mythology, Sekhmet (/ˈsɛkˌmɛt/ or Sachmis (/ˈsækmɪs/), also spelled Sakhmet, Sekhet, Sakhet, or Scheme, among other spellings), is a warrior goddess as well as goddess of healing. She is depicted as a lioness. She was seen as the protector of the pharaohs and led them in warfare. Upon death, Sekhmet continued to protect them, bearing them to the afterlife.

Sekhmet is a solar deity, sometimes called the daughter of Ra and often associated with the goddesses Hathor and Bastet. She bears the Uraeus, which associates her with Wadjet and royalty, and the solar disk.”

>> Well here you go anons, it’s saying she was a daughter of the Sun, a warrior and a protector of mankind. She also used electricity in some type of weapon.

“Etymology

Sekhmet's name comes from the Ancient Egyptian word sḫm, which means "power or might". Sekhmet's name (Ancient Egyptian: sḫmt, /'sɛχmit/) is thus translated as "the (one who is) powerful or mighty". She also was given titles such as the "(One) Before Whom Evil Trembles", "Mistress of Dread", "Lady of Slaughter" and "She Who Mauls".

>> Quiet fierce isn’t she? This fierce personality of her is identical of that of Bes. I’m not surprised one bit to discover this: they were after all both of them Feline warriors, so they must share some type of common characteristics.

“Roles

Sekhmet was considered the daughter of the sun god, Ra, and was among the more important of the goddesses who acted as the vengeful manifestation of Ra's power, the Eye of Ra. Sekhmet was said to breathe fire, and the hot winds of the desert were likened to her breath. She was also believed to cause plagues, which were called her servants or messengers, although she was also called upon to ward off disease.”

- Page 993 –

>>13956239

(Please read from the start)

>> Electrical weapon can cause fires, right? So what type was her weapon: electricity, fire or both? As in electricity resulting in fires? Well, if Sekhmet causes massacres, of course she will bring plagues and other deceases.

“In a myth about the end of Ra's rule on the earth, Ra sends the goddess Hathor, in the form of Sekhmet, to destroy mortals who conspired against him. In the myth, Sekhmet's blood-lust was not quelled at the end of battle and led to her destroying almost all of humanity. To stop her Ra poured out beer dyed with red ochre or hematite so that it resembled blood. Mistaking the beer for blood, she became so drunk that she gave up the slaughter and returned peacefully to Ra.The same myth was also described in the prognosis texts of the Calendar of Lucky and Unlucky Days of papyrus Cairo 86637.”

>> We’ve already seen the Eye of Ra, starting page 69.

“In other versions of this story, Sekhmet grew angered at the deception and left Egypt, diminishing the power of the sun. This threatened the power and security of the world- thus, she was persuaded by the god Toth to return and restore the sun to its full glory.

Sekhmet was considered the wife of the god Ptah and mother of his son Nefertum. She was also said to be the mother of a lion god, Maahes.”

>> This is rather interesting! Nefertum, her son, rose from primal waters; this is referring to the Great Flood anons: https://en.wikipedia.org/wiki/Nefertem

Maahes, another son of hers, “was a deity associated with war, protection, and weather, as well as that of knives, lotuses, and devouring captives. […] Maahes was said to fight Ra's archenemy, the serpent Apep, during Ra's nightly voyage” – this was taken from the link: https://en.wikipedia.org/wiki/Maahes

This information confirms that we are dealing with Land warriors here, not sky warriors like it was the case for the ThunderBirds and the Lamassu. But it’s also pointing me in the direction of their incredible weapon was some type of blade = close combat, NOT distance combat, just like what we’ve seen with Bes iconography (starting page 943).

“Iconography

Sekhmet was envisioned as a fierce lioness, and in art, was depicted as such, or as a woman with the head of a lioness, who was dressed in red, the color of blood. Sometimes the dress she wears exhibits a rosetta pattern over each breast, an ancient leonine motif, which can be traced to observation of the shoulder-knot hairs on lions. Occasionally, Sekhmet was also portrayed in her statuettes and engravings with minimal clothing or naked.”

>> This is interesting! So RED was her color = color of blood. But did anons notice the Rosetta on her breasts? Doesn’t this remind anon of the spirals on the chest of Pazuzu (page 948)? If the Feline Warrior used such blasters on the chest and it emitted Red Rays/Beams, then I understand why Sekhmet color was Red.

- Page 994 –

>>13956249

(Please read from the start)

“The royal biers were fashioned to represent Sekhmet symbolizing her role as protector, even in death. They are depicted in all images of the embalming rites, showing her head, the characteristic tufted tail, and her feet. In the tombs, the coffins were placed on them.

It is estimated that more than seven hundred statues of Sekhmet once stood in one funerary temple alone, that of Amenhotep III, on the west bank of the Nile.”

>> It’s clear she is a protector and a fierce one.

“Worship

During an annual festival held at the beginning of the year, a festival of intoxication, the Egyptians danced and played music to soothe the wildness of the goddess and drank great quantities of wine ritually to imitate the extreme drunkenness that stopped the wrath of the goddess—when she almost destroyed humanity. This may relate to averting excessive flooding during the inundation at the beginning of each year as well, when the Nile ran blood-red with the silt from up-stream.”

>> Same comments I made about extreme drunkenness when I was taking a look at Hathor. But I want to highlight once more the remark made of the “NILE ran BLOOD-RED with the SILT from UP-STREAM.” This is very important.

“In 2006, Betsy Bryan, an archaeologist with Johns Hopkins University excavating at the temple of Mut in Luxor (Thebes) presented her findings about the festival that included illustrations of the priestesses being served to excess and its adverse effects on them being ministered to by temple attendants. Participation in the festival was great, including by the priestesses and the population. Historical records of tens of thousands attending the festival exist. These findings were made in the temple of Mut because when Thebes rose to greater prominence Mut absorbed some characteristics of Sekhmet. These temple excavations at Luxor discovered a "porch of drunkenness" built onto the temple by the Pharaoh Hatshepsut during the height of her twenty-year reign.

During the Greek dominance in Egypt, note was made of a temple for Maahes that was an auxiliary facility to a large temple to Sekhmet at Taremu in the Delta region, a city which the Greeks called Leontopolis.”

>> Second picture I’ve attached with this page: What do you think anons? Is Sekhmet hair braided or is she wearing a helmet with a cotte of maille on the rear like what we see in page 807?

The last picture with this page: Remember the Greek Aegis, starting page 799? Notice the details in this artifact and how we have 2 Horus heads on each side of the Feline head. Interesting, isn’t it? I wonder if some body skin type of protective clothing was worn under each Sebetti armor and we came to identify it nowadays as the Aegis?

- Page 995 –

>>13956255

(Please read from the start)

Now let’s look quickly at Bastet: https://en.wikipedia.org/wiki/Bastet

“Bastet or Bast (Ancient Egyptian: bꜣstjt, Coptic /ʔuːˈβastə/) was a goddess of ancient Egyptian religion, worshiped as early as the Second Dynasty (2890 BCE). Her name also is rendered as B'sst, Baast, Ubaste, and Baset. In ancient Greek religion, she was known as Ailuros (Koinē Greek: αἴλουρος "cat").

Bastet was worshiped in Bubastis in Lower Egypt, originally as a lioness goddess, a role shared by other deities such as Sekhmet. Eventually Bastet and Sekhmet were characterized as two aspects of the same goddess, with Sekhmet representing the powerful warrior and protector aspect and Bastet, who increasingly was depicted as a cat, representing a gentler aspect.”

>> So Bastet appeared as early as the Second Dynasty and her original form is that of a lion but she mutated and changed into a cat to point her gentler side.

“Name

Bastet, the form of the name that is most commonly adopted by Egyptologists today because of its use in later dynasties, is a modern convention offering one possible reconstruction. In early Egyptian hieroglyphs, her name appears to have been bꜣstt. James Peter Allen vocalizes the original form of the name as buʔístit or buʔístiat, with ʔ representing a glottal stop. In Middle Egyptian writing, the second t marks a feminine ending but usually was not pronounced, and the aleph ꜣ ( ) may have moved to a position before the accented syllable, ꜣbst. By the first millennium, then, bꜣstt would have been something like *Ubaste (< *Ubastat) in Egyptian speech, later becoming Coptic Oubaste.

What the name of the goddess means remains uncertain. […]

Role in ancient Egypt

Bastet was originally a fierce lioness warrior goddess of the sun worshiped throughout most of ancient Egyptian history, but later she became Bastet, the cat goddess that is familiar today. She then was depicted as the daughter of Ra and Isis, and the consort of Ptah, with whom she had a son Maahes.

As protector of Lower Egypt, she was seen as defender of the king, and consequently of the sun god, Ra. Along with other deities such as Hathor, Sekhmet, and Isis, Bastet was associated with the Eye of Ra. She has been depicted as fighting the evil snake named Apep, an enemy of Ra. In addition to her solar connections, sometimes she was called "eye of the moon".”

>> So, she is a daughter of the Sun, a warrior that used the electrical weapon and she fought against the Horned Serpents. Why is she called the Eye of the Moon though? Remember how Horus Left Eye = the Moon, was plucked out by Seth? Is there a connection here? Why is the Moon cited in both cases as an EYE?

- Page 996 –

>>13963031

(Please read from the start)

“Bastet was also a goddess of pregnancy and childbirth, possibly because of the fertility of the domestic cat.”

>> Incorrect assumption. There is a pattern here anons: Bes, Sekhmet and Bastet all are Feline warriors and all were protectors of children, pregnancy, childbirth and fertility. And of course we can add Hathor to the bunch despite her being a Lamassu warrior. I think this is pointing us in a very specific direction that these Feline warriors were against the pedovores and they protected the children from them.

“Images of Bastet were often created from alabaster. The goddess was sometimes depicted holding a ceremonial sistrum in one hand and an aegis in the other—the aegis usually resembling a collar or gorget, embellished with a lioness head.

Bastet was also depicted as the goddess of protection against contagious diseases and evil spirits.”

>> Here we have loads of reoccurring elements we’ve seen mostly with other Feline warriors or other warriors protecting mankind. The Aegis seems to be the common point to ALL types of warriors, from the Lamassu, to ThunderBirds and now the Feline ones. If you look closely to all the goddesses from Ancient Egypt so far you will notice that they all wear a tight body dress. I think this is the Aegis. Anons can look for the pictures of the artifacts I’ve already posted in Sekhmet and Bes, also Hathor for the sistrum.

“History

Bastet first appears in the third millennium BC, where she is depicted as either a fierce lioness or a woman with the head of a lioness.Two thousand years later, during the Third Intermediate Period of Egypt (c. 1070–712 BC), Bastet began to be depicted as a domestic cat or a cat-headed woman.

Scribes of the New Kingdom and later eras began referring to her with an additional feminine suffix, as Bastet. The name change is thought to have been added to emphasize pronunciation of the ending t sound, often left silent.”

>> That’s one heck of a jump = 2000 years apart.

“Cats in ancient Egypt were highly revered, partly due to their ability to combat vermin such as mice, rats (which threatened key food supplies), and snakes—especially cobras. Cats of royalty were, in some instances, known to be dressed in golden jewelry and were allowed to eat from the plates of their owners. Dennis C. Turner and Patrick Bateson estimate that during the Twenty-second Dynasty (c. 945–715 BC), Bastet worship changed from being a lioness deity into being predominantly a major cat deity. Because domestic cats tend to be tender and protective of their offspring, Bastet was also regarded as a good mother and sometimes was depicted with numerous kittens.”

- Page 997 –

>>13963037

(Please read from the start)

“The native Egyptian rulers were replaced by Greeks during an occupation of Ancient Egypt in the Ptolemaic Dynasty that lasted almost 300 years. The Greeks sometimes equated Bastet with one of their goddesses, Artemis.”

>> Leave it to the Greeks to mess things up. I think they linked Bastet to Artemis because of the Moon.

“Bubastis

Bastet was a local deity whose religious sect was centered in the city that became named, Bubastis. It lay in the Nile Delta near what is known today as Zagazig. The town, known in Egyptian as pr-bꜣstt (also transliterated as Per-Bastet), carries her name, literally meaning House of Bastet. It was known in Greek as Boubastis (Βούβαστις) and translated into Hebrew as Pî-beset, spelled without the initial t sound of the last syllable. In the biblical Book of Ezekiel 30:17, the town appears in the Hebrew form Pibeseth.”

>> One misspelling and poof, we have a new name for the town. And it had to be the Book of Ezekiel (face palm).

“At the Bubastis temple, some cats were found to have been mummified and buried, many next to their owners. More than 300,000 mummified cats were discovered when Bastet's temple was excavated. Turner and Bateson suggest that the status of the cat was roughly equivalent to that of the cow in modern India. The death of a cat might leave a family in great mourning and those who could, would have them embalmed or buried in cat cemeteries—pointing to the great prevalence of the cult of Bastet. Extensive burials of cat remains were found not only at Bubastis, but also at Beni Hasan and Saqqara. In 1888, a farmer uncovered a burial site of many hundreds of thousands of cats in Beni Hasan.

Festival

Herodotus also relates that of the many solemn festivals held in Egypt, the most important and most popular one was that celebrated in Bubastis in honor of this goddess. Each year on the day of her festival, the town was said to have attracted some 700,000 visitors, both men and women (but not children), who arrived in numerous crowded ships. The women engaged in music, song, and dance on their way to the place. Great sacrifices were made and prodigious amounts of wine were drunk—more than was the case throughout the year. This accords well with Egyptian sources that prescribe that lioness goddesses are to be appeased with the "feasts of drunkenness".A festival of Bastet was known to be celebrated during the New Kingdom at Bubastis. The block statue from the eighteenth dynasty (c. 1380 BC) of Nefer-ka, the wab-priest of Sekhmet, provides written evidence for this. The inscription suggests that the king, Amenhotep III, was present at the event and had great offerings made to the deity.”

>> Well anons, the information we got from Bastet only confirms what we already know about the Feline warriors.

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>>13963049

(Please read from the start)

In Mesopotamia, we’ve seen the Feline warriors on different reliefs, including on the second register of the bronze Plaque from Hell. We do have some reliefs with Feline warriors from Assyrians times and some from Babylonian times. I’m attaching their pictures for anons to see- see also page 909. For me, this is a tricky situation because they are from a much later period; so can I rely on the iconography? These Feline humanoids hold the names of Ugallu and Tiamat which was winged. I don’t think the winged ones are my good and protective Feline Warriors as I had seen them in Ancient Egypt, but I think they are more like Pazuz, Humbaba and Lamashtu = they serve evil = they are the Horned Serpent clan, or at least traitors working for the Horned Serpent Clan. As in they are multi-morph.

As anons can see in picture one with this page, the felines are holding daggers = blades. As I just said, these are Assyrian and Babylonian reliefs, so we gotta be careful. And as I just said, I’m suspecting Ugallu and Tiamat to be on the same side as the Horned Serpent.

I found a relief of a feline Warrior holding a dagger blade with only the word Anunnaki as file name, so I’m unsure from which period this one comes from. I couldn’t verify the authenticity of this relief nor find out to which era it belongs. I’m sorry anons.

But I did find a very interesting Cylinder Seal Imprint where we can clearly see a man wearing a Feline skin and he is holding something like that a sword with some type of spikes coming out of its lower extremity = probably fire or lightning – original picture in page 909. Behind and above him, we see some of the exact same weapons depicted in the upper register of the bronze Plaque from Hell (page 965). Right in front of him there are 3 stars depicted vertically, one on top of the other; each with 8 rays.

Right in front of these stars there is a King sitting on his throne with 2 stars of 6 rays on top of his head. He is holding some type of circular beads or maybe a wreath in his left hand while he has something unidentifiable (possible a pine cone) in his lifted right hand; as if he was going to give it to the person standing in front of him or blessing him with it. The seat = king’s throne is resting on the back of what looks like a Feline = pointing to a specific land.

There is a man standing in front of the king, with his left hand extended in a gesture as if he was accepting something = palm open upwards and extended forward. While with his lifted right hand he is pointing in front of him. Right above his right hand, we have the 7 dots we saw in the upper register of the bronze Plaque of Hell. It’s the weapon of the Horned Serpent Warriors. Finding it here on this cylinder seal imprint, right above this man standing in front of the king, is making me believe that this person is a from the Serpent Sebetti clan = Horned Serpent warriors; maybe even their leader = the Serpent Sebetti.

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>>13971198

(Please read from the start)

In Mesoamerica, there are several mentions of Feline warriors, mostly the Jaguar, if I remember correctly. Anons can go back and re-read everything themselves. I’m going to present for anons attached to this page a picture of a ceramic statue found in Al Salvador. This statue is a Mayan warrior wearing a Feline Armor. It speaks volumes on itself.

In the Andean Region we have already seen plenty of Feline warriors; like the Lanzon at Chavin de Huantar (page 371), like the Puma Punku at Tiwanaku culture (page 484) and like Sacsayhuamán fortress shaped like a Feline from the Incas (page 537). These are just a few among many examples from that part of the world.

I would like to point out there is an extremely rare iconography in the Tiwanaku culture of a winged Feline warrior; like the pottery piece on page 475 (third picture) and like on page 479 (first and second pictures). This is a rare iconography for the Feline warrior since most are without wings in the older eras.But it’s not all! I’m going to provide 2 additional items for anons:

First item is a new feline addition to the Geoglyphs from Palpa, of the Paracas culture. . I just discovered this very recently, in the Andean region, and it was published after I finished with that region: http://www.sci-news.com/archaeology/cat-geoglyph-nazca-lines-08970.html

“Archaeologists Discover Cat Geoglyph at Nazca Lines Site

Oct 21, 2020

Archaeologists with the Nazca-Palpa Management Plan of Peru’s Ministry of Culture have discovered a 2,100-year-old figure of a relaxing feline in the Nazca Desert, southern Peru.

The geoglyphs of Nazca are a series of drawings located in the desert plains of the Rio Grande de Nazca river basin about 400 km (250 miles) south of Lima, the capital and the largest city of Peru.

The monuments were created between 500 BCE and 500 CE by ancient people making depressions or shallow incisions in the desert floor, removing pebbles and leaving differently colored dirt exposed.

They depict living creatures, stylized plants and imaginary beings, as well as geometric figures several km long.

They became a UNESCO World Heritage site in 1994, and are among archaeology’s greatest enigmas because of their quantity, nature, size and continuity.

The newly-discovered cat geoglyph measures about 37 m (121.4 feet) in length.

“The figure was barely visible and was about to disappear due to its location on a fairly steep slope and the effects of natural erosion,” the archaeologists said.”

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>>13971233

(Please read from the start)

“The new geoglyph dates from between 200 BCE and 100 BCE (Late Paracas period).

“Representations of felines of this type are frequent in the iconography of ceramics and textiles of the Paracas society,” the researchers said.

“With this discovery, once again, the rich and varied cultural legacy that the area harbors, which is also within the area inscribed on the UNESCO World Heritage List, is revealed.”

Second item is a very intriguing one: https://www.nbcnews.com/science/science-news/1-500-year-old-claws-intrigue-archaeologists-peru-n154151

“1,500-Year-Old Claws Intrigue Archaeologists in Peru

Archaeologists in Peru say they have unearthed the previously unknown tomb of a nobleman from a pre-Inca culture known as the Moche.

July 12, 2014

Archaeologists in Peru say they have unearthed the previously unknown tomb of a nobleman from a pre-Inca civilization known as the Moche. The tomb contained the remains of an adult male, plus artifacts indicating the man's elite status, according to the Peruvian newspaper El Comercio.

Among the most intriguing artifacts are ornamental metal pieces fashioned to look like feline paws with claws. The paws may have been part of a ritual costume used in ceremonial combat, El Comercio reported. The loser would be sacrificed, while the winner would get the costume.

Archaeologist Santiago Uceda, co-director of the Huaca de la Luna excavation in the Peruvian city of Trujillo, displayed the pieces as well as a copper scepter, bronze earrings, a mask and ceremonial ceramics on Thursday. "The scepter signifies power; the earrings, status; and the ceramic piece is typical of an elite personage," Uceda told El Comercio.

He said the tomb and its contents, which are thought to be 1,500 years old, could shed new light on the Moche culture, an agricultural and artistic society that collapsed around the year 800.”

>> It’s way obvious that this is a tomb of a person with a high status. What are the chances this is pointing to a Feline warrior?

Looking at these claws I’m reminded of blades; which strangely resonates perfectly with the iconography we’ve got from Ancient Egypt and Mesopotamia about the Blade being the weapon of the Feline warriors. This is all about the Feline Sebetti, for now anyway.

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>>13971297

(Please read from the start)

4 - There are no known Canine humanoids in Mesopotamia, Mesoamerica or the Andean region, as far as I can tell. But there are examples of it in Ancient Egypt and one of them is Anubis: https://en.wikipedia.org/wiki/Anubis

“Anubis or Inpu, Anpu in Ancient Egyptian (/əˈnjuːbɪs/; Ancient Greek: Ἄνουβις, Egyptian: inpw, Coptic: Anoup) is the Greek name of the god of death, mummification, embalming, the afterlife, cemeteries, tombs, and the Underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Archeologists have identified Anubis's sacred animal as an Egyptian canid, the African golden wolf. The African wolf was formerly called the "African golden jackal", until a 2015 genetic analysis updated the taxonomy and the common name for the species. As a result, Anubis is often referred to as having a "jackal" head, but this "jackal" is now more properly called a "wolf".”

>> So it’s a wolf and not a dog. It makes more sense if it’s a wolf. If this is a Sebetti warrior clan, than it’s gotta be fierce and not cute.

“Like many ancient Egyptian deities, Anubis assumed different roles in various contexts. Depicted as a protector of graves as early as the First Dynasty (c. 3100 – c. 2890 BC), Anubis was also an embalmer. By the Middle Kingdom (c. 2055–1650 BC) he was replaced by Osiris in his role as lord of the underworld. One of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the "Weighing of the Heart", in which it was determined whether a soul would be allowed to enter the realm of the dead. Despite being one of the most ancient and "one of the most frequently depicted and mentioned gods" in the Egyptian pantheon, Anubis played almost no role in Egyptian myths.”

>> Interesting! He’s barely mentioned in ancient myths.

“Anubis was depicted in black, a color that symbolized regeneration, life, the soil of the Nile River, and the discoloration of the corpse after embalming. Anubis is associated with his brother Wepwawet, another Egyptian god portrayed with a dog's head or in canine form, but with grey or white fur. Historians assume that the two figures were eventually combined. Anubis' female counterpart is Anput. His daughter is the serpent goddess Kebechet.”

>> It was super hard to find any other Wolf warriors elsewhere. Now, I’ve got 3 on my hands - 4 if I include evil Seth multi-morph. Ancient Egypt is the only place where I found this type of Sebetti warriors.

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>>13979422

(Please read from the start)

“Name

"Anubis" is a Greek rendering of this god's Egyptian name. Before the Greeks arrived in Egypt, around the 7th century BC, the god was known as Anpu or Inpu. The root of the name in ancient Egyptian language means "a royal child." Inpu has a root to "inp," which means "to decay." The god was also known as "First of the Westerners," "Lord of the Sacred Land," "He Who is Upon his Sacred Mountain," "Ruler of the Nine Bows," "The Dog who Swallows Millions," "Master of Secrets," "He Who is in the Place of Embalming," and "Foremost of the Divine Booth." The positions that he had were also reflected in the titles he held such as "He Who Is upon His Mountain," "Lord of the Sacred Land," "Foremost of the Westerners," and "He Who Is in the Place of Embalming." In the Old Kingdom (c. 2686 BC – c. 2181 BC), the standard way of writing his name in hieroglyphs was composed of the sound signs inpw followed by a jackal over a ḥtp sign:

A new form with the jackal on a tall stand appeared in the late Old Kingdom and became common thereafter.

Anubis' name jnpw was possibly pronounced [a.ˈna.pʰa(w)], based on Coptic Anoup and the Akkadian transcription 𒀀𒈾𒉺<a-na-pa> in the name <ri-a-na-pa> "Reanapa" that appears in Amarna letter EA 315. However, this transcription may also be interpreted as rˁ-nfr, a name similar to that of Prince Ranefer of the Fourth Dynasty.”

>> Look at all of those meanings of his name and his titles. It’s obvious he is something else. So Anubis was considered of Royalty. Was he THE WOLF SEBETTI as in the King of the Wolf Clan warriors? Or was he his direct descendant? He is most likely a direct descendant of the Wolf Sebetti king/leader. Also could be a high ranking vassal of the Wolf Sebetti clan. In order to see the Hieroglyph anons, must use the link.

“History

In Egypt's Early Dynastic period (c. 3100 – c. 2686 BC), Anubis was portrayed in full animal form, with a "jackal" head and body. A jackal god, probably Anubis, is depicted in stone inscriptions from the reigns of Hor-Aha, Djer, and other pharaohs of the First Dynasty. Since Predynastic Egypt, when the dead were buried in shallow graves, jackals had been strongly associated with cemeteries because they were scavengers which uncovered human bodies and ate their flesh. In the spirit of "fighting like with like," a jackal was chosen to protect the dead, because "a common problem (and cause of concern) must have been the digging up of bodies, shortly after burial, by jackals and other wild dogs which lived on the margins of the cultivation."

In the Old Kingdom, Anubis was the most important god of the dead. He was replaced in that role by Osiris during the Middle Kingdom (2000–1700 BC). In the Roman era, which started in 30 BC, tomb paintings depict him holding the hand of deceased persons to guide them to Osiris.”

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>>13979433

(Please read from the start)

“The parentage of Anubis varied between myths, times and sources. In early mythology, he was portrayed as a son of Ra. In the Coffin Texts, which were written in the First Intermediate Period (c. 2181–2055 BC), Anubis is the son of either the cow goddess Hesat or the cat-headed Bastet. Another tradition depicted him as the son of Ra and Nephthys. The Greek Plutarch (c. 40–120 AD) stated that Anubis was the illegitimate son of Nephthys and Osiris, but that he was adopted by Osiris's wife Isis:

For when Isis found out that Osiris loved her sister and had relations with her in mistaking her sister for herself, and when she saw a proof of it in the form of a garland of clover that he had left to Nephthys - she was looking for a baby, because Nephthys abandoned it at once after it had been born for fear of Seth; and when Isis found the baby helped by the dogs which with great difficulties lead her there, she raised him and he became her guard and ally by the name of Anubis.”

>> See how much it mutated and changed? See how Plutarch tells the story of Anubis birth? The correct answer is always the oldest, as in Anubis is the son of Ra = he is a son of the Sun. Not a big surprise there.

“George Hart sees this story as an "attempt to incorporate the independent deity Anubis into the Osirian pantheon." An Egyptian papyrus from the Roman period (30–380 AD) simply called Anubis the "son of Isis.

In the Ptolemaic period (350–30 BC), when Egypt became a Hellenistic kingdom ruled by Greek pharaohs, Anubis was merged with the Greek god Hermes, becoming Hermanubis. The two gods were considered similar because they both guided souls to the afterlife. The center of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name means "city of dogs." In Book XI of The Golden Ass by Apuleius, there is evidence that the worship of this god was continued in Rome through at least the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages and the Renaissance.

Although the Greeks and Romans typically scorned Egyptian animal-headed gods as bizarre and primitive (Anubis was mockingly called "Barker" by the Greeks), Anubis was sometimes associated with Sirius in the heavens and Cerberus and Hades in the underworld. In his dialogues, Plato often has Socrates utter oaths "by the dog" (Greek: kai me ton kuna), "by the dog of Egypt", and "by the dog, the god of the Egyptians", both for emphasis and to appeal to Anubis as an arbiter of truth in the underworld.”

>> Simply because Anubis was a Canine, he was associated to both Sirius and Cerberus. The Greeks explained things according to their own views and belief – not as they really are. Same thing used by the Bloodlines/Kabbalah.

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>>13979490

(Please read from the start)

“Roles

Protector of tombs

In contrast to real wolves, Anubis was a protector of graves and cemeteries. Several epithets attached to his name in Egyptian texts and inscriptions referred to that role. Khenty-Amentiu, which means "foremost of the westerners" and was also the name of a different canine funerary god, alluded to his protecting function because the dead were usually buried on the west bank of the Nile. He took other names in connection with his funerary role, such as tpy-ḏw.f (Tepy-djuef) "He who is upon his mountain" (i.e. keeping guard over tombs from above) and nb-t3-ḏsr (Neb-ta-djeser) "Lord of the sacred land", which designates him as a god of the desert necropolis.

The Jumilhac papyrus recounts another tale where Anubis protected the body of Osiris from Set. Set attempted to attack the body of Osiris by transforming himself into a leopard. Anubis stopped and subdued Set, however, and he branded Set's skin with a hot iron rod. Anubis then flayed Set and wore his skin as a warning against evil-doers who would desecrate the tombs of the dead. Priests who attended to the dead wore leopard skin in order to commemorate Anubis' victory over Set. The legend of Anubis branding the hide of Set in leopard form was used to explain how the leopard got its spots.

Most ancient tombs had prayers to Anubis carved on them.”

>> This is amazing. Anubis was among those whom protected the body of Osiris, which indicates he was a warrior. But not just any type of warrior, seems he is some type of smart type of warrior as in a scientist type of warrior. Why am I saying this? Because Anubis seems to be in charge of medically and technologically taking care of the dead = as in a medical or scientific way. He’s gotta have knowledge and practice in medicine and knows how to operate ancient machinery in order to do that.

But this paragraph holds another notable information. Seth took the shape of a leopard to attack the dead body of Osiris. This means there were traitors among the Feline warriors ranks. Same goes for the Wolf warrior clan. The warrior in the shape of Seth is part of the Wolf warrior clan but he betrayed his leader and fought alongside the Horned Serpents. He also agreed to merge his armor to the stolen technologies from other clans. This is how we are unable to identify which animals these “deities” represent = these multi-morphs. It’s the same situation for Humbaba Lamashtu, Pazuzu, etc. Each one betrayed their own original clans and rallied the ranks of the Horned Serpents. Others like Nergal took on the role of spies and infiltrated other clans to gather many types of information, including to steal military = weapons + armors technology.

Another notable information is what Anubis did to Seth in the Feline form = he skinned him = took off his skin. I think this means Anubis either took the Aegis Feline Seth was wearing or he took his armor away from him. The Anubis put the leopard skin on him, as in he either wore the Aegis or the armor himself.

I’m also curious about Anubis BRANDING Seth. Strangely, it reminds me of the “Mark of the Beast”. He used a hot iron rod to brand Feline Seth. I wonder what this could be, what this could really be? Is this the Sharur staff used to burn Feline Seth with electricity? Or is this a mark “worn” genetically by the Evil One and his descendants? I mean is it pointing us to the genetic illness of the Evil One clan like what we read about with the Jackal in the Dogon Culture? A genetic illness that cannot be cured? Loads to think about here anons.

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>>13988020

(Please read from the start)

“Embalmer

As jmy-wt (Imiut or the Imiut fetish) "He who is in the place of embalming", Anubis was associated with mummification. He was also called ḫnty zḥ-nṯr "He who presides over the god's booth", in which "booth" could refer either to the place where embalming was carried out or the pharaoh's burial chamber.

In the Osiris myth, Anubis helped Isis to embalm Osiris. Indeed, when the Osiris myth emerged, it was said that after Osiris had been killed by Set, Osiris's organs were given to Anubis as a gift. With this connection, Anubis became the patron god of embalmers; during the rites of mummification, illustrations from the Book of the Dead often show a wolf-mask-wearing priest supporting the upright mummy.”

>> Well anons, this is what I was trying to say that Anubis is some sort of scientist warrior. He’s got his hands in the medical field and even technology for some reason, apart him holding a weapon and fighting. It’s like the medical team in the army or the engineering team; if you know what I mean there?

“Guide of souls

By the late pharaonic era (664–332 BC), Anubis was often depicted as guiding individuals across the threshold from the world of the living to the afterlife. Though a similar role was sometimes performed by the cow-headed Hathor, Anubis was more commonly chosen to fulfill that function. Greek writers from the Roman period of Egyptian history designated that role as that of "psychopomp", a Greek term meaning "guide of souls" that they used to refer to their own god Hermes, who also played that role in Greek religion. Funerary art from that period represents Anubis guiding either men or women dressed in Greek clothes into the presence of Osiris, who by then had long replaced Anubis as ruler of the underworld.”

>> This comes from the LATE period, so be careful of the mutation.

“Weighing of the heart

One of the roles of Anubis was as the "Guardian of the Scales." The critical scene depicting the weighing of the heart, in the Book of the Dead, shows Anubis performing a measurement that determined whether the person was worthy of entering the realm of the dead (the underworld, known as Duat). By weighing the heart of a deceased person against Ma'at (or "truth"), who was often represented as an ostrich feather, Anubis dictated the fate of souls. Souls heavier than a feather would be devoured by Ammit, and souls lighter than a feather would ascend to a heavenly existence.”

>> I truly believe this is real, this is true. I believe this is what Christ came to make us aware of. It’s to tell us that we are judged by what we hold inside our hearts. Our heart is the key for us to enter Heaven. It doesn’t matter how many times you pray or how well you know the Scriptures, if your heart is dark, then you do not enter Heaven. Your actions in life reflect what you hold inside of your heart = who you are. If you are kind and compassionate you will think of others and do your best to help them. If you are selfish, then you will NOT think of others and not what’s happening to others. You will be judged according to what you hold in your heart.

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>>13988032

(Please read from the start)

“Portrayal in art

Anubis was one of the most frequently represented deities in ancient Egyptian art. He is depicted in royal tombs as early as the First Dynasty. The god is typically treating a king's corpse, providing sovereign to mummification rituals and funerals, or standing with fellow gods at the Weighing of the Heart of the Soul in the Hall of Two Truths. One of his most popular representations is of him, with the body of a man and the head of a jackal with pointed ears, standing or kneeling, holding a gold scale while a heart of the soul is being weighed against Ma'at's white truth feather.

In the early dynastic period, he was depicted in animal form, as a black canine. Anubis's distinctive black color did not represent the animal, rather it had several symbolic meanings. It represented "the discolouration of the corpse after its treatment with natron and the smearing of the wrappings with a resinous substance during mummification." Being the color of the fertile silt of the River Nile, to Egyptians, black also symbolized fertility and the possibility of rebirth in the afterlife. In the Middle Kingdom, Anubis was often portrayed as a man with the head of a jackal. An extremely rare depiction of him in fully human form was found in the tomb of Ramesses II in Abydos.

Anubis is often depicted wearing a ribbon and holding a nḫ3ḫ3 "flail" in the crook of his arm. Another of Anubis's attributes was the jmy-wt or imiut fetish, named for his role in embalming.

In funerary contexts, Anubis is shown either attending to a deceased person's mummy or sitting atop a tomb protecting it. New Kingdom tomb-seals also depict Anubis sitting atop the nine bows that symbolize his domination over the enemies of Egypt.

Worship

Although he does not appear in many myths, he was extremely popular with Egyptians and those of other cultures. The Greeks linked him to their god Hermes, the god who guided the dead to the afterlife. The pairing was later known as Hermanubis. Anubis was heavily worshipped because, despite modern beliefs, he gave the people hope. People marveled in the guarantee that their body would be respected at death, their soul would be protected and justly judged.

Anubis had male priests who sported wood masks with the god's likeness when performing rituals. His cult center was at Cynopolis in Upper Egypt but memorials were built everywhere and he was universally revered in every part of the land.

In popular culture

In popular and media culture, Anubis is often falsely portrayed as the sinister god of the dead. He gained popularity during the 20th and 21st centuries through books, video games, and movies where artists would give him evil powers and a dangerous army. Despite his nefarious reputation, his image is still the most recognizable of the Egyptian gods and replicas of his statues and paintings remain popular.”

>> Hollywood surely likes to portray Anubis in a negative, evil image simply because he was thought to lead the dead to the other side and rule the “underground”. Mummy movie is an example.

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>>13988050

(Please read from the start)

Well, since I don’t have much “samples” of Wolf warriors outside of Ancient Egypt, I’m going to take a look at the ones we have over there; apart Anubis of course. Seth, he may have been a member of the Wolf warriors clan, but he betrayed them and turned into a Multi-morph servant fighting for the Horned Serpent clan. So I cannot consider him as a true Wolf warrior. Same goes for other multi-morph traitors from other clans.

So the first one I want to check is Wepwawet: https://en.wikipedia.org/wiki/Wepwawet

“In late Egyptian mythology, Wepwawet (hieroglyphic wp-w3w.t; also rendered Upuaut, Wep-wawet, Wepawet, and Ophois) was originally a war deity, whose cult centre was Asyut in Upper Egypt (Lycopolis in the Greco-Roman period). His name means opener of the ways and he is often depicted as a wolf standing at the prow of a solar-boat. Some interpret that Wepwawet was seen as a scout, going out to clear routes for the army to proceed forward. One inscription from the Sinai states that Wepwawet "opens the way" to king Sekhemkhet's victory.”

>> I like this idea of Wepwawet being a scout. It does fit perfectly with the warrior image of the Wolf Clan.

“Wepwawet originally was seen as a wolf deity, thus the Greek name of Lycopolis, meaning city of wolves, and it is likely the case that Wepwawet was originally just a symbol of the pharaoh, seeking to associate with wolf-like attributes, that later became deified as a mascot to accompany the pharaoh. Likewise, Wepwawet was said to accompany the pharaoh on hunts, in which capacity he was titled (one with) sharp arrow more powerful than the gods alone.”

>> So he was an archer. That’s his weapon. Same thing mentioned about Anubis in page 1 003 with his title of “Ruler of the 9 Bows” = archer.

“Over time, the connection to war and thus to death led to Wepwawet also being seen as one who opened the ways to, and through, Duat, for the spirits of the dead. Through this, and the similarity of the jackal to the wolf, Wepwawet became associated with Anubis, a deity that was worshiped in Asyut, eventually being considered his son. Seen as a jackal, he also was said to be Set's son. Consequently, Wepwawet often is confused with Anubis.This deity appears in the Temple of Seti I at Abydos.”

>> Be careful when digging into this anons, do not confuse both deities. They may look similar, but both are 2 warriors belonging to the same clan.

“In later Egyptian art, Wepwawet was depicted as a wolf or a jackal, or as a man with the head of a wolf or a jackal. Even when considered a jackal, Wepwawet usually was shown with grey, or white fur, reflecting his lupine origins. He was depicted dressed as a soldier, as well as carrying other military equipment—a mace and a bow.”

>> Strangely on the upper register of the bronze Plaque from Hell, weapon number 6 fits perfectly with the arrow image (page 965). While weapon number 5 fits the mace that Wepwawet holds as well. And it seems here as well, they switched the weapon place, just like they did to weapons 2 & 3 for the ThunderBirds and Lamassu. Which is making me believe that the mystery Sebetti number 6, the one I couldn’t identify, also yields the same weapons (or at least one of them) as the Wolf Sebetti. This is a symmetrical design we have here on the upper register anons. Two parallel inversions in the same exact place on each side to indicate the use of the same weapon by 2 Sebetti warriors and not one like it’s the case for the first weapon+Sebetti.

- Page 1 008 –

>>13996133

(Please read from the start)

“For what generally is considered to be lauding purposes of the pharaohs, a later myth briefly was circulated claiming that Wepwawet was born at the sanctuary of Wadjet, the sacred site for the oldest goddess of Lower Egypt that is located in the heart of Lower Egypt. Consequently, Wepwawet, who had hitherto been the standard of Upper Egypt alone, formed an integral part of royal rituals, symbolizing the unification of Egypt.”

>> I’m not surprised to read that Later Generation thought Wepwawet was born in the Wedjat sanctuary (by the way, there are many ways to write to Wedjat, I’m just used to this one). Wepwawet was a warrior from the Wolf Clan and we already know that each clan had its own type of weapon. From page 894, we also know there are 7 different hieroglyphs to depict the Wedjat, which is electricity beam coming out of these 7 different weapons. Seven different hierglyphs = each hieroglyph depicts one of the special weapons and they all emit the same electrical beam: that’s what they have in common = electricity.

The reason why we have switched places like that from the weapons it’s because 2 Sebetti warriors used similar weapons. As an example, I will give the second and third weapon. The second weapon = the horns also produce electricity like what we see with Hathor (starting page 972), if the weapons weren’t displayed as they were on the upper register of the bronze Plaque from Hell, we would have only known about the electrical ability of the Lamassu warrior. But since they switched the places with the third weapon, we also know that the Lamassu warriors used to fly. They used to fly in a different method than the one used by the ThunderBirds. They didn’t use the Jet Suits like it’s the case for the ThunderBirds, but they use Fighter Jets, just like the pilots of AirForce nowadays. Both ThunderBirds & Lamassu used electrical weapon and used flying machinery, but they were simply from different types. Here with the Wolf clan weapons, we have the same situation, as in Sebetti 5 and 6 share the same type of weapons.

“In later Pyramid Texts, Wepwawet is called "Ra" who has gone up from the horizon, perhaps as the "opener" of the sky. In the later Egyptian funerary context, Wepwawet assists at the Opening of the mouth ceremony and guides the deceased into the netherworld.”

“In popular culture

[…]

Animal origin

The Egyptian jackal (Canis aureus lupaster) also known as the African wolf or wolf jackal is currently listed as a subspecies of the golden jackal but molecular and osteological data has established that it is a unique species in its own right. It is native to Egypt, Libya, and Ethiopia, though its post-Pleistocene range once encompassed the Palestine region.

Its closest relatives are the Abyssinian wolf, also known as the red wolf and the king jackal, and the Indian wolf. The dogs of ancient Egypt were likely domesticated subspecies of one or more of these enigmatic species.”

- Page 1 009 –

>>13996142

(Please read from the start)

Next I want to check Anput: https://en.wikipedia.org/wiki/Anput

“Anput is a goddess in ancient Egyptian religion. Her name is written in hieroglyphs as jnpwt (reconstructed in Middle Egyptian as /ʔan.ˈpa.wat/ or /jan.ˈpa.wat/). In English, her name also is rendered as Anupet, Input, Inpewt, and Yineput. As the female counterpart of her husband, Anubis, who was known as jnpw to the Egyptians, Anput's name ends in a feminine "t" suffix when seen as jnpwt.

She was often depicted as a pregnant or nursing jackal, or as a jackal wielding knives. She also is depicted as a woman, with a headdress showing a jackal recumbent upon a feather. Probably the most notable example of this representation is that of the statue of the triad of Hathor, Menkaure, and Anput. She occasionally is depicted as a woman with the head of a jackal, but this is very rare.

Mythology

Anput is the female counterpart of the god Anubis. She is also a goddess of the seventeenth nome of Upper Egypt. She is also considered the protector of the body of Osiris.”

>> Here you go anons, she is a warrior whom protected the body of Osiris with the others. We’ve got a new detail telling us she used blades as a weapon.

She is recognized in the Triad of Menkaure by her crown. Notice the details.

From the looks of it the Wolf warriors are also part of the Land Troops, but since they use arrows, we can say they have a double function of archers and swordsmen = using blades. They are long range and short range fighters. On page 965, notice weapons 5 and 6 from upper register of the Bronze Plaque from Hell and compare to the weapons Wepwawet is holding in page 1 008.

The last point I want to check is Kebechet: https://en.wikipedia.org/wiki/Kebechet

“In Egyptian mythology, Kebechet (spelt in hieroglyphs as Qeb-Hwt, and also transliterated as Khebhut, Kebehut, Qébéhout, Kabehchet and Kebehwet) is a goddess, a deification of embalming liquid. Her name means cooling water.

Myths

Kebechet is a daughter of Anubis and his wife Anput. In the Pyramid Texts, Kebechet is referred to as a serpent who "refreshes and purifies" the pharaoh.

Kebechet was thought to give water to the spirits of the dead while they waited for the mummification process to be complete. She was probably related to mummification where she would fortify the body against corruption, so it would stay fresh for reanimation by the deceased's ka.”

- Page 1010 –

>>14004328

(Please read from the start)

>> This is not a human being. This is an object or some substance. Not just any substance, but one in a liquid form. Why in a liquid form? Well because liquid can be poured out and while doing that, it can look like a snake/serpent.

The first thought that came to my mind is actually liquid nitrogen. It’s an incredible cooling agent, superfast at that: https://en.wikipedia.org/wiki/Liquid_nitrogen

“Liquid nitrogen—LN2—is nitrogen in a liquid state at low temperature. Liquid nitrogen has a boiling point of about −195.8 °C (−320 °F; 77 K). It is produced industrially by fractional distillation of liquid air. It is a colorless, low viscosity liquid that is widely used as a coolant.”

>> But as anons can see, liquid nitrogen doesn’t look much like a snake, does it now? So the second thing I thought of was actually liquid mercury: https://en.wikipedia.org/wiki/Mercury_(element)

“Mercury is a chemical element with the symbol Hg and atomic number 80. It is commonly known as quicksilver and was formerly named hydrargyrum. A heavy, silvery d-block element, mercury is the only metallic element that is liquid at standard conditions for temperature and pressure […].

History

Mercury was found in Egyptian tombs that date from 1500 BC. […]”

>> Also found in Ancient China Tombs and as we’ve seen in this thread under the Temple of the Feathered Serpent in Teotihuacan (page 299).

“Historic uses

[…]

Similarly, liquid mercury was used as a coolant for some nuclear reactors; however, sodium is proposed for reactors cooled with liquid metal, because the high density of mercury requires much more energy to circulate as coolant.[…]”

>> This is getting interesting, isn’t it? Mostly when we know there is a liquid mercury lake under that Pyramid in Teotihuacan. I said back then, that the Pyrite spheres might be used as something that conducts electricity (light), in some way, maybe creating some type of magnetic field. Here I find out that liquid mercury might be used as a coolant for nuclear energy. I’m not a chemist nor an expert in such matters, but it’s obvious there is some type of connection here. I’m not that smart to figure it out. I hope someone reading might step in and help clear this up or propose some type of alternative liquid that acts like a cooling agent but that also looks like a snake. If it’s not liquid nitrogen or mercury, then what could it be? Any suggestions anyone?

Last idea: to be able to use such an element it means we are dealing with advanced knowledge in science, mostly Physics and Chemistry. Perfect fit for Anubis/Wolf character.

- Page 1 011 –

>>14004383

(Please read from the start)

5 - For the Ram warrior, it’s not that widespread as the ThunderBirds and the Lamassu warriors.

I don’t know if anons already noticed but on page 660, third picture, the first statue is wearing a RAM helmet. He can be seen in the background of the second picture, same page. This means at least one Ram warrior existed in that region.

In Ancient Egypt, we’ve already got one piece of information that the Ram is linked to Osiris (page 837). It’s not the only presence of the Ram in Ancient Egypt. We also have a god with a Ram head there called Khnum and we are going to check him out next: https://en.wikipedia.org/wiki/Khnum

“Khnum or also romanised Khnemu (/kəˈnuːm/; Ancient Egyptian: ẖnmw, Koinē Greek: Χνοῦβις) was one of the earliest-known Egyptian deities, originally the god of the source of the Nile. Since the annual flooding of the Nile brought with it silt and clay, and its water brought life to its surroundings, he was thought to be the creator of the bodies of human children, which he made at a potter's wheel, from clay, and placed in their mothers' wombs. He was later described as having moulded the other deities, and he had the titles "Divine Potter" and "Lord of created things from himself".”

>> Do anons see what I see? Does this mean Khnum was protector of children? And I adore the sentence of him being the god of the “source of the Nile”. Do you remember what I keep on telling anons about the rivers? = Chronological Spine. Follow the Rivers anons ^_~

“General information

The worship of Khnum centered on two principal riverside sites, Elephantine and Esna, which were regarded as sacred sites. At Elephantine, he was worshipped alongside Satis and Anuket. At Esna, he was worshipped alongside Menhit, Nebtu, Neith and Heka. Khnum was regarded as the guardian of the source of the Nile River. His significance led to early theophoric names of him, for children, such as Khnum-Khufwy "Khnum is my Protector", the full name of Khufu, builder of the Great Pyramid of Giza.

Khnum has also been related to the deity Min.”

>> The temple at Esna was built during Ptolemaic period, so be careful.

- Page 1 012 –

>>14012856

(Please read from the start)

“Temple at Elephantine

The temple at Elephantine was dedicated to Khnum, his consort Satis, and their daughter, Anuket. The temple dates back to at least the Middle Kingdom. By the Eleventh Dynasty, Khnum, Satis and Anuket are all attested at Elephantine.

During the New Kingdom, finds from the time of Ramesses II show Khnum was still worshipped there.

Opposite Elephantine, on the east bank at Aswan, Khnum, Satis and Anuket are shown on a chapel wall dating to the Ptolemaic Kingdom.

Temple at Esna

In Esna, a temple was dedicated to Khnum, Neith and Heka, among other deities. This temple began construction in Ptolemaic times, but most of the surviving parts of the temple were built in Roman times.

Khnum is sometimes depicted as a crocodile-headed god. Nebt-uu and Menhit are Khnum's principal consorts and Heka is his eldest son and successor. Both Khnum and Neith are referred to as creator deities in the texts at Esna. Khnum is sometimes referred to as the "father of the fathers" and Neith as the "mother of the mothers". They later become the parents of Ra, who is also referred to as Khnum-Re.”

>> This is from later period anons.

“Other

The Temple of Beit el-Wali of Ramesses II contained statues of Khnum, Satis and Anukis, along with statues of Isis and Horus.

In other locations, such as Herwer (Tuna el-Gebel perhaps), as the moulder and creator of the human body, he was sometimes regarded as the consort of Heket, or of Meskhenet, whose responsibility was breathing life into children at the moment of birth, as the kꜣ ("ka").

Artistic conventions

In art, Khnum was usually depicted as a ram-headed man at a potter's wheel, with recently created children's bodies standing on the wheel. He was also shown holding a jar from which flowed a stream of water.”

>> Well, that’s not much information, isn’t it anons?

- Page 1 013 –

>>14012864

(Please read from the start)

Let’ see the information archaeology is going to provide for us:

First item is a relief of Khnum with 9 Wedjats depicted on his horns = between them. We have a single central Wedjat which is depicted bigger and taller than the rest. And on each side of that central bigger Wedjat, we have a row of 4 smaller Wedjats. Since we found out that the Wedjat is electricity depicted in the shape of a snake/serpent, then it means, just like it’s the case of the Lamassu warriors = it’s electricity produced by 2 rods looking like animal horns. If we follow the same reasoning as we did for the Lamassu horns, we will reach that conclusion.

The second item is a mural where Khnum is depicted in a barque. Here Khnum is represented with the solar disk between his horns just like Hathor usually is = another indication that this is electricity. Khnum is also holding the Was Staff in his right hand. In front of that Scepter we can see a serpent represented, standing upright and it has a solar disk depicted on top of it. All of this is telling us, indicating to us that the Was Scepter has electric abilities = it’s my Sharur weapon.

The zigzag yellowish snake we see around the canopy also represents electricity. This indicates there is an electrical current flowing around the canopy and barque, or through it. If there is electricity flowing like that on a boat, doesn’t this indicate it’s a mechanical boat = a machine?

The third item is another mural of Khnum where he is holding in each hand a short blade type of weapon. Which is strange enough, it fits the weapon number four in the upper register of the bronze Plaque from Hell = there we see what looks like a solar shield with some type of two narrow staffs or blades, kinda linked to one another. As for the solar shield: it could be one of 3 things:

1 – a real shield decorated like that.

2 – a type of beam just like what the symbol of Shamash looks like on page 814.

3 – both combined as in some sort of beam that is used as a shield.

This last idea is not that weird when you watch the movie called Black Panther. In that movie, the Border Tribe uses some type of electro-magnetic shield during battle as seen in the 4th picture attached to this page. Using electro-magnetic type of energy shields is not new or unseen in Hollywood movies. We’ve seen plenty of movies with it in them. So nothing new here.

The last item is a relief from Dendera Temple complex where Khnum is represented among stars with 2 pairs of wings. Did he have wings like the ThunderBirds or the Lamassu warriors? I don’t think the Ram warrior did. Originally, I don’t think he had wings; this is most likely added later on, by later generations. It’s clear the Ram warriors were part of the Land troops.

There are 3 things I want to check from the Khnum Wikipedia page.

- Page 1 014 –

>>14020427

(Please read from the start)

Satis is the first one: https://en.wikipedia.org/wiki/Satis_(goddess)

“Satet, Satit or Satjet, Satjit in Ancient Egyptian (Ancient Egyptian: Sṯt or Sṯıt, lit. "Pourer" or "Shooter"), Greek: Satis, also known by numerous related names, was an Upper Egyptian goddess who, along with Khnum and Anuket, formed part of the Elephantine Triad. A protective deity of Egypt's southern border with Nubia, she came to personify the former annual flooding of the Nile and to serve as a war, hunting, and fertility goddess.

She was sometimes conflated with Isis and Sopdet, goddess of the bright star Sirius, which the Egyptians connected with the onset of the Nile flooding. Under the interpretatio graeca, she was conflated with Hera and Juno.”

>> Satis is connected to Sirius. She is a warrior.

“Names

The exact pronunciation of Egyptian is often uncertain since vowels were not recorded until a very late period. In transcription, the goddess's name also appears as Setis, Sati, Setet, Satet, Satit, and Sathit. Derived from sṯ, meaning "eject", "shoot", "pour", or "throw", her name can be variously translated as "She who Shoots" or "She who Pours" depending on which of her roles is being emphasized.

Her name was originally written with the hieroglyph for a linen garment's shoulder knot (S29); this was later replaced by Anuket's animal hide pierced by an arrow (F29). She was also known by epithets, such as "Mistress of Elephantine" and "She Who Runs Like an Arrow", thought to refer to the flowing river current. “

>> From the sound of it, she is an archer type of warrior.

“History

A goddess of the Upper Egyptians, her cult is first attested on jars beneath the Step Pyramid of Saqqara (Dynasty III). She appears in the Pyramid Texts (Dynasty VI) purifying a deceased pharaoh's body with four jars of water from Elephantine.

Her principal center of worship was at Abu (Elephantine), an island in Aswan on the southern edge of Egypt. Her temple there occupied an early predynastic site shown by Wells to be aligned with the star Sirius. Other centers include Swenet (Aswan proper) and Setet (Sehel Island nearby). She was particularly associated with the upper reaches of the Nile, which the Egyptians sometimes considered to have its source near Aswan. She is invoked in Aramaic as Sati on a divorce document in the Elephantine papyri.”

- Page 1 015 –

>>14028711

(Please read from the start)

>> So her temple, built since PRE-DYNASTIC times, in Elephantine was aligned with Sirius. Interesting! She is also known in the Aramaic language. Nice!

“Myths

As a war goddess, Satis protected Egypt's southern Nubian frontier by killing the enemies of the pharaoh with her sharp arrows.

As a fertility goddess, she was thought to grant the wishes of those who sought love.

She seems to have originally been paired with the Theban god Montu but later replaced Heket as the consort of Khnum, guardian of the source of the Nile. By Khnum, her child was Anuket, goddess of the Nile. After Khnum was conflated with Ra, she sometimes became an Eye of Ra in place of Hathor.

Together Khnum, Anuket, and Satis formed the Elephantine Triad.

Representation

Satis was usually pictured as a woman in a sheath dress wearing the hedjet, the conical crown of Upper Egypt, with antelope horns. She is sometimes depicted with bow and arrows; holding an ankh or scepter; or offering jars of purifying water.

She also appears in the form of an antelope.

Her symbols were the arrow and the running river.”

>> I’ve got a missing Sebetti anons, the one I couldn’t identify on page 963 – 5th point. Also Satis is an archer, just perfect for the switching of weapon places on the upper register of the bronze Plaque from Hell as explained in page 1 008, last paragraph. So what do you think? Did I just found my last Sebetti? Or is this some type of sub-group squadron related to the Ram Sebetti = army hierarchy?

Also that horned crown of her is just perfect as a weapon if we compare it to the Ram and the Lamassu warriors = same type. What do you think Anons: is my last Sebetti the Antelope Sebetti? How many Antelopes we’ve seen on those Palettes anons? All of those animals we saw on the palettes (starting page 114), were they really animals or were they Sebetti warriors depicted in their animal form = symbolic way? What we see on those palettes is the battles between the Feline and the Antelope Sebettis. I think I’ve found my missing Sebetti anons = it’s the Antelope Sebetti.

- Page 1 016 -

>>14028734

(Please read from the start)

Next is Anuket: https://en.wikipedia.org/wiki/Anuket

“Anuket was the ancient Egyptian goddess of the cataracts of the Nile and Lower Nubia in general, worshipped especially at Elephantine near the First Cataract.

Etymology

In ancient Egyptian, she was known as Anuket, Anaka, or Anqet. Her name meant the "Clasper" or "Embracer". In Greek, this became Anoukis (Ανουκις), sometimes also spelled Anukis. In the interpretatio graeca, she was considered equivalent to Hestia or Vesta.

in the beginning Anqet was the water goddess of Sudan whose name means "Embrace". This meant that during the annual flood of the Nile she would embrace the two banks of Nile and make them fertile. The two tributaries of the Nile were called the extended hands of goddess Anuket. which is why she was nicknamed, "The woman who embraces". The other titles of Anuket included "The woman who throws", which is basically an indication of the flood of the Nile. She was also known as "Life Giver" and "Women of the sky".

She gradually came to be known as the cupid goddess of ancient Egypt. Her features and signs of perverted tastes were found among worshippers & are similar to those of the Greek goddess Hestia, who swore to maintain her virginity and Artemis the skilled hunter-gatherer.”

>> Anuket surely changed a lot with time didn’t she? She went from the image of Hugging (because of the Nile Flooding the two banks = hugging them metaphorically) to playing a role similar to Cupid; with some “perverted” tastes among her worshipers = I wonder what that REALLY means. We somehow jumped from the chaste Hestia image to the erotic Aphrodite image of Anuket. If this is not mutation, I don’t know what is. Or was there a hidden secret about the nature of Anuket cult that was revealed later on?

“Depictions

Anuket was usually depicted as a woman with a headdress of either reed or ostrich feathers She was usually depicted as holding a sceptre topped with an ankh, and her sacred animal was the gazelle. She was also shown suckling the pharaoh through the New Kingdom and became a goddess of lust in later years. In later periods, she was associated with the cowry, especially the shell, which resembled the vagina.

>> The only notable here is her “association” with the Gazelle = horned animal. For the rest = face palm.

“History and roles

She was originally the daughter of Ra, but was always related to Satet in some way. For example, both goddesses were called the "Eye of Ra", along with Bastet, Hathor, and Sekhmet. Also, they were both related in some way to the Uraeus.”

- Page 1 017 –

>>14036394

(Please read from the start)

>> Three very important sentences here:

Sentence 1: Anuket was the daughter of Ra = daughter of the Sun. For some unknown reason, she is always related to Satet = Satis….did you guess how this is connected? = the Antelope/Gazelle = the horns….this is how both deities were related “in some way”. I think this is indicating that both belonged to the same clan = the last mysterious Sebetti.

Sentence 2: Anuket, like Satis, was called the Eye of Ra: meaning she was a warrior and used a powerful weapon, just like Sekhmet and Hathor etc. were.

Sentence 3: Anuket and Satis were “in some way” (I’m starting to like this “in some way” – chuckles) were connected to the Uraeus. The Uraeus was made of the Wadjet (=Lightning depicted as a snake) and Nekhbet (= a ThunderBird warrior). I understand that Anuket is a warrior, she uses a weapon that emits electricity. Same goes for Satis by the way.

“Worship

Anuket was part of a triad with the god Khnum, and the goddess Satis. She may have been the sister of the goddess Satis or she may have been a junior consort to Khnum instead.

A temple dedicated to Anuket was erected on the Island of Seheil. Inscriptions show that a shrine or altar was dedicated to her at this site by the 13th Dynasty pharaoh Sobekhotep III. Much later, during the 18th Dynasty, Amenhotep II dedicated a chapel to the goddess.

During the New Kingdom, Anuket's cult at Elephantine included a river procession of the goddess during the first month of Shemu. Inscriptions mention the processional festival of Khnum and Anuket during this period.

Ceremonially, when the Nile started its annual flood, the Festival of Anuket began. People threw coins, gold, jewelry, and precious gifts into the river, in thanks to the goddess for the life-giving water and returning benefits derived from the wealth provided by her fertility. The taboo held in several parts of Egypt, against eating certain fish which were considered sacred, was lifted during this time, suggesting that a fish species of the Nile was a totem for Anuket and that they were consumed as part of the ritual of her major religious festival.”

>> Well anons, I want to put the Antelope/Gazelle as the unidentified last Sebetti. By the way, the iconography of Anuket doesn’t bring new information, so I simply put a couple of samples for researcher whom are interested in this.

- Page 1 018 –

>>14036409

(Please read from the start)

The third and last thing I want to check is the goddess Neith: https://en.wikipedia.org/wiki/Neith

“Neith /ˈniː.ɪθ/ (Koinē Greek: Νηΐθ, a borrowing of the Demotic form Ancient Egyptian: nt, likely originally to have been nrt "she is the terrifying one"; Coptic: also spelled Nit, Net, or Neit) was an early ancient Egyptian deity. She was said to be the first and the prime creator, who created the universe and all it contains, and that she governs how it functions. She was the goddess of the cosmos, fate, wisdom, water, rivers, mothers, childbirth, hunting, weaving, and war.”

>> Holy Heavens! Read and reread this slowly anons. Neith names means = the terrifying one. It echoes with what was said about the Sebetti on page 789 = the champions without peer, the personified weapons and the terrifying Seven. I have a big smile on my face, right now.

Neith is also SAID to be the PRIME and FIRST CREATOR of the Universe and all it contains. She also governs how the Universe functions as in she was a queen.

Look at her characteristics anons and of what Neith was the goddess of: Cosmos, FATE, WISDOM, Rivers, Mothers, CHILDBIRTH, Hunting, Weaving and WAR. Where did we see an almost identical deity in this thread before? = it’s Isis (starting page 846).

Loads of anons are going to ask: how can this be? It’s easy anons, go read back Isis (page 849). First of all Isis’ is not a name, it’s her title that was confused as being her name. In Ancient Egypt her name was ꜣst which meant QUEEN (I call her Isis out of habit despite that I know it’s wrong to do so). Second, in the same page, it’s said that ISIS wasn’t mentioned in NAME, along with Osiris, until the 5th Dynasty in the Old Kingdom. But we know that their cult was incredibly old, going back to pre-dynastic times. Their Egyptians names (ꜣst & ꜣsjr) didn’t show up till the Fifth Dynasty. So what were these 2 names called before = during pre-dynastic times and during the first 4 Dynasties? Where was Isis during these ancient times? What was her name? What was she called?

As for Neith name is an epithet which means the terrifying one; which indicates we still don’t have the real name of the Queen. But the cult of Neith dates back to pre-dynastic times; which means it’s older than the cult of Isis. I’m in the mindset Isis is Neo-Neith = as in a mutated, softer form of Neith.

Not convinced anons? Well, let’s continue to read about Neith to see if the Old Man is right or wrong.

“Neith was the tutelary deity of Sais (Coptic: Sai from Egyptian Zau), where her cult was centered in the western Nile Delta of Lower Egypt. It is attested as early as the First Dynasty. Neith was also one of the three tutelary deities of the southern city of Latopolis (Koinē Greek: Λατόπολις) or Esna (Snē) (Sahidic Coptic: ⲥⲛⲏ from earlier Egyptian: t3-snt, also iwnyt) Latopolis was located on the western bank of the River Nile some 55 kilometres (34 mi) south of Luxor (Thebes).”

>> Neith was from Lower Egypt just like how Isis was. What a coincidence?!

- Page 1 019 –

>>14043069

(Please read from the start)

“Symbolism

Neith is a far more complex goddess than is generally known, however, and of whom ancient texts only hint of her true nature. A religious silence was imposed by ancient Egyptians for secrecy, employing euphemisms and allusions and often relying on symbols alone. In her usual representations, she is portrayed as a fierce deity, a woman wearing the Red Crown, occasionally holding or using the bow and arrow, in others, a harpoon. Neith also is a goddess of war and of hunting and that is the symbolism depicted most often. Her symbol was two arrows crossed over a shield. In fact, the hieroglyphs of her name usually are followed by a determinative containing the archery elements, with the shield symbol of the name being explained as either double bows (facing one another), intersected by two arrows (usually lashed to the bows), or, by other imagery associated with her worship. Her symbol also identified the city of Sais.This symbol was displayed on top of her head in Egyptian art. In her form as a goddess of war, she was said to make the weapons of warriors and to guard their bodies when they died.”

>> Read carefully and slowly this paragraph anons:

It was forbidden to utter the name of Neith. Remember, Neith is not her name = her real name, but it’s her epithet. And Isis or = ꜣst, is not a name as well but a title. We also have a mysterious Baalat of Gebal = Lady of Gebal (starting page 865) whom is associated with Isis/Hathor for some reason; even there, in the Phoenician City-State of Gebal = Byblos, her name is unknown, we only know her as the Lady or the Queen of Gebal. She LIVED THERE for SOME TIME. From the looks of it, it was forbidden to utter her name. Now why is that?

I can think of 2 reasons, and it’s one of the two: 1 – She was so divine that it was not allowed for common, simple people to know her name, they were not worthy of knowing her name and calling her by it. 2 – She was so evil and cursed that she along with her name were banned from existence and it became a taboo to utter her name. It’s obvious it’s NOT option 2 but option 1 = as in this deity was so divine that none dared to say her name.

Don’t we have the same idea with our Heavenly Father = God = the ONE and ONLY whom created us, the entire Universe and every form of life in the entire Cosmos? We, humans, we do not know the name of our Heavenly Father. Loads think his name is YHWH = Yahwe. I say may our Heavenly Father forgive you for following the False creator because that is NOT the name of the Lord. No living human knows the name of the Lord. It’s NOT written in a book. That name = YHWH is the name of the False god, the usurper. A lot of people fell into the trap; this is another proof that the Old Testament is heavily EDITED. Haven’t anons noticed how I keep on calling God = HEAVENLY FATHER. Why you think I do that? Because He is our Heavenly Father. Think about this anons, it has very deep meaning. I insist on calling him that and I do it for a specific reason.

So you see anons, when it comes to this “Queen” we don’t know her name and the religious silence of secrecy was not just imposed in Ancient Egypt, but also in the Phoenician City-State of Gebal where the LADY LIVED = stayed for some time. This is why the old generations relied on epithets = Neith and her titles = ꜣst & Baalat of Gebal in order to call her or refer to her.

It’s normal for Neith to wear the RED crown of Lower Egypt = the Deshret crown, since she was from that area. But this hides a deeper meaning anons: We know that Lower Egypt was in CLOSE cultural and trade contact with the Phoenician City-States which acted as a Bridge = intermediary between Mesopotamia and Delta Egypt, including in pre-dynastic times. This indicates in turn that the Phoenician City-States are extremely old = older than what is admitted by Main Stream History, since Neith = Isis = Baalat of Gebal = the Queen traveled there and lived in the City-State of Gebal for some time. In other words the Phoenician City-States date back to the dawn of Civilizations as in pre-Sumerians time as well as pre-pre-dynastic Egypt. Incredibly, both the early Phoenicians and the early Egyptians KNEW WHOM SHE WAS.

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>>14043100

(Please read from the start)

Neith is considered as the goddess of war and hunting. This is no surprise, mostly if she was the QUEEN. We’ve already seen why when we looked into Isis = she is the commander of the Lamassu & then the ThunderBirds. If she is the wife of the murdered King = the Queen, then this means she is also the commander of all the Sebetti; apart the traitors. And I believe this was the case because from the get go it is said Neith is the Prime Creator of the Cosmos and she GOVERNS it = she is THE Queen, not just any queen. I’m not surprised at all to see her with weapons and know she is fierce.

If anons look at how the hieroglyph is depicted (in the Link) you will notice how the shield in her name is drawn with 2 arrows. Haven’t we seen this “design”/”drawing’ before anons? The picture I’ve attached to page 965 = the close up of the upper register of the bronze Plaque from Hell, last weapon = number 7 in green square. Now compare with the hieroglyph. They are similar, right? Can I rely on this to identify that last Sebetti weapon as a shield with a blade? It’s highly possible. Amazingle, on the upper register of the bronze Plaque from Hell, this shield and blade = weapon number 7 is depicted next to what looks like 3 arrows = weapon number 6. What do you think anons? Am I guessing this correctly?

As for the strange symbol we see displayed on top of her head, look closely to it anons: doesn’t it look like Hathor’s horns with the electrical beam between them? Don’t forget, that Isis and Hathor along with Baalat of Gebal “merged” in later periods. Loads to think about here, right anons?

“As a deity, Neith is normally shown carrying the was scepter (symbol of rule and power) and the ankh (symbol of life). She is called such cosmic epithets as the "Cow of Heaven", a sky-goddess similar to Nut, and as the Great Flood, Mehet-Weret, as a cow who gives birth to the sun daily. In these forms, she is associated with creation of both the primeval time and the daily "re-creation". As protectress of the Royal House, she is represented as a uraeus, and functions with the fiery fury of the sun. In time, this led to her being considered as the personification of the primordial waters of creation. She is identified as a great mother goddess in this role as a creator. She is the personification of the primeval waters, able to give birth (create) parthenogenetically.”

>> This is a very informative paragraph. One of Neith’s epithets was COW of HEAVEN. I couldn’t understand it. I couldn’t understand how she can be the Queen = wife of the dead king and in the same time, she seems to be part of the Lamassu warrior clan. So how does it all fit together? I got stuck here for some time, trying to figure out how it all comes together and I realized things are a bit more complex than what we see.

I made a small mistake to see the Sebetti in a linear way = as in all 7 being equal in power and rank one to another. The Sebetti are made of 5 kings and 2 queens as far as can tell by what I have so far (might change with additional information). Each king/queen was a ruler = sovereign = head of a Clan/Tribe with one animal as their heraldic symbol. Each one of these kings/queens had tremendous, extraordinary powers, surpassing that of a normal human; like the super natural sort of power. It’s highly possible each ruler had vassals. Each king/queen had an army, a full army of many warriors all wearing special armors shaped like their heraldic animal. Each army was also specialized in a type of combat and used special types of weapons or machinery. Some had common points, but all in all, each Clan had specific abilities and powers.

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>>14044518

(Please read from the start)

Not all the Sebetti kings/queens were equal in power. There was one whom was above the other 6. He was King but not just any King. He was the King of the kings. He was the King of the Sebettis. And yes anons, this is where the notion of King of kings comes from. It didn’t start with Christ, but this is much much older than anyone can imagine.

That King, with a capital K, was the murdered King I was already talking about in this thread. This King was special, even among the Sebetti he was special. It’s like he is Special among the Special. This King had a wife = a Queen and an Heir, probably more than one Offspring. From the looks of it, all the Sebettis were related or had a bond/connection to one another.

So where is the place of Neith/Isis/Hathor in all of this? Well, it’s obvious she is a Sebetti = a queen. She seems to be the leader of the Lamassu Clan with the Bull warriors, at least this is what is showing so far. This is why in page 852 it was said that the head of Isis was replaced with that of a cow/Hathor. So she is the queen = Sebetti queen of the Lamassu, but….was she more than this? Was she also the wife of the murdered King? For now, yeah, I think so. It looks like that.

For anons to understand me better, I would like to ask them to take a look at a movie called Black Panther – I’m skipping the unnecessary parts: https://en.wikipedia.org/wiki/Black_Panther_(film)

“Black Panther is a 2018 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 18th film in the Marvel Cinematic Universe (MCU). […]

Plot

Thousands of years ago, five African tribes war over a meteorite containing the metal vibranium. One warrior ingests a "heart-shaped herb" affected by the metal and gains superhuman abilities, becoming the first "Black Panther". He unites all but the Jabari Tribe to form the nation of Wakanda. Over centuries, the Wakandans use the vibranium to develop advanced technology and isolate themselves from the world by posing as a Third World country. In 1992, Wakanda's King T'Chaka visits his brother N'Jobu, who is working undercover in Oakland, California. T'Chaka accuses N'Jobu of assisting black-market arms dealer Ulysses Klaue with stealing vibranium from Wakanda. N'Jobu's partner reveals he is Zuri, another undercover Wakandan, and confirms T'Chaka's suspicions.”

>> So there were 5 tribes:

1 – River Tribe – notice the weapons she is holding in the picture, it’s like the Shen Ring, isn’t it?

2 – Border Tribe.

3 – Mining Tribe.

4 – Merchant Tribe – first picture in next page.

5 – Jabari Tribe.

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>>14051350

(Please read from the start)

Pay close attention to them and the details anons = look at the signs on the clothing as well. None is dressed like the other, each has its own colors, symbols, weapons and “occupation” = role, job, function. Each tribe has their own chief = ruler = king; either male or female. And each had their own territory to guard/rule. They were united by the first Black Panther, but the Fifth tribe, the Jabari, didn’t join in.

“In the present day, following T'Chaka's death, his son T'Challa returns to Wakanda to assume the throne. He and Okoye, the leader of the Dora Milaje regiment, extract T'Challa's ex-lover Nakia from an undercover assignment so she can attend his coronation ceremony with his mother Ramonda and younger sister Shuri. At the ceremony, the Jabari Tribe's leader M'Baku challenges T'Challa for the crown in ritual combat. T'Challa defeats M'Baku and persuades him to yield rather than die.”

>> Pay attention to the core idea anons and not the details: T’Chaka, the old King, was murdered. Naturally, his son and heir should take his place. The King of Wakanda has a special type of army all to himself = the royal guards called Dora Milaje (meaning = the “adored ones”); they only answer to the King. Each tribe has its own set of warriors = army; each one of them had a specific function/role; like the Border Tribe was tasked to guard the borders. The Dora Milaje also has a specific role = protecting the King + Throne. They were ELITE soldiers, not ordinary ones.

Ramonda (notice the weapon she uses, they look like the Shen Ring), seems to be the daughter of the River Tribe leader/king = his heir and she is the love interest of the new young King T’Challa. And this is where I reached with Neith/Isis/Hathor. I think this is what happened with the King. He loved and got married One of the female Sebetti. This Sebetti = Neith, was the queen of her Clan, but also the spouse of the King of kings. This made her the Queen of queens. And just like I’ve been suspecting, the King had not just a male heir = Crown Prince, but he also had another offspring; maybe even more than her. But for sure, we know the Crown Prince had a sister. I’ve been calling her the “Evil Lady”. I’ve been saying that either the Evil One or the Evil Lady is the child of the King and the Queen, because there is a maternal type of attachment to the Queen by the early Bloodlines. In the movie Shuri takes on the role of a genius reminding me of Anubis = Wolf Clan. And she makes a joke by pretending to challenge her brother to the throne. But what if this was not a joke and this is what really happened back then: as in the princess started to make claims for the throne because “someone put her up to it” = as in someone played with her mind?

M’Baku, leader of the Jabari, challenges T’Challa to the throne. Doesn’t that mean he doesn’t acknowledge him as his king? Isn’t this the situation we had back then? When the Evil One wanted to take the throne, doesn’t it mean he didn’t acknowledge the King as his ruler? M’Baku was defeated in the duel but he was not killed by T’Challa, instead he yielded to him. Incredibly, isn’t this what happen to the Fallen Angels when they were cast away from Heaven? They weren’t killed but they yielded and were kicked out of Heaven. The level of mirroring/projection in this movie is incredible.

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>>14051382

(Please read from the start)

“[…] Killmonger challenges T'Challa to ritual combat, where he kills Zuri, defeats T'Challa, and hurls him over a waterfall to his presumed death. Killmonger ingests the heart-shaped herb and orders the rest incinerated, but Nakia extracts one first. Killmonger, supported by W'Kabi and his army, prepares to distribute shipments of Wakandan weapons to operatives around the world.

Nakia, Shuri, Ramonda, and Ross flee to the Jabari Tribe for aid. They find a comatose T'Challa, rescued by the Jabari in repayment for sparing M'Baku's life. Healed by Nakia's herb, T'Challa returns to fight Killmonger, who dons his own nanotech suit, similar to T'Challa's. W'Kabi and his army fight Shuri, Nakia, and the Dora Milaje, while Ross remotely pilots a jet and shoots down planes carrying the vibranium weapons. M'Baku and the Jabari arrive to reinforce T'Challa. Confronted by Okoye, W'Kabi and his army stand down. Fighting in Wakanda's vibranium mine, T'Challa disrupts Killmonger's suit and stabs him. Killmonger refuses to be healed, choosing to die a free man rather than be incarcerated; T'Challa takes him to the waterfall where they fought, where Killmonger dies peacefully.

[…]”

>> Here, Hollywood/comic world did the same as what they did with the Oz movie = they scattered the story to different characters. Killmonger also usurps the throne and tries to take it. Take note of the Nanotechnology anons, we are going to talk about it later on. I don’t need to comment much, I think anons get the idea and can see through the storyline.

Zuri, seems to have a double function as a religious man and a medicine man. This is no strange to other cultures, like what we see the Shamans do in the Andean region, Mesoamerica and with the Native Americans. They hold religious rituals and in the same time if a person gets sick, they also act like a healer or a doctor and try to cure that person. I think Zuri plays that specific role. He is no combatant/warrior, but he is holding a weapon = spear type that looks incredibly close to what the Staff weapon = Sharur might turn out to be.

Look at his clothing = the color is purple. He wears it along with his family and underlings = the priesthood Clan. Their colors are distinct, just like it’s the case of the rest of the tribes. They do not hold a combative role though. If we look at the second register of the bronze Plaque from Hell, we will see the Fish men playing exactly that part. This is why we don’t see the Fish men among the Sebetti, but in the second register. We can say the Aquatic clothing represents the Clergy and the healers. So far, from the information I’ve gathered, this is what I’ve noticed.

I would also like to ask anons to take a look at what Zuri is wearing around his neck. Yeah, I know it’s an African Style necklace. Look as well at what Okoye wears around her neck. Now compare this to what Nergal and Wonder Woman 1984 wear around their necks. Look at what Okoye and the Dora Milaje are holding = spear/staffs. Look what they have on their wrists and necks. Why does an elite warrior = the royal guard needs to wear bracelets and necklaces like that? What are the Kimoyo Beads in the movie? A communication bracelet? A bit different, but it also reminds me of what the Anunnaki wear around as bracelets where light comes out of it? I’ve aleady talked about this previously in this thread (page 822). Are the Kimoyo Beads an advanced form of the I-watch?

Go look back at all the pictures I’ve put of artifacts for anons. You will notice that MOST, NOT ALL, wear something on their wrists; while some have necklaces and a large number also have arm bands or upper arm bangles. Anons will notice that such trinkets are MOSTLY worn by winged people = the ThunderBirds. Now why on Earth do mighty warriors need to wear such trinkets? It’s obvious there is a pattern here, but this doesn’t explain why they all wear such trinkets.

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>>14051425

(Please read from the start)

The poster of T’Challa as Black Panther holds 2 tiny hidden treasures. Look closely what’s written on it: “King of Kings” & “The Origin Story”. Really!!?? What are the odds of Hollywood using exactly these 2 ideas?

The last picture I want anons to take a look at is the picture of the council. Each tribe leader/king has a seat at the council – I’m unsure if the Jabari are here or not though. But the Queen Dowager or the Queen Mother also holds a seat. That seat is usually held by the Queen = spouse of the King, but since T’Challa is single = not married, then this seat is held by the Queen Mother only to be replaced by his wife when he gets married. I believe this council we see right in front of us is a replica of how the situation was back then. They didn’t invent or create any new idea in Hollywood nor in the Comic Books world; they are projecting/mirroring the hidden history of mankind.

This is how it was with the Sebetti anons. This is a perfect reflection of how things were back then. Each Sebetti was a king of his own Clan/Tribe/Faction. They each had a territory & people to rule. Each Sebetti king had an animal as a heraldic sign. He also had some type of extraordinary powers, super-natural powers that made him special, incredible. Each Sebetti king had his own army, which in turn had a specific function/role.

But the Sebetti were not equal. There was one above the rest. That one was called the King of the Sebettis; as in he was King of kings. They held council but the ultimate decision rested in the hands of the King of kings. He had the last word. And from the looks of it, the King married one of the Sebetti queens, so the Queen had a double function. She was the spouse of the King of kings but in the same time, she was the queen of her own Clan/Tribe. Up till now, it seems Neith/Isis/Hathor is THAT Queen. Maybe I’m rushing in my conclusions, so I would like to leave the door ajar and keep the possibility in front of us that she might be a simple Sebetti queen and not the Queen of queens. Let’s just say I give it a 70 % she is the Queen of queens and a 30 % she is not the Queen of queens; from the information I’ve got so far. I’m only informing anons of what I have in mind, this needs further verification.

I hope anons realize I just showed you how Atlantis was ruled.

Just one last thought about this movie: what are the odds that the Armor/suit we see the Black Panther wear is actually a projection of what the Feline Sebetti is? From the shape of the helmet, to the necklace, to the abilities of the suit and the boots, and mostly the claws. Please go back to the Feline Sebetti (starting page 993) and compare. Make up your own mind. As for me, I think what we see in the movie is extremely close to what the Feline armor looks like.

Now let’s continue where I left off with Neith on page 1 021.

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>>14051460

(Please read from the start)

It is said that Neith is associated with the goddess of the Great Flood. Is that an oopsie from Wikipedia? Did (((they))) just indirectly hinted that a Great Flood occurred in the past? But (((they))) are only mentioning the Great Flood, not the Cataclysm. Is this a way to say that Neith came out from the waters of the Great Flood? As in she survived it somehow. The Uraeus is the lightning that comes out from the super weapons the Warriors use. So I’m not surprised to hear she is associated with the Uraeus. If she is the Queen of queen = spouse of the King of kings, then yes, she is a Great Mother Goddess.

“Later, as religious practices evolved throughout the long history of their culture, ancient Egyptians began to note their deities in pairs, female and male. When that tradition arose, Neith was paired with Ptah-Nun. In the same manner, her personification as the primeval waters is Mehet-Weret, conceptualized as streaming water, related to another use of the verb sti, meaning 'to pour'.”

>> They are saying it themselves in this paragraph = LATER = mutation.

“Neith is one of the most ancient deities associated with ancient Egyptian culture. Flinders Petrie (Diopolis Parva, 1901) noted the earliest depictions of her standards were known in predynastic periods, as can be seen from a representation of a barque bearing her crossed arrow standards in the Predynastic Period, as is displayed in the Ashmolean Museum, Oxford.”

>> The Bloodlines knew exactly whom she was, don’t forget (((they))) are collectors and (((their))) little museums are the place where (((they))) keep (((their))) treasures. Neith’s cult is super old, goes all the way back to pre-dynastic times.

“Her first anthropomorphic representations occur in the early dynastic period, on a diorite vase of King Ny-Netjer of the Second Dynasty. The vase was found in the Step Pyramid of Djoser (Third Dynasty) at Saqqara. That her worship predominated the early dynastic periods is demonstrated by a preponderance of theophoric names (personal names that incorporate the name of a deity) within which Neith appears as an element. Predominance of Neith's name in nearly forty percent of early dynastic names, and particularly in the names of four royal women of the First Dynasty, clearly emphasizes the importance of this goddess in relation to the early society of Egypt, with special emphasis upon association with the Royal House.

In the very early periods of Egyptian history, the main iconographic representations of this goddess appear to have been limited to her hunting and war characteristics, although there is no Egyptian mythological reference to support the concept that this was her primary function as a deity. It has been suggested these hunting and war features of Neith's imagery may indicate her origin from Libya, located west and southwest of Egypt, where she was goddess of the combative peoples there.”

>> It’s more likely she, as the Queen of queens, commander of the ThunderBirds, the Lamassu and the other warriors, was at war with the Horned Serpent Clan and she was cleaning up the traitors from the other clans.

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>>14058484

(Please read from the start)

“It has been theorized that Neith's primary cult point in the Old Kingdom was established in Saïs (modern Sa el-Hagar) by Hor-Aha of the First Dynasty, in an effort to placate the residents of Lower Egypt by the ruler of the unified country. Textual and iconographic evidence indicates that she was a national goddess for Old Kingdom Egypt, with her own sanctuary in Memphis, indicating the high regard held for her. There, she was known as "North of her Wall", as counterpoise to Ptah's "South of his Wall" epithet. While Neith is generally regarded as a deity of Lower Egypt, her worship was not consistently located in that delta region. Her cult reached its height in Saïs and apparently in Memphis in the Old Kingdom, and remained important, although to a lesser extent, through the Middle and New Kingdom. Her cult regained cultural prominence again during the twenty-sixth dynasties when worship at Saïs flourished again, as well as at Esna in Upper Egypt.”

>> Neith was the national goddess of the Old Kingdom; that tells a lot, it shows mostly her importance.

“Neith's symbol and part of her hieroglyph also bore a resemblance to a loom, and so in later syncretisation of Egyptian myths by the Greek ruling class of that time, she also became goddess of weaving. At this time her role as a creator conflated with that of Athena, as a Greek deity who wove all of the world and existence into being on her loom.”

>> The Spider is the animal shape of a loom. I’ve already been suspecting the Spider (mentioned page 912) as being some type of sub-category of a clan; something in the same position as the Scorpion Clan.

“Sometimes Neith was pictured as a woman nursing a baby crocodile, and she then was addressed with the title, "Nurse of Crocodiles", reflecting a southern provincial mythology in Upper Egypt that she served as either the mother of the crocodile god, Sobek, (or he was her consort). As mother of Ra, in her Mehet-Weret form, she was sometimes described as the "Great Cow who gave birth to Ra". As a maternal figure (beyond being the birth-mother of the sun-god Ra), Neith is associated with Sobek as her son (as early as the Pyramid Texts), but in later religious conventions that paired deities, no male deity is consistently identified with her in a pair and so, she often is represented without one. Later triad associations made with her have little or no religious or mythological supporting references, appearing to have been made by political or regional associations only.”

>> A crocodile is a reptile, just like the serpent. So what does it mean that Neith is nursing a crocodile? Is it confirming my suspicions that at least one of the Evil Couple was the offspring of the Queen of queens? It’s looking like that more and more anons. Don’t confuse things anons = even if she was the mother of one of the Evil Couple, this doesn’t mean she was evil by herself. Keep that in mind.

“Some modern writers assert that they may interpret that as her being 'androgynous', since Neith is the creator capable of giving birth without a partner (asexually) and without association of creation with sexual imagery, as seen in the myths of Atum and other creator deities. However, her name always appears as feminine. Erik Hornung interprets that in the Eleventh Hour of the Book of the Amduat, Neith's name appears written with a phallus (Das Amduat, Teil I: Text: 188, No. 800.(Äg. Abh., Band 7, Wiesbaden) 1963). See also Ramadan el-Sayed, La Déese Neith de Saïs, I:16; 58-60, for both hieroglyphic rendering and discussion of an androgynous nature of Neith as creator/creatress deity, and Lexikon der Ägyptologie (LÄ I) under "Götter, androgyne": 634-635 (W. Westendorf, ed., Harassowitz, Wiesbaden, 1977). In reference to Neith's function as creator with both male and female characteristics, Peter Kaplony has said in the Lexikon der Ägyptologie: "Die Deutung von Neith als Njt "Verneinung" ist sekundär. Neith ist die weibliche Entsprechung zu Nw(w), dem Gott der Urflut (Nun and Naunet). (Citing Sethe, Amun, § 139)". LÄ II: 1118 (Harassowitz, Wiesbaden, 1977). The antiquity of Neith reaches deeply into the prehistoric periods, however, when female deities as the sole creators (through parthenogenesis) were quite common in human cultures (and even into the neolithic), so she should be considered in that role, without having to reach for other explanations about her not following later conventions. She was considered to be eldest of the Ancient Egyptian deities. Neith is said to have been "born the first, in the time when as yet there had been no birth" (St. Clair, Creation Records: 176).”

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>>14058525

(Please read from the start)

>> Neith is not androgynous. The “younger” generations or should I say the later generations didn’t understand or know what really happened back then. And this explanation is just the interpretation of “modern” writers. Go figure that one out! (Rolling eyes).

“In the Pyramid Texts, Neith is paired with the goddess Selket as the two braces for the sky, which places these goddesses as the supports for the heavens (see PT 1040a-d, following J. Gwyn Griffths, The Conflict of Horus and Seth, (London, 1961) p. 1). This ties in with the vignette in the Contendings of Seth and Horus when, as the most ancient among them, Neith is asked by the deities to decide who should rule. She was appealed to as an arbiter in the dispute between Horus and Seth. In her message of reply, Neith selects Horus, and says she will "cause the sky to crash to the earth" if he is not selected.”

>> Atta girl! She knows how to kick ass doesn’t she? It’s clear as day here anons. Our Queen of queens sided with HORUS = ThunderBirds against Seth = Horned Serpents. And oh boy does she sound pissed when she said that is going to cause the sky to crash to the earth if Horus is not selected. It’s way than obvious Neith is the Mother Queen, spouse of the murdered King of kings, and it’s way too clear she is the leader of the ThunderBirds and the rest of the loyal warriors to the King. And she’s pissed by what happened. She is the type that takes action, and not just sit there to do nothing about it. I bet she did and this is how the fight between good and evil continued even after the Cataclysm. Even when the Calamity occurred, the children of the Light kept on fighting the children of Darkness.

Neith is really a fierce Queen, worth of her epithet as being a “terrible one”. There is nothing more scary on this Earth that the wrath of a Mother whom’s protecting her child from evil/harm. And this is what we have with Neith. She is the beloved wife of the murdered King of kings; so this means she lost the man she loved. Then she had to survive the betrayal of someone close to her from within her family, probably one of her own children. She had to survive an Apocalyptic Calamity where most of mankind was annihilated, simply perished. She survived a Calamity where the Earth was gutted inside-out, earthquakes split it, volcanoes erupted, water flooded and it was all followed by an Ice Age = it’s like it was a death by earth, fire, water and wind. She was Queen of queens, she was RESPONSIBLE of all these lives which she governed and she was the guardian of the Earth = she was responsible of the safety of the Earth and all of this happened under her watch. Then after all of this, she leads the fight against the Horned Serpents in the aftermath of the Cataclysm, including cleaning the traitors from the ranks of the other clans. Lastly, she had to protect the Heir = Crown Prince from being murdered just like his father by the Horned Serpent warriors and the other traitors. As you can see anons, the Queen had loads on her plate to deal with.

“Attributes

An analysis of her attributes shows Neith was a goddess with many roles. From predynastic and early dynasty periods, she was referred to as an "Opener of the Ways" (wp w3.wt), which may have referred, not only to her leadership in hunting and war, but also as a psychopomp in cosmic and underworld pathways, escorting souls. References to Neith as the "Opener of Paths" occurs in Dynasty Four through Dynasty Six, and Neith is seen in the titles of women serving as priestesses of the goddess. Such epithets include: "Priestess of Neith who opens all the (path)ways", "Priestess of Neith who opens the good pathways", "Priestess of Neith who opens the way in all her places". (el-Sayed, I: 67-69). el-Sayed asserts his belief that Neith should be seen as a parallel to Wepwawet, the ancient jackal-god of Upper Egypt, who was associated in that southern region with both royalty in victory and as a psychopomp for the dead.”

>> She is a PathFinder = opening the way. Remember what was said about Isis in pages 847- 848? She is the one that can change the Fate, that can choose a different Path which in turn can change the outcome of things.

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>>14061471

(Please read from the start)

“The main imagery of Neith as wp w3.wt was as the deity of the unseen and limitless sky, as opposed to representations of Nut and Hathor, who respectively represented the manifested night and day skies. Neith's epithet as the "Opener of the Sun's paths in all her stations" refers to how the sun is reborn (due to seasonal changes) at various points in the sky, under Neith's control of all beyond the visible world, of which only a glimpse is revealed prior to dawn and after sunset. It is at these changing points that Neith reigns as a form of sky goddess, where the sun rises and sets daily, or at its 'first appearance' to the sky above and below. It is at these points, beyond the sky that is seen, that Neith's true power as the deity who creates life is manifested.”

>> Is this paragraph talking about her ability to open the Stargate?

“Georges St. Clair (Creation Records, 1898) noted that Neith is represented at times as a cow goddess with a line of stars across her back (as opposed to representations of Nut with stars across the belly) [See el-Sayed, II, Doc. 644], and maintained this indicated that Neith represents the full ecliptic circle around the sky (above and below), and is seen iconographically in ancient texts as both the regular and the inverted determinative for the heavenly vault, indicating the cosmos below the horizon. St. Clair maintained it was this realm that Neith personified, for she is the complete sky that surrounds the upper (Nut) and lower (Nunet?) sky, and who exists beyond the horizon, and thereby, beyond the skies themselves. Neith, then, is that portion of the cosmos that is not seen, and in which the sun is reborn daily, below the horizon (which may reflect the statement assigned to Neith as "I come at dawn and at sunset daily").

Since Neith also was goddess of war, she thus had an additional association with death: in this function, she shot her arrows into the enemies of the dead, and thus she began to be viewed as a protector of the dead, often appearing as a uraeus snake to drive off intruders and those who would harm the deceased (in this form she is represented in the tomb of Tutankhamun). She also is shown as the protectress of one of the Four sons of Horus, specifically, of Duamutef, the deification of the canopic jar storing the stomach, since the abdomen (often mistakenly associated as the stomach) was the most vulnerable portion of the body and a prime target during battle.”

>> I’ve already explained about the Uraeus and the association with war = electrical weapon.About her protecting the Four Sons of Horus: does this mean there were 4 legitimate heirs to the King of kings? Or did the Heir had in turn 4 sons = Four Grandchildren of the King of kings? Or do they represent Four ThunderBird warriors? As for her guarding the canopic jar of king Tutankhamun, see the pictures attached with this page.

“Mythology

In some ancient Egyptian creation myths, Neith was identified as the mother of Ra and Apep. When she was identified as a water goddess, she was viewed as the mother of Sobek, the crocodile. It was because of this association with water, i.e. the Nile, that during pairing of deities she sometimes was considered the wife of Khnum and sometimes was associated with the source of the River Nile. In that cult center, she also was associated with the Nile Perch as well as being the goddess of the triad.”

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>>14061517

(Please read from the start)

>> The first 2 sentences are the important ones here, later is a mutation. I’ve already explained this as her being the Queen of queens, spouse of the King of kings and probably the mother of one of the Evil Couple, either the Male Evil One or the Evil Lady that was his lover/wife.

“As the goddess of creation and weaving, she was said to reweave the world on her loom daily. An interior wall of the temple at Esna records an account of creation in which Neith brings forth the Nun, the first land, from the primeval waters. All that she conceived in her heart comes into being, including all thirty deities. Having no husband she has been described as "Virgin Mother Goddess":

Unique Goddess, mysterious and great who came to be in the beginning and caused everything to come to be . . . the divine mother of Ra, who shines on the horizon…

Proclus (412–485 AD) wrote that the adyton of the temple of Neith in Sais (of which nothing now remains) carried the following inscription:

I am the things that are, that will be, and that have been. No one has ever laid open the garment by which I am concealed. The fruit which I brought forth was the sun.”

>> The waving could also symbolize as she can choose which path to walk on as in she can wave FATE by having the ability to change it and change its outcome. You know: like waving the destiny or fate of people. Neith came out of the primal waters = that’s the Great Flood waters as in she is a survivor of the Cataclysm. I think the “first land” mentioned here means that Neith showed up on the first patch of land that emerged from the Flood waters. This will be explained later.

If I told you this sentence is very real: “All that she conceived in her heart comes into being” - would you believe me? I know this to be very very real, as I’ve seen it happen myself with my own eyes. The child of the prophecy has this ability: whatever he holds within his heart comes to be. It’s about his intentions and his feelings. If he cares then it will be blessed; if he hates, then it will be cursed and doomed.

“It was said that Neith interceded in the kingly war between Horus and Set, over the Egyptian throne, recommending that Horus rule.”

>> Already made comments about her choice in the battle between Seth and Horus, so I’m not going to repeat.

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>>14061602

(Please read from the start)

I went to Mesopotamia, trying to find the Ram warriors there. I didn’t find them, not directly, but I found something a bit different: https://en.wikipedia.org/wiki/Ram_in_a_Thicket

“The Ram in a Thicket is a pair of figures excavated in Ur, in southern Iraq, which date from about 2600–2400 BC. One is in the Mesopotamia Gallery in Room 56 of the British Museum in London; the other is in the University of Pennsylvania Museum in Philadelphia, USA.”

>> The Collectors has these artifacts.

“Discovery

The pair of rams would more correctly be described as goats, and were discovered lying close together in the 'Great Death Pit' (PG 1237), one of the graves in the Royal Cemetery at Ur, by archaeologist Leonard Woolley during the 1928–9 season. Woolley was in charge of the joint venture between the British Museum and the University of Pennsylvania, which began in 1922. The figure's partner is in the University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia.”

>> I agree, this is closer to a GOAT than a RAM.

“Woolley named the figure the 'Ram in a Thicket' after the passage in Genesis 22 v.13, where God orders the Biblical Patriarch Abraham to sacrifice his son Isaac, but, at the last moment Jehovah's Angel stopped Abraham telling him "Do not harm the boy and do not do anything at all to him, for now I do know that you are God-fearing because you have not withheld your son, your only one, from me. At that Abraham looked up and saw just beyond him a ram caught in a thicket by his horns. And Abraham went and took the ram, and offered him up for a burnt offering instead of his son'.”

>> Let me say it from the get go: Our Heavenly Father would NEVER ask such a thing from ANYONE. Even as a test, our Heavenly Father would NEVER, EVER think this, utter these horrible words or even suggest such an idea. This is not the Light. Such an idea = sacrificing a child, just the idea of it, doesn’t even occur to the Light. This is not how they think, this is not what they believe in. This is how the Darkness thinks. I will be talking a bit more about all of this when I finish with this later.

“The figure

When it was discovered, the 45.7 cm (18.0 in) figure had been crushed flat by the weight of the soil above it and its inner wooden core had decomposed. This wooden core had been finely cut for the face and legs, but the body had been more roughly modelled. Woolley used wax to keep the pieces together as it was excavated, and the figure was gently pressed back into its original shape. The ram's head and legs are layered in gold leaf which had been hammered against the wood and stuck to it with a thin wash of bitumen, while its ears are copper which are now green with verdigris. The horns and the fleece on its shoulders are of lapis lazuli, and the body's fleece is made of shell, attached to a thicker coat of bitumen. The figure's genitals are gold, while its belly was silver plate, now oxidised beyond restoration. The tree is also covered in gold leaf with gold flowers.”

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>>14061637

(Please read from the start)

>> That’s some craftsmanship, if you ask me.

“The figure stands on a small rectangular base decorated with a mosaic of shell, red limestone and lapis lazuli. The figure was originally attached to the flowering shrub by silver chains around its fetlocks, but these chains have completely corroded away. It is thought that the two figures originally faced each other as confronted animals, and that the tubes going up from their shoulders were used to support something, probably a bowl or similar object.”

>> So this is the base of a basin or something similar.

This artifact (the pair) was called by the archaeologist that found them as the Ram in the Thicket, because it reminded him of how God sent a ram to Abraham. Let’s talk about the a bit.

The Ram, like the Antelopes and the Bulls, belong family of Bovidae: https://en.wikipedia.org/wiki/Bovidae

“The Bovidae comprise the biological family of cloven-hoofed, ruminant vertebrates that includes bison, African buffalo, water buffalo, antelopes, sheep, goats, muskoxen, and domestic cattle. A member of this family is called a bovid.”

>> In other words, the Bull, the Ram and “maybe the Antelope” all have a common root.

The Ram in the Thicket is not the only artifact of such nature coming from Mesopotamia. On page 806, I posted pictures of 2 artifacts. The second one is a small statuette from Elam which SOME call her the Scorpion goddess, because of the way her claws look like. Back then, I said this was a strange seated woman because of her hands, feet and horns. I was not that convinced we are dealing with a Scorpion despite this being the narrative put forward about this artifact by the Main Stream History. When we look closely at how the hands and feet are shaped, they look more like those of a bovine than the claws of a scorpion. Besides, a scorpion only has 2 claws, not 4 ^_~ So why are the feet of this “goddess” also shaped like that? If this was really a scorpion, then only her hands should be shaped like claws. It’s obvious we have a 4 leged animal. Something is off here anons.

Then, when we look at her HORNS, notice how the tip is shaped like some sort of star or like an open hand with the fingers stretched apart. We’ve seen a similar iconography before but in Ancient Egypt = The Gerzeh Palette (page 112 – revisited page 976). There, it’s obvious we have a spark starting from the horns of the cow and forming a spark in the space between them. So do we have the same type of situation with this artifact from Elam? Where it the Scorpion tail? The explanation provided by the Main Stream History about this artifact never rested well with me, it always bothered me. I’ve been doubting for a long time that this is not a scorpion goddess but one of the bovine type of warrior: not the ram for sure, but possibly the Lamassu or the Antelope. This is why I love archaeology = the artifacts never lie and cannot be altered, manipulated/changed like written texts.Whom do you believe anons: the Main Stream History narrative or what your eyes are seeing in this artifact? Decide for yourself.

As for the explanation given to this “Ram” by the Main Stream History is incorrect as was the case for the figurine from Elam.

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