>>4983
Now, in "Structure, Sign, and Play in the Discourse of the Human Sciences", Derrida criticizes Lévi-Strauss' notion of the engineer, arguing that the engineer must actually be a myth of the bricoleur, another bricoleur himself in fact, as no individual can be the absolute origin of their own discourse. And furthermore, the bricoleur gains its meaning through its difference with the impossibility of the engineer. Whereas Lévi-Strauss argued that neither the bricoleur nor the engineer necessarily supersedes the other, Derrida argued that there are only bricoleurs. But this is orthogonal to the subject at hand, which is memes.
Memes have become an internet cultural phenomenon, lately bleeding over into real life. Some people refer to 2016 election as the "Great Meme War", and a presidential candidate even referenced certain memes in a high-profile speech. There even exists a veritable encyclopedia of memes along with numerous sites that simplify the creation of memes. There are even memes about being a 'meme farmer', which sounds a lot like being a bricoleur.
In fact, the very term 'meme', coined by Richard Dawkins in the 1976 book, "The Selfish Gene", was, as he explains himself, 'hijacked', and that while the original idea meant a random mutation spread by a form of Darwinian selection, 'internet memes' are altered deliberately by human creativity. The 'bricoleurs' repurposed the scientific concept of 'meme' for the mythological concept of 'internet meme', and thereby became 'meme farmers'.
How does a meme farmer tend to her memes? She maintains a collection of images and videos, characters, situations, reactions, concepts, tropes, one-liners, quotes, references, symbols, etc. She plays with them; she mixes and matches different elements until she creates a rearrangement relevant to whatever happens to be her subject of interest. Different elements applied to different structures relevant to different events.
Now lets looks at Lévi-Strauss' explication of the work of the bricoleur:
>"The elements of mythical thought lie half-way between percepts and concepts. It would be impossible to separate percepts from the concrete situations in which they appeared, while recourse to concepts would require that thought could, at least provisionally, put its projects (to use Husserl's expression) 'in brackets'. Now there is an intermediary between images and concepts, namely signs. For signs can always be defined in the way introduced by Saussure in the case of the particular category of linguistic signs, that is, as a link between images and concepts. In the union thus brought about, images and concepts play the part of the signifying and signified respectively."
>"Signs resemble images in being concrete entitites but they resemble concepts in their powers of reference. Neither concepts nor signs relate exclusively to themselves; either may be substituted for something else. Concepts, however, have an unlimited capacity in this respect, while signs have not. The example of the bricoleur helps to bring out the differences and similarities. Consider him at work and excited by his project. His first practical step is retrospective. He has to turn back to an already existent set made up of tools and materials, to consider or reconsider what it contains and, finally and above all, to engage in a sort of dialogue with it and, before choosing between them, to index the possible answers which the whole set can offer to his problem. He interrogates all the heterogeneous objects of which his treasury is composed to discover what each of them could 'signify' and so contribute to the definition of a set which has yet to materialize but which will ultimately differ from the instrumental set only in the internal disposition of its parts…But the possibilities always remain limited by the particular history of each piece and by those of its features which are already determined by the use for which it was originally intended or the modifications it has undergone for other purposes. The elements which the bricoleur collects and uses are preconstrained like the constitutive units of myth, the possible combinations of which are restricted by the fact that they are drawn from the language where they already possess a sense which sets a limit on their freedom of maneuvre. And the decision as to what to put in each place also depends on the possibility of putting a different element there instead, so that each choice which is made will involve a complete reorganization of the structure, which will never be the same as one vaguely imagined nor as some other which might have been preferred to it."
tl;dr: If you consider yourself a meme farmer, then you should investigate Structuralism and Post-Structuralism