No.6186 [Last50 Posts]
Share your daily struggles and other art-related feels here.
Previous thread:
>>4382
____________________________
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No.6188
I have the attention span of a fucking mosquito and it's incredibly infuriating for someone trying to git gud at any kind of artistic discipline. Of all the drawings I've started I've only finished a few, and even then I often got distracted for hours and the end result was mediocre at best. Then I get angry at myself for being incapable of keeping a focus on anything and drop drawing for another month.
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No.6189
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No.6190
Put in a year's worth of effort and you're better at drawing than 99.9% of the world's population at it. Anyone else derive no comfort from that whatsoever? I don't care about being better than normies, it's like shooting fish in a barrel. I want to compete on the level of the best.
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No.6191
>>6189
I really hoped we left niggers like you behind on /ic/
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No.6192
>>6190
Yeah, unfortunately the best are the best for a reason. Don't lose hope though, as long as you're willing to put in work you can definitely get "good".
>t. guy who drops drawing for months at a time due to crippling autism/depression and has stagnated for years as consequence
>>6191
You just haven't built up enough layers of irony yet tbh fam
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No.6193
>Actually feel like drawing
>Only thing I feel like drawing is dumb fanart
>Fanart always comes out like crap unless I spend at least 2 hours per character just for lineart
>Know I could improve if I did exercises
>Can never be assed to even open the art course books
It-It's better than nothing, right?
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No.6194
>>6193
Fanart is fine, ignore the crabs.
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No.6196
>>6193
fanart is better than fine, it can be the key to unlocking your desire to draw original content.
to get into art, you need to enjoy drawing.
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No.6197
>tfw can't help getting demotivated when I find a good artist and realize there's yet another person who draws things similar to what I like, except they do it way better and I'll never catch up to them
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No.6198
>>6197
don't be a p*ssy n*gga smh
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No.6199
>>6197
I agree with this fag >>6198 don't be a pussy nigger, shake my head.
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No.6200
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No.6201
>Use Corel Painter
>Love the fact that Corel goes out of its way to simulate traditional media as much as possible
>The only brush I can get any enjoyable results with is the basic flat color brush
Why this?
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No.6202
>>6197
Same here, especially when they draw the same subject matter.
The feeling usually lasts a whole 5 minutes.
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No.6203
>>6202
>The feeling usually lasts a whole 5 minutes.
I already started drawing a few hours ago and having fun now
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No.6216
>>6197
I get pretty much the opposite. I see some great art and then think that I could be as good if I started earlier and stayed consisted in my efforts. If the art is really good, I spend time copying it an picking up stuff that I especially like.
Latest obsessions are Barbucci and Ryōko Kui.
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No.6222
From the very beginning to now, I'm still stuck on human anatomy and every fucking step of it has been utter shit. Nearly 3 years now of trying to make sense of this fucking trash we call the human body. I fucking hate drawing and constantly want to put my fists through walls. I've had to drywall a few spots because I've done just that a few times. What the fuck is pissing you off right now /loomis/?
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No.6223
>>6216
I want to fug a Barbucciress tbh
>>6222
What pisses me off is I'm the same way. Even after seeing evidence of my improvement over the years right in front of my face I still feel the overpowering urge to rip my ballsack off every time I draw and it's definitely held me back because I avoid drawing and experiencing that pain for months at a time
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No.6226
>>6223
Right now I'm drawing forearms and I've already torn apart 3 sketchbooks and have bent/twisted/punched 6 more. Drawing makes me fucking seethe with rage, it's an endless torrent of bullshit and there's never ever a point where you can just draw what you fucking want. There's always some bullshit tendon, vein, artery or piece of stupid fucking bone that none of these shitty tutorials mention and this is all just drawing with a goddamned pencil in black-and-white. There's still shading and coloring all of these stupid body parts which I've barely ever been able to touch because I'm still mired down in learning what kind of piece of shit muscle is stacked on another.
I'm convinced now that art is mostly genetics/natural talent and skill comes naturally to most of these people after much less study and time than what I've been doing. I think frequently of suicide and how much better it would be if I were dead.
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No.6229
>>6226
Are you mixing in drawing radically different stuff from forearms? I have a theory that focusing in on to narrow of a subject matter for extended periods can slow gains.
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No.6230
>>6226
Sounds like you have autism anon. Different bodies are different, you'll never be able to learn a perfect model of a human body and have it always apply.
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No.6236
>>6229
I draw all kinds of things but any progress is meaningless because there's 80,000 steps and things you need to remember and practice for every little piece and you never feel like you get anywhere.
>>6230
I don't know what the fuck I have, man. If it's autism it's not the good kind where you're motivated to work 24/7 on things.
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No.6258
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No.6261
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No.6262
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No.6263
>>6258
Relax, take a walk and go back to draw.
I can't go out of my home, but I will recommend this for you.
>>6261
The voice in my head says that I need kill myself, but everyday when this voice wakes me up I try to send this go to hell and at least I try to draw every fucking day. But my life still shit and this makes me thought that blocks some of my progress.
I have become a neet 3 years ago, I live with my father and my stepmom (I can't live with my mom because she hates my sexuality), both of them want I got a job, but in my third world country it's fucking hard and I was stupid to only takes art serious 6 months ago. I still a beginner and I can't pass the study of highlights and sometimes my brain get stuck in measuring and I can't have any progress.
I feel my depression is coming back, because I feel guilt and useless to be a neet and can't have any progress in a week. Every time I hear my stepmom mad and sad because the bills, I feel that it's my fault. I can hear she talking about job and real job and after she talks about it with her family, my father talks with me about college (some of them are free in my country, a federal university) but I don't want this, I don't need one because this will makes more bills (I will need to go to another city and maybe state). I can understand my father, but my stepmom makes me feel that she is cursing me, so the voice in my head translate what she says for me.
I don't want become depressed again, but now I at least don't have anxiety crisis. I hope you guys try to have a positive mental attitude. Keep drawing (draw anything without expectatives and if you feel comfortable to do a study, just do it).
I will say again that I don't want to die because I have dreams, saying it again and again will shut up the voice inside my head.
The pic is a friend I drawed inspired by darkest dungeon, it's a great game I played it sometimes, sadly it don't run in my computer.
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No.6264
>>6263
Is your friend Hitler?
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No.6265
>>6264
Impossible! Hitler died 72 years ago, It's impossible to he still alive today.
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No.6305
>try to use minds to boost a post of my comic, since I've got 1000 points just sitting there on this dead account I never use
>click on what I think is "boost your post" as I make the post
>it turns out it locks your post to everyone except the people who wire you that many points
>you can only boost after you make a post
>"wiring" a post also takes your points, so it's basically a "patrons only" option
>wiring also takes your points, for no fucking reason, despite it being a paygate option, meaning they charge you to paygate a post
>I can no longer boost a post without either being active on nuFacebook, or shelling out a dollar
>even if I do so, I'm also now realizing that if you can just pay for more views, it'll just get drowned out
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No.6306
>>6305
what the hell is "minds"?
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No.6307
>>6306
Don't bother.
Seriously, it's not worth me explaining, because that implies it's worth your time.
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No.6309
Holy shit I fucking hate the human body. Look at this pile of garbage. It's a fucking mess.
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No.6310
>>6305
>minds
There's your problem.
>>6309
You too?
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No.6311
>>6310
It's been like this with every fucking step of the way and it never gets any easier. Art sucks and I despise it yet I hate everything else even more. I really just need to fucking die.
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No.6313
>>6311
Calm yoself nigga, it's gonna be okay. Just channel your rage into a burning desire to improve!
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No.6314
>>6313
No, it won't be. I've been trying to channel anger for a few years now and it doesn't work. I haven't filled a single sketchbook in about 4 months now because I keep beating them with my fists and tearing them up and throwing them in the garbage.
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No.6316
>>6314
stop drawing
you have underlying problems that don't have to do with art if this is your reaction to something that shouldn't give you this reaction
go see a therapist before you fuck around and hurt someone/yourself lmao
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No.6317
>>6316
I've seen therapists before and they know fuckall.
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No.6318
>>6317
Well shit dude assuming you're not hamming it up at least a little you sound like you're going to have an aneurysm at some point so you'll get that death you're looking for one way or the other! However in the mean time you have to try and focus. I think we'd all like if we could beat the shit out of inanimate objects to get our way when it comes to this but it just ain't happenin'. Maintain!
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No.6319
>>6223
>I want to fug a Barbucciress tbh
Get in line.
>>6317
>therapist
If you have deeper issues you are probably gonna need clinical psychologist. Psychologists and counselors are mostly good for basic stuff only. Improvements in your diet, sleeping habits, and levels of physical activity are always helpful as well.
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No.6326
>be motivated
>have ideas
>begin drawing
>crippling loneliness starts seeping in again
How do I not
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No.6327
>>6326
Draw yourself a friend.
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No.6328
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No.6331
I spent hours reading and drawing from
Michael Hampton - Figure Drawing ; Design and Invention
but I'm still shit at anatomy
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No.6333
>>6331
of course you're still shit, anatomy takes a long time to learn.
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No.6334
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No.6335
>>6331
>hours
Call again when you've practiced like 300 times that much.
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No.6336
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No.6337
>>6331
Look at dat joocy BUTT
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No.6364
I want to draw cute girls' feet and legs as good as this! I want to draw even better than this!
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No.6368
>>6364
Then keep drawin' nigga!
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No.6369
Lately I don't know if I don't really like drawing or just am impatient. Like, I don't put too much time in have a perfect sketch before coloring. I just kinda do it and whatever comes out that's it. It's like I don't want to spend too much drawing.
But tbh I don't want to spend too much time doing anything that isn't browsing the web. Maybe I'm just obsessed with the internet and it's killing my gains.
I dunno, I 've been like a month in Keys to Drawing and am STILL on Chapter 1. And that is due to stalling, not because I'm doing the exercises repeatedly.
I hope I fix myself and can devote more to drawing. I really wanna be good and do my own webcomics and illustrations.
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No.6371
>>6369
When you first start drawing the poor results are very intimidating and make it easy for the mind to wander and seek comfort in other hobbies. Especially hobbies like the instant dopamine release from the internet. I've struggled with this myself. Internet addiction is a serious thing and it's very debilitating when you want to engage in some other kind of hobby. It's why it took me like 10 years to even start drawing from when I first said I was going to do it and why I've probably progressed 1 years' worth in 5
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No.6373
>>6369
>>6371
I have a similar issue, though I'm not at the same stage in drawing. Grinding to produce a perfect sketch with crisp clean lines, or adding a lot of detail that would actually make a nice piece? I just don't have the attention span for it. It's not like I can't make a good interesting or clean work. My brain just shorts near the end of it. But I struggle with this in other facets of life.
Turns out, building your work ethic is another skill you have to master when drawing. I've gotten leagues better at it, but i'm not where I always want to be. Sometimes I think it holds back my potential. Cause you know good artists don't just make good art, they make a lot of it.
What I suggest, it's okay to indulge yourself. Think about something you really like the most and just think about having fun.
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No.6435
>find some group about webcomics, and share mine
>people are receptive enough
>later on, someone asks for advice on scripting
>suggest thumbnailing
>someone says to not bother with that, and play it by ear
>then immediately afterwards, asks for advice on scripting, and says their comic doesn't flow well
>I say that sounds like making excuses, and suggest thumbnailing
>the flip the fuck out at me, and say it takes too much time, and that they have too much going on (they actually have a less busy schedule than me, but I ignored that)
>remain steadfast in my advice
>they get even angrier
>ask me why I even brought this up in the first place
>post a screenshot of them asking for advice
>they say I'm "twisting [their] words against [them]"
>At this point holding back legit anger, but keep it cool
>they just start slinging abuse
>I mentally check out at this, but even as they call me a cunt and tell me to shut up, I say the feeling isn't mutual, and I don't really dislike them
>later on a mod comes in and tells me to stop being an asshole
>I ask for proof
>"Just look at it, mang"
>he screenshots me responding to the assclown, with the whole "but I'm answering you, in your own words you said this"
>gives me some moral posturing and then bans me
You know what the best part is?
None of them could really say I was wrong, and the guy who banned me even thinks I'm a good comic artist, none of that mattered.
I was straight up told "right and wrong don't matter"
Oh, and the person who sperged out? That was the admin.
Overall not a really big deal I guess, since they're not the kind of people worth being around.
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No.6436
>>6435
>mod
>bans me
If you're talking about discord then you deserved the retards that come along with it.
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No.6437
>>6436
I am well aware of this fact.
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No.6438
>>6435
It's because these "communities" are full of no draw "I do it as a hobby!" types. In my personal experience, the lot of them pretend to be the authority on drawing comics when they don't even take art or comics seriously at all.
Just avoid them altogether. You'll get more help licking a turd on the sidewalk.
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No.6439
>>6438
Oh for sure, and it's funny you use the phrase "pretend to be the authority" because that's 100% spot on.
The person who flipped shit was, in fact, the admin.
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No.6454
How do I find references for trashy clothing similar to this? Reminds me of die antwoord but thats not leading me anywhere
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No.6455
>>6454
Isn't that just 90s fashion?
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No.6456
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No.6457
>>6455
>>6456
That wasnt very sharp of me. I got some decent pictures searching for prostitutes and 90s fashion. Thanks.
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No.6458
I feel like I'm never going to get anywhere with my art.
Not in the getting better sense, but in the making a living sense, my art isn't really commission-friendly, and I don't even know where to begin getting work. I've gotten a few odd-jobs here and there, but nothing consistent, and now that I'm unemployed and have all the time in the world to draw, but am running out of money, I'm starting to feel desperate and scared.
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No.6476
>want to practice and explore character designs
>end up daydreaming in bed until 7 pm
>spend the rest of the day feeling like shit and browsing anime
OP was right all along
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No.6503
>get motivated and draw a lot
>it looks good
>next day
>previous day's drawings looks like shit
>draw
>looks like shit
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No.6506
>Be a traditional media fag
>Draw something for a draw thread
>Looks good
>Scan it and open in Photoshop to adjust levels
>This line is not complete, that one not smooth enough, double line there
>try to fix it in Photoshop, but it doesn't look quite right
>Fix the original
>Get done with Photoshop
>Almost ready to upload
>Notice few minor mistakes
>Fix them
>Repeat whole process again
>Now it's good
>Upload
>Come to the thread few hours later
>Spot half a dozen of mistakes that you missed earlier
>Someone posts your image as a reaction pic
>Do reverse image search out of curiosity
>Links to multiple reddit posts and halfchan archives
>Apparently some faggots have been posting your amateurish work as their progress
Why?
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No.6507
>>6506
>Apparently some faggots have been posting your amateurish work as their progress
holy fuck what? Why indeed.
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No.6510
>>6506
>>6507
I'm surprised this is as prevalent as it is. I get it is the internet so everyone lies, but lying about progress at drawing, especially on an anonymous board, I just don't know what the point is.
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No.6521
tfw no one posts your amateurish work as their progress
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No.6525
>>6521
Maybe they have, but you haven't stumbled upon them yet.
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No.6527
Keys to Drawing wants me to draw a figure and map some lighting on it.
BUT I CAN'T DRAW A FIGURE.
ngmi ;_;
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No.6539
>get told something really bad, IRL
>handle it well, but still shaken up
>don't have it in me to do what I had planned, and take advantage of my Saturday to get a lot done
>don't even really have it in me to draw much more than the absolute bare minimum of daily stuff
>try to draw something for fun
>it doesn't come out right
>try to play vidya for fun
>keep fucking it up
I just, I really don't know how to handle myself right now.
What I was told really is doing a number on me.
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No.6540
>>6539
You gonna b ok, fam?
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No.6542
>>6540
Yeah.
I don't have the luxury of not being okay.
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No.6597
I started drawing on a pad since practicing on digital is boring me. I'm finding pictures of cuties on google and tried drawing them. I'm not sure if that's the right way to do things. To be honest though, I feel like I'm burning out.
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No.6599
>>6597
You can get pretty far doing pretty much just that. Books provide a framework but there are a lot of people who simply draw from observation a lot and become quite proficient that way.
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No.6601
>>6599
So far they're looking uncanny though. I mean how long do I keep drawing faces for?
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No.6603
>>6601
I recommend more variety and if you are feeling tired/burnt out, don't hesitate to put the pen down. I like to expose my brain to as different of approaches as possible. Sometimes I draw in a very measured way from reference, sometimes I invent from construction, lately I've been mixing in the technical approach utilizing perspective projections like in Scott Roberts' book.
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No.6604
>>6597
Draw from photographs less. Any informal life drawing sessions you can go to? You won't be drawing cuties.
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No.6605
>>6604
There's no classes or anything of the sort where I'm at. I have a 9-5 job (commute as well) that is unrelated to drawing, so all this drawing stuff happens in whatever free time and energy I can muster
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No.6615
>>6604
it's >>6605 Just wanted to ask you something if you're around; what do you mean by informal life session anyway and how will that help?
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No.6617
>>6615
Informal in the sense that there's no instructor or assessment and you can drop in to a session without having to book beforehand or commit to multiple sessions. Sometimes they're run by a group of people not affiliated with any art schools so a session might be available in your area even if classes aren't.
It helps me with burnout because the early stages of burnout involve giving in to excuses not to draw, and going to a session with other people takes away the excuses and provides incentives to draw (e.g. you're surrounded by others drawing which puts social pressure on you to participate, seeing other peoples' work is inspiring, no deliberation in choosing who to draw or what pose, and not wanting to waste money after you paid the entry fee). That's what works for me, and I assume these things generalise. If you build the habit of going to drawing sessions you might find yourself drawing regularly even after you stop going to the sessions.
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No.6622
>want to impart what I've learned, in making comics
>decide to make a video series
>struggling to sugarcoat my words, in a way that won't instantly repel people/have them think I'm some elitist prick
The biggest problem for me is how I'm well aware that potential, and actual, detractors I've had are right. I'm not some bigshot, with a huge portfolio, or even that much skill to back up what I'm saying.
But what the actual detractors have gotten wrong is how that just validates what I'm saying further.
I'm not some magical savant, crafting a Tolkien tier biblical epic graphic novel. I'm a fucking jackass on the net with a tablet, and some ideas.
Literally all that's "different' about me is I just shut up, swallow my pride, and do the shit I don't want to, because I want to avoid not making my comic, more than I want to avoid doing any work.
And it's proving to be a struggle to not just be a dick about the tutorials, since like, every time I've been helpful in the past has been met with recoiling and angrily telling me I'm an elitist.
I'm fucking not, I'm just reminding you that you're a weak piece of shit, who doesn't want to do an actually pretty god damned easy thing of
>"work on a project for an hour or two each day, and over the years you'll have something to show for it."
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No.6625
>tfw you didn't want to waste your time and become another casualty of society
>tfw you still did anyway
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No.6629
>>6601
>I mean how long do I keep drawing faces for?
Your whole life.
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No.6678
>tfw getting increasingly desperate for an editor
>seriously debating just fucking paying for one, when I have the cash
My friends are either barely online, or wearing me out with how passively they agree with everything I say and never give any feedback.
Like, not all my ideas are good, but I'm one of those people who'll try to work them in anyway if they seem possible.
And I've basically got no one to fill this role, as the only person who can is never online, or is paying attention to other stuff.
I'm starting to become really "alone" again.
It happens every time I find a group.
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No.6685
>>6678
I might sound like a sociopath but maybe you can find another group, wear it out like the current one, and repeat the process, like socks. I have had several pair of socks in my life I needed to change because they had holes in them.
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No.6690
>>6685
No you're not being sociopathic, you're just being realistic.
As arrogant as it'll sound, I'm the kind of person who's never content to just "be." I always want to improve, and any exchange I have with people I try to get something out of it.
That's hardly as vile as it sounds, though, I just mean like "not hating the conversation." If I'm enjoying the conversation, I'm getting something out of the exchange, because I only ever enjoy conversations where I'm exposed to other viewpoints.
And to a writer, that's invaluable.
Still, I've also expressed this feeling to the people who've been bothering me, with their passivity, and they seem to be making progress on it. I only really cut people out of my life if they prove to be "worthless."
As in like, if I say something they don't like, they'll just shut down or say stupid shit to deflect.
If anyone sounds like a sociopath here it's me. Since I tend to find myself feeling like most people aren't "real" for lack of a better word.
Or rather, not really aware of being alive, like they're just moving on autopilot and nothing I say will really get them thinking.
I don't know why I'm rambling about all this.
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No.6772
I realised that drawing and listening to podcasts must be engaging non-overlapping parts of my brain or something, because I can do both at the same time. I do anything other than draw or ride the bus and either I stop paying attention to the podcast or I lose concentration on the other thing I'm doing. Feels good.
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No.6851
>yesterday
>feel fucking great
>get more of comic script done, finish video outline, get next page set up, and finally make one of the many needed model sheets
>spent like, ten god damned hours doing all that
>wind up going to bed late
>today
>wake up late
>struggling to get everything necessary done
>wind up waiting too long to start daily art shit, before heading to job
>too burnt the fuck out to even think of picking up a pencil, right now, let alone start the next sheet
Pace yourself, people.
Pace yourself.
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No.6852
>be me
>spend time making own materials
>get sweet panels to paint on
>make own gesso
>carefully paint it on board
>set up nice still life
>start painting
>surface has no tooth because I fucked up the gesso
>give up on the painting
>cry
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No.6854
>>6851
>>6852
Have a cup of hot chocolate, both of you.
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No.6904
>be me
>as a kid I used to draw random shit and it somehow came out passable
>have the drive and hopes to draw now
>I draw like ass now
>fuck it time to get some tutoring at a cultural center
>tell the teacher I need to start from the basics,so he starts doing an easy exercise
>turns out I've had the worst possible grip on a pen
>draw a clay pot on an actual good grip
>it turns out really well for being my first day
>realization kicks in
>I've trying to draw all my life with a shit grip
>all those possible good drawings I could have done
fuck.
Guess I have to look forward to the future I guess.
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No.6937
>>6904
Just don't look back at what could have been. All the things that could have been have never gone away They are just waiting for you at a later time.
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No.6939
>There are people who can practice art without wanting to kill themselves every fucking second of it
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No.6944
>>6939
There was this joke a painter friend of mine told me that I found rather funny and true. Goes something like this:
>Some people do art as therapy
>We need therapy because we do art
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No.6946
>>6939
>tfw I enjoy every second of drawing and am good enough to impress normalfags
<tfw for some reason I still can't get myself to draw every day
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No.6951
>>6944
I don't know how people view drawing as being therapeutic. Everything about it is the exact opposite.
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No.6952
>>6951
It is if you don't care about improvement or know what to do to improve.
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No.6953
Drawing doesn't make me hate myself, but it is incredibly gruelling to sit down for solid practise, comparable to writing a thesis.
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No.7038
I could've had a comfy life as something basic like an accountant or some white-collar job but I dedicated my entire life to art.
Now I work a shit tier job and am too drained physically and emotionally to do art when I get home.
Maybe tomorrow I'll not be so depressed.
Probably not.
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No.7039
>>7038
You dun fricked up now homeboy
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No.7081
I love art but I cannot stand being friends with other artists.
I cut off most ties with my fellow drawfags because they're such vapid people, why are so many artists so sex obsessed and perverted? No, I don't want to see that dickgirl com you're working on, I don't want to talk with people I consider my friends about such private things.
It really makes it hard to have an in-depth artistic discussion with people who aren't 40 years older than me.
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No.7087
>>7081
>why are so many artists so sex obsessed and perverted?
Because it's easy.
I'm not even joking, sex, and being sex obsessed, is probably the easiest thing to create art around. All for the simple reason of sex being what the average brain defaults to, throughout like, all of the day.
Personally I share your sentiment, albeit I'm not opposed to seeing what someone's working on, but only for the purpose of critiquing and exposing myself to new experiences.
But the sentiment still comes up in my work, and I try to walk the fine line between "acknowledging" sex/sex appeal, and basically having none whatsoever in it.
Because it's harder to make an appealing female design, that still shows a lot of skin, but doesn't show cleavage, than just plagiarizing some variant of Yoko's design, albeit her's is still genuinely good.
While I'm rambling, I might as well also bring up this one thing I've realized, lately.
Not everybody's capable of what you're talking about, as well.
You're operating under the assumption that everyone has it in them to just not think about TnA, and instead think critically about why they're even drawing what they are, all the time.
They don't. Hence why you were driven to the point of cutting them off.
Drop me a throwaway email, I'm interested in talking to you.
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No.7138
>that feeling when you draw too much fun stuff and not enough serious study so your fun stuff stagnates and it's no fun
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No.7139
YouTube embed. Click thumbnail to play. >>7138
I have the opposite problem. I've almost never had fun drawing, there's gotta be a happy medium somewhere, my dude.
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No.7146
>Spend 2 hours drawing the titty
>My program crashes
>all the tiddy is gone
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No.7147
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No.7148
>>7138
I know that feel bro.
The big risk for me is burning out when I realize this and actually start drawing less.
At the same time it's not like I have enough time to improve at the rate artists who are able to draw 8 hours a day can, so it might be painful and unrealistic to expect that from myself.
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No.7149
>>7146
I know that feel. Fucking Krita and its stupid transform bug. Fucking Ubuntu and its random freezes.
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No.7169
>>7148
Brother, we all got struggles, something that really helped with me is just forcing myself to draw something every day, no matter what i felt, and if i missed a day, i'd draw double the next day
Don't give up brother, I believe in you, HH
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No.7175
>>7169
Thanks bro. I've already been drawing every day for the past few years because it's fun but unfortunately didn't improve, at least according to people who aren't me – who I'm more inclined to believe than myself. I don't want to give up because drawing is fun but it can be disheartening at times.
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No.7218
Did we ever have a chance, drawbros? Or was it always too late?
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No.7219
>>7218
It's never too late
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No.7229
>>7219
Wish that was true.
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No.7245
>>7175
It's important to look at your drawings and see what could be improved.
I see a lot of artists with good linework and shading but fucking horrible anatomy.
I didn't start getting better at art until my early 20's. I've been drawing since I was 13 but I never tried to get better until then.
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No.7303
>>7245
I'm in the same boat, and I think that the most important thing is how deliberate you are in your practice.
If it ever starts getting to be "too easy" then find some new thing to challenge yourself with.
But that first bit in your post, I know the sentiment, as well. Specifically the whole "RENDER HARDER" mentality, you'll see in a lot of places.
To be fair, it's important to understand light, shadow, and neglecting this will results in subpar drawings as well as holding your understanding of the medium, back.
But at the same time, it's just like any other aspect to your drawings. You could have immaculate rendering, and anatomy, but if your proportions are off, then it'll look like something straight outta Ito.
If your rendering, anatomy, and proportions are good, but your perspective is off, it'll look flat. Lack gesture and it'll look lifeless. Etc.
The major exception to this, however, is gesture. It can't carry a drawing, but it adds the most to any drawing, on an individual level. Something with really strong gesture will always look better than a rigidly posed, but anatomically correct, figure.
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No.7307
>Current Year
>Stumble upon quest IRC
>They're pretty warm to me, but they're leagues above me
>I don't feel so confident in my artskills, nor do I ever feel like i'll improve
>They try and help, but I'm too set in my sulking to make serious use of it
>This begins to wear on me and my newly aquired friends
>Find out that they've been shittalking me behind my back
>I can't blame anyone else but myself as I leave
>CY+3
>I've actually improved a fuckton, but there's nobody else quite like them
>No artfriends who'll draw me stuff of my own characters to comfort me
>I've never said this because i'm afraid i'd come off as too "pushy" or "demanding", so I just sit there and never do anything about it
>Begin to doodle other friend's characters because I like their design
>I'm still reclusive because i'm afraid i'll piss someone off again
>And yet, I couldn't be any more grateful for their help when they gave it to me than now
>>7081
Aw damn, you too?
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No.7308
You all seem like the best people in the world to ask.
How do you continue to work through depression? I experience a tangible impulse to curl up into a ball and will the world away on a daily basis. Just picking up a pencil makes my gut go hollow.
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No.7309
>>6186
>buy a tablet
>remember I have it 11 months later
>new winter pastime unlocked
I've been doing basic line-circle-cube type exercises for a few days, and it's gratifying to see my skills improve quickly. Can't wait to advance from drawing terrible kirbies to drawing terrible skeletors.
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No.7310
>>7308
>How do you continue to work through depression
Depression is like carpal tunnel syndrome on your brain, so to answer your question; either suffer through it or fix it.
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No.7311
>>7307
>No artfriends who'll draw me stuff of my own characters to comfort me
>I've never said this because i'm afraid i'd come off as too "pushy" or "demanding"
This is the best course of action. A lot of people don't take kindly to asking for hand outs. Although as unsuccessful as it might've been I think you could have tried asking for an art trade. Would you like to do an art trade, anon?
>Begin to doodle other friend's characters because I like their design
I do this sometimes too. I never get anything in return
>>7308
I wait for it to blow over. It can be a week or a few months, but there's nothing I can do about it when it happens. I'm waiting now.
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No.7312
>>7311
>I never get anything in return
Not him, but I am in some way glad I rarely, because I get flustered and never know how to respond. Same when people draw a character of mine. The other direction, "drawing for people", is much easier and straightforward not that I do it much more anyway.
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No.7313
>>7311
Mmmsure, wha'cha got?
**Also for clarification, I didn't mean "free handouts" like how many moochers do when they can't pay for a commission, so much as "you've had a pretty shitty day in particular, here's something to cheer you up" sorta thing.
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No.7314
>>7313
Ah shit, I fucked the spoiler up.
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No.7315
>>7313
There's something endearing about the simplistic, unrefined, raw aesthetic of aliased MSPaint-like brushes.
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No.7316
>>7313
>letting people know about your shitty days outside the veil of anonymity to begin with
>not harboring a cheerful and carefree demeanor at all times no matter what happens to you
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No.7318
>>7313
I hope this is fun for you to try
>>7315
they're fun alright. pic related I used to play with the binary brush a lot, something about it just makes it fun and easy to use
>>7316
that's the smart thing to do
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No.7319
>>7308
I push through it.
I'm not gonna lie, it fucking sucks, and there are days when I just flat out wait too long and miss shit, or days where I put off working entirely.
But I still pick a time, and just fucking do it.
If motivating yourself to work, because of what you want to do doesn't work, try thinking about avoiding the stuff you don't want. Like, instead of
>I want to work on this drawing today
think
>I don't want to go to bed tonight guilty, and cursing myself. Again.
>>7307
I'm currently in an art group, and honestly I say this because I want you to hopefully work through the things holding you back, but it's probably because you're being greedy/selfish and whining about not having it.
I've gotten fanart of my characters, plenty of times, and the main reason is because I've just talked about them a lot, and they're fun.
At the same time, you're also no longer in any art group, so there's not really much opportunity for it.
Still, if you're lonely, you can also start up a group here. Nobody's stopping you from dealing with the stigma of making a discord server or something, and getting people into that cancer.
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No.7321
>>7315
>There's something endearing about the simplistic, unrefined, raw aesthetic of aliased MSPaint-like brushes.
It also makes for very good pornography, for some reason.
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No.7322
>2012
>Plenty of creative and interesting ideas but shitty artwork
>Biggest sources of inspiration are flash games and IWBTG
>2018
>Palatable artwork but creatively devoid
>Only remaining ideas are the leftover ones I didn't immediately trash when I lost my creative grind
>>7318
I'm on it.
>>7319
>probably because you're being greedy/selfish and whining about not having it.
Honestly, I haven't brought up wanting fanart or stuff outside of here except for literally one other instance at most, nor have I ever outright asked/demanded for any. I just simply post my work and the most I get is just halfhearted "nice", "cute", "I like/love it", "thicc", or any compliment. I'm not terribly consistent with designs, though.
Perhaps I got so infatuated over someone's nice gesture on that one really shitty birthday that I got attached to it and set an unreasonably high bar for "Best Friend Forever" kinda thing, but that might just be the autism talking. Don't take it as me being greedy, though – I hate moochers and mooching in general. I'm just bad at socializing.
I'm in multiple groups now, though I play "wallflower" instead of being frequently active. Talking about my characters, though? No idea where that'll land me, but it can't hurt to try.
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No.7323
>>7316
I don't think I could handle that kinda pressure anon
>>7318
Guess you could do beTHIGHal or this space gal, Any retro/space/dieselpunk colors/redesigns welcome.
I'm a massive faggot for dieselpunk, though
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No.7325
>>7319
>>7322
>talking avout one's characters
It's a good idea but you have to have something to say first. My characters are completely devoid of any back story or interest beyond the graphical ones I hope so that's one less thing to talk about.
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No.7326
>>7325
Maybe that's why I don't speak of them lots.
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No.7327
>>7322
No it's that your actions and desires are what I'm talking about.
You don't actively ask for it, yes, but you're expressing a desire for it, here.
But that being said,
>>7325
Is right. The fact that I've got a lot of stuff from my characters is because I've got a lot to them, that they've spent literal hours asking me questions about and having fun hearing the answers to. But there's also another element to it, as to why I'd even get fanart in the first place, and it's that the nature of their designs inspires it.
Let me explain, see, my overall goal when designing a character is to make them simple, but striking, enough to be recognized as some crayon scribble by a literal child. Because if I enjoy drawing them, than anyone who finds them interesting should be able to do join in, too. Even if you suck at it, ie a literal child.
And I've been designing characters since I was a kid, and somewhere in highschool I decided on that mentality, after becoming really unsatisfied with how my designs were turning out. So it's a lifetime of autistically practicing this one subset of drawing, combined with the mentality of making it easily readable, that's illicited this response.
The point I'm trying to make here is that it's a skill that you can get good at. And if you get good at it, and actually do something with your characters, you'll get attention on it. Though you also kind of need to be a little fucking crazy, to grab and hold onto their attention, but it's possible. Or at least, being crazy worked for me.
Sorry, am I making any sense here?
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No.7328
>>7327
No no, I can completely read what you're saying. My work is done almost exclusively in a simplistic manner, it's like as you said - "simple, but striking, enough to be recognized as some crayon scribble by a literal child." However, they're just not that interested in anything I do - at least that questing IRC was remotely captivated, and it was full of artistically capable people.
The groups i'm in are full of artists as well, yet the most appeal i've ever garnered on any drawing outside IRC was someone's passing interest – not that I see them obsessing over each other's characters, though. Then again, the groups i'm in are largely comprised of tumblrites, so…
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No.7329
>>7318
I might've fucked up some of the details here and there, but I hope she's good enough for ya! She was super fun to draw.
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No.7330
>>7325
>My characters are completely devoid of any back story or interest beyond the graphical ones I hope
That's about how I feel about mine. They're rarely more than surface concepts, tests, interrogations given shape, or the result of fun shitposting sessions.
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No.7331
>>7330
Basically that's how i'd describe my character designs, except i'm able to return to a previous one if it amused me.
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No.7332
>>7331
I sometimes do as well, but never bother writing or even thinking any backstory or details about them. Maybe they just automatically get theirs (personality, behavior, etc.) from mine.
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No.7333
>I improved
>still sad and want to get better
It will never end, will it?
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No.7334
>>7333
It ends when we die.
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No.7335
I have the strong feeling that I'm going to look back on all this time/effort and think
>I should have just spent that time playing video games.
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No.7336
>>7332
My pre-2016 designs have backstories and details – anything after Current Year and it's just character design practice.
>>7335
I figured it'd be easier to compose the art direction for any vidya I might wanna make instead of having to program it.
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No.7337
>>7335
>tfw even video games aren't that fun anymore
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No.7338
>>7336
>I figured it'd be easier to compose the art direction for any vidya I might wanna make instead of having to program it.
Brotip: it's not.
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No.7339
>>7329
it's cute, i'm glad you enjoyed it. I tried to pick a character you could enjoy.
here you go, I also like diesel punk a lot and many of my inspirations draw it. I hope you like it
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No.7340
>>7339
Yunno, this might actually serve as a good basis to rehaul a character design or two of mine, that's beautiful.
Do you post your work anywhere, perchance?
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No.7341
>>7339
Not him, but I really dig that relaxed post and arched back. It might benefit from having better lineart, though it doesn't really detract from the character.
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No.7342
>>7341
> that relaxed post
That relaxed pose.
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No.7343
>>7328
You say that, but those two characters have basically identical silhouettes, with a tail and horns being the main distinguishing factors. By proxy, if you were to simplify them to a ridiculous degree, it'd be hard to distinguish them.
Also they lack any real appeal, the first one looking like some Cave Story OC, and the second one being a rather generic "THICC demon girl."
Which aligns with my assessment earlier, you think you're better at character design, than you are. And are pining for recognition, when you don't entirely grasp how it works, yet.
As for them being tumblrites, it's true that tumblrites are attracted to "ugliness" especially in character design, but they're a hugbox in general. And to truly engage someone over their art, like I'm doing right now, you need to be able to be critical, like I am right now. I'm not going to pretend like you need to be engaging people to do so, however, as I've gotten fanart unprompted, on image boards, just because they liked the designs.
I understand the desire for recognition, believe me I do, but if you don't grasp a topic, and aren't willing to put your nose to the grindstone, don't beat yourself up over not garnering interest.
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No.7344
>>7340
it's yours my friend. You can do what you want with that design, it's up to you.
tumblr.com/thespit
>>7341
This is how I normally draw. But I enjoy that stylistic choice and have done some more drawings like that. I like the mess.
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No.7345
>>7343
Suppose so. The first character was supposed to be "mutated" into that way as a test experiment/guinea pig and came out a fuzzy beast boy – half mimiga/cutebold, half human. Second one's just some scribbles to see what I could come up with.
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No.7346
>>7345
Irrelevant to the discussion.
If someone can't grasp the general idea of your character, based on a standalone drawing in a vacuum, you've failed.
While this isn't always necessary, for example an "everyman" type benefits tremendously from being unassuming, given what you're going for you're getting bogged down on some bullshit that I don't feel like figuring out.
the tl;dr of any potential conversation you'll have with me at this point is just "git gud"
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No.7347
>>7344
It's definitely much cleaner, but I agree on a rougher treatment's appeal.
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No.7348
>>7346
>If someone can't grasp the general idea of your character, based on a standalone drawing in a vacuum, you've failed.
Yes, I've known that for some time, it's that i've got a bit of trouble figuring out how to visually convey character.
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No.7352
>>7348
Well good news. The fact that you didn't immediately flip shit and call me a shithead, means you've 100% got the potential to.
Unfortuantely, I personally don't have any real resources on it, beyond what I've intrinsically picked up on over the years. But there's basic principles that should get you started on searching for the answer.
The first is the silhouette, your characters should be recognizable as who themselves, by the silhouette alone.
And I don't mean "amidst your own characters" ie "with minor variations to a singular template." I mean 100% standalone.
This is because it leads into the next thing, shapes. The kinds of shapes you use on a character dictate how they come across. I'm not a fan of overwatch, but this one artist's stuff is a good example.
>triangles = tricky
>squares = sturdy
>circles = soft
things like that, and you can mix and match them.
The last major thing is color blocking. You want to have the colors act as a means of distinguishing the various parts within the silhouette, as well as to have the scheme compliment itself. As depicted in the examples I posted, two or three is the general sweetspot, and while you can go above that, the lower you keep the color scheme, the more striking it'll be.
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No.7354
>>7352
>immediately flip shit and call me a shithead
That behavior's strictly for autistic retards, not for people who care about their work.
I see what the basic shapes mean in terms of personality, and I suppose I can get onto making more "distinct" shapes for my characters. Perhaps I could make them a more angelic figure by emphasizing certain traits?
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No.7357
>>7354
probably shapes that convey goodness. soft forms. Also, have a look at this. It's a chart which shows general faces ranked "trustworthy" and "non trustworthy"
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No.7359
>>7354
Try it, see what you're fucking up, correct the mistakes, try again.
That's really all I can say, since I just did that for a long time, and I got good at it. To the point where I intrinsically understand the kind of stuff people will bring up, when discussing it, without really knowing the terminology or processes behind it.
If you need some reassurance, if you post your work in the draw thread, I'll critique it.
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No.7360
YouTube embed. Click thumbnail to play. I've been (trying to) draw comics since elementary school and I've tried to get into drawing comics again recently. My friends and family like my scribbling but its not at a point where I can show it off to other people. Somehow when I go from rough sketch to ink the picture always seems to look worse to me.
I feel like something's wrong with me. My brain always feels sluggish and it takes me forever to draw a single page (or maybe I'm just impatient).
I apologize if I come off as a whiny philistine, but I'm not sure what I need to do to improve myself.
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No.7362
>>7360
Don't zoom in so much.
If you zoom in too much, and focus on the quality of each individual line, you lose the character of the sketch.
Only zoom in if your inkage requires a very specific arc.
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No.7386
How do you guys deal with bad days?
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No.7387
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No.7390
>>7386
You just work.
It fucking sucks, and there's no way around it, but on the bright side it's also as simple as "just do it."
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No.7404
>>7386
Physically hitting the walls of my room and hitting my sketchbook.
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No.7419
>>7386
Music and at last 5 min of doodling. Sometimes I lock myself in the bathroom and take a hot to cold shower.
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No.7432
I don't know how to enjoy drawing.
I've drawn for my whole life and became more serious about it several years ago. I don't lack the confidence to do what I desire to achieve when I pursue something (when being the key word here) But everything I make I am utterly detached from. My attempts to be creative are horribly forced and end up with unfinished products.
Is there any way to truly fall in love with making art?
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No.7433
I find myself making this face more and more often now.
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No.7434
>>7432
just do what you like, and the rest will fall into place.
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No.7435
>>7434
that's the problem. I don't have a real passion for anything, even when I think I do
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No.7436
>>7432
>Is there any way to truly fall in love with making art
Get good at it.
It's fun if you draw what you really want to and can feel satisfied with the result.
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No.7441
>>7386
I run my hands under fucktardedly hot tap water, then lotion if they get dry, all while I blast Alice in Chains on my speakers.
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No.7444
I now understand the "depressed artist that commits suicide" theme in history.
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No.7452
>>7435
there's something that you enjoy drawing, doesn't matter what it is.
And before you ask, one of the nicest guys I know draws some absolutely bizarre and depraved "filth" and yet I still like his art because of how earnest it is.
So when I say anything, I mean "anything"
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No.7457
>>7452
That's great advice. There's nothing like finding something you like to get motivated. Also feelings of passion are something to work towards, not to wait for.
>bizarre, depraved filth
Got any examples? Weird art is often interesting.
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No.7458
I feel like everything I doodle is already fucked up or wrong on one level or another and it's too late to fix it.
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No.7459
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No.7461
>>7459
I can't even pinpoint where I went wrong at times – Did I base it all on a bad habit?
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No.7462
>>7436
Yeah I wish that was it. I can and have made work I am proud of. That is not the root of my problems.
>>7452
Let me put it like this. You see a bear, you like bears. You say "Oh yeah, bears are awesome" and that's pretty much it. Might think about bears, even a lot. But you're not ready to draw bears on all your notebooks and in the margins of your homework and make AMVs of bears.
There's things I know I like. But for the life of me get no urges to express myself through those interests in any way, whatsoever. Lately, in the span of the last couple of months I did have one of my interests sort of "reinvigorated" it barely lasted.
When you say
>Also feelings of passion are something to work towards, not to wait for
That I don't get. You can be passionate about damn well nearly anything, drawing related or not. You might need to clarify that.
But i'm beginning to realize after dealing with it for about 6 or 7 years the issue's probably not going away without some kind of therapy, or brain zapping.
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No.7466
>>7462
>feelings of passion are something to work towards, not to wait for
What I meant is that you don't have to feel bad about feeling that you don't have passion for something or feel like you need to wait until you're ready to be passionate: show it through your actions.
It was more in response to >>7435.
In a way it's related to what >>7436 said: as you practice what you are or want to be passionate about, you will be.
I'll admit there's a lot of projecting on my part, but if it applies it's all the better.
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No.7467
>>6186
Who are you to tell me i won't make it?
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No.7469
>>7462
Maybe you're just doing something you don't care about, then.
Like people who get really good at their job, but don't give a rat's ass about it.
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No.7471
>>7467
>he thinks he's going to make it
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No.7472
>>7467
It's one of the great constants of the universe, like "everyone dies" and "OP is a faggot".
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No.7473
>>7461
It's probably a tiny concept we are missing and noone knows it even exist, so they don't teach it.
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No.7478
>making it
What is "it", then?
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No.7486
>>7458
Wait, you doodle once and leave it at that? You don't draw it again but fix what you think is wrong?
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No.7490
Sometimes when I see very cool drawfags with very cool art I feel like I'm uncool and that my art is uncool.
Then I realize that worrying about being cool and having cool art makes me even less cool.
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No.7491
>>7490
Worrying about whether you're cool or not is pretty uncool, man. Just be cool and you'll do cool stuff.
…e-eventually.
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No.7509
>>7486
Since most of the stuff I doodle are character designs that I seldom revisit, yes.
I doodle them once, and then I just move onto the next doodle, but I can't deny that my art habits need to change.
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No.7510
A few more months of trying to attempt to understand the anatomical abomination that is the human body, and I still want to jam sharp things into my wrists.
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No.7514
>>7509
I feel you. I about only ever draw characters once except when I'm on a big project, and that hasn't happened since 2014.
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No.7539
>finally have someone who starts [AUTISTIC SCREECING] every single time I post my art, in this one place
>doesn't realize I'm ignoring him, but keeps at it anyway
feels good
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No.7546
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No.7550
>>7546
Oh I've stopped sharing my stuff there, a while ago. At the risk of sounding like a "muh style" fag, there really are a lot of deliberate stylistic elements in my art, that often trigger the fuck out of them.
It got to the point where I was tired of having to explain them.
This guy is someone else, and he's very "crab bucket." Never contributes anything to the discussion, and basically all he ever does is try to drag others down.
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No.7558
>>7514
No kidding. I just hope that when I do change my habits, i'll know how to step-by-step instead of having to improvise like I always do, and if I do end up improvising, it won't be a half-assed job.
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No.7586
>tfw have had loomis .pdfs for years but have never sat down and ironed out studies of all the plates
He makes the structure of it as simple as it could possibly be, but I've still never done it. Nuts.
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No.7606
I can't draw on summer, 37C is too much to concentrate on anything.
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No.7608
>>7606
What backwards loony country are you from where it's summer now?
Africa? Kangarooland?
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No.7609
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No.7663
>branch out and attempt to do something new
>try doing a dynamic pose
>consistently fuck the legs up
>thighs too thin, leg tapers wrong, everything is off
I want to give up and quit tbh, I hope it's not endemic to my work
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No.7665
>>7663
The fact that your eyes notice these things shows you're improving. Keep studying and try using a reference or just brute force your way until you figure it out.
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No.7666
I don't know what i'm doing, I just want to create.
I want to get started on drawabox and proko, but I feel like a lazy shit and always procrastinate like i've done with all my work since i've moved in 2012.
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No.7670
>that good feeling when your usual life drawing class is open again
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No.7672
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No.7698
Ever since switching around my setup I feel no desire to draw, haven't been sketching or anything, just been playing games and occasionally doing maybe 1 sketch every couple of days.
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No.7704
>>7698
You know what they say, ngmi
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No.7705
>>7698
>>7698
Switch it back.
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No.7710
>>7606
Use a fan, my monkey friend. Two or more fans, it just werkz. Today I drawed as fuck just with one.
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No.7716
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No.7717
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No.7726
Whenever I get criticised and don't understand what they're saying, I typically hesitate to ask because i'm afraid i'd be berated for not knowing any better. As for practicing to understand, I don't understand why I feel like i'd lose a massive chunk, if not all my ideas if I bit the bullet, went ahead with the fundamentals instead of just making yet another character design i'd quickly tire of and never revisit.
Speaking of which, why can I not stick with many a character design no matter how much I like it? They're not exactly bad—I've always gone with simplistic, rounded designs and detailed weapons to contrast with them, it's just that I end up making slight changes to them until I almost completely deviate from the design. Is consistency something I should be worried about in this stage of drawing?
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No.7727
I struggle a lot when I interact with people. I don't understand what their motives are, cannot interpret their actions and never feel I can really express myself, even with art, which seems to get me in trouble when I don't censor myself. Even anonymously I don't feel comfortable because I'm often getting called out.
This is pretty exhausting. Being an autistic piece of shit is kinda hard sometimes and doesn't really come with any benefits at all. I should follow >>7491 's advice and not care so much about what people think of me through my drawings but every time I share art anywhere it's the same deal.
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No.7730
>>7727
I'm guessing you are either the guy drawing 100 feet or this guy >>7100 . Even though I am not particularly into the subject matter of the drawings I still think you're cool for putting yourself out there.
>>7726
>As for practicing to understand, I don't understand why I feel like i'd lose a massive chunk, if not all my ideas if I bit the bullet, went ahead with the fundamentals instead of just making yet another character design i'd quickly tire of and never revisit.
I don't understand this sentence.
>Speaking of which, why can I not stick with many a character design no matter how much I like it?
If you have just the designs in mind, and no ongoing work (such as a comic or game) where the characters maintain the same design throughout, I think it's normal to be constantly revising designs.
People on this board have called your designs generic, and I'm inclined to agree. However, I think part of that perception is because you haven't put them in the context of an ongoing work with an established art style, so they stand alone and will get compared to everything else in the immense pool of possible character designs rather than a smaller pool that's more relevant to the style of the work. I.e. Your simple designs will get compared not only to more complicated designs in similar, low-detail art styles, but also to more complicated designs rendered in much more detailed art styles, pushing the perceived simplicity/genericness of yours way up.
Also if you had the context of an ongoing work out there you could establish a theme for how all the characters look and this would make your stuff more memorable by requiring less information per character to remember the design and by having the setting tell the story of the character. E.g. for the first point, if you're familiar with Tetsuya Nomura's style for Square Enix jRPGs, he has a thing for putting belts and zippers and big baggy clothes on his characters and so when you have that in mind it's easier to remember how Sora from Kingdom Hearts looks. What's that kid wearing again…of course he has a big belt and big ridiculous shoes, the designer wouldn't have had it any other way. For the second point, in that picture you have a kobold-looking kid with a fuel tank augmenting his fire breath. Do other kobolds in the setting use things like that? If they don't, there's some kind of explanation for why that kobold is different and the setting provides the explanation.
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No.7733
>>7730
They both seem to have their heads on their shoulders, especially the feet guy, who doesn't afraid of anything.
Backlash is to be expected and I expect it, as it is something natural on imageboards or the Internet in general (especially when you draw fetish art like the two you quoted, as it is very divisive), but any attention, positive of negative, or interaction gets me flustered and feeling awkward, even praise.
I'll probably feel better tomorrow and go back to caring less about that anyway, but it's the feels thread and I got feels for once so I've gotta use it.
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No.7734
>>7730
>I don't understand this sentence.
I don't know why I feel like I would lose a lot, if not all my art ideas (characters, settings, etc) if I went ahead and did my studies instead of just drawing yet another one-time deal character design.
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No.7738
>>7730
Another thing I forgot to ask, aside from giving them their respective setting in which to portray them–how should I go about a more fun, memorable character design that while being rudimentary, stands out a bit more against generic designs and packs a bit more character than what I normally do? Trying to get a solid grasp on silhouettes isn't easy, at least when I try to incorporate it in my works. Would exaggeration work?
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No.7754
>>7726
>>7734
Just go fucking work on the fundamentals.
Even if you understand design philosophy and rules, you'll still always be lacking because you won't be able to properly draw out the ideas you're having.
It sucks, it's hard, it'll take a while to learn, but there's no way around having to learn how to fucking draw.
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No.7756
>>7738
Try it until you succeed.
Get feedback.
Course correct.
Repeat.
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No.7762
>>7738
>how should I go about a more fun, memorable character design that while being rudimentary, stands out a bit more against generic designs and packs a bit more character than what I normally do?
>>7730 here, I can't answer this for you because it basically amounts to asking for help designing the characters. I can only give feedback on designs that you put out there. Listen to >>7754 and >>7756. It seems that you know the feeling that you described in >>7734 is not truth so at this point you are procrastinating.
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No.7796
>>7754
>>7756
Loomis helps with this too, right? I've got 'fun with a pencil' and I still read from it.
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No.7845
>post work on my blog that worked hard on
>no (you)s
>get intimidated/panic
>abandon blog for nth time
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No.7847
>>7845
You are one silly dude but you're a true artist in my book. Post your work here and I'll give you (You)s for days.
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No.7850
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No.7855
>>7845
I'll give you a (You), you scallywag.
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No.7870
>>6186
i feel like i should drop this shit already. i just find myself replicating art styles i really like in hopes of ever finding something of my own but i have come to the realization i wouldn't be doing anything as great as what i'm inspired by anyway. so i'm probably quitting for music instead.
there are artists who have nailed down what i wish i did. what is the point?
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No.7871
>>7870
Pretty much everything has been done in music too, so you're going to run into the same problem if that's how you think.
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No.7874
>>7870
You get to play god. Who cares if you are a lesser god?
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No.7880
>tfw every time you try to draw a circle you instead draw a vaguely round thing with three lobes
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No.7976
>get mean comments on literally every single post
>block them
>wind up being weak and reading them anyway
>it starts getting to me
>eventually cave and just leave the platform they were following me on
Fuck it. I know it shouldn't get to me so much, but just every single time I posted something, and nobody gave a rat's ass.
Why should I even hang around that place (IRC channel) if they're gonna condone it through silence.
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No.7977
>>7976
Online autism runs deep, and it can be a powerful force for both good…and evil. You say the wrong thing to the wrong person at the wrong time and they will follow you to the ends of the earth just to try and get a piece of your ass, and they might never stop unless you're able to completely cut ties. It's equal parts insane and pathetic, but it also often works for its intended purpose: making somebody feel like shit.
While objective and informed criticism is important, we also want and need at least some kind of positive reinforcement once in a while to let us know in what way we may have been going in the right direction too. There are a lot of fuckers out there that use relative anonymity as an excuse to act like the biggest know-it-all finger-waving elitist gatekeeper twats possible, and when it comes to art-oriented communities 9/10 of these despicable degenerates are utterly incapable of producing anything of value themselves, if they're even capable of producing anything at all.
Words have profound power, even when they're coming from someone who is ostensibly powerless. You can know for a fact that the person you're talking to at a given moment is just an ugly, pseudo-retarded and probably obese piece of shit but it doesn't matter, because unless you're 100% mentally prepared for their bullshit they will find a way to make you feel for a brief moment as low as they feel every day. They're great at it because feeling like shit comes naturally to them; it's far easier to bring someone else down than bring yourself up after all.
So yeah, long story short you're making the right decision by just taking your business elsewhere.
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Post last edited at
No.7979
>>7977
Thanks, man. I was worried there was something wrong with me for not being able to "take it" with the constant belligerence, but it feels good to hear I'm alright after all.
I immediately felt better when I disconnected from them, too. So from here on I know I need to start finding value in my work myself, instead of placing what others' say about me, in enough regard as to be affected by it. It sucks that there are people like this out there, but I guess that's just an inevitability, and it's on me to keep at it.
As shallow as the meme of "haters" and how much you hear about it in mainstream culture, it's pretty easy to overlook how pervasive and common people like this are, to begin with.
Enough so that every single person knows what we're talking about.
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No.7983
>>7977
Truth. How detestable crabs are. I assume that later in life I will care about them a lot less, but for the moment I hate them.
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No.7986
I always wanted to be able to draw and paint like the people who's art I consumed as a kid. Not just the comics and cartoons, but even the things I saw in my grandfather's art gallery. Unfortunately I always sucked at it, no matter how much time I put in I lagged far behind my peers in ability. Used to chalk it up to not trying hard enough, not putting in as many hours as the people I wanted to emulate. Till a few weeks ago, when in a fit of desperation I asked a friend of mine who excels at art, to explain their process. Turns out that not only had I been spending far more time than her deliberately and just generally practicing and still sucked, but I also was missing something I didn't even realize. Turns out I literally lack an imagination. She just thinks up compositions in her head and sees/understands them. That that is possible was completely alien to me, I almost didn't believe it at first but it explains a whole heck of a lot about why I am so creatively dead and why I can only seem to poorly copy rather than create.
It's funny though. A big part of why I always wanted to become good at art was because of how magical it seemed to be able to create something as fantastic as art ex nihilo. Now I wonder if I only thought that because it was impossible for me to do from the start.
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No.7988
>>7986
you probably don't draw as much as you think you do
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No.7991
>>7986
If there's one thing about art, that might actually be a "talent" it's probably imagination.
I'm unsure how much of creativity is latent, and how much is learned, but I do know it's rooted in willingness to go out of the box and break boundaries. And if you're unwilling to do those, then you'll likely remain uncreative.
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No.7992
>>7976
What kind of channel was it? I don't remember an art channel related to this site. I'd like to join you if you ever find a new place.
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No.7993
I think I'm turning into a misanthrope and I don't really like it. I've stopped wanting to share my art or drawfag like I used to. When I try I feel strange and detached, like it is a mere mechanical habit I stopped getting anything out of.
It's like, what's the point? I've already experienced praise and hate and indifference. I know there's more to art than sharing it but it's been a social experience for me for so long it'll take some time to get used to.
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No.7996
>>7992
>related to this site
Oh good heavens, no. It was a channel in a discord server. I'm just kind of archaic in my terminology (I still refer to "calls" as "VOIP", for example), so apologies on that.
As for joining me? You drop some info and I'll contact you.
>>7993
Draw for yourself, and make sure to challenge yourself. Anything else just leads to eventually burning out, no matter how good you get.
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No.7997
>>7996
>You drop some info and I'll contact you.
>>>/hmnj/1
Report this post to contact me.
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No.8010
Any one else just not like photoshop? It's so bloated and runs like shit. There's menus upon menus upon menus. I had to google where to find the levels tool ffs. That's a ridiculous level of bloat.
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No.8015
>>8010
I'm not a fan of the UI, but I like to keep it around as an editing tool, type setting, and some effects that would else be hard to reproduce. But as an art tool, I've never been bothered to try and wrap my head around it.
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No.8020
>>8010
The only thing I missed when I switched from PS to Krita was the masks, but there's a workaround so I don't particularly mind.
It did crash a lot, but krita crashes about as much anyway.
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No.8025
>>6186
>I don't think I am imaginative enough
>lines are shit
>hate anything I make this is a good thing tho, I am able to take criticism, and try to learn from it
>stated when I was 20, could only imagine what I would be able to do if I started back then I was 12, when zone's work first got me wanting to learn to draw
>procrastination
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No.8028
>>8025
Imagination is a meme. What does not being imaginative enough even mean?
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No.8031
>>8025
Well, you can't change the past, so challenge yourself now and get better little by little. I always find inspirational that this guy started when he was 25 http://www.volenck.com/.
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No.8032
>>8028
Having a very limited visual library, due to lack of exposure to the world, and not being very naturally curious, so your brain doesn't really feel like combining anything to just see what happens, so you just end up unable to make anything new.
>>8031
thanks
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No.8063
>>8032
>Having a very limited visual library
That's why imagination is a meme. It's just another skill to learn like any other. It's not like you just learn it by looking around either. Just having seeing stuff doesn't mean you can draw it, or figure drawing would be the easiest thing in the world. The reason why people usually have a bigger library is because they've been drawing longer than you, and they've been drawing a lot of different subject matters, instead of just grinding fundies.
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No.8093
>practice anatomy for 2 weeks, memorizing the muscles and bones of the torso, front and back
>post sketch drawn from imagination
>someone says x and y are wrongly proportioned and it's not a good picture
AAAAAAAAHHHHH
I'm not mad at the critic, I'm fucking mad at myself. why can't I do anything right
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No.8106
>started drawing recently and improve everyday
>make the mistake to post art on /ic/ for the first time
>immediately get ganged up by crabs
>"lmaflao your shit" / "you'll never get good enough to do [thing]"
So that's how it feels. I've never realized how much annoying those kind of posts could be.
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No.8108
>>8106
I'm more bothered than I'd like to be by one particular crab at the moment.
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No.8110
>>8108
I know that feel. I'd love to be a tough guy and brush it off but the very small window where I take people's utterances to heart I can't help it, whatever it is it's also why I can't tell people to kill themselves even when I shitpost as hard as I can sometimes lingers for very long.
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No.8111
>>8106
>>8108
/ic/'s such a shithole, the crabs are hilarious
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No.8112
>>8110
I'm about 5 months in and I'm feeling the Progress Plateau Blues for the first time. I don't even know if it is an actual plateau, it just feels like it. I need to shake things up and study something new; try some different approaches. Feeling a lack of motivation though due to the above though.
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No.8114
>>8093
It's okay, proportions are tough; knowing what things are called and where they go is step one, just try and have a proportional reference handy next time.
>>8106
>>8108
>>8110
The problem with most anonymous online art communities or even semi-anonymous ones like discord is that few of them are willing to deal with the crab question; imagine you owned a gym and you just let teenagers come in off the street and relentlessly mock the fat asses trying to turn their lives around every single day. They're not working out themselves, they're not helping these people ensure they're performing exercises properly or motivating them or anything like that, they're just being a nuisance and they don't really belong there.
If a crab is a good artist, at least TRYING to be one themselves or gives genuine critiques but just "in a mean way" or whatever then the situation becomes much more complicated, sure. However I believe crabbotry is typically the domain of people who've either given up or never even tried, and in either case they might as well be made to piss off. For one reason or another they've become incapable of bringing value to a discussion and their loss becomes a net positive to the rest of the community.
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No.8118
>>8114
I haven't been on /ic/ for years, is the term "crabs" any related to cancer?
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No.8119
Human limbs are really fucking obnoxious things to draw.
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No.8120
>>8118
"Crabs" originates from the "crab mentality"/"crabs in a bucket". When multiple crabs are placed in a bucket, the ones that could escape are pulled down by the other crabs, ensuring that none of the crabs escape https://en.wikipedia.org/wiki/Crab_mentality
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No.8122
>>8120
This sounds like recognizing a crab as what it is would have the adverse effect he intended.
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No.8133
>>8106
Eh just go and do what they're saying you can't. Nothing pisses crabs the fuck off more than demonstrating dedication and perseverance to a goal.
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No.8174
i have no structure in my life. my hobbies are almost always a flash in the pan and rarely last more than a few weeks, unless there's some sort of ulterior benefit (for example- record yourself doing X, upload to youtube, gain views and subscribers). the problem though is that i was able to do that with gimmicky methods of drawing that i can already naturally do, which don't result in me getting better at the things i actually need to improve at. they're gimmicky, so people care, but nobody wants to watch me do shitty practice sketches with charcoal and "improve" at a snails pace. i always have the background thought in my mind that i would like to be better at drawing, but times when i am actually legitimately passionate enough to do it are so uncommon and fleeting that i'm left drowning in my own mentally retarded attention span.
i signed up for a local art class and hopefully that will keep me motivated longer than i'd usually be. the problem though is that to see real improvement in this lifetime, i'll need to be drawing more often than the class allows. it is only 1.5 hours every tuesday. i have plenty of free time during the week. if the only time in the span of a week that i actually care about drawing is 1.5 hours then i'm fucked. when i attended welding school, i got tired of it pretty quickly, but i still had to go there and weld for 40 hours a week. now i'm better than when i started, but now that education is fucking useless because i never want to weld again. the only thing its good for is a career and i don't want to do that as a career. drawing and painting can be a career, but its fulfilling in its own right, even if you're doing it for free. if i could go back to 2015, i would ask my parents to support me going to an art school instead. if i'd done that, i would actually be better at drawing instead of something i don't give a fuck about.
aside from that, my level of interest seems to be directly connected to how well i perform. if i'm at home then i don't care, and i can't draw for shit. if i'm the local art studio i hang out at, there are no distractions, and the people there actually want to see me do something that looks good. the skulls were done 2 days ago at the studio. the attempted profile portrait was done this morning alone in my room. i'm never going to improve unless my life becomes structured around this (which is unlikely), or i can find it in myself to give a modicum of a fuck about this stuff of my own volition without anyone else expecting it of me (which won't happen unless someone creates a surgery to cure my autism and ADD, and even then that might not be causing it)
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No.8175
>>8174
If you can't go live the atellier life, just don't be so obsessive over art that your drive yourself to quit. Drawing everyday, if even for an hour, is vastly superior to quitting.
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No.8176
>>8175
that's not the problem. i don't get frustrated and consciously say "fuck this" and throw away my charcoal, i just stop caring. the motivation dies and something else steps into the foreground and before i know it, instead of drawing, i just feel compelled to do something else instead.
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No.8181
>>7038
turning your passionate hobby into your job is either the best decision or the worst mistake someone can make. best case scenario, you will remain in love with it because you get paid to do it all the time. worst case scenario, you grow to hate it because you're forced to do it all the time, even when you don't feel like it. you will grow to hate it just like any other job, like flipping burgers for example.
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No.8189
>>8174
You've got one of two choices.
Either start working harder, and for yourself, or accept drawing isn't your thing and stop/do it casually.
Whether or not you like it, that's the way it is for you. But you honestly just sound like you need to find something to work for, and you'll be fine.
Like a project of sorts.
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No.8226
>Watching Youtube tutorial
>"Talent doesn't exist."
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No.8228
>>8226
>"i bet this person came out of their mom's pussy being able to draw like this!"
>"Talent doesn't exist."
it literally doesn't though
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No.8229
>>8228
but it does. People are not all born as blank slates. Everyone is born with different levels of skill sets. Some people are better at problem solving for example, so there's no reason to believe that something like spacial reasoning which is important to being good at art is an exception. That being said, if you don't cultivate it you will fail no matter how good you initially are at something.
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No.8230
>>8229
I do think there is such a thing as talent in art, but the only advantage I've seen it grant is in how soon they develop certain skills. For example, you can go on google and search for "1st grade drawing", "5th grade drawing", all the way up through the years. You will notice that the majority of people share a similar level of artistic ability as they age. Where talent will show through is that you will get the occasional kid who can draw at say a 5th grade level when they're only in 1st grade. Hideaki Anno was like this for example.
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No.8231
Talent is real in the same sense that anything else that separates one individual from another is, but musing about it whether it exists either from the outside or from within is worthless because the only person you're competing with in the truest sense yourself.
For one thing, very few hobbyists can say that they draw even a fraction as much as a professional artist does now or has done to get to the level they're at-so if they are talented they may never develop themselves enough to be considered as such. I personally seldom draw for more than a few hours at a time because I'm addicted to imageboards and other assorted distractions-but despite that I have improved bit by bit. Would that I managed to abstain from lurking and making irreverent posts here or (mostly) elsewhere for any extended period of time I would undoubtedly be much more skilled than I am now, but it is something I've struggled with since I was first introduced to computers and the internet in my adolescence.
I imagine the same goes for most anyone that isn't genuinely disabled. You have to try to tune yourself out of pretty much everything else within reason (and without also getting burnt out) and get shit done. There really isn't a good excuse for why we might stagnate from one year to the next, we only have ourselves to blame, the "talent" discussion is inherently defeatist.
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No.8232
>>8230
exactly. think of it as a person's foothold, not a boat that carries them the whole way. That's what I mean when I say it's important skills are cultivated because if you don't you'll be blinded by the amount of people working hard that surpass you.
>>8231
this is pretty important because I doubt the people saying they are working hard and not getting anywhere are being completely honest. It's just downright impossible.
I think it's not to say people who are mentally able are unable to work hard, but I strongly think work ethic is something which can be improved at.
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No.8236
>thousands of random furry scat artists can draw
>but I can't
Even after six months of practice I can't draw for shit. I mean that, I can't fucking draw at all, not even basic objects. If you handed me a pen and asked me to doodle you'd think I didn't even know how to write.
Fuck it all.
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No.8237
>>8236
it'll be ok my friend
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No.8242
I've gotten my first negative attention from tumblr after seeing it happen for years to other artists: the way I understand it, I triggered a few people by sexualizing insectoid monster girls.
It's not a particularly bad feel but it's still strange to be on the receiving end. I wonder how this will evolve (or if it will).
It made me consider the question of subject matter and how no matter what you draw, someone might not like it.
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No.8243
>>8242
>tumblr
There's your problem mate.
Use Pixiv instead, Nips are well used to seeing fucked shite.
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No.8245
>>8242
>I triggered a few people by sexualizing insectoid monster girls.
Who are these people who like insectoid monstergirls only if they're not sexual?
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No.8247
>>8242
Post your insectoid grills pls
Also NEVER respond to that shit no matter how reasoned you think your argument is it's not worth your time. If they start complaining on every picture just block them.
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No.8253
>>8247
>>8245
Of course, I wasn't intending to respond. Since nothing more has happened since and as it was, in retrospect, not really surprising, I'm feeling a bit silly about bringing it up. Still, here's the concerned picture.
>>8243
I've been half-pondering this for some time. I wonder if google-translated moonrunes are as endearing to Japanese people as Engrish is to us.
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No.8255
>>8253
Oh, it's you.
I saw your art in the New Vegas thread, neat to see you colored it.
>I've been half-pondering this for some time. I wonder if google-translated moonrunes are as endearing to Japanese people as Engrish is to us.
You don't even have to translate it, they're used to seeing English titles and descriptions and major tags like "insect" have translations under them to tell you what they mean.
The only issue is, from what I've heard, uploading animations to Pixiv can be a pain in the ass.
Was she impregnated while in the missionary position? Was hand-holding and kissing involved? The child is illegitimate otherwise.
If she's pregnant that also means she isn't going to be laying an egg but giving birth. It's not that strange, insects can give birth.
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No.8256
>>8255
I figure I might as well make a little effort to learn some moonrunes; just the important words, such as ロボット, 昆虫, or 胸.
>Was she impregnated while in the missionary position? Was hand-holding and kissing involved?
Of course; that goes without saying.
> It's not that strange, insects can give birth.
Some insects can give birth, alright; and others might even care for their young after they hatch.
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No.8257
>>8256
You wouldn't have to learn much.
Whatever the main focus of your image is and that's it. They don't tend to put a lot of tags on images there. Not at all like western art sites.
She better care for her young, she'd be a terrible mother otherwise. If she went out clubbing on a Friday night and left her larvae alone by themselves I'd be so disgusted I wouldn't even be able to look at her.
On an unrelated note, I saw this post on /v/ >>>/v/14577423 and thought it'd be something up your ally.
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No.8261
>>8257
I guess I'll try it out and see how it goes. It sounds like fun.
>going out clubbing on a Friday night and leaving her larvae alone by themselves
Anon, god! She'd be a wonderful mother, extremely protective of her young and her home. Such scary suppositions certainly sound stage-suitable since depressingly dejecting drama delights but barring brief bleak blatherings I don't usually go for that.
Also, thank you for bringing this amazing piece of metal to my attention. It really is something I'd take a keen interest in drawing.
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No.8272
I've been at it for years now and I still suck. The suicide ideation has only gotten worse and I still wish I could just contract a terminal illness.
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No.8274
>>8261
Just make sure you rate your posts correctly, anything lewd should be R-18 and anything with gore or violence should be R-18G.
If you ever do draw something of that thing be sure to post in the draw thread, your art always amuses me.
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No.8275
>>8272
As long as it's fast. I've been suffering from an ailment I'm not even dying from (or maybe I am) for months and I wouldn't wish that on anyone. It's affected my concentration and work. Sometimes when I'm at my worst I feel like I'm not even focused on improving anymore, just "surviving", if you'll allow me this melodramatic term.
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No.8287
>opens drawing software
>pops a photo taked of me lying on the ground in a girly position that I used as reference
>there is people near of me and I can't look to my back
Help! I'm dying
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No.8289
My will to draw, or be creative at all is directly proportional to my ability to express myself freely. Because I've been unable to express myself all my life, largely due to fear / limited finances and parental Stockholm syndrome, my ability to be creative is severely limited. My ability or will to do anything is severely limited. I'm trying to pick up the pieces but… sigh, I've let it go on too long.
ht tps://ste emit.com/@vox xe
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No.8292
>>8275
>just "surviving"
Story of my life thus far, anon.
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No.8300
>>8287
I actually do the same. I never got anyone to see it though. If you're afraid that they're misunderstanding you can just try to make a remark about how awkard it is to have no model and do it yourself. Those who saw and remember will connect the dots.
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No.8301
>>8272
I can totally relate to that. I'd like to talk with you somewhere you prefer.
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No.8302
>realize that I've no fundamentals
>check out some tutorials
>"You should avoid drawing shapes with long lines, use shorter strokes instead."
>watch another tutorial
>"Avoid doing short strokes, you need to learn how to draw with longer strokes"
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No.8305
YouTube embed. Click thumbnail to play. >>8302
Kek, fucking this.
My preferred type of video has become ones that are simple over the shoulders of artists I like. It is better to just try to pick up on things on you own, because the only things you will pick up on are things appropriate to your skill level. With time and practice, I will rewatch a video and I pick up new things due to more experience.
I feel it mimics what apprenticeships were like and still are like in Japan.
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No.8306
>>8302
Just learn how to do both.
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No.8307
>>8305
This is actually great advice. It's just hard to find videos for all the artists you like.
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No.8308
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No.8316
>>6186
>tfw you didn't notice the pencil was edited in in 5 months
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No.8318
Fuck it, I'm a shit artist, and I'm giving up on this shit.
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No.8319
>>8318
You should want to get good because you enjoy doing it; if you're not having fun anymore try finding new ways to have fun
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No.8338
>>6197
Latest instance of that hit me hard.
Sure it's made by a goddamn studio and I'm only one misanthrope, but it made me feel the need to start a fucking project already lest I die full of regrets.
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No.8352
I wish I had never existed.
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No.8360
>born with shit life
>only thing that makes me happy is art
>all I want is to be good at art
>don't need money
>don't need fame
>just one fucking thing
>mentally unstable as fuck, can't concentrate when practicing most of the time I break down crying and being frustrated
>getting worse and worse each day
>feel like there's nothing out there that can help me
>tried dozens of meds
>psychologist says ECT is an option (aka my last hope)
>but have a feeling I won't get better
Recently I genuinely get mad when I see a good picture, because the person who drew it must have had a good life and didn't have to go through the shit I did.
I needed to let out some steam
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No.8361
>>8360
>Recently I genuinely get mad when I see a good picture, because the person who drew it must have had a good life and didn't have to go through the shit I did.
I know this feel too well.
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No.8363
>>8360
>Recently I genuinely get mad when I see a good picture, because the person who drew it must have had a good life and didn't have to go through the shit I did.
I don't know. Sometimes I feel like everyone is miserable but they just hide it.
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No.8377
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No.8851
>>8360
>Recently I genuinely get mad when I see a good picture, because the person who drew it must have had a good life and didn't have to go through the shit I did.
all of your hardships are created by you, and it's not like artists in general art the happiest people.
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No.10364
>try drawing
>mind is super finnicky on how it's supposed to be (a single, fullbody, lonely character that more often than not occupies the center of the page, doing nothing in particular)
>this issue only intensifies further on, including being obsessed with finding that one reference that has exactly what I want down, sporadically being on and off about it, ragequitting if the end result doesn't look right, stalling on end on what else to do about it)
>lack of creativity/not knowing what to do only worsens the stalling
>process feels more robotic and lifeless than it has any right to be because of it
>end up with several pages/files of an unfinished sketches as a result
And it only took me three years to put my finger on it.
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