2c9361 No.3662 [View All]
Art and Aesthetics thread
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2c9361 No.5405
https://u.nya.is/nqulno.epub
Salvador Dali - 50 Secrets of Magic Craftsmanship
>DEDICATION
>At the age of six I wanted to be Napoleon—and I wasn't.
>At the age of fifteen I wanted to be Dali and I have been.
>At the age of twenty-five I wanted to become the most sensational painter in the world and I achieved it.
>At thirty-five I wanted to affirm my life by success and I attained it.
>Now at forty-five I want to paint a masterpiece and to save Modern Art from chaos and laziness. I will succeed! This book is consecrated to this crusade and I dedicate it to all the young, who have faith in true painting.
his other book in /x/ thread >>921
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2c9361 No.5524
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2c9361 No.5580
>>5524
>Andrey
How fucking good is Stalker
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2c9361 No.5596
>>3861
>Lendvai Ernõ - Bela Bartok An Analysis of His Music (revised reprint 1979)
another hungarian hunting for the golden section
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2c9361 No.5655
https://my.mixtape.moe/lzehnd.pdf
>Christopher Alexander - The Timeless Way of Building
>Alexander's built work is characterized by a special quality (which he used to call "the quality without a name", but named "wholeness" in Nature of Order) that relates to human beings and induces feelings of belonging to the place and structure. This quality is found in the most loved traditional and historic buildings and urban spaces, and is precisely what Alexander has tried to capture with his sophisticated mathematical design theories. Paradoxically, achieving this connective human quality has also moved his buildings away from the abstract imageability valued in contemporary architecture, and this is one reason why his buildings are under-appreciated at present.
Basically, he's a reaction against Le Corbusier and the modernist and brutalist schools of architecture. The old copies of this book on libgen have missing pages, so here's a copy with the missing pages ripped from google books and added in.
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2c9361 No.5698
>goethe - maxims and reflections
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2c9361 No.5722
>>5698
Am I the only person who's having issues downloading this?
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2c9361 No.5727
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2c9361 No.5728
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18f90c No.5903
https://en.wikisource.org/wiki/Vida's_Art_of_Poetry
>Marco Girolamo Vida's De arte poetica (On the Art of Poetry), partly inspired by Horace, and Scacchia Ludus ("The Game of Chess"), translated into many languages over the centuries.
https://ebooks.adelaide.edu.au/h/horace/works/book10.html
>Horace - Upon the Art of Poetry
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ff4eb9 No.5966
http://gen.lib.rus.ec/book/index.php?md5=E462880E5C1570F168A3F84C3C940ACE
>Nikolaus Harnoncourt - Baroque Music Today: Music As Speech : Ways to a New Understanding of Music
>Love him or hate him, call him a pioneering genius or dusty and mannered, Nikolaus Harnoncourt deserves a lot of credit. Not only did he lead the period-instrument movement into its first major successes (both artistic and commercial) but his ideas about how to play Baroque- and Classical-era music (and why to play it that way) have had enormous influence even on conventional symphony orchestras and their conductors. This volume is a collection of essays and lectures Harnoncourt has given over the years laying out those very ideas. The title, Baroque Music Today, is something of a misnomer at this point: the latest essay in the book dates from 1980, and the second essay, "The Interpretation of Historical Music," is effectively the founding mission statement (from 1954) of Harnoncourt's period-instrument orchestra, the Concentus Musicus of Vienna. While the occasional observation seems dated or debatable, and certain points are repeated from chapter to chapter (the chapters were originally separate lectures), most of what Harnoncourt has to say remains both instructive and persuasive. The second half of the book contains interesting discussions of particular Baroque-era instruments, national styles (French, Italian, German, English), and composers (Bach, Mozart). Harnoncourt manages to cover many technical details without ever moving beyond the ken of an interested layperson. The real heart of the book, however, is the first half, in which the author convincingly lays out the numerous misconceptions under which Baroque- and Classical-era music was generally played in the mid-20th-century ("The prevailing misconception that notational symbols and indications of affect, tempo and dynamics have always meant what they do today is disastrous"); how these misconceptions first took hold ("After the French Revolution, music got an ideological aspect–specifically, it was meant to be egalitarian. The idea of rhetoric disappeared; verbal elements were replaced with pictorial. That's how the sostenuto, the long sweeping legato melodic line, came into common use"); and the aesthetic approach he feels is crucial to performing–and hearing–Baroque music ("I like to say that music prior to 1800 speaks, while subsequent music paints. The former must be understood, since anything which is spoken presupposes understanding, while the latter … should be felt"). Whether you agree or disagree with the premises of the historically informed performance movement (or just want to know what those premises are), you'll find them stated clearly and eloquently here. –Matthew Westphal
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fee802 No.6108
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19779e No.6413
https://u.nya.is/ifhfty.pdf
>(((Heinrich Schenker))) - The Decline of the Art of Composition
detailed critique of programmatic composers and defense of "absolute" classicism. found among unpublished manuscripts.
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5d8391 No.6508
https://archive.org/details/lexiconofmusical00nico
>(((Nicolas Slonimsky))) - Lexicon of musical invective
669 excerpts from brutal reviews up until 1960s
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5d8391 No.6509
>Leon Krier - The Architecture of Community
http://gen.lib.rus.ec/book/index.php?md5=0C1373BBCEB944CB215F37954A73D7E8
>Leon Krier is one of the best-known—and most provocative—architects and urban theoreticians in the world. Until now, however, his ideas have circulated mostly among a professional audience of architects, city planners, and academics. In The Architecture of Community, Krier has reconsidered and expanded writing from his 1998 book Architecture: Choice or Fate. Here he refines and updates his thinking on the making of sustainable, humane, and attractive villages, towns, and cities. The book includes drawings, diagrams, and photographs of his built works, which have not been widely seen until now. With three new chapters, The Architecture of Community provides a contemporary road map for designing or completing today’s fragmented communities. Illustrated throughout with Krier’s original drawings, The Architecture of Community explains his theories on classical and vernacular urbanism and architecture, while providing practical design guidelines for creating livable towns.
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5d8391 No.6510
>E. Michael Jones's Living Machines: Bauhaus Archaeology as Sexual Ideology
>[Narrated by Alex Linder]
mp3s at
https://vnnforum.com/showthread.php?t=368342
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3577bd No.7015
https://repositories.lib.utexas.edu/handle/2152/17972
>August Halm's Von zwei Kulturen der Musik : a translation and introductory essay (pdf 2.964MB)
>August Halm, composer, music pedagogue, and music critic, published Von zwei Kulturen der Musik (Of Two Cultures of Music) in 1913. In this book he sought to describe his conception of two historical musical cultures and the narrative of their eventual synthesis. Halm’s first culture of music, melody, is exemplified by Bach’s fugues for keyboard. His second culture, harmony, is exemplified by Beethoven’s works in sonata form, such as his piano sonatas and symphonies. At the end of the book, Halm describes a third culture—a synthesis of melody and harmony that he sees in the works of Bruckner. His subsequent book, Die Symphonien Anton Bruckners, published the following year, expands on his claims about this third culture. Von zwei Kulturen der Musik established the composer/critic’s fame in the realm of music aesthetics and analysis.
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3d8b6d No.7263
http://gen.lib.rus.ec/book/index.php?md5=E0BCD359890353F77D8D3E6344BB1134
>Alfred Cortot - In Search of Chopin
>A series of themed essays rather than a traditional biography, this profile of the Polish composer and virtuoso pianist is the work of a legendary conductor and performer.
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305d80 No.7381
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800fc4 No.7727
users.clas.ufl.edu/burt/filmphilology/heideggerworkofart.pdf
Heidegger - The Origin of the Work of Art (essay)
an aesthetic entry point to Heideggers Philosophy
https://en.wikipedia.org/wiki/The_Origin_of_the_Work_of_Art
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800fc4 No.7728
http://gen.lib.rus.ec/book/index.php?md5=7DAAC37C9FC329D6CE495ACC78CB0795
>Roman Ingarden - The Work of Music and the Problem of Its Identity
>Before World War II, Ingarden published his works mainly in the German language. During the war, he switched to Polish, and as a result his major works in ontology went largely unnoticed by the wider world philosophical community.
https://en.wikipedia.org/wiki/Roman_Ingarden
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0ed3fe No.7934
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353755 No.8057
https://archive.org/details/princarth00wlff
>Heinrich Wölfflin - Principles of art history
seminal work of formalism. through investigation of the transition between renaissance and baroque he came up with five dimensions of discrimination.
https://en.wikipedia.org/wiki/Heinrich_W%C3%B6lfflin#Principles_of_Art_History
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46e780 No.8204
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f90cea No.8857
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39860b No.9160
>>5405
Can you please repost this Dali 50 secrets of magic craftsmanship?
Link is dead
thx
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39860b No.9161
>>5580
Andrei Rubelyev is his best work by far…truly a great film.
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ac006a No.9177
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96419c No.9191
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9f9bc5 No.9422
>Pixel Logic: PDF Archive
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79f6da No.9432
Any books with artworks and annotations to them from various periods you would recommend?
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79f6da No.9434
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7337e2 No.9445
>>9434
taschen publisher has many coffee table books like this.
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8c9c09 No.9541
http://gen.lib.rus.ec/book/index.php?md5=415F8A5D8332B5FF92E283C0BB5EE293
>Salvador Dali - Los Cornudos Del Viejo Arte Moderno
>Dali on Modern Art: The Cuckolds of Antiquated Modern Art
havent seen an english version yet, except a google preview
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3aa928 No.9726
http://alexhays.com/loomis/
>various classic drawing manuals by Andrew Loomis
on figures
https://archive.org/details/pendrawingillust00magirich
>Pen drawing ; an illustrated treatise by Charles Donagh Maginnis
on architectural subjects
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f969d7 No.9868
Beethoven power pack
https://archive.org/details/beethovenwithint00riez
>Walter Riezler - Beethoven; with an introduction by Wilhelm Furtwängler (1938)
https://archive.org/details/in.ernet.dli.2015.80581
>Donald Francis Tovey - Beethoven (1945)
http://gen.lib.rus.ec/book/index.php?md5=42C93E1FB466019048F4EC4BCCDE15A2
>Edwin Fischer - Beethoven's pianoforte sonatas: a guide for students & amateurs (1959)
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5bc154 No.10068
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d8c641 No.10076
Great thread. Came here looking for a clean version of Tom Wolfe's the Painted Word. (This one is low res scan with annotations.)
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741a5f No.10077
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9208fb No.10166
>>5405
Re-up Dali's 50 Secrets to Catbox. Thanks!
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9208fb No.10167
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d8c641 No.10175
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b01187 No.10221
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31c5fb No.10311
http://gen.lib.rus.ec/book/index.php?md5=08DB10EE48B866A0F5C71AA8DA8C3448
>Christian Thielemann - My life with Wagner (2016)
>My Life with Wagner chronicles his ardent personal and professional engagement with the great composer, whose work has shaped his thinking and feeling from early childhood. Thielemann retraces his journey around the world with Wagner―from Berlin to Bayreuth via Venice, Hamburg, and Chicago―and combines his analysis with revealing insights drawn from his many years of experience as a Wagner conductor. Thielemann discusses each of Wagner's operas in turn, and his appraisal is illuminated by a deep affinity for the music, an intimate knowledge of the scores, and the inside perspective of a world-class practitioner.
http://gen.lib.rus.ec/book/index.php?md5=114B944278C378A2E1967C5A37682179
>Carl Dahlhaus - Richard Wagner's Music Dramas (1992)
>Previous studies of Wagner's operas have tended to approach the works as chunks of autobiography, philosophical speculations or historical-political comments on the age in which they were written. Professor Dahlhaus dissociated himself from all such ventures. His aim is to reveal, by careful analysis of the works from Der fliegende Hollander to Parsifal, the dominant features of 'music drama' and how Wagner achieves such profound, unified effects. Professor Dahlhaus cites music examples only when they are germane to his argument and requires from his readers no more than a limited amount of technical musical knowledge. This is not, therefore, an exclusively specialist study. Rather it will help the enthusiastic beginner to come to terms with these great works of art as well as offering many valuable insights to the experienced Wagnerian.
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d8c641 No.10415
Anyone got the full version of this book: Likeness and Presence by Hans Belting. Here's a preview
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a4b2dd No.10654
Ornamental drawing, and architectural design. With notes, historical and practical. Upwards of 200 illustrations
by Burn, Robert Scott
Published 1857
Good insight on Grecian, & Roman architecture designs.
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dbf58a No.11584
https://archive.org/details/wagnerbiography0000west
>Curt von Westernhagen - Wagner, A Biography (1978)
>vol 2 1864-1883
no first volume, but better than nothing
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acc8ad No.11798
https://archive.org/details/analysisofbeauty00hoga/page/n3
>William Hogarth - The analysis of beauty : written with a view of fixing the fluctuating ideas of taste (1753)
>muh S-waveline
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748218 No.11991
http://gen.lib.rus.ec/book/index.php?md5=F60ECBA59D48F1AAD30DDC33A9940366
>Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch
original here http://www.zeno.org/Kategorien/T/Sulzer-1771
>Sulzers aesthetic theory possesses a fundamentally conservative core, however progressive it may have feigned to be with its patina of empirical psychology. His concern with the moral value of art and its pedagogical potential for promoting personal as well as civil virtue was comparable in conviction only with Shaftesbury.
>C. G. Neefe declared that Sulzer had proved himself to be one of the greatest philosophers and aestheticians of their time. Kant, too, had warm words of praise for Sulzer's work, finding it one of the most thoughtful studies ever written on the artistic imagination. Herder was particularly impressed by Sulzer's penetrating insights and systematic analysis of psychological faculties in relation to the creation and perception of art. Yet Herder also found fault with its pedantic and moralizing tone. It was in general much too abstract and prescriptive, he was forced to admit, with too little attention paid to the actual history of art. The young Goethe had much the same complaint. Goethe chastized Sulzer for thinking he could penetrate the mysteries of artistic creation from the perspective of a detached philosopher. Dry theoretical generalizations and optimistic moralisms could never begin to convey the true spiritual meaning and power of art. Besides for Goethe, nature was not the benevolent force of virtue Sulzer assumed; it could just as well be violent and cruel, deaf to the suffering of humanity.
>Despite the negative reaction of the young Stürmer und Dränger, Sulzer's encyclopedia was highly influential as a reference work, often cited by authors and used as a learning text well into the nineteenth century. It was the largest and most encyclopedic attempt made in the German language during the eighteenth century to define and codify systematically all aspects of the arts, and to draw out common aesthetic principles in a useful, didactic manner.
>all its suggestiveness, his prescriptive process would probably have remained an abstraction for musical composition were it not for the efforts of Koch, since it was Koch who was able creatively to adapt Sulzer's aesthetic and rhetorical ideals to concrete problems of musical composition.
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748218 No.11992
http://gen.lib.rus.ec/book/index.php?md5=DBD300672E0B976403F4E4604A50E836
>John Gardner - On Moral Fiction (1979)
>A genuine classic of literary criticism, On Moral Fiction argues that ”true art is by its nature moral.”
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