No.2122198
It's the most based and redpilled genre of moviefilm.
99 River Street 1953
Chinatown 1974
Cry Danger 1951
Dead Reckoning 1947
Farewell, My Lovely 1975
Guilty Bystander 1950
His Kind of Woman 1951
I Wake Up Screaming 1941
Kiss Me Deadly 1955
Kiss Tomorrow Goodbye 1950
Laura 1944
Le Deuxième Souffle 1966
Le Doulos 1963
Le Samouraï 1967
Murder My Sweet 1944
Out of the Past 1947
Panique 1946
Phantom Lady 1944
Pickup on South Street 1953
Raw Deal 1948
Ride the Pink Horse 1947
The Asphalt Jungle 1950
The Big Heat 1953
The Big Sleep 1946(pre-release version is my preference)
The Killers 1946
The Killing 1956
The Maltese Falcon 1941
This Gun for Hire 1942
To Have and Have Not 1944
Where the Sidewalk Ends 1950
____________________________
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No.2122199
>>2122198
I went through a phase when all I watched was 1930s films on youtube. They were fantastic. Only about 1 hour long, good tight storylines, and the aesthetics are so incredible that I cannot believe those films are less than 100 years old.
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No.2122200
>>2122199
Yeah there used to be real craft to the work and even on low budget shits you can see the fundamentals are all there in a way they mostly aren't anymore. No one knows how to make a movie anymore or no one who does can get a job.
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No.2122201
>>2122200
Yah, its like there was this living tradition in film-making that developed every generation until, I dont know, 2010(?) when digital essential make the film-making tradition obsolete. One of the things I most like about old films is how all the actors are just slightly over-acting. It presents better when being watched. Even the early "naturalistic" acting was better, but now the acting feels so flat. It doesnt even seem to be acting, but lightly editing improv.
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No.2122202
>>2122201
I find the old movies interesting because it is like being able to see a long-lost civilization.
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No.2122203
>>2122198
Hell yeah. Noirvember was comfy this year. Definitely gonna make it a regular thing.
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No.2122204
>>2122202
>I find the old movies interesting because it is like being able to see a long-lost booba.
yes.
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No.2122205
>>2122204
Jokes aside, women were gorgeous back then. I have never seen a woman in real life that I would describe as classy and gorgeous. And I swear their tits were bigger in the past.
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No.2122208
>>2122198
Have a solidarity bump
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No.2122209
>>2122205
>I swear their tits were bigger in the past
Nah they still had all sizes.
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No.2122215
>>2122209
True. Must be the clothing they wore back then. Really accentuates the curves and womanly figure
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No.2122218
>>2122215
I mean clean food with proper nutrition had a lot to do with it.
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No.2122224
>>2122218
She would make an excellent swimmer
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No.2122228
>>2122224
She was too busy fucking Elvis and JFK and everyone else.
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No.2122229
>>2122218
Very nice.
>>2122198
I watched Double Indemnity on cable once like 7 years ago and remember thinking it was pretty good. Which one of those is most similar?
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No.2122230
>>2122229
Try
>Out of the Past 1947
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No.2122233
>>2122230
Will do. I remember thinking Double Indemnity was pretty cool just because it was about some guy that got caught up in some black widow's scheme, and as soon as you think he might get away with it, everything unravels. It's kind of the opposite of American Psycho.
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No.2122235
>>2122230
Robert Mitchum is relentlessly handsome
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No.2122239
>>2122233
lol this one is Fred Macmurray throwing it all away for another dame. Enjoy!
https://www.imdb.com/title/tt0047377
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No.2122240
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No.2122245
Did we ever get an noir with Charles Bronson? That guy was made for noirs.
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No.2122246
>>2122240
>>2122239
It must've been nice to live in a time where the actresses weren't digitally deaged because they were hot 20 years ago. I'll check it out for the booba alone.
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No.2122251
>>2122239
He came in too late for the prime years. The only two I can think of are The Mob 1951 then Crime Wave 1953. Not huge roles either iirc.
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No.2122262
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No.2122276
>be meh-tier low budget B noir
>get amazing Italian art poster
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No.2122304
>>2122276
>amazing Italian art poster
Ballester and Martinati are fucking legends.
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No.2122315
>>2122262
Baby Stallone in the BG kek
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No.2122339
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No.2122340
He Walked by Night from 1948 is in public domain and can be found on YouTube and The Internet Archive.
A great HD copy by Sartre can be found on 1337x(dot)to
Very underrated noir film that is based on a real story, with beautiful cinematography John Alton, and a climax that was copied by Carol Reed in The Third Man (1949).
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No.2122349
>>2122340
You can find literally everything on either archive or ok.ru.
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No.2122351
>>2122349
Yeah, but I am really autistic about audio and picture quality, and I am addicted to audio commentary tracks.
And, of course, https://annas-archive.org/ for all your books, magazines, journals, &c. The Internet Archive allows you to search through their archived books, which is very handy if you are looking for anything specific.
The American Society of Cinematographers | John Alton: Master of the Film Noir Mood: https://archive.ph/2nHYL / https://web.archive.org/web/20241212033313/https://theasc.com/articles/john-alton-master-of-the-film-noir-mood
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No.2122352
>>2122351
>I am really autistic about audio and picture quality
You might be surprised at the quality available on archive and ok.ru. Sometimes though you just have to accept that a shitty print is all that's available though. One that comes to mind is "I Love Trouble." I never could find a solid release of that one.
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No.2122353
>>2122352
I have watched some films on The Internet Archive (Berkeley Square from 1933 film) and YouTube (Murder by the Clock from 1931 with Lilyan Tashman), but usually as a last resort.
The version of Berkeley Square on TIA was actually in much better quality than the torrent I found.
Film Noir enthusiasts might find the music video to Falco’s Jeanny interesting: https://inv.nadeko.net/watch?v=Urw-iutHw5E
Homages to The Third Man & Fritz Lang’s M (1931).
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No.2122384
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No.2122385
>>2122384
Came across this very screen test clip when I was organizing a folder the other day.
Such a natural beauty, and that shy and sweet smile… wew!
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