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Obedience Will Bring Pleasure
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File: a4e504e7a597ab6⋯.jpg (238.86 KB, 1900x903, 1900:903, front-page-canoe2.jpg)

7cf2d6  No.61862

More excerpts about the Confusion Technique from the book,

The Letters of Milton Erickson

"Important Names in Hypnosis"

p 184

Letter to Andre Weitzenhoffer

circa 1963

I wrote this hastily last night. It can properly be filled out. Stored away, I have many old manuscripts, starting with such ideas as "If your left hand were your right hand, then your right hand wouldn't be your right hand. Instead your right hand would be your left hand, and you right-hand, left hand pants pocket would be your right hand pants pocket. But that would put it on your other leg." (I trust, merely trust, that you followed me without difficulty.)

You can start a confusion technique with literally anything; for example, that chair (1) is there (1) and that chair (2) (pointing to another) is there (2). And where is there, and if that chair (1) isn't there (2), and that chair (2) isn't there (1), tilting the head slightly to direct the subject's gaze, but we may talk about yesterday instead of today, but last year has so many yesterdays.

It's really simple. Keep time, particularly present, recent and remote past, in mind as you say obviously factual things, but without leaving your subject time to catch his breath or to interrupt, or to reach any clear understanding. Then when you offer a clear understandable idea, he grabs it and holds on for dear life, even if he has to regress to do it.

In any event, on the yellow sheet is a crude rushed paper I wrote last night after I got ready for bed.

Should it be worked up? SHould I do it? I wish you would collaborate because my rapidity if shifting ideas on papers like this tends to ruin them and I feel that I need your clarity of thought.

Sincerely,

Milton (Erickson)

P.S. Betty (Dr. Erickson's wife) can't stand to read this material. She has the reaction of being so irritated that she escapes into a trance - so do others - and some laboriously follow along and fo into a trance. And when people get too irritated, I shift into another technique, which they gladly accept.

P.S. by Betty. Milton is wrong when he says I escape into a trance! Some subjects may react that way, but the technique irritates me so that I refuse to cooperate in any way. I leave the room if possible.

____________________________
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