/mu/ - Music

France's Aion presents a beautiful fusion of Martial Industrial and Neofolk with some undercurrents of Coldwave, Darkwave and gothy Post-Punk that become much more prominent towards the B-Side.

Aion was a project of Laurent "Bart" Steiner and Stéphane Vadviz. Laurent was connected to Front National de la Jeunesse (FNJ), who helped organize concerts for Rock Identitaire. Aion played one show of note with Vae Victis and In Memoriam. Early on in their career, Aion played a mix of Darkwave and Electro-Industrial, but the band really came into their own on the first and only full-length album "Devotio". Perhaps most intriguing is this album's multilingual affair. Apart from their native tongue, two songs are in English along with one in Italian and another in Latin. Per the conventions of the genre, lyrics cover Paganism and Fascist Futurism.

Highlights: "Sous l'orage", "Devotio", "Au milieu des ruines", "Ceux qui vont venir" and "L'ascète et le guerrier - Version 99"

Elendil was a French Alternative Rock band that formed in 1992 by Aude Betrand and Pierre. The band had strong ties to the new right and French Identitarian movement.

Elendil was later joined by Paul-Head on guitar and Stan on drums. In 1997, Nikola "Darko" Mirković later replaced Stan on drums. Paul-Head would eventually leave the band, and Jack Marchal along with his daughter Ariane would come in as replacements the following year.

After playing some shows in Italy, Belgium and France, Elendil split up in 2001.

Brixia was a solo project of Aude Bertrand of Elendil. The songs were written by Aude while her compatriots in the French Identitarian Rock scene composed the music. Lyrics mourned the loss of prominent French monuments and called for a rerooting of French culture. Jack Marchal and Julien Beuzard assisted Brixia for the first EP while the second release was handled by longtime friend Virginie and Charles.

I would call this an eclectic mix of Soft Rock, Alternative Rock and Folk Rock. The first EP was okay, but lacking in terms of power. The instruments were too soft and frankly Aude's performance was rather weak. It certainly lacks the power from the musician Aude looks up to most: Dolores O'Riordan.

Thankfully, these problems would be rectified on subsequent releases.

Ile de France was a Rock band from Paris tied to Rock Identitaire Français. The band was formed by Cathie Mollius and Jean-Christophe Bru in March 1995 after they left Vae Victis. Their music was influenced by Hardcore Punk, Funk Rock, Celtic Rock, Alternative Rock and later Nu-Metal. Unlike some Identitarian Rock bands who focused more on cultural symbols and national identity, Ile de France was expressly Third Positionist in songs criticizing Capitalism as fiercely as Communism.

I like the idea of nationalists making rock music, but these guys sound like those cheesy Christian youth bands.

Ça craint.

Bump

Stop making threads

>>94253

That video got shoah'ed. Here's most of the songs:

https://www.youtube.com/playlist?list=PLw-nfMct4JbTgfl7xz65PKT5SUrc5wVbC

"Au milieu des ruines" is the highlight of that album.

>>94340

Art filtered through ideologues tend to be shit.

>>95821

Not always. Plenty of quality albums composed by musicians from across the political spectrum exist.

>>95514

>stop making the only good threads on this board

>>95821

>>97299

it always depends. NKVD and Maleficar are awesome

1914 and Minenwerfer do WW1 themed black metal.

though I feel if you're gonna be extreme in ideas, you should be extreme in sound.

>>94242

also

>Americanization

>not blaming it on kikes

Bump

>>98630

t. american

>>94340

hear hear

>>95821

yeah

>>98628

>if you're gonna be extreme in ideas, you should be extreme in sound

Yeah, although national socialsm is not extreme. The christian youth band comparison is on spot.