>>2288
>Hermeticism
>intellectual roots
>it's more like "This is It"
Intriguing. I shall have to look this up. Maybe I wasn't completely ready to throw out the baby with the bath water in regards to science and intellectualism afterall. Only this time I won't have to be a fedora-tipping atheist about it. And besides, the Buddha always stressed the Middle Way between two irreconcilable viewpoints -- in this case, "fuck science, fuck skepticism" vs. "all hail Darwin, Dawkins, and Hawking!".
>>2286
>repetitive
>tiresome
I was thinking about my post here, especially this part. And then I remembered what Alan Watts had to say:
>If you get the message, hang up the phone!
In other words, if you've got what you needed, don't just sit there and keep tapping the well, take your water and move on. Though I think I'll still read and listen a bit more yet, as it's still a lot of fun even if it's no longer informative.
Pic related: the last page of the last book of Alan Watts (Tao: The Watercourse Way; he died before he finished so the rest was filled in by his close friend Al Chung-liang Huang). Especially the last two paragraphs.
As an aside, on the pages prior it has this mid-paragraph tidbit:
>...Alan reconfirmed my belief that the East-West balance had always existed within myself, as a personal growing experience. I recognized in Alan a rare and wonderful ability to be both Occidental and Oriental. When he allowed it, he could be both at once, easily bridging the gaps within his own learning and experience. Unlike so many Westerners who try to be Oriental by disinheriting their own culture, Alan could be simply himself. He knew that a blue-eyed, pink-skinned guru could be just as inscrutable as a slitty-eyed, yellow-skinned one. There was no reason for him to be foreign to either the West or the East...
In other words, no need to be weeaboo even if you find so much wrong with the Western point of view, finding your "soul" or whatever fitting much more in to Eastern ideas of philosophy, art, and culture. Again the Middle Way is beautifully expressed.
And it's cool too to use these philosophical learnings to (unless I'm wrong) understand why design in anime has so much "emptiness" not just in facial features but of the body itself (rarely any pimples or lines indicating muscle, etc): not (or perhaps in addition to?) because "less is more", "harnessing the imagination to fill in the blanks", but because of the Eastern penchant for not thinking of Void as a bad thing or nothing at all, but a thing in and of itself. Perhaps best seen from Zen artists, who would for example painting only a few shoots of bamboo in the lower-right corner of a paper, implying that the undrawn "blank" space is the water. For the valley is just as much a something-that-exists as the mountain. Try not getting yelled at by an American or British art teacher for pulling that!
(Yes, a Chinese man of the 70's put in a book "slitty-eyed" and "yellow-skinned". Why do I find this so amusing.)