>>16444528
>not even sure if I properly got the message he wanted to convey.
Webm is the message he wanted to convey. Like Hideaki Anno and other autistic auteurs, he decided to trash on his own work, on fans of his work, on the publishers of his work and go out with a confused philosophical "statement" which means nothing other than "I am a master of autofellatio"
V3 was Danganronpa's End of Eva, and the same kind of purile morons who enjoyed the latter are the kind of dopes who rationalize the former. V3 specifically gave the fans what they wanted with a unique and interesting cast, truly gruesome murders to solve with vicious executions–only to then have the author ramble on in the end about how everything is fake, you're a faggot for liking it, the Junko twists were stupid (he's the one who wrote them, why complain now?), the entire series should be dead and you're a bad person for enjoying a murder mystery series.
The theme ultimately is a typical failed Japanese anime attempt at philosophy, this time by trying to argue that ontology doesn't matter and the perception of reality is what makes reality have value, even if the perceived reality isn't real, hence why FICTION can look at the screen and rant at you, the player, for enjoying its suffering.
"Even if it's all fake, we are real!"
This is V3 in a nutshell, this line right here. The whole thing is a testament to the dumpsterfire that is Kodaka. Not even Zero Escape with it's asinine off-camera mystery twist and outright retconning between games is remotely as trash as this. That's saying something.
You want to play a good murder mystery anime game? Play the games this trash heap was ripping off from the first game: Phoenix Wright (the first couple games especially).