>>294938
>Literally folk music and the kind of idealized scene paintings that you find in gift shops.
Folk music was the basis for some of the finest European music ever created, from Vaughan Williams to Dvorak to Tchaikovsky. Idealized scene paintings encourage an appreciation for the natural world and the human form. It is unsurprising that you don't appreciate these things, since Jews hate nationalistic expression and reverence for nature, but to dismiss the importance and value of these themes to those who aren't subhumans is disingenuous.
>Futurism went out of style decades before the rise of the NSDAP, and it wasn't even German.
Futurism was based in Italy, but spread to be a European phenomenon. It was certainly the aesthetic of Fascism in Italy before the war, but I will grant your point that it never took root in Germany. For some reason, I took your post to mean you were attacking the Fascist/National Socialist aesthetic in general. Futurism certainly deserves consideration as proof that states organized along Fascist lines need not be entirely culturally reactionary.
>Wagner was long dead, and the last significant romantic composer was Gustav Mahler whose music the Nazis banned.
Not a great point, since Mahler had been dead for over two decades as well when Hitler took power. Richard Strauss was a significant living Romantic composer whose music the Nazis tolerated, even though his politics and personal life were quite oven-worthy. The Nazis understood the importance and value of great art and knew that moving against Strauss would be counterproductive.
Most of all, though, you cannot deny that those SS uniforms were stylish as all hell.