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/fur/ - Furry

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File: a631cc8307f564d⋯.jpg (760.65 KB, 1200x829, 1200:829, 1471140360818-1.jpg)

File: e5b1c2e0f4f37bb⋯.jpg (452.94 KB, 855x1200, 57:80, 1471189378037-3.jpg)

File: 4764e735f494bbd⋯.jpg (1.11 MB, 1226x1500, 613:750, 4764e735f494bbdbba18d266b2….jpg)

 No.65648

How do you go about giving an anthropomorphic character a name? Do you use regular human names, made-up names, adjectives, or some sort of naming system? And to add a similar topic, what sort of world do you imagine your characters in or happen to like the best? Are there any definitive anthropomorphic worlds/stories on the same scale as Lord of the Rings or Star Wars in terms of depth? And why is that? Feel free to share other world building/deepestlore ideas.

 No.65650

It's probably not quite in the purview of this thread, but in the one (lewd) work that I've actually finished in the background, only really hinted at in the actual story, the conceit is that it's a sort of post-singularity, vaguely digital multiverse of microverses. A (lewd) work that I've left unfinished for the last six months has it explicitly that the furry world the story takes place in is a world colonized by a group who had genetically engineered themselves into fuzzy people for the new world.


 No.65654

>Do you use regular human names, made-up names, adjectives, or some sort of naming system?

I always use made-up names that don't appear anywhere else, for two reasons. One, it makes it easier for people searching for art of your characters since the name won't be attached to anything but your own work. Two, it enhances the fantasy that this isn't happening on Earth.

Inspiration for cool sounding original names comes sporadically so I keep them written down in a text document for future use. Come up with names that sound like they could be real names, but don't go overboard with trying to make them sound too exotic. JRR Tolkien and GRR Martin came up with some great names that're unique to their own work and sound valid, while not being overbearingly alien.


 No.65663

File: bfda027c1238955⋯.jpg (184.8 KB, 744x1052, 186:263, 1471653586670-2.jpg)

>>65650

I never intended this thread with a super specific or narrow topic range. Seems to fit as far as I'm concerned, as long as you're talking about furry worlds. Are you planning anything for this story or is it more of a general overview?

>>65654

Opposite for me, I hate using arbitrary made-up names at times. And I understand Tolkien created names using root words from various languages or having it mean something in a language he created, so I'll attempt to do that if it works for me. Not creating a language though, although I think about trying it at some point. Instead my usual naming system is to take a related word to that animal. Like naming goat or cow characters after types of cheeses. But to be fair, I don't think those would work in a more realistic or serious setting. My problem is trying to find names that don't sound completely ridiculous but are also realistic and have an origin or basis. But also evoke the sense of fantasy or that things are different by not including standard names.


 No.65667

>>65648

>Are there any definitive anthropomorphic worlds/stories on the same scale as Lord of the Rings or Star Wars in terms of depth?

Closest I can think of is Redwall but that's a children's book series so it's not really deep whatsoever.


 No.65714

>Are there any definitive anthropomorphic worlds/stories on the same scale as Lord of the Rings or Star Wars in terms of depth?

Not really. The Western anthropomorphic tradition arose in the context of allegory. Note that the man behind the former work you wrote, despised allegory in all its forms. Star Wars also bares little allegorical. They're both fictionalized histories set in the far distant past, like the Hyborian Age.

Anthropomorphism of animals came about by the Christian clergy who wanted to parallel antediluvian beasties like the Leviathan or half-human half-beast demons like Lilith. They used such figures to decorate the margins of their scriptural writings. It served both as critique and reinforcement/propaganda toward the current social order. People thus began to take these animals and apply them to their own allegories by the Early Modern period. By the Industrial epoch, a rich tradition in anthropomorphs had developed in England who used such animals to parody and draw allusion to their current rapidly-changing lifestyles. Cats were a common, popular theme, as the works of Louis Wain demonstrate.

This folk tradition became the first cartoon or funny animals, and the rest, as we say, is history. Few writers, however, breached beyond children's stories to create a living mythos. The entire idea of going back into the past and rewriting folk tales into fictional histories, started with Tolkien. Because of that, it postdates the sixties. There were only about two decades between then and the first furry con. So there was never much time for a prospective writer to generate such a history before, well, they were overruled by the degenerate squad. Maybe we'll see some in the future, since the modern furry generation seems very interested in high fantasy. Children's stories have always been the mainstay of anthro art and writing, so that's what most creative attention is devoted to. Porn makes up the remainder. And there's only so much depth you can stuff in either.


 No.65720

>>65648

I only give real names to characters if it represents an important individual or theme.


 No.65761

File: 4327b46d8537a8f⋯.jpg (166.46 KB, 895x1280, 179:256, 35,000 Year Old Lion Man.jpg)

File: 0939139b4fa113e⋯.jpg (24.02 KB, 287x617, 287:617, basically furries.jpg)

File: 9aca6df85921bff⋯.jpg (658 KB, 1164x1280, 291:320, Reynard the Fox.jpg)

>>65714

>Anthropomorphism of animals came about by the Christian clergy

I'd argue it's always existed throughout human history or for as long as humans have been capable of creative thought. There being a large amount of furries or anthropomorphic art in general that it suggests it's a common human trait and not brought about by any culture or religion in particular, as it exists throughout many.

It's explosion in modern western culture/fiction could also be attributed to the story of Reynard the Fox, which would've inspired other people to use animal characters in their works. It was popular enough that the French word for fox got replaced with "renard." And that might be why foxes are popular in general. I'll agree with it being allegorical though, although it seems a majority of it was satire or parody in a sort of way that wasn't meant to be taken too seriously or as a hard argument/reinforcement like you imply. Explaining why they're mostly used for children's stories nowadays is a whole other mess. Especially when you look at it's roots.

Or the conspiracy that it's to indoctrinate children into furries is true.


 No.65775

File: 7cdc1fa2f05ecf2⋯.jpg (42.65 KB, 260x344, 65:86, 61voTsTR8TL._SX260_.jpg)

>>65761

Speaking of animal stories, Aesop's Fables was my favorite book as a kid. Never woulda guessed how ancient it was back then.


 No.65840

File: 8ee7f7f11d42960⋯.jpg (132.78 KB, 1280x877, 1280:877, eb23604ac74799ebe74ab8759f….jpg)

>>65761

>It was popular enough that the French word for fox got replaced with "renard."

And look where that ended up.


 No.65842

>>65761

Yes, I was only talking about the development of the specific Western tradition that arouse in the context of monastic literature. Western anthropomorphism ultimately descends from Egyptian anthropomorphism, as the Greeks and Romans alike considered their deities likeness in turn to the Egyptians who came before them. Stories like the she-wolf suckling Romulus and Remus, Hesoid's illustration of the Hawk as symbol of Greece's lost Golden Age, and Zeus taking the form of a swan are all meant as allegories in their own right. Part of the early Christian tradition was to remove this anthropomorphism from Western religious life, for the Christians and later Muslims alike rejected the concept of any form of anthropomorphism in their one deity. Thus its resurgence across the High Middle Ages and development into a literary folk tradition is fascinating into itself. Moreover, many of the same themes (foxes being wryly and sly, lions being noble and proud) remained across generations bridging antiquity with the medieval world. Even long after lions had been extirpated from Europe itself, the peasantry, clergy, and nobility alike still associated their visage with power. I

I do suspect in certain ways they believed animal people were real at one point and possibly still real in certain areas. Common folk creatures have heavy zoomorphic and anthropomorphic traits blended together, like the Slavic Alkonost and the bicorn, as well as the mythical illnesses of cynocephaly and lycantrophy. Many believed dragons existed at the edges of the world, it's not a stretch to assume they presumed some of Lilith's offshoots or other flood survivors still lurked the Earth. Note the Bible uses animal-anthropomorphism commonly. Animals talk in human tongue twice, the famous serpent of Genesis and the donkey of Balaam in Numbers. Birds are used as allegory for demon ("the birds of the air do not sow nor reap nor store away in barns, yet your Heavenly father feeds them..." "Fallen is Babylon the Great, (...)a haunt for every unclean and hateful fowl...") and as God alike in the New Testament. This is despite the stout Abrahamic rejection toward an anthropomorphic deity itself. I believe that animal-anthropomorphism must come about as a natural development of tribalistic animism, the belief that all objects and creatures in nature have a spiritual will to their own. The Jews simply replaced this nebulous animistic life-force with "God", eventually equating it to the Platonic concept of Logos first through Philo of Alexandria and later through John the Apostle. Thus, animal-anthropomorphism itself subsumed from the animistic tradition into the monotheist tradition as early as the writer of Genesis itself and blended with the mainline Christological comprehension of reality. This Judaic anthropomorphic tradition in itself merged with the Greco-Roman comprehension as the Roman Empire was converted. Because belief in animal-peoples was strong as a result, those disaffected by the powerful nobility or clergy could use such figures as potent vessels for social critique toward whatever cause the author desired, influencing the young children when they'd most be susceptible to the colorful figures. This is more or less what animal-anthropomorphs are used for in mainline media today.


 No.65846


 No.65847

File: 0189130ab0dc6e1⋯.png (14.14 KB, 600x900, 2:3, 0189130ab0dc6e17d095bb383d….png)

>>65648

I tend to like to go the route of compound-names. Lockjaw, Redtail, Silvertooth, and so on.

Usually those are the last name, though. And the naming conventions depend on the specific species I'm going for, as well as their worldbuilding.

Bird characters usually end up named "feathers" for me, though. I just like the name, it's cute.


 No.65849

File: cc582dd6b8e2bc7⋯.jpg (68.48 KB, 902x475, 902:475, Ghost of a Tale_creeping.jpg)

File: a8db38f36a994d7⋯.jpg (33.61 KB, 318x318, 1:1, 25937090.jpg)


 No.65870

File: 7c3322d4809edc6⋯.jpg (168.8 KB, 900x950, 18:19, sketches_Feet & Overlander….jpg)


 No.65888

ALBEDO

ERMA FELNA EDF

D

F


 No.65928


 No.65936

>>65928

Even Lift-Her-Tail?


 No.65955

File: db447989307fb2e⋯.jpg (138.39 KB, 786x1017, 262:339, 2143.jpg)

>>65936

Especially Lifts-Her-Tail


 No.65958

>>65928

tfw haven't become a shapeshifter by uploading my soul to a universe-traveling internet/infomorph community




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