>>708476
The problem is that the vast majority of modern horror films, since roughly the late 50s to early 60s (Hammer films pretty much pioneered gore in horror films as we know it with "The Curse of Frankenstein" in 1957", with this trend taken to it's logical conclusion and further built upon after 1968's "Night of the Living Dead"), are in essence just glorified fictional snuff films. In other words, they're primarily designed to entertain and stimulate the audience with fictional people getting terrified, traumatized, mutilated and/or gruesomely murdered by demons, monsters and madmen. The fact that a lot of them intermix in sexuality ranging from softcore titillation, to outright explicitness is no accident either.
Films in this thread like "Halloween", "Friday the 13th", "A Nightmare on Elm Street", "Alien", "Predator", and such fit into this trend. People don't go and watch these movies for the paper-thin subtextual morality play aspects. They go because they want to get an adrenaline high or even a laugh out of someone getting hacked to death with a machete or having their head cut off. Just because it has a token crucifix or two, or passive-aggressively wags the finger at promiscuity (while blatantly hypocritically providing entertainment and attracting the audience via such sexual provocation in the first place) doesn't make it wholesome viewing for the Christian soul.
Honestly, the closest thing to horror films that would be appropriate for a Christian would be some of the old-school Universal Monsters pictures from the 30s as mentioned by >>704199 which had some semblance of classiness and restraint.
This is not even mentioning the actors themselves. In the early canons of the Church and writings of the Church Fathers, there are actually very specific admonitions against acting, not only due to the effect on audiences, but especially due to the effect on actors. For example, the effect that essentially pretending to be evil, and getting oneself into an evil mindset in order to take on the role of a monster or demon, can have on the soul:
>THE 85 CANONS
>OF THE
>HOLY AND RENOWNED APOSTLES
>CANON XVIII
>No one who has taken a widow, or a divorced woman, or a harlot, or a house maid, or any actress as his wife, may be a Bishop, or a Presbyter, or a Deacon, or hold any other position at all in the Sacerdotal List.
>(Cf. cc. II, XXVI of the 6th; and c. XXVII of Basil).
>ST. HIPPOLYTUS OF ROME
>THE APOSTOLIC TRADITION
>"If someone is an actor or does shows in the theater, either he shall cease or he shall be rejected."
>ST. EPIPHANIUS OF SALAMIS
>PANARION
>VOLUME TWO AND THREE
>[Translated by Frank Williams]
>A Concise, Accurate Account of the Faith of the Catholic and Apostolic Church (De Fide)
>24,3 The church refrains from fellowship with any sect. It forbids fornication, adultery, licentiousness, idolatry, murder, all law-breaking, magic, sorcery, astrology, palmistry, the observation of omens, charms, and amulets, the things called phylacteries.
>(4) It forbids theatrical shows…
>(5) It does not accept actors, but regards them as the lowest of the low. It accepts offerings from people who are not wrong-doers and law-breakers, but live righteously.
To be fair, in the context that these were written, they were written in reaction to the plays at the time, in which actors were literally engaging in various immoral and sexual acts on stage. But honestly: would they think much differently about your typical modern slasher flick? "Oh sure, 20 people got murdered in the film in increasingly sadistically imaginative ways, and the audience is giggling about it afterwards as if it were a roller-coaster ride, but there was a crucifix in it! And the scene where the girl gets cut in half at the torso by the psycho after a few minutes of her riding her boyfriend topless with her breasts bouncing around will surely discourage fornication! Church approved!"