>>6300
>As for the rest, it is comedic and slice of life.
Yeah, except that, like I said, it takes itself seriously far too often. It's not a pure comedy or slice of life (unless you're going to argue that SoL includes everything including drama, in which case it's a completely pointless term), because far too large parts of it go for unironic drama. Honestly, you're greatly overestimating how original it was.
>- Not isekai: their world is a pillar to the characters but Ente Isla is largely ignored
Most isekais as far as I can tell largely ignore the world that they originally came from. Also, that they're horribly out of place is the entire premise and the source of most of the gags.
>- No magic girlfriend or wish fulfillment bullshit. The MC has a goal and is damn-determined to reach it
He's got two girls throwing themselves at him (one just in a tsundere manner). Being determined to do something is extremely common in Nip MCs, only a bit less so these days since the apathetic and spineless clone MC is everywhere. Even those tend to have something they get super worked up about so that they can be determined about something, generally to "protect his friends" or some shit.
>- The female costar is her own entity, she isn't lusting for MC's dick, she's not a sad sack of market traits that basically tell the Japanese it's safe to read this book because generic genki/tsundere/loli/osanajimi/etc #523438290 is present in all its lack of dynamic characterization
Redheroine clearly falls under the tsundere archetype, just a better written one than the usual (and with some fucking justification for why she's acting like one). The walking tits, whose name I've forgotten assuming she had one, is just the extremely bland and boring Main Girl with nothing about her to stand out besides her big tits. That one might be deliberate though, as a parody of generic love interests that the viewers just want to stop taking up screen time.
>- The fanservice is utterly justified—no overdose sexuality gags, all the sex jokes are character-oriented instead of being stock trash, and they are seldom out of place and relatable to the viewer
Yes, it's all fresh and unseen material. Like for example that time they're changing into swimsuits and the pettanko Yusa gets jealous of the tits' tits. Or whenever the tits bounces its tits and Yusa gets jealous and angry. Or that time Yusa pours a water bottle over herself in public and the camera does a slow close up of her wet, see-through shirt. As nice as it was, it wasn't exactly a necessity nor did it advance the plot.
>- Even the serious moments are very tongue-in-cheek and charming.
Except for an occasional gag, it plays its drama completely straight, and that's its biggest problem. It was actually funny when it meant to, which is more than you can say for the average Japanese comedy, but they still felt the need to shoehorn in some tired character drama.
>Which is the roundabout way of saying Emilia & Satan are fucking terrible for one another romantically and pushing that shit would grind the books to a halt.
Yes, that most certainly was never part of the show and it most certainly wasn't how it went. See attached images. Haven't read the source material but I feel like it would be a safe assumption that they play this straight with little to no comedy.