No.6209 [Last50 Posts]
Long time ago /fur/ used to have weekly threads where everyone drew something based on a theme, with each week having a new theme, and it didn't matter what you drew as long as it was somehow related.
Would you guys be interested of doing something similar? Are there even enough drawfags here to do something like it?
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No.6210
I'd be interested. Sounds cool.
I'm not a good artist, but I'll give it my best.
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No.6211
I think there's like 8 people here, possibly (probably) less. The good artists are probably busy with their own art and the less adept ones should probably be practicing-and doing artwork based on someone else's theme doesn't really count but you're welcome to put it out there and see what happens.
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No.6212
>>6211
>should probably be practicing
>doing artwork based on someone else's theme doesn't really count
If a single nonspecific drawing per week interferes with your "practice", then you're doing something horribly horribly wrong.
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No.6213
>>6209
What kind of themes did they have?
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No.6214
>>6213
I only remember one and it was something akin to "costume".
It's better if the theme isn't anything very specific and can be interpreted in many ways. For example lamps/lights, something in a jar/container, knight, grabbing/holding, reading, cleaning, etc.
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No.6215
I'm still absolute shit, so 90% of the time I'll draw it, call it shit and not post it in the thread.
I'll still have fun and post the pic spoilered 10% of the time though, so go ahead.
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No.6217
Do it. I used to participate in something similar years ago. Could be fun.
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No.6219
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No.6220
>>6209
sounds fun, post a theme
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No.6224
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No.6227
Well OP seems to have disappeared some where so I think I will choose the first theme for this week.
the theme will be: GONDOLA
the due date will be 22nd November
are you okay with this?
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No.6228
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No.6231
>>6227
So what's the difference to /v/ draw thread?
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No.6232
>>6231
I guess it's the same
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No.6233
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No.6234
>>6228
Nice Gondola Lennon
>>6233
Cute af
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No.6235
>>6233
Love it. First I thought they were giant mushroom only to later realize they were mushroom clouds.
>>6234
>Nice Gondola Lennon
Thanks. More OC for my favorite board.
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No.6253
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No.6254
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No.6255
>>6227
I drew this for the thread on v but its dead now
>>6228
I like the pose.
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No.6256
have never drawn mechs before but it was pretty fun
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No.6257
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No.6259
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No.6260
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No.6274
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No.6275
>>6274
>Gondrabosdo
my sides; well done.
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No.6288
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No.6294
>>6288
I like the mood of this one. Pure gondola. I kind of feel weird about his face, though.
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No.6302
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No.6303
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No.6332
Alright guys times almost up for drawing the Gondolas
I think you all did a great job for the first week. and I think it's been a great success.
And now it is time for the next theme.
since Thanksgiving is going to be soon, for this week I think it's fair that the theme is
FOOD
why? because Thanksgiving = Family gathering, Family gathering = Food and a lot of it.
or you can just make the theme Thanksgiving it's all up to you.
so to sum things up
Theme: FOOD or THANKSGIVING
Due date: 29th Nov
have fun and a good week
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No.6351
Barely made it. Now off to >>6332
>have fun and a good week
y-you too
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No.6357
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No.6382
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No.6398
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No.6414
pizza
I shat this out really quick last minute. Sorry, /loomis/.
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No.6425
Here's an awful pencil drawing of a Red Potion from OoT. I don't know if this counts as food. I would have made something better, but I suck.
>Flood detected, post discarded.
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No.6433
>>6382
>>6398
>>6414
>>6425
Sorry for being late every one. you all did a great job.
For this week the theme will be ADDITION.
for this theme you will draw something inside an already existing art piece.
for example drawing a hat on the Mona-Lisa, or adding angels in the background of The-Last-Supper.
basically I would like you to draw something that adds on a already existing piece of art, famous or not.
I think this will be a fun exercise because you will be able to imaginate all sort of things.
Or be able to practice perspective if your going to draw on a picture with a lot of landscape.
Have a nice day.
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No.6514
>>6433
Quick and rough to make the deadline. I had no good ideas, so just went with something random.
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No.6515
>>6514
Crap, posted wrong version earlier. This one has properly adjusted levels.
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No.6516
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No.6517
>>6515
nice reminds me of Tzeentch's maze
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No.6552
>>>/a/767975
(I am not the artist.)
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No.6588
ADDITION was due on 6th December and nothing happened on the 13th.
I want this to keep going. Let's have the theme of RESURRECTION due on the 20th.
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No.6644
I would suggest more specific themes, like gondola was, or to a lesser extent food. I don't want to have to think too hard about this, if I'm feeling creative I'm not looking here for something to draw.
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No.6645
Resurrection seems more like an Easter theme than a Christmas one. (heh)
Anyway, theme-anon(s), may I suggest, moving forward, keeping the themes simpler, with a narrower focus instead of broad concepts. KNIGHT or FROG or ROBOT; like that. The ADDITION was a neat idea (and one I intended to do) but I kept putting it off 'cause it seemed like lots of work to find an image and figure something to add to it. (inb4: quit whining, faggot)
>>6644
What this guy said better in fewer words than me.
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No.6646
I like knights for this week. I wanna draw doughnut steel jedis and sith.
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No.6647
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No.6648
Let's go with KNIGHTS for next week then. (27th December.)
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No.6654
>>6648
the jedi all look like dweebs huh
drawing a sith tomorrow
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No.6656
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No.6749
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No.6766
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No.6768
>>6766
>doing each individual chain link
Thats my kind of autism.
I like how his halo is done, and the bird crests.
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No.6780
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No.6781
>>6780
That's great!
No big flaws but the gauntlet and his leg on our left create a minor tangent, as does the sword's cross guard as it converges with the armor near his no-no place.
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No.6782
>>6780
>>6781
You know you're on the right track when your redlines look like this. Keep it up!
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No.6823
Five pics for KNIGHTS. Good.
This week's theme is LAMPS. Due on the 3rd of January. (Sorry for being late.)
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No.6843
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No.6844
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No.6859
I have a good fucking idea for a lamp but I aint going to make it in time. Pain pain pain.
>>6656
The background color does him a disservice, draw him a dungeon.
>>6766
He looks tired. You should draw the righteous holy fury in his eyes.
>>6780
Reminds me of frog from chrono trigger. I really like your drawing. Frog knights are neato.
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No.6865
>>6859
I couldn't find a smear tool in Krita so I couldn't get the blending how I wanted it.
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No.6866
>>6823
I was kind of rushing it, so perspective and other elements are off. I tried to get the low angle perspective with lamp being on the eye-level. In hindsight, I should have taken a reference photo for this one.
>>6768
Thanks. If you just turn the links into a pattern, drawing it is actually pretty quick.
>>6859
I tired to make him look like a man past his prime, but he came out a bit too worn out.
>>6843
Thumbnail looks almost like a photo.
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No.6873
>>6865
Krita uses smear brushes fam
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No.6878
>>6866
Not bad. I see we were thinking along the same lines.
>>6781
>>6859
Thanks, anons.
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No.6881
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No.6905
>five lamp pics
Good showing lads. I like the genie interpretations.
The next theme is FABRIC, due on the 10th of Jan.
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No.6907
In brazilian chans we do that almost every week for more the one year. today gonna be 76 thread or so, i lost the count long time ago. We even got a booru, the problem is the lack of corouge to post every drawing we did there.
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No.6922
>>6905
You might do better if you actually gave some feedback. Asking people to do something then going "yea you did it" doesn't encourage them to do more. It doesn't help them in any way
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No.6923
>>6922
L-…LEAVE HIM ALONE!
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No.6924
>>6922
Participants have been giving some feedback amongst themselves. OP's suggestions fomented discussion and art creation, which should be plenty enough to encourage people, and which apparently did.
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No.6929
>>6924
>>6923
They did but having a final post that caps it off with some feedback would make it feel more worth while. It's the difference between saying bye at the end of a chat and just walking off.
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No.6930
>>6907
Seu inglês é uma merda. Vá se foder, negro.
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No.6954
>giving feedback
It's worth doing, I'll try to make a habit of it.
>>6865
The color smudge brushes in the Edit Brush Settings dialog should do what you want, no? There are also some other smudge options in the brush presets sidebar thing.
Try putting down a small number of fat, opaque strokes rather than many little translucent ones. The middle section of the lamp would have especially benefited from that.
>>6866
Perspective is cool. Some things that jumped out at me are that his fingers are too long and skinny for those big hands and forearms. The dagger's tip should be exaggerated in size due to the perspective. His pants look like they're viewed from straight-on instead of from below.
>>6878
She's hot and I like how you've done the metal surface of the lamp. Her left arm looks a bit short.
Skipping >>6844 because I think he's taking the piss (but thanks for contributing nonetheless) and >>6843 because that one's mine.
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No.6960
>>6930
Listen, I try, ok. At least they can understand me.
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No.6962
>>6960
Ok, desculpa por ser rude contigo, anão. Cadê a drawthread semanal? Eu não achei esse fim de semana.
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No.6974
>>6962
Looks like the anon who create every week died or its in on a vacation with his family, who knows. Usually I create when his not there but my house got hited by a lightning and i did not have power or internet all weekend to create.
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No.6992
>>6974
Que cu, anão. Será que ele morreu mesmo? Obrigado.
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No.7019
Remember when this dubsman here >>6644 said:
>I would suggest more specific themes, like gondola was, or to a lesser extent food. I don't want to have to think too hard about this, if I'm feeling creative I'm not looking here for something to draw.
Fabric is about as unspecific as you can get. And no-one drew nuthin'. Wonder why?
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No.7020
>>7019
I think it's because there are like 5 people that post here and we're all lazy as hell/working on other stuff moreso than anything. Honestly I think fabric is a great subject and you've done a good job expressing it, yourself, butno matter what the subject is the response is going to be hit or miss just because of the low population density of the board unfortunately.
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No.7021
>>7019
That is a great design by the way. It's extremely simple, appealing and fits the theme well. Good work.
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No.7027
>>7019
>Fabric is about as unspecific as you can get.
Was about as specific as lamps.
Your pic is good. I like her hair and the shape of her ears and hands. Next theme, finishing on the 17th of Wednesday, is AQUEDUCT.
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No.7028
>>6878
Great minds think alike.
>>6954
Thank you for the feedback. I wasn't quite able to figure out what is wrong with the perspective until you pointed to the pants. All I knew was that it was off somehow.
> fingers are too long and skinny
These were supposed to be golden bands around his bicep. If I would give them more of a rounded arch and perhaps put a pattern on them, it would not be confusing.
>>7019
That's a really good image, and design is great too.
>Fabric is about as unspecific as you can get. And no-one drew nuthin'. Wonder why?
It was definitely tougher than the previous ones in terms of making it entertaining to draw. I just thought of pic related this morning, and cranked it out to be ready before anon posts another theme.
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No.7048
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No.7050
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No.7098
how about goofy loomis faces as a theme?
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No.7127
>>7020
>>7021
>>7027
>>7028
>post drawing
>get comments and compliments from the small handful of other autists on the board
>must not be awful
>few days later, upload colored version to Hellsite
>zero notes
>???
>>7028
This is good composition and use of the theme.
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No.7136
>>7127
Thank you. Yours is pretty good to. Especially lighting and the idea of taking it to the inside of the aqueduct.
>>7027
My entry
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No.7142
>>7136
>come home from work
>notice that bizarre neck
I guess I really need to sit on something before submitting.
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No.7151
>>7028
I really like the stretchy fabric over the man's head. The grabbing hand in the centre of the image looks off as the fingers and thumb appear to emerge from nothing rather than curling in from behind the man's arm.
>>7048
Good atmosphere and mix of colours. I like what you're doing with the candle as the single focal point of the image. However, a lot of the grass at the front left is needlessly detailed as the details are almost invisible due to the low contrast away from the light source. The aqueduct also stands out against the background moreso where it's further from the viewer than where it's closer, and that detracts from the foreground candle as focal point.
>>7127
I enjoy the characterisation of the disgruntled girl holding her soaked dress up. The different ways of rendering the lighting are also cool. (The main water ripples, the small secondary ripples, the volumetric glow, the hexagonal lens flares.) What's lighting up the frontmost boy's right hand?
>>7136
Neck is strange, as you mentioned. I didn't actually notice it the first time either. I think your heads need more practice though since the outline of the ear is a bit off and the mouth/cheek/eye edge is as well. Also watch out for tangents. There's one with the man's finger and the aqueduct column, another with one of the snakes and the top arches.
>>7098
>how about goofy loomis faces as a theme?
Sure, why not. This week's theme is BLOOKS, the funny faces you draw in Loomis' book Fun With A Pencil. Due on 24th Jan.
I was working on an aqueduct picture too, but I'd rather post a completed pic late than an incomplete pic now
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No.7180
>>7151
<I was working on an aqueduct picture too, but I'd rather post a completed pic late than an incomplete pic now
>incomplete pic late
Oops.
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No.7211
>>7136
why is there a dick on his neck
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No.7213
>>7211
why is there a neck on ur dik
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No.7221
>>7213
How many subliminal erect penises can we put in our art by accident until we have to accept being gay?
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No.7222
>>7221
The trick is to never accept it one way or the other. Even if I was gay I wouldn't be, I don't need a bunch of frickin' faggots trying to touch my pee pee and whatnot. I'm too busy drawing like a child well into my 30s and wishing I was dead to mess around with that sh*t nigga, off top. Gnomesaiyan?
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No.7286
>>7151
>>7211
Hopefully no neckdicks this time.
>>7136
Thank you for pointing out the tangent. I completely missed it, even thought I consciously try to avoid them when planning things out.
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No.7291
Somehow trying to copy Loomis filled me with dread. I made myself do 'em last minute, so these are sloppy in places.
>>7286
Happy blooks. She must not have the face of our board's watermark.
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No.7294
Ah, mine are all looking like old men and women with fucked up eyeballs, which indicates that I should depart from the template more and pay more attention to eye construction.
>>7286
Good work. Some of your noses look a bit off, I think there's a bit of symbol drawing going on with them. Watch the way the bridge of the nose connects with the eye sockets.
>>7291
Nice and clean work with a variety of forms. However, the ears are indistinct.
Next theme is KEYS, due on the 31st of January.
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No.7438
Y'all niggers didn't draw any KEYS? That's okay, this here's a rush job from the night it was due.
Starting and ending in the middle of the week is awkward, so I'll make them due Sunday nights from now on. Next theme is FROGS. 11th of February.
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No.7439
>>7438
Sorry fam.
>Frogs
>tfw I drew a cute froge at my home boys' Dungeons and Drag Queens session last night
Might try and recreate it.
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No.7440
>>7438
I started drawing this to catch up by covering lamps, fabric, aqueduct, loomis face and key, but I didnt really have a plan so it didnt go all the way. When I started the guy was supposed to be made out of cloth but Imma have to rethink and practice that.
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No.7464
>>7438
I was gonna draw something the 31st, but I decided to play vidya instead.
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No.7560
>>7438
>Y'all niggers didn't draw any KEYS?
S-sorry, I had a busy week and it took me a while to arrive at a good idea. I went from actual key, to a piano, to a keytar, to finally an accordion. This week's image is a combination of that and the current theme.
>Starting and ending in the middle of the week is awkward, so I'll make them due Sunday nights from now on. Next theme is FROGS. 11th of February.
That's going to work much better with my schedule than the Wednesday deadline.
Key not casting a shadow on the surface it is laying on really bothers me for some reason.
>>7294
>Symbol drawing
I still do that when drawing cartoony characters. I learned how to draw nostrils from three angles when I was a kid, and now it's hard to prune that habit out.
>>7286
>She must not have the face of our board's watermark
I wish I have thought of it. That blookette in the bottom right is a qt.
>>7291
>>7294
Both of you can lay some really smooth lines.
>>7440
It's a pretty seamless combination of all the themes. You have a good grasp on perspective and anatomy, and just need to refine it now. Also, what's going on with the hands? Are they missing?
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No.7566
>>7560
very nice, hon hon hon~
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No.7570
Finally able to participate for one of these themes.
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No.7582
>>7438
Any protips how to improve perspective? Getting the monitor to any sensible position/angle was a struggle.
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No.7589
>>7560
>>7570
>>7582
These are some damn strong entries. 7582 is my fave picture in this thread so far.
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No.7600
>>7560
>>7570
>>7582
>>7589
Damn. Quality frogposting.
Here's mine; late, rushed, half done.
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No.7602
Really good showing this week. I'm embarrassed of not having anything. Will post commentary later.
Next theme is BLONDE for the 18th of Feb.
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No.7634
>>7440
>I started drawing this to catch up by covering lamps, fabric, aqueduct, loomis face and key
I like that. There are some inconsistencies across body parts. The buttock is seen from the side while the band of the loincloth is seen from slightly behind/above and to the side and the left shoulder appears dead-on (and a little small in the deltoid).
>>7464
Good expression there
>>7560
My favourite interpretation of the relevant themes.
>>7570
Really good values in this one. But the frog's front right leg looks hella short.
>>7582
>Any protips how to improve perspective? Getting the monitor to any sensible position/angle was a struggle.
I'm not so good at it either The main problem I run into in similar context is screwing up foreshortening and angles (usually by being hesitant to compress something into a small space on the image), and the main solution that works for me is to draw and draw construction lines until I see where I went wrong and how to correct it. Drawing a rough diorama of the scene from a top-down or isometric viewpoint helps too. For your picture, I assume that getting the monitor position/angle correct was a pain because you didn't want it to hide the frog's face or to take up too much image space. If you drew a perpendicular line emanating from the centre of the screen, I think it would then strike the right side of the frog's face. To correct that without hiding the face you would have to rotate the monitor around a vertical axis. If you drew parallel lines emanating from the four corners of the monitor then you'd have a frame of reference for how big the monitor is compared to the frog's head and then you could adjust it to your liking. That's the kind of construction line drawing I mean.
>>7589
The intricate detail of the mushroom stalk is good. I'm having a little trouble making sense of the perspective—is it a fisheye shot? More of the shroom's underside should be visible from that worm's eye view.
>>7600
I like the shape of the tongue.
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No.7648
>>7602
Had too much fun and frustration this week. Still can't wrap my head around how to deal with the hands, upper back and the hips, though. Feel free to point out anything you have in mind.
>>7634
It feels good to hear an advice from someone who is at the same level/somewhere slightly above. I appreciate it! I think it goes down to constructing the sketch more thoroughly before the attempt to finish it. t. >>7582
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No.7649
>>7648
Crap, posted without actually reading what I wrote. Didn't meant the >>7602 as "you" specifically
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No.7651
>>7600
Another EVS fan, I see.
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No.7664
It's easy to not draw something for this. Have to actively dedicate time to it because the week goes by in a flash.
>>7648
Bouncy and energetic drawing. I like the occasional stark contrasts where the lightest colour is adjacent to the shadow colour without the creamy skin tone separating the two. It gives the impression of a very bright and sunny day which is perfect weather for running while dressed like that. The form of the hamstrings and calves that you have suggested with the light and shadow is attractive without being overly masculine.
>Still can't wrap my head around how to deal with the hands, upper back and the hips, though. Feel free to point out anything you have in mind.
The arms are oddly-proportioned. They are too short and the left arm recedes in perspective too much. Be careful of producing an embossed look when shading—this occurs at her left ass cheek and her right thigh. The muscles just above the small of her back should not bulge out that much, it looks like a second ass.
Next theme is BUMP, due on the 25th of Feb. Interpret this theme however you want.
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No.7668
Blondes have more fun guns.
>>7651
Yes. Which is strange, as I've never followed cape comics. That was supposed to be a mock screengrab of a nonexistent cartoon.
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No.7673
>>7602
I always see these on fucking sundays, can you make the text bold or seomthing?
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No.7680
>>7668
Cute kinpatsu there with the flowing hair. You can draw some pleasant looking girls. I like the curves of her hair, shoulders, and breasts. I assume you were going for the right girl being more attractive than the left, but it looks like the left has a goatee and monobrow. Neck anatomy on the blonde is off. The bottoms of the shoes being cut off makes a strange composition.
>>7673
Yeah I'll do that
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No.7683
>>7680
>kinpatsu
>making me look up word definitions
This isn't /a/, weeb. :^)
>it looks like the left has a goatee and monobrow
One of those things that doesn't stick out on the actual drawing in front of you and waits until it's digital on the screen. I started coloring this after posting and the brows had already been adjusted; how's this for the jawline?
>Neck anatomy on the blonde is off
In what way? Head too far back? The almost tangent at the chin bugs me a little.
> I assume you were going for the right girl being more attractive than the left.
I was mainly going for opposites, not intentionally making her any kind of ugly. Didn't stop me, though.
>The bottoms of the shoes being cut off makes a strange composition.
But that's where the paper stopped. :(
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No.7692
>>7683
>One of those things that doesn't stick out on the actual drawing in front of you and waits until it's digital on the screen.
I know that feel. It's as if half of the goodness of a traditionally drawn artwork is lost to the scanner.
>how's this for the jawline?
It's a bit better but it's mainly changed in ways orthogonal to quality in my opinion. It is smoother in that coloured pic but the cleaned edges are visually distinct from the edges in the rest of the image and it causes a style clash. I also don't think the black facial details read very well here. The thick lines at the bottom of the nose, the mouth crease, and the bottom lip shadow are too imposing and the dot right next to the mouth looks like a bit of dirt.
>neck anatomy
It's a small thing that's causing it, but mainly the fact that the left edge of the neck is a convex line, and the big trapezoidals. Pic related.
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No.7724
Entry for BUMP. Values are still too bright, and some things left unrendered. In the hindsight, looking for more reference could have been a good thing.
>>7664
That was a solid advice, thank you. Oddly proportioned arms have been a problem before, so it was a good call. I tried to create softer shading for the newest entry.
Also thank you for keeping the thread alive.
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No.7731
Continuation of last week's. I couldn't think of no bumps but these.
>>7692
Okay, I feel ya. Danke. I still ink shadows too heavy at times and you've got to be so delicate and precise with feminine features to keep them attractive. When you said "goatee" before, it flew right over may head until I was looking at it again. Wew. The neck: collar too high; line too long; and in my tiny little brain as the artist, I already saw the shading I was going to do with the color to define that neck flesh as inside the shirt. Why couldn't you see what was in my brain? (also, I screwed it up)
I had already finished the piece before you replied, but had fiddled with the neck and made it look a little better (pic related).
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No.7732
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No.7735
>>7732
That's cute and kinda hot. I think I've seen that Bump-tan before. You'd probably gain from changing the thickness of your brush though, I feel like lots of details are lost with such a fat one.
As for the coloring/shading you could push it more. The tits aren't shaded for instance, and her left hand is probably under the shade of the left tit. Same for the belly that should probably cast a bigger shadow on the thighs.
>email field
You're a cheeky cunt m8.
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No.7743
FOX
is the next theme, due on the 4th of March.
>>7724
Good work. The colour scheme is really harmonious and striking (especially that saturated blue). The movement of the face in response to the finger is not too convincing though. The eye appears to have shifted position, implying the underlying bone has deformed, but the lips have not moved much. The deformation of the cheek is too global rather than localised around the finger. The shoulder regions look wrong—measure the distance between the top of the arm/chest crease and the collarbone and it should become clear.
>>7731
>Continuation of last week's. I couldn't think of no bumps but these.
Bumps just look right on girls don't they? Your stuff's looking better here.
>you've got to be so delicate and precise with feminine features to keep them attractive
Definitely. Sometimes you just need to completely erase some lines. You've done a good job with the lips especially the blonde's lips in the second pic.
>>7732
…is mine. >>7735, thanks for the feedback and advice. I needed that push about the shading because I get complacent. Bump-tan is an old 4chan meme I remember seeing her around the time of cockmongler, happy negro, pedobear etc.
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No.7766
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No.7768
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No.7787
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No.7789
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No.7798
A bit tougher than I expected.
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No.7802
Tried doing a thing where I messed up and had no choice but to go for textured and shaded with ink, followed by flat colors.
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No.7803
Too lazy to look up references of foxes so I drew the only things about a fox I think I know and put them on a grill. I was considering doing something funny and creative but fuck man, I'm burnt out. I drew more today than I have in years apart from this and it's still nowhere near enough.
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No.7804
Oh crap, I almost forgot. I have to concentrate better next week.
>>7743
Thank you again. I tried to make fixes, but I'm not sure if I went to a right direction. Back to anatomy lessons, I guess!
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No.7851
Next theme is
CUPS
for the 11th of March
>tfw didn't draw anything
Rest of you guys did good shit. Glad to see it.
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No.7865
>>7766
You've done symbol drawing but re: colours instead of facial features.
>>7798
You have good value control. I should do more value studies like that. It looks flatter than it should—the local shadows on individual body parts make sense in isolation but it doesn't come together globally. E.g. the back legs are lit from the right but the stomach area looks like it's lit from the front.
>>7802
>I messed up
I am curious about how it looked before the inking.
Something about the head/neck connection bothers me. The head doesn't appear to recede enough around the girl's right cheekbone area.
>>7803
>I drew more today than I have in years apart from this
Good man, keep it up. Your main issue is with foreshortening. Are all those hands studies you did on the same night? Keep doing stuff like that, practice construction, and you'll sort out the foreshortening troubles.
>>7804
Ear positioning on girl looks weird. The fox fur could use a bit more rendering in the light areas, but the edges of those areas are fine.
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No.7866
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No.7867
>>7866
Very nice. I like how you captured the reflective shadow above that subtle protrusion where the flat surface meets the character graphic
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No.7919
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No.7921
>>7919
Damn, Daniel!
Make an effort to capture those contours a little more accurately. Obviously i can't see what you see but unless that's an oddly tall and narrow cup and an oddly misshapen plate you have a bit more work to do. Keep practicing!
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No.7924
Jesus that was a lot harder than I expected. I'm clad that I changed my mind and decided to do a study like the two poster before me. I am sure I'd like to ask a question, but I'm not sure what.
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No.7938
Oh shit. Were we supposed to do painterly tea-cups this week? I drew milkshakes.
>>7865
>I am curious about how it looked before the inking.
Pencil lines.
But seriously, I think it was sloppy lines where her blazer, skirt and hair meet. I remember fuggin' up some pull-outs and hatching, also. When in doubt, black it out; when you screw up, black out some more.
>Something about the head/neck connection bothers me. The head doesn't appear to recede enough around the girl's right cheekbone area
I moved Fox's right eye inward when I was making it presentable on the computer. Now there's room there for stuff I didn't draw.
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No.7941
>>7938
Very cute, I like to see someone else on the same path as I am. Personally I think you might want a better way to give the impression of a nose though-looks too detailed. I like to imagine a ball and just shade the underside, often a small single line can be very effective as well as you'll see in many toon styles. Up to you, but keep it up, I like seeing your stuff.
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No.7951
Next theme is
HEAP
for the 18th of March
This was a good week.
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No.8030
>studies
The topic really lends itself to that sort of thing doesn't it?
>>7866
You captured a lot of subtle lighting details pretty well.
>>7919 is mine, and to >>7921 I say thank you for the criticism. You are right on about the cup being too skinny. That study was the first time I had tried really big soft brushes to render that kind of lighting, and while I think it was a good learning experience, I did halfass some important things.
>>7924
Sometimes the lips of your cups appear thin-to-nonexistent. The mix of hard and soft edges is a little off. It's as if rather than being placed to follow harder and softer shadows they're placed according to a different rule, about something other than light. I like your cup-inside-cup in the 4th study.
>>7938
Cute girl. Watch out for tangents—a lot of them occur around the milkshakes especially with the chest.
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No.8051
HEAP
>>7941
I seem to do noses different every time. Been trying to lower the amount of detail in my drawings lately, and I definitely agree with you about the single line.
>>8030
>Cute girl. Watch out for tangents—a lot of them occur around the milkshakes especially with the chest.
I got a really bad scan on this. It was the first time I tried using colored pencil under the ink, but I made a real stupid mistake of refining with normal lead that didn't get erased and muddied up the lines more than usual. Why am I telling you this? As an excuse? Well, yes, but to also let you know I'm not real happy with the whole area myself. That said, you wanna help a brotha out and tell me what other tangents you can see that are troubling to the eye?
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No.8052
>>7951
I finally fixed my scanner. It came out a tiny bit blurry, so some adjustments will be necessary. I will also post my drawings for the previous weeks.
This was quite a theme for this week.
>>8051
Holly shit, that is really good. Was it drawn from a reference?
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No.8053
>>8052
I pulled up some photos towards the end, but 2-point perspective and my familiarity with third-gen C/K got the bulk of it done.
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No.8055
>>8052
Here are the other ones. I half-assed backgrounds.
>>8053
In that case it's even more impressive.
By the way, how do you draw cars? Do you break them into shapes and work form there or use some other method? I've been working on drawing them lately, but can't get it right.
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No.8056
>>8055
Dammit, I didn't finihs my post.
>>7566
>>7589
>>7560
>>7634
Thank you for the compliments.
>>7582
Perspective on the image is pretty good. Hand looks a little bit off. Showing a little less of the top of the hand would probably be something to consider.
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No.8058
>>8055
>>8053
i'd like to know this too to see how other people approach it, and I don't know if there are any tips out there that assist in understanding their proportions (i'd sure love to know) Can't help but feel like even if the end product is at least passable that there is something i'm doing wrong that would help with the outcome.
and let me just say, round cars are the worst to draw.
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No.8065
Next theme is
CLIFF
for the 25th of March.
Really pleased with what's been posted especially this guy's backlog of previous themes >>8055
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No.8066
I like kharnate aesthetics.
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No.8067
>>8066
Not bad (did you miss the draw/practice thread?); I think form could have been conveyed better with the beer glass on the far left figure. These look pretty good though, keep it up.
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No.8068
>>8067
I did missed it, thanks for pointer!
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No.8073
>>8055
>>8058
>In that case it's even more impressive.
Aw, shucks. Thanks. I hope that didn't come off as bragging, I just happen to have large mental library of that model and I still got things wrong or simplified them. Most vehicles I'd need heavy photo reference from the start.
>By the way, how do you draw cars? Do you break them into shapes and work form there or use some other method?
>i'd like to know this too to see how other people approach it
I'm almost afraid to answer this because I don't have a lot of experience drawing cars, myself, and I'm just gonna disappoint yous guys with my lack of secrets.
But, by my reckonin': Vehicles have a lot of depth in three dimensions; a lot of volume, unlike things you're probably used to drawing, like people. So, they're almost always in a heavier perspective and the foreshortening should be greater than you first think. Don't be afraid to use a straight-edge during the construction phase; I've learned this isn't actually cheatin'. I'd just start with basic 3D shapes and break it down into more detail. Or, if it's the subject of the piece, like above, start by establishing a horizon line and vanishing points. In that picture, I knew I wanted a mostly head-on angle, so I put the left vanishing point (that dictates the lines of the front) way off the paper and the right v/p close so the side tapered back in a pleasing way. Then I decided where the major shape of the grille was and marked that rectangle out using the v/p. Continuing from there, I figured where other body points were and drew more lines back to the vanishing points, creating a grid to noodle in the rest of the details.
Was that at all helpful? I think I confused myself.
And tires! Tires and wheels are, like, made up of a bunch of concentric rings that share a center but not a common plane; the tires are toroidal, with a compound curve in cross-section, and they bulge at the bottom from vehicle weight to varying degrees, so drawing them at an angle gets super frustrating.
All them words to tell you I don't know what I'm doin', and I think I just got lucky on this one and it turned out half-decent.
You boys seem to be doing okay with your autos. Just draw more to git gudder, I guess? In the end that always seems to be the ultimate answer.
And >>8055 glad to see your return with the backlog of missed weeks.
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No.8138
>>8065
I decided to redo a drawing from last year.
>>8052
I'm impressed by this one. A good garbage heap is hard work creatively.
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No.8166
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No.8167
>>8065
Cliff submission. I stink at drawing water.
>>8138
That's a real improvement between the two pictures. Coloring on the second one is especially great. That Terry sounds like a pretty cool guy.
>I'm impressed by this one. A good garbage heap is hard work creatively.
Thanks. It was not really that tough. I just drew bunch of random stuff hoping that it would work.
>>8166
It has a pretty nice color choice and good linework, but shadows on the bottom look a little bit off.
>>8073
>Was that at all helpful? I think I confused myself.
It reassured me that I am doing things the right way, but just need more practice. Following all the way through instead just thinking I can wing it towards the end is another thing I have to work on.
In addition to your method, I like to break car into engine bay, cabin, trunk, and axles. When working on perspective, I usually simplify their shapes, work on them separately, and then add more detail and complexity gradually.
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No.8172
I thought I couldn't make it. Really cool entries this and last week!
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No.8173
>>8172
Careful there, when we sit with our legs tucked in like that our knees don't go over our shoulders, let alone practically even with our hairline. Basically looks like he doesn't have a pelvis.
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Post last edited at
No.8177
Next due date is April Fools' day and so the theme will be
CLOWNING AROUND
Onto talking about the heap pictures. Cliff pictures soon to follow. Sorry for being late.
>>8051
>you wanna help a brotha out and tell me what other tangents you can see that are troubling to the eye?
The big ones I had in mind were that the left edge of the left glass (our left) and the right edge of the right glass are almost coincident with the edges of the girl's chest. The curved lines separating the bottom of the liquid volumes and the glass are also close to the unseen curves of the breasts.
That car is really damn good. Others have already said anything I could say, and more.
>>8052
Good stuff. The treads on the tire look like a pattern drawn on a flat surface. That's because the segments are spaced like this: | | | | | | | | rather than like this: || | | | | | ||. Another thing is that the outermost edges of the tire are not broken up by the texture.
>>8055
Sometimes there are minor perspective mismatches. E.g. some of the triangles painted on the speedbump in pic 1 appear straight while others appear curved. In pic 2, the horizon line is near the girl's bra strap (Assuming the dark things in the background are peoples' heads also above the horizon) but the car on the right is drawn as if we're looking at it from a height of half a metre. There's a similar mismatch with the human and the fox on the left in pic 3.
>>8058
I get a sense of mystery from this pic. "What's in the truck, and why is such a nice truck abandoned in the first place?". The brightness up top dominates the rest of the picture and the foilage competes with the truck for the viewer's attention because of the similar brightness levels. Also watch for mismatches in the height of the top of the truck, it doesn't appear to connect behind the green.
>>8065 was mine. Drawn from imagination, and it shows that I need to expand my visual library of dirt and sand.
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No.8180
>>8173
>having a pelvis
Look at this pleb
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No.8201
>>8066
Are these blooks?
The legs/feet have some perspective troubles. In the first pic, the right figure's foot that we see from the side appears to have little volume and it's smaller than the other foot. In the second pic the shoes don't appear to have the same shape, there's no point visible on the shoe viewed from the front.
>>8138
Good improvement here. In the first pic the legs are weird and the armpit looks almost symbol-drawn, and you've fixed these things in the second. Your grasp of shading has also improved.
The guy's left leg in the second pic is hidden behind other stuff but it should be visible somewhere given the angle of the left forearm resting on the unseen leg.
>>8166
You did a good job mixing the crosshatches with darker flat colours to communicate shadow as well as texture. Some harder-edged shadows would be suitable on this pic as some parts are casting shadows onto surfaces close by.
>>8167
A sense of scale is successfully being communicated here with the horizon line and relative sizes. However the thicknesses of the lines de-emphasise the texture of the sea, the border of the cliff and surrounding space, and the action of the wizard.
>>8172
From the placement of the dude's right arm and right leg and the orientation of his chest it looks like his body is facing the viewer but I get the impression from his face position that his whole body was intended to face something offscreen, in line with his head.
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No.8227
here's my submission for clowning around.
and a couple of other sketches I did today.
for the first drawing "z" the lover body is too long. probably because I focused too much on precision and accuracy.
and for the second one "asasc" the pose it too stiff.
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No.8241
I was afraid of clowns as a child.
>>8177
>The big ones I had in mind were that the left edge of the left glass (our left) and the right edge of the right glass are almost coincident with the edges of the girl's chest. The curved lines separating the bottom of the liquid volumes and the glass are also close to the unseen curves of the breasts.
That's the joke. Ah, so I failed all around, then.
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No.8244
>>8241
>That's the joke.
No worries mate I think it would have worked with these kind of jugs
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No.8248
>>8241
Nice work; possibly your best yet. Love the expression
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No.8250
>>8201
>>8177
Thank you for constructive criticism. Perspective, composition, and line weight have been things I've been focusing on recently. Composition seems to be coming along best so far, and perspective is just a matter of me staying consistent not winging stuff while drawing.
I am just not sure what to do about line weight. I know that details and items far away should be rendered in thinner lines, but I am lost outside of that.Especially if it involves a single stroke line that changes thickness along the way. Are there any books of other sources that talk about it in depth?
>>8241
This is really good.
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No.8254
Next theme is
WATER
for the 8th of April
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No.8265
>>8250
Fun pic and I think the storytelling aspect of the composition is great. The clowns needed to be set further apart though.
Regarding line weight, I'm still just beginning to understand how to control my stylus pressure enough to kind of make it work. The only thing I've found to help is to think of the line as broken up into multiple strokes. Even if I'm not lifting my brush from the surface, I still think of single stroke as multiple strokes.
I'm practicing with ellipses because they're simple in shape, easy to judge for correctness, but difficult relative to their complexity. I did a few here for illustrative purposes. I wonder if you can see how they are sort of constructed out of multiple strokes of different weight, even if the brush only makes a single one. I assume with practice it everything would be smoother and I wouldn't have to go quite as slowly.
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No.8325
Next theme is
NUTS
for the 15th of April
I don't have the time/inclination to run this anymore so someone else will have to pick it up from next week.
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No.8330
w a t e r
>>8325
>I don't have the time/inclination to run this anymore so someone else will have to pick it up from next week.
Thanks for taking us this far, I guess. Now who's going to be the next loser cool dude to lead us?
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No.8450
Nuts.
I'm willing to keep this thread going if others are still interested, but I don't want to be the only one drawing my own prompts like some kinda faaaaaaaaag.
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No.8452
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No.8476
One yes doesn't fill me with a lot of confidence.
Since we just had nuts, lets do
BOLT(S)
Still due Sunday 22nd of April
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No.8478
>>8476
I thought we had a whole week to draw nuts?
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No.8479
>>8478
That was last week. Weeks go by pretty fast, dude. Unless you're me, because I've been seriously ill for a week and this has been hell.
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No.8480
>>8478
We did. But just because I dicked around 'til mid-week waiting to see if others were still interested doesn't mean the established Sunday due date should be moved.
I don't want to say BOLTS is a throw-away theme, but I purposely didn't use a "cool" theme for the shortened week.
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No.8487
>>8480
Was cleaning up some old files and found a WIP that was meant for the water week. Figured I'd at least post it once before deleting it.
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No.8494
>>8487
Kinda looks like a nice tit.
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No.8495
>>8487
Thanks for the share.
I'd like seeing more posts in this thread, even if they're not complex or unfinished. Emphasis is on interpretation of the theme, not quality.
>>8494
It is titled Thirsty Bug.
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No.8507
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No.8508
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No.8509
>>8495
Yeah, I really need to loosen up and contribute more to this thread.
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No.8554
I really intended to contribute to this thread (for once) but I'm
STILL SICK
for heaven's sake; hopefully I can get something done in a few days
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No.8561
<The thread pitch is wrong.
I know.
>>8507
Nice
<nuts
bro.
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No.8562
>>8561
I like the style, it makes me think of descriptive geometry sheets.
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No.8564
Next theme:
ROBOTS
29th of April
What do you think of having an image in the prompt post like this? Makes it more visible, but I'm afraid it might influence what's drawn more than just text.
>>8554
I came real close to making "Still Sick" this week's theme, but I didn't feel like being that big of an ass … this time. Get better, anon.
>>8508
Nice. This is the kinda interpretation I like to see.
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No.8565
>>8508
I really like the choice of purples for the night sky
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No.8567
>>8564
I-I totally wasn't going to draw a French gynoid, honest.
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No.8576
Tired. Going to bed. Here's a robot.
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No.8578
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No.8580
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No.8620
>>8576
why does he have a bulge
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No.8622
>>8620
Would you be more or less afraid when being beaten by a robot police officer if it had a bulge?
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No.8694
I feel like I've forgotten how to draw.
>>8576
Noice
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No.8695
>>8694
Very cute robot.
>I feel like I've forgotten how to draw.
Consider yourself lucky; I feel like I never knew how and possibly never will for one reason or another.
I have zero imagination. I can't envision anything in my head and draw it and I don't think I have ever been able to. I just happen to make one line at a time and something based on trivia I've come to "know" through repetition comes out, looking completely soulless, stiff and shitty. As long as it's taken me to get where I'm at now it's apparent that I'm really not meant for this kind of thing, I guess I'm only continuing on because maybe I can get adept enough through rote memorization to where I can help bring out the potential in people who are.
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No.8697
>>8564
>29th of April
AoE time, right?
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No.8700
YouTube embed. Click thumbnail to play.
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No.8702
Just a quick Jenny bust for robot day.
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No.8704
>>8694
>bot you got me instead
CARLOS
Is that Drossel's body? It works strangely well with Optimus' head.
>>8702
One of the best westernly animated gynoids to be honest bbq.
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No.8705
>>8704
She's my favorite and she deserved better than what she got, god dammit. They'll never be able to reboot or make a show like hers again either because she wasn't an empowered independent woman who don't need no man character like the body-positive racially ambiguous lesbian grotesqueries of Steven SJWniverse. She was instead a generally flawed, dumb and-let's be honest-slutty stereotypical high school girl that just so happened to be a robot with military applications at the same time.
Hurt by time slot issues, and smothered by the overwhelming popularity of Spongebob and the Fairly Odd Parents, she will forever be our buried treasure-never to resurface in a world that's gone stark raving mad. Such a shame it had to end this way, non?
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No.8706
>>8700
Anywhere on Earth.
>>8705
Think of it this way: at least the show didn't drag on and on as the shadow of its former self.
>They'll never be able to reboot or make a show like hers again
I guess it's up to us to perpetuate the feelings it gave us, at our own level. Even without drawing her, it'll perspire through our work.
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No.8709
>>8695
You could always try technical drawing. They're soulless, stiff, and flat by design. Take a prop or robot from fiction and make a orthographic drawing of it.
>>8704
>Is that Drossel's body? It works strangely well with Optimus' head.
I don't know who Drossel is, so…
>image search
Huh. I have seen that thing before. Wasn't intentional, anyway.
>>8702
>>8705
>>8706
Do I need to watch this show? I always wrote praise for it off as cartoon spergs with clang tendencies verbalizing their autism. (which you might be) :^)
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No.8710
>>8709
>You could always try technical drawing. They're soulless, stiff, and flat by design. Take a prop or robot from fiction and make a orthographic drawing of it.
I definitely need to work on perspective and it's not even fucking funny.
Even after having drawn for several years there's so much I haven't even scratched the surface of that it unironically makes my want to kys myself
>I always wrote praise for it off as cartoon spergs with clang tendencies verbalizing their autism
guilty on literally all counts
The show has its moments and it's cute and all that shit but it's by no means a "must watch" kind of thing, I have to admit. I'd say it's worth watching sure, but its place as a second-stringer show behind Spongebob and FOP back in its day wasn't entirely undeserved.
I still own all the DVDs though
https://en.wikipedia.org/wiki/Asperger_syndrome
Anyway, what should this week's power word be, I wonder?
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Post last edited at
No.8711
>>8710
>I definitely need to work on perspective and it's not even fucking funny.
There's no perspective in orthographic projection, tho.
>cartoon shit
An okay show mostly bolsterd by nostalgia, then. I'll give it a look some day.
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No.8712
Next theme:
SPRING
6th of May
>>8697
>AoE time, right?
Turning your assignment in late is not an automatic FAIL
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No.8713
>>8564
Here is sort of 50's robot monster movie type thing. You can see I was playing around with ideas of making a faux vintage movie poster, but got bored with it. I think it is an idea I'll likely revisit again in the future.
>>8576
Very cool. I like how it feels like it is set in a dark, smokey atmosphere. Makes me want to learn painting.
>>8694
Cute both in illustration and subject. That optimus head makes me want to see some chibi Transformers and Gundams from you.
>>8697
I always like your spooky ribcages. They always make me want to play around with forms.
>>8702
Really captures her likeness well and it has that "life" to it that makes it appealing.
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No.8715
>>8713
Almost looks like a character from the original mega man box art.
*clamp clamp clamp*
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No.8717
>>8713
>thick bolts
<
Design-wise I like the wrapping lines. They give great information about the forms.
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No.8740
>>8713
It's like if Bender and an Assaultron had a child together.
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No.8744
>>8740
I wouldn't get it past Blender to do something like that.
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No.8798
>>8712
Spring + robot: two weeks for one!
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No.8807
>>8798
She's cute. I really like that alloy material she's made of (plastic+metal?).
Is she wearing a wig?
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No.8810
>>8712
>>8798
>two weeks for one
Gosh, what a good idea.
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No.8814
>>8810
I literally started saying to myself "where's the spr-" and then I caught on and was like
>pic
ho ho ho, nice work
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No.8821
>>8798
Thanks for the comment! The material was supposed to be plastic + metal parts, but the twisted pose and the lack of experience in painting robots left it to the way it is.
The robot had a more human-like face in the original sketch, and the hair was a leftover from there. I thought it would be neat detail to leave the hair as it is. It's probably a little bit too high, so that it looks like it's on top of the head instead of attached to it?
Note to self: pay attention to design. Do a few test sketches before trying the complete work. Also do investigation on pelvis, abdomen, neck and face anatomy.
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No.8822
>>8807
>>8821
Gee, I wish I could reply to the right message some day.
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No.8841
Spring is mushroom season. I added the fairy for a touch of lewdness so you don't think I'm just trying to push my morels on you people.
>minutes to draw
>hours to ink
Fug.
new theme tomorrow
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No.8845
>>8841
>hours to ink
I can imagine, that thick, juicy morel has some complex details.
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No.8853
Next theme:
TURTLE
13th of May
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No.8868
>>8853
Regular teenage ninja turtle
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No.8875
>>8868
She's floating in the air.
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No.8876
>>8875
she's a ninja for a reason
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No.8880
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No.8882
>>8880
it's a female now shh
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No.8936
>>8853
I knew that Japanese pose book would be handy some day.
Some thoughts: Clearly started with a bad base colour (strange tint?), and the smaller turtle should have also been painted over a line art. Painting with a blender brush yields good results, but overdoing it softens the image too much.
Good theme, thank you for keeping the thread up.
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No.8952
We're just all doin' ninjas then? cool
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No.8953
>>8936
nicely done
>>8952
very appealing; well done
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No.8960
People don't fuck with me
(6 million hrs in ms paint)
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No.8961
>>8960
That's one jacked tortuga my nigga
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No.8967
Last two weeks combined in hasty boi tortle image
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No.8993
Next theme:
FLIGHT
20th of MAY
>>8967
Cute.
>>8960
Brute.
>>8936
I'd say the bottom of his nose occupies too much space. Your self-crit seems to be on point, but I have no idea what goes into painting like that, so what do I know.
>Good theme, thank you for keeping the thread up.
You're welcome. And THANK YOU. I'm doin' my best. I know previous anon got some shit when he just said "good job, everyone, here's next week's theme," but I find it hard to have something to say about everybody's posts. I don't want to leave peeps hangin'; it's kinda shit when you post art and it's completely ignored, but if it's already had some response, I'm not going to compel myself to say something about it in a wrap up post.
<this is starting to sound like a whiny blogpost.
To sum up: I like and appreciate every entry, regardless of skill or time involved.
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No.9116
>>8952
>>8967
That's really nice.
>>8993
Here's my contribution after a long break.
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No.9125
>>8993
I literally forgot about this. Will try and poop sometging out asap
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No.9127
>>9116
This seems like one of those warhammer things I know nothing about.
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No.9130
Next theme:
FIRE
27th of MAY
>>9125
If it doesn't get any midweek posts, it's easy to forget about.
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No.9158
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No.9159
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No.9160
>>9130
I cant for the life of me draw flames
my wood texture isn't as great as it could be either
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No.9273
That blonde >>7731 is back again.
>>9159
Y…you want her leathery wings wrapped around you, anon?
>>9158
The hands are too small for a big guy. The heavy gloves will make them look even larger.
/bully
>>9160
I start with the major shape & flow and break it down into more detail. But I draw cartoon flames, so take that as you will. The texture on the torch works for roughly worked or weathered wood.
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No.9281
Next theme:
CATS
3rd of JUNE
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No.9313
>>9130
Better late than never! Why don't I look for more reference _before_ I start drawing?
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No.9356
>>9130
Well here is my whatever polished turd. I need to practice
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No.9363
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No.9364
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No.9374
>>9363
It's funny because it's true.
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No.9387
>>9281
Cats. Tried to implement using basic shapes in the sketching stage. The hand was (again) harder than I thought it would be.
>>9363
Well done Anon, well done
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No.9393
>>9364
>>9374
I'd always forget it's a he.
>>9387
I think the hand could use some dark lines to match the rest of the image. Like, in the deep shadows between the fingers and to seperate the thumb underneath. As it is now, it kind of stands out as blurry or rendered different. It's nice, though, I like that style.
(I'd say that cat's about ready to have kittens)
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No.9396
Next theme:
COWBOY
10th of JUNE
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No.9398
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No.9515
<You gonna skin that smoke wagon, 'r what?
>>9398
The horizontal line even with the muzzle is a little distracting, tangentially.
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No.9518
Next theme:
VIDEO GAMES
17th of JUNE
How do you do, my fellow adolescents? Everyone sure is talking about CES this week. I hope Todd Howard Phillips tells us more about Mario 76. Surely our trusted friends in the gaming media will let us know all about it in next month’s publications.
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No.9522
>>9518
Thanks for continuing to do this. I promise I'll contribute more once I figure out this Atelier job sh*t gnomesaiyan? The thread is reaching its bump limit so it wouldn't be a bad idea to start thinking about how to gussy it up as a more official-looking "general" or whatever for next time. The power is (You)rs
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No.9524
>>9522
I've had it in mind to make the new op image match the other "generals" for a while. The rate this thread moves, though, it'll be a few weeks before I need to worry about it.
>Thanks for continuing to do this.
Yep.
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No.9576
>>9518
An unknown video game hero
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No.9585
>>9518
I tried emulating Kirkbride and his sketches, but it ended up too messy. I really need to work on my perspective too.
>>9515
Holly shit, this is great.
>>9398
Perspective is very good on the handle and the trigger, but the cylinder is a little bit off. Holster should also probably hang closer to the leg.
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No.9586
>>9585
God, I always get a hard on for anything Morrowind related.
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No.9587
Shit. Couldn't think of anything and then I dicked around and forgot about it until I came here late. Buuuuut, I like how this was turning out and think I'll finish later, so I stopped before I made it impossible to refine and ink with some hastily applied HB linework.
>>9576
Giana?
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No.9588
>>9587
>Captain N(word)
My nigga
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No.9589
Next theme:
TRACKS
24th of JUNE
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No.9658
You can see where I gave up.
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No.9662
>>9589
My another last minute submission.
>>9658
This is really good
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No.9663
Next theme:
SPACESHIP
1st of JULY
>>9662
I like the overall anatomy and posing here.
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No.9712
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No.9713
>>9663
New weakness discovered: spaceships and machines in general.
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No.9715
>>9663
I started redrawing one that I did last month, but Im not going to finish it. The pyramid spaceship is heaven from the images that I posted here >>9337
The girl is meant to be Yukiko Okada, I think I captured her likeness well enough the first time I drew this picture and I really couldnt manage that this time which is why I have left the face blank for now. The anatomy is a lot better, but the pose is worse and doesnt capture the spirit that Im going for.
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No.9717
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No.9720
>>9663
An early spaceship design for the comic I am making as a practice and for my own amusement.
It's off-topic. but I've been trying to make it resemble a woman laying down and floating in water. Is it too obvious? I've been also thinking of eliminating the halo and making 'wings' bigger and flatter, since this spaceship should be capable of atmospheric flight as well.
>>9663
>I like the overall anatomy and posing here.
Thanks. Female anatomy is something I've been focusing on lately, and it finally starts paying off.
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No.9721
>>9720
I noticed the woman thing immediately, but I'm also a porn-addled degenerate, so don't take me as a representative slice of viewers. Except as much as you expect them to be ones as well.
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No.9722
>>9720
Not too obvious imo.
As for spaceships in general, you'll have to consider a few things as i go into autistic rambling.
First, you should consider what is the intended purpose and class of the ship? Ships intended for exploration will have to have a smaller to medium cargo hold, small quarters, medium space for fuel, and some basic defensive and offensive systems. Capital or ferry ships usually have large cargo/quarters area, extensive fuel reserves and defensive and offensive equipment.
Spaceships are usually more cleanly shaped form to not waste internal space. Your ship looks like a light attack ship or a shuttle. For an example irl, a spaceship is more like a warship. Self sufficient. Your spaceship seems like an "aircraft". It doesn't seem to have that much space for fuel, a large quarters for crew, a cargo hold, and too busy internal systems. It seems designed with a base it could relatively quickly return to refuel/rearm, which is usually the case with light attackers kept by stations or capital ships, and/or shuttles. It would be sufficient for in system travel, but it should experience issues during extended trips (could be a plotpoint, actually)
If you want atmospheric flight, you'll have to consider actual wings and the method of landings and takeoffs. With your ship, either a grippen like or an x27 like wing setup is more fitting, with the large wings in the back and the smaller ones front. As for landing and taking off, you could either leave it and have it land like an airplane, draw some thrusters on the bottom for a vertical takeoff.
You'll also need to consider landing gears and the actual entrance to the ship.
For the landing gear, you could extend them or make the halo turn like pic related before landing (though that would be a constant hazard), or as you said, remove it.
As for the entrances to the ship, you'll have to consider the type. Light attack ships may have a planelike setup, with the cockpit glass raising, while a shuttle and or normal ship may have a commercial airline setup, or a lowerable ramp to move cargo.
If your ship will ever sail out from under the watchful eye of whatever policing force is in your target universe, they'll also need weaponry and defense systems. If you are taking the attack ship route, you might have built in guns near the cockpit or under the wings, though consider other options as all have drawbacks (weapon could explode if hit near the cockpit vs losing a wing could mean also losing a weapon)
The feet are neat in a way that they could pretty easily be used for cooling (given internal systems are present), and for the belly button, instead of just it being on you could turn it into a rotateable camera system, so that it serves a purpose, with the pilot/s being able to take a gander in 360 if need be (like being chased, or just in general due to the forward facing cockpit). Might be a weakpoint that you want to modify with armor or shield in general though. (pr have as a weakness for the story for dramatic purposes)
Anyway, pretty alright in my opinion if it's for a simple comic, but depending on the level you want to achieve with it, it might need a few things added.
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No.9724
>>9712
But does /strek/? I wanna make Swolecard proud.
>>9713
>New weakness discovered:
Every time I draw something I don't usually.
>>9715
You could have had the swoosh dip out of frame lower right and come back up under her if you wanted to keep the same momentum as the first image.
>>9720
> I've been trying to make it resemble a woman laying down and floating in water. Is it too obvious?
No more obvious than the ship from Battle Beyond the Stars.
> I've been also thinking of eliminating the halo and making 'wings' bigger and flatter, since this spaceship should be capable of atmospheric flight as well.
It depends on size and what level the technology is at. A ship with the power output and tech for interstellar travel probably doesn't need wings for lift in atmosphere. I feel that atmosphere-capable craft just need to be aerodynamic to minimize drag and heat build-up. Smaller craft, like fighters or planet hoppers that stay in-system would probably be better served by more traditional wings and control surfaces.
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No.9726
Next theme:
'MURICA
8th of JULY
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No.9734
Gonna try and cram the last 8 themes into one image
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No.9735
>>9734
>and then I forget my image
Experimenting with some foreshortening on this one.
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No.9736
Probably done to death already.
>>9734
I'm content with the last two.
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No.9737
Time to accessorize. I really don't know how the heckin' fr*ck to portray that rear leg.
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No.9738
I don't know what I'm doing (besides derailing this poor thread with my WIPs tbh). Maybe I should take this to the draw thread and stop spamming
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No.9739
>>9738
>Experimenting with some foreshortening on this one.
> I really don't know how the heckin' fr*ck to portray that rear leg.
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No.9742
>>9739
Thanks. Not sure, it's a tough one. Seems like there's a lot of different places it cold be given the position of the front leg, but if nothing else the knee definitely has to come down because it looks like it's made of rubber at the moment. I'll have to try and make that arm look better too, certainly. It looks too much like it's just a smol arm in profile.
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No.9801
She's got a lot of hair. I hate hands.Third thing.
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No.9803
>>9801
>reveal your secrets, burger
I love it. Her mouth is at a smidge too steep of an angle relative to her eyes and nose but maybe that was intentional.
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No.9805
Next theme:
WIZARD
15th of JULY
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No.9808
>>9803
They were supposed to be pursed and crooked, from trying to hold back the emotion, but they ended up a little too symmetrical. Say Lavee
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No.9872
>>9722
might be a bit late to the thread, but my only itty bitty critique on the design is that the thruster makes it look like a medieval bucket helm on a lady. Were I to not have read that you wanted to design it similar in form to a female arching her back, I may not have suspected that the design was intentional were it not for the tits
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No.9891
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No.9892
>>9891
Awesome pics. Great size. Look thick. Solid. Tight. Keep us all posted on your continued progress with any new progress pics or vid clips. Show us what you got man. Wanna see how freakn' huge, solid, thick and tight you can get. Thanks for the motivation.
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No.9897
Next theme:
DOGS
22nd of JULY
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No.9898
>>9897
That's good. I like it "Ruff" XD
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No.9946
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No.9948
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No.9949
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No.9955
hack doggos
they were going to be wizard doggos but I dont have time
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No.9956
>>9897
Sketch for this and the last week.
Thank you everyone of the feedback on the star ship. I made some changes to it, but did not finish the redesign yet.
>>9721
Well, comic has decent amount of cheesecake worked in, so make of that what you will. I don't think I will be posing it any time soon.
>>9724
>No more obvious than the ship from Battle Beyond the Stars.
Dammit, it a bit too obvious then.
>>9722
It is supposed to be a semi-luxury 'racing' ship capable of short interstellar travel, converted into a 'dog-fighter ship' with small to medium cargo hold. Pirates would use a bunch of them would swarm the larger shit, disable it, and then crew on another boarding ship would move in to loot.
Idea for the weapons was that they are hidden, and would only be deployed for combat.
>>9872
Thruster/engine design was to kind of conceal the whole woman thing a bit. Other option was to just not have a 'head'
>>9946
It's pretty cute.
>>9949
And this is pretty slick.
>>9955
Good stuff. Brown dog is a little too cartoon compared to the other too, which bothers me a little bit for some reason.
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No.9957
Next theme:
EARTH
29th of JULY
This should do it for the thread. Assuming we hit the bump limit, new thread will be made next week.
>>9956
Nice wizard.
>Dammit, it a bit too obvious then.
Not as obvious might have been better phrasing, heh.
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No.9992
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No.9993
>>9992
That looks sick; good work
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No.9998
>>9957
Decided to use this week to practice on my ground textures.
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No.9999
>>9998
That looks really nice, man. Good work.
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No.10007
>>9957
This week's silly submission. It does not really make sense to have an astronaut just float by himself in space, but I could not figure out any other way to get the message across. Having him look from a shuttle would not have been straightforward enough.
>Not as obvious might have been better phrasing, heh.
It was supposed to be 'It's a bit too obvious then,' but I am a scatter-brained faggot who needs to double check all comments to make sure everything is correct. I was in a rush and forgot to do it. That's also the reason why I ended up uploading sketches that were not cleaned up.
>>9992
This is really good. I wish I would have thought of drawing Jim.
>>9998
This is really good too. What kind of game are you working on?
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No.10009
>>10007
No, duder, I understood you. I should have said "not as obvious" instead of "no more obvious." 'Cause it's not.
You think you're the only scatter-brained faggot around here? smh
That's a pretty good turtle, btw. And the astronaut's got a nice angle and dynamic pose. Looks like a man just floatin' in space, realisin' his crazy inbred cousin-uncle was right.
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No.10010
>>10007
Forget about the Earth being flat, it's actually a turtle.
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No.10011
Next theme:
JAR
5th of AUGUST
(Thread's past bump, but I'll let it drop some before starting the new one.)
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No.10059
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No.10064
>>10011
My submission.
>>10059
That's a one scary Jar Jar.
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No.10067
>>10059
Jiminy crickets, how horrifying. Mesa do loves mesa sum Jar-Jar, though.
Sometimes when I’m making the weekly image, I’ll make a version with a more involved joke that I ultimately don’t use so as to not ad any undue influence or squash someone’s idea by having “already done it.” (pic related)
>>10064
You got some nice subtle pencil texturing going on there.
>>10037 new thread
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