Color palette is a little hard to get used to. Main character has a stupid haircut for no reason and you can tell he's written by Si Spurrier because he's so far up his own ass and constantly snarking down at the material he's working with. Did the same thing with The Shadow; openly mocking the premise while trying to contemporize it with his signature lack of wit. I'm not especially digging the whole vague apocalypse thing, either. It seems like that whole thing is taking a back seat to the main character's melancholy internal monologue to his wife who I'm going to predict is already dead or somehow central to everything that's happened off screen.